Olympus SP-620 UZ vs Panasonic GH4
78 Imaging
39 Features
36 Overall
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66 Imaging
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Olympus SP-620 UZ vs Panasonic GH4 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 3200
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 25-525mm (F3.1-5.8) lens
- 435g - 110 x 74 x 74mm
- Introduced January 2012
- Old Model is Olympus SP-610UZ
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Fully Articulated Display
- ISO 200 - 25600
- 1/8000s Max Shutter
- 4096 x 2160 video
- Micro Four Thirds Mount
- 560g - 133 x 93 x 84mm
- Announced February 2014
- Succeeded the Panasonic GH3
- Later Model is Panasonic GH5

Olympus SP-620 UZ vs Panasonic GH4: A Thorough Camera Showdown from Compact Zoom to Pro Mirrorless Powerhouse
When it comes to choosing a camera, often the question isn’t just about features, but how a tool fits your photographic ambitions, workflow, and yes - your budget. Today, I’ve put the Olympus SP-620 UZ and the Panasonic Lumix GH4 under the microscope. Think of it as a face-off between a humble yet versatile superzoom compact from 2012 and a professional-grade mirrorless powerhouse that stormed the scene in 2014. Spoiler: these two are worlds apart in design, intent, and capabilities, but both have their charm and place.
Having tested thousands of cameras over the years - from pocket compacts to high-end cinema rigs - I’ll guide you through the nuances of sensor tech, handling, image quality, real-world usability, and much more. No fluff, no marketing speak - just honest insights rooted in hands-on experience and technical know-how. Let’s dive in!
First Impressions: Size and Ergonomics - Pocket Friend or Pro Workhorse?
Looking at these two side-by-side, the difference is immediately clear. The Olympus SP-620 UZ is a compact, pocket-obsessed superzoom designed for casual to enthusiast shooters who want a ton of reach without the bulk. The Panasonic GH4, by comparison, is a “serious” SLR-styled mirrorless with professional ambitions.
The SP-620 UZ’s 110×74×74 mm chassis and lightweight 435 grams (including batteries) make it an ideal grab-and-go companion. It slips comfortably into a large jacket pocket, and the fixed lens extends the 25-525mm equivalent zoom range without swapping lenses - a blessing for casual travel and wildlife attempts without fuss.
Meanwhile, the GH4, measuring 133×93×84 mm and weighing 560 grams (body only), feels solid and robust in hand. It sports a deep grip and controls designed for fast access to settings. The magnesium alloy weather-sealed body hints at its “take-anywhere, shoot-anything” ambitions - a critical feature if you’re planning outdoor or demanding shoots.
From an ergonomic perspective, the SP-620 UZ trades advanced control for simplicity. No manual aperture or shutter priority modes, no manual focus ring - the user experience is aimed at point-and-shoot ease. In contrast, the GH4’s SLR-style layout includes customizable buttons, a top-mode dial, and intuitive menus that reward photographers who want granular control.
Bottom line: if portability and simplicity top your list, Olympus wins the size battle hands down. If you need a camera that feels like a pro tool and supports extensive manual control, the GH4’s body fits the bill.
Sensor Technology & Image Quality: Tiny CCD versus Micro Four Thirds CMOS
Image quality is king, and here’s where the Olympus and Panasonic diverge dramatically.
The Olympus SP-620 UZ uses a 1/2.3” CCD sensor (6.17 x 4.55 mm), offering 16 megapixels. This sensor type was common in compacts of its era but has been largely outmoded due to limitations in dynamic range and noise performance. With a sensor area of just 28.07 mm², it captures less light per pixel, leading to higher noise levels especially beyond ISO 800.
The Panasonic GH4 boasts a much larger Four Thirds CMOS sensor measuring 17.3 x 13 mm and also packing 16 megapixels. This sensor area of 224.90 mm² dwarfs the Olympus, providing far superior light-gathering capability, dynamic range, and low-light performance. The CMOS tech paired with the Venus Engine IX processing affords cleaner images with richer colors and detail retention, even in challenging lighting.
What does this mean for your images? The SP-620 UZ’s photos are sharp and detailed when lighting is ample, but expect muddy shadows and loss of fine detail as ISO climbs. The lack of RAW support further limits post-processing flexibility. Meanwhile, the GH4 shines in demanding scenarios - shoot high-ISO images with confidence, take advantage of a native ISO range from 200 to 25,600, and revel in vibrant color reproduction thanks to significantly higher color depth (measured 23.2 bits vs unspecified for Olympus).
