Olympus SZ-12 vs Panasonic GX85
89 Imaging
37 Features
36 Overall
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83 Imaging
53 Features
76 Overall
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Olympus SZ-12 vs Panasonic GX85 Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 80 - 1600
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 25-600mm (F3.0-6.9) lens
- 226g - 106 x 69 x 40mm
- Announced January 2012
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Tilting Screen
- ISO 200 - 25600
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 3840 x 2160 video
- Micro Four Thirds Mount
- 426g - 122 x 71 x 44mm
- Launched April 2016
- Also Known as Lumix DMC-GX80 / Lumix DMC-GX7 Mark II
Pentax 17 Pre-Orders Outperform Expectations by a Landslide Olympus SZ-12 vs Panasonic Lumix GX85: An Expert Comparison for Discerning Photographers
Selecting the right camera necessitates a meticulous balancing of technical capabilities, operational nuances, and use-case alignment. In this detailed comparison, we evaluate the Olympus SZ-12, a compact superzoom model introduced in 2012, against the more contemporary Panasonic Lumix GX85 mirrorless from 2016. Both cameras target very different segments - but a side-by-side technical scrutiny reveals insights valuable to enthusiasts and professionals seeking either simplicity or advanced functionality in their photographic toolkit.

Physical Design and Ergonomics: Compact Convenience vs. Rangefinder Control
Starting with physical form factor and handling, the Olympus SZ-12 is a small-sensor point-and-shoot styled compact, measuring 106 x 69 x 40mm and weighing 226g. Its fixed lens design and modest weight make it an easy grab-and-go camera optimized for casual superzoom use. Controls are minimal with no manual focus ring or dedicated dials, reflecting its beginner-friendly orientation.
By contrast, the Panasonic GX85 embodies a rangefinder-style mirrorless body at 122 x 71 x 44mm and 426g, nearly double the weight of the SZ-12 but delivering substantial ergonomic advantages. The GX85 features robust grip contours, a rich complement of tactile controls including an electronic viewfinder, tilting touchscreen, and customizable buttons. These support nuanced exposure adjustments essential for more deliberate photography.
The ergonomics of the GX85 lend themselves well to extended handheld shooting with secure handling, whereas the SZ-12’s smaller chassis emphasizes portability at the cost of comfortable manual operation. This distinction directly influences shooting stability and user fatigue during intensive sessions.

Control Layout and User Interface: Minimalist Simplicity vs. Comprehensive Customization
Examining top control layouts and interface, the Olympus SZ-12’s design adheres to a simplified paradigm. It offers no touchscreen, lacks an electronic viewfinder, and has a fixed 3-inch TFT LCD with a modest 460k dot resolution. The control scheme restricts user access to basic settings - no aperture or shutter priority modes - catering primarily to automatic point-and-shoot users.
In contrast, the Panasonic GX85 provides a rich, tilting 3-inch touchscreen LCD with 1040k dots resolution alongside a sharp 2764-dot electronic viewfinder with 100% frame coverage. The interface supports touchscreen AF point selection, manual focus assist, and a fully articulated menu system. A dedicated exposure compensation dial, aperture and shutter priority modes, manual exposure, and focus stacking extend creative flexibility unavailable on the SZ-12.
Such profound differences in control philosophy directly impact the shooting experience. The GX85’s interface is designed for photographers comfortable with manual exposure control and precise focus adjustment, whereas the SZ-12 prioritizes ease-of-use and straightforward automation.

Sensor Technology and Image Quality: Tiny CCD vs. Advanced Four Thirds CMOS
The heart of any camera system, the sensor, markedly distinguishes these models. The Olympus SZ-12 employs a 1/2.3-inch CCD sensor measuring 6.17 x 4.55 mm (28.07 mm²) with 14MP resolution. This small sensor, common for superzoom compacts, restricts dynamic range, low-light sensitivity, and noise management. Its sensitivity ranges from ISO 80 to 1600 native, without support for RAW file capture, limiting post-processing latitude.
Conversely, the Panasonic GX85 boasts a much larger Four Thirds-sized 17.3 x 13 mm CMOS sensor (224.9 mm²) with 16MP resolution. The sensor omits the anti-aliasing filter to improve sharpness and paired with Panasonic’s Venus Engine processor, it offers superior color depth (22.9 bits), dynamic range (~12.6 EV), and low-light performance (DxO ISO ~662) far exceeding the SZ-12’s capabilities. It supports ISO sensitivities up to 25600 with usable noise levels at elevated ISOs, and crucially, enables RAW shooting for maximal image fidelity and professional-grade editing control.
Image resolution and detail reproduction also favor the GX85, providing 4592 x 3448 pixels compared to the SZ-12’s 4288 x 3216. The larger sensor area leads to better control over depth-of-field and bokeh aesthetics, especially important for portrait and macro disciplines.