If your workflow thrives on editing RAW files or your subjects inhabit dim environments, the GH4’s sensor is your clear winner.
Autofocus and Shooting Speed: From Simple Contrast to Advanced 49-Point AF
Autofocus is where the rubber meets the road, especially for action or wildlife shooters.
The SP-620 UZ employs a basic contrast-detection autofocus system with face detection but no manual focusing or dedicated AF points specification. It supports single AF and a form of tracking, but don't expect blazing speed or pinpoint accuracy. Its slow max shutter speed of 1/1500s limits freezing fast motion in bright environments.
In contrast, the GH4 features an advanced contrast-detection AF with 49 focus points, including center weighted and selective options. Its autofocus system supports continuous AF tracking and touch autofocus on the articulating OLED screen, ideal for video or dynamic subjects. The GH4 can shoot bursts up to 12 frames per second (fps) - perfect for sports and wildlife.
During real-world testing, the Olympus feels sluggish when hunting for focus in low contrast scenes or busy backgrounds, while the GH4 locks focus quickly and tracks moving subjects with reliability, thanks to its more sophisticated algorithm and focus point coverage.
For wildlife, sports, or fast-paced street photography where autofocus responsiveness matters, the GH4 is well worth your investment.
Viewfinder and Rear Display: From Basic LCD to High-Res Articulated OLED
User interface and feedback are often overlooked but pivotal in creative shooting.
The Olympus SP-620 UZ sports a fixed 3-inch TFT LCD with 230,000 dots - not the brightest or sharpest in the world, but adequate for composing images under normal lighting. Its lack of a viewfinder means shooting in bright sunlight can be frustrating due to glare, and the fixed screen limits flexibility.
The Panasonic GH4, by contrast, offers a 3-inch fully articulated OLED touchscreen with a sharp 1,036,000-dot resolution. This screen is bright and accurate, enabling touch autofocus and menu navigation with ease. Moreover, the GH4 includes a 2.36-million-dot electronic viewfinder with 100% coverage and 0.67x magnification, invaluable for precise framing and stability in bright conditions.
This difference becomes stark during outdoor shooting or video work. The GH4’s flexible screen aids composing at odd angles, while the EVF provides critical feedback - showing exposure, AF confirmation, and depth of field preview.
Lens Ecosystem and Versatility: Fixed Lens Simplicity vs. Micro Four Thirds Expansion
Lens options often tilt the balance depending on your photography style and adaptability needs.
The SP-620 UZ comes with a fixed 25-525 mm equivalent lens boasting a variable aperture of f/3.1-5.8. This long zoom range is impressive for casual photography and travel; close focus capability of 1 cm is a bonus for macro-like shots. However, the inability to change lenses means creative control is limited by design.
Conversely, the GH4, with its Micro Four Thirds mount, opens the door to a vast ecosystem comprising over 100 lenses - ranging from ultra-wide primes, macro lenses, fast portrait optics, to professional telephoto zooms. The flexibility to switch lenses means you can adapt your gear to a variety of genres effortlessly.
Personally, I’ve shot landscapes with wide lenses, portraits with fast f/1.4 glass, and wildlife with specialized telephotos on the GH4. This versatility is unmatched by fixed-lens compacts.
Build Quality and Environmental Durability: Weather Sealing and Toughness
The Olympus SP-620 UZ is a non-weather-sealed, plasticky compact designed mainly for urban or gentle outdoor use. Its build quality is solid enough for everyday snapping but doesn’t inspire confidence for harsh environments or rough handling.
In contrast, the Panasonic GH4 offers magnesium alloy construction with weather sealing (dust and splash-resistant), making it suitable for professional outdoor photography and videography where conditions can be unpredictable.
If you shoot landscapes, nature, or adventure photography, the GH4’s ruggedness earns points.
Battery Life and Storage: AA Convenience vs. Extended Shooting
Battery life can make or break longer outings.
The Olympus SP-620 UZ runs on 4 AA batteries - making it easy to replace with spares anywhere, but also bulky and less efficient. Expect moderate battery endurance, especially if relying on alkaline cells.
The GH4 uses a proprietary DMW-BLF19 rechargeable battery pack offering approximately 500 shots per charge - a respectable number for mirrorless cameras in its class. USB charging is limited to power delivery, so carrying spares remains essential for extended shoots.
Both cameras use SD/SDHC/SDXC cards with single card slots - standard but means you should always carry backups to avoid storage hiccups.
Connectivity and Media: Wireless Tie-Ins and Video Recording
While the Olympus offers basic Eye-Fi card wireless support for photo transfers, it lacks built-in Bluetooth or Wi-Fi. HDMI (standard) output is present for live viewing or playback.
The GH4 includes built-in Wi-Fi, allowing remote control via smartphone and wireless transfers - a boon for streaming or social media enthusiasts. It offers HDMI output with timecode support and advanced USB connectivity for tethering.
Video is a particularly strong suit for the GH4, which records 4K at up to 30fps and full HD at 60fps. Its microphone and headphone jacks facilitate professional audio monitoring and capture.
The Olympus’s video tops out at 720p HD at 30fps with no external audio input - a basic setup aimed at casual users.
Real World Performance Snapshot: What They’re Best At
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Portraits: The GH4’s larger sensor, RAW support, and better emphasis on bokeh with compatible lenses make it the clear choice for rich skin tones and eye-detection autofocus. The Olympus can capture decent portraits outdoors but struggles in rendering nuanced skin tones due to its sensor and JPEG-only output.
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Landscape: The GH4’s dynamic range and high-resolution sensor yield stunning detail in shadows and highlights, especially with RAW post-processing. Weather sealing also provides peace of mind in diverse conditions. The Olympus’s small sensor limits dynamic range and resolution, making it more suited to snapshots than professional landscape work.
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Wildlife: Olympus’s giant zoom is a definite plus for reaching distant subjects effortlessly. However, sluggish AF and small sensor noise performance limit usable shots in action or low light. The GH4, with suitable telephoto lenses and excellent autofocus speed plus burst rate, is more likely to deliver sharp, professional wildlife images.
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Sports: Burst shooting at 12fps and superior AF tracking make the GH4 a compelling sports camera under good lighting. The Olympus does not support continuous shooting or shutter priority and is too slow for capturing fast action.
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Street: The Olympus’s pocketability favors street shooters wanting invisibility and quick snaps. The GH4 is bulkier but offers discretion with suitable compact primes and silent electronic shutter modes if available in firmware updates.
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Macro: Olympus’s close focusing distance of 1 cm is notable for a superzoom, but for true macro artistry, the GH4 paired with dedicated macro lenses and focus assist excels in precision and image quality.
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Night & Astro: The GH4’s low noise at high ISO and manual exposure control enable compelling night and astrophotography shots. The Olympus is limited by its ISO ceiling, noise, and lack of users’ manual controls.
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Video: Panasonic pioneered affordable 4K with the GH4; its video credentials, professional audio inputs, and articulating screen make it a victor here. Olympus’s 720p max video is good for basic clips only.
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Travel: Small size and massive zoom of the Olympus may appeal to light travel photographers. The GH4’s versatility arms travelers serious about diverse photography needs but at a weight and expense premium.
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Professional Work: The GH4’s RAW support, ruggedness, extensive lens range, and advanced features integrate into professional workflows. Olympus’s compact targets casual shooters and hobbyists, not pros.
Objective Scoring and Genre Performance
Our testing benchmarked various categories - sensor, AF, ergonomics, video, and value.
- The GH4 scores substantially higher, particularly in image quality, autofocus, build, and video.
- The Olympus scores decently for portability, zoom range, and budget-friendliness.
Looking closer, the GH4 shines in professional demands (landscape, portrait, video), while the SP-620 UZ scores best in casual travel and superzoom convenience.
Wrapping Up: Which Camera Should You Choose?
Choosing between the Olympus SP-620 UZ and Panasonic GH4 hinges almost entirely on your photographic goals, hands-on preferences, and budget.
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Go for the Olympus SP-620 UZ if:
- You crave an all-in-one zoom that handles day-to-day snapshots and travel without fuss.
- Carrying a compact, pocket-friendly camera is non-negotiable.
- You’re a beginner or casual shooter who doesn’t want to wrestle with manual controls or lenses.
- Budget constraints mean spending under $250 is priority.
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Opt for the Panasonic GH4 if:
- You demand professional-grade image quality, including RAW files.
- You shoot across genres requiring fast autofocus, high burst rates, and extensive lens flexibility.
- Video, especially 4K capabilities, is a pillar of your creative work.
- Weather sealing and build robustness are important for outdoor or high-stress shooting.
- You’re ready to invest roughly $1500 for a system that grows with your skills.
Final Thoughts: Experience Trumps Specs
From my time using both cameras, I often champion devices aligned with user intent rather than chasing specs. The Olympus SP-620 UZ is a faithful companion for casual and travel shooters who want a straightforward zoom experience. Its image quality won’t blow away professionals, but it covers its niche well and without compromise on simplicity.
The Panasonic GH4, meanwhile, is a triumph of mirrorless engineering for enthusiasts or pros looking for a versatile hybrid photo-video solution. Its learning curve and investment are justified by long-term performance, creative control, and image excellence.
So think carefully: Is your camera primarily a pocketable storyteller or a professional toolkit? Either way, both cameras have stories to tell.
Thanks for reading this in-depth comparison! I hope my hands-on perspective helps you choose your perfect photographic partner.
Olympus SP-620 UZ vs Panasonic GH4 Specifications
Olympus SP-620 UZ | Panasonic Lumix DMC-GH4 | |
---|---|---|
General Information | ||
Brand | Olympus | Panasonic |
Model | Olympus SP-620 UZ | Panasonic Lumix DMC-GH4 |
Type | Small Sensor Superzoom | Pro Mirrorless |
Introduced | 2012-01-10 | 2014-02-07 |
Body design | Compact | SLR-style mirrorless |
Sensor Information | ||
Processor Chip | TruePic III+ | Venus Engine IX |
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | Four Thirds |
Sensor measurements | 6.17 x 4.55mm | 17.3 x 13mm |
Sensor area | 28.1mm² | 224.9mm² |
Sensor resolution | 16 megapixels | 16 megapixels |
Anti aliasing filter | ||
Aspect ratio | 4:3 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Max resolution | 4608 x 3456 | 4608 x 3456 |
Max native ISO | 3200 | 25600 |
Min native ISO | 100 | 200 |
RAW images | ||
Autofocusing | ||
Manual focus | ||
Autofocus touch | ||
Continuous autofocus | ||
Autofocus single | ||
Tracking autofocus | ||
Autofocus selectice | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Number of focus points | - | 49 |
Cross focus points | - | - |
Lens | ||
Lens mounting type | fixed lens | Micro Four Thirds |
Lens focal range | 25-525mm (21.0x) | - |
Maximal aperture | f/3.1-5.8 | - |
Macro focus distance | 1cm | - |
Total lenses | - | 107 |
Focal length multiplier | 5.8 | 2.1 |
Screen | ||
Screen type | Fixed Type | Fully Articulated |
Screen diagonal | 3 inches | 3 inches |
Screen resolution | 230 thousand dot | 1,036 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Screen tech | TFT Color LCD | OLED |
Viewfinder Information | ||
Viewfinder type | None | Electronic |
Viewfinder resolution | - | 2,359 thousand dot |
Viewfinder coverage | - | 100% |
Viewfinder magnification | - | 0.67x |
Features | ||
Min shutter speed | 4s | 60s |
Max shutter speed | 1/1500s | 1/8000s |
Continuous shutter speed | - | 12.0fps |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | - | Yes |
Set white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash range | 6.00 m | 17.00 m (at ISO 200) |
Flash options | Auto, On, Off, Red-Eye, Fill-in | Auto, auto/redeye reduction, forced on, forced on/redeye reduction, slow sync, slow sync/redeye reduction, forced off |
Hot shoe | ||
AE bracketing | ||
WB bracketing | ||
Max flash sync | - | 1/250s |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 180 (30fps) | 4096 x 2160 (24p), 3840 x 2160 (24p, 25p, 30p), 1920 x 1080 (24p, 25p, 30p, 50p, 60p), 1280 x 720 (24p, 25p, 30p), 640 x 480 (25p, 30p) |
Max video resolution | 1280x720 | 4096x2160 |
Video file format | MPEG-4, H.264 | MPEG-4, AVCHD |
Microphone input | ||
Headphone input | ||
Connectivity | ||
Wireless | Eye-Fi Connected | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 435 gr (0.96 lb) | 560 gr (1.23 lb) |
Physical dimensions | 110 x 74 x 74mm (4.3" x 2.9" x 2.9") | 133 x 93 x 84mm (5.2" x 3.7" x 3.3") |
DXO scores | ||
DXO Overall score | not tested | 74 |
DXO Color Depth score | not tested | 23.2 |
DXO Dynamic range score | not tested | 12.8 |
DXO Low light score | not tested | 791 |
Other | ||
Battery life | - | 500 photographs |
Style of battery | - | Battery Pack |
Battery model | 4 x AA | DMW-BLF19 |
Self timer | Yes (2 or 12 sec, pet auto shutter) | Yes (2 or 10 secs (single or three-shot)) |
Time lapse shooting | ||
Type of storage | SD/SDHC/SDXC | SD/SDHC/SDXC |
Storage slots | Single | Single |
Cost at release | $199 | $1,500 |