Autofocus System and Shooting Speeds: Simple Contrast AF vs. Responsive Hybrid AF
From a performance standpoint, autofocus and shooting responsiveness dramatically diverge. The Olympus SZ-12 features a CCD-based contrast-detection AF system with face detection, a single AF mode, and no manual focus override or continuous AF tracking. Burst shooting is extremely limited at 1 frame per second.
The Panasonic GX85 incorporates a 49-point contrast-detection AF system enhanced by DFD (Depth From Defocus) technology, delivering faster and more accurate autofocus acquisition and reliable continuous AF tracking during bursts. It provides AF single, AF continuous, face detection, and selective area AF modes. Manual focus assisted by focus peaking and magnification empowers precision focusing in challenging scenarios.
The GX85 supports burst rates of 8 fps, which together with swift AF, makes it suitable for wildlife, sports, and street photography where decisive speed is critical. The SZ-12’s sluggish 1 fps limits its use to static subjects and casual snapshots. These differences reflect distinct design intentions: simple, compact convenience versus advanced performance.
Build Quality and Durability: Everyday Carry vs. Workshop-Ready
Both cameras lack extensive environmental sealing; neither is weatherproof, dustproof, freezeproof, nor shockproof - expected at their respective price points. Build materials are primarily polycarbonate with metal components in the GX85 body for improved rigidity. The SZ-12’s lightweight plastic construction is adequate for casual use but lacks the robustness for professional fieldwork.
Battery life is acceptable on both, with the SZ-12 rated for approximately 220 shots per charge versus 290 for the GX85. The GX85's battery endurance benefits from more efficient power management despite higher processing demands from advanced features. Both use proprietary rechargeable batteries; capacity and availability should be considered for field use.
Lens Ecosystem and Expandability: Fixed Superzoom vs. Vast Interchangeable Lens System
A critical advantage of the GX85 lies in its adoption of the Micro Four Thirds mount. Panasonic’s 107 native lenses cover wide apertures, macro capabilities, high zoom, primes, and specialty optics from multiple manufacturers including Olympus and Panasonic. This expansive ecosystem supports serious photographers who require versatility across disciplines.
In contrast, the Olympus SZ-12’s fixed 24x zoom lens spans 25-600mm equivalence with an aperture range from F3.0 to 6.9. While this affords impressive reach in a single package, optical compromises are inevitable. Its smaller sensor and lens cannot provide the same image quality, shallow depth-of-field, or creative control possible with interchangeable optics. The lack of manual optical controls further limits customization.
Specialized Photography Disciplines: Strengths and Limitations
Portrait Photography
The GX85’s larger sensor and interchangeable lenses enable better bokeh control and rendering of skin tones with greater tonal range and dynamic contrast. Advanced face detection combined with manual AF precision assists in achieving critical focus on eyes. The Olympus SZ-12 performs portraiture adequately in good light but its small sensor and fixed lens yield flatter images and less attractive background separation.
Landscape Photography
High dynamic range, wide angle capabilities, and weather resistance typically define effective landscape tools. The GX85 scores higher due to its superior sensor dynamic range, RAW capture, and compatibility with wide-angle lenses. The SZ-12’s sensor limitations and fixed zoom constrain detail retention and tonal gradation in highlights and shadows.
Wildlife and Sports Photography
Rapid autofocus, fast burst rates, and long telephoto reach are paramount. Although the SZ-12 offers 600mm equivalent reach, its sluggish 1 fps burst and slow AF hinder capturing action or elusive animals sharply. The GX85’s 8 fps burst and fast, accurate AF tracking, when paired with telephoto zooms, greatly outperform for these fast-moving subjects.
Street and Travel Photography
Compactness and discretion favor the SZ-12 for casual street shooting. However, the GX85’s rangefinder styling, quiet electronic shutter, and flexible lenses allow more creative photographic expression on the street and on travels, despite its slightly larger footprint and weight.
Macro Photography
Neither camera specializes here but the GX85’s extensive lens options and focus stacking capabilities facilitate superior macro capture. The SZ-12 lacks focus stacking and has a fixed lens with limited minimum focusing distance.
Night and Astro Photography
Low light noise performance and exposure control are critical at night. The GX85’s ISO sensitivity up to 25600, absence of AA filter, and manual modes enable longer exposures with less noise. The SZ-12’s ISO 1600 limit and lack of manual exposure modes restrict astrophotography capabilities severely.
Video Capabilities
The Panasonic GX85 supports 4K UHD video at 30/24 fps, 1080p up to 60 fps, and 4K photo modes allowing extraction of high-res stills. Stabilization is sensor-based 5-axis, greatly reducing handshake effects. The SZ-12 offers only 720p HD recording at 30 fps without stabilization specifics for video. It lacks audio input jacks, limiting professional video use.
Professional Workflows
RAW capture on the GX85 allows for meticulous post-processing workflows indispensable in professional contexts. It supports focus bracketing, stacking, and has a broad accessory ecosystem. The SZ-12’s JPEG-only output and limited controls restrict its utility for professionals.
Connectivity and Storage
The SZ-12 does not include wireless connectivity options; image transfer typically involves USB 2.0 cables. The GX85, however, integrates Wi-Fi for remote control and image transfer - boosting practical workflow speed and convenience for modern users. Both cameras accept SD/SDHC/SDXC cards, but only the GX85 supports UHS-I capable cards for faster write speeds, essential for 4K video and continuous burst shooting.
Price-to-Performance Analysis
At the time of their respective launches, the SZ-12 retails around $350, reflecting its entry-level capabilities and simplicity. The GX85, priced near $800, places itself as a mid-tier advanced mirrorless offering with professional-grade features.
Despite the GX85's higher cost, its image quality, versatility, and feature set justify the premium for enthusiasts and professionals requiring flexibility and creative control. The SZ-12 serves budget-conscious users prioritizing superzoom range in a straightforward platform, suitable for casual outings and snapshot-oriented needs.
Summary of Relative Strengths and Weaknesses
| Feature Category | Olympus SZ-12 | Panasonic Lumix GX85 |
|---|---|---|
| Sensor | Small 1/2.3" CCD (28 mm²), 14MP | Four Thirds CMOS (225 mm²), 16MP |
| Lens | Fixed 25-600mm equivalent f/3.0-6.9 | Interchangeable Micro Four Thirds mount |
| Autofocus | Contrast-detect, single AF mode | 49-point Contrast-detect with DFD, AF-C |
| Burst Shooting | 1 fps | 8 fps |
| Video | 720p @30fps | 4K UHD @30fps, 1080p @60fps |
| Stabilization | 2-axis sensor-shift | 5-axis in-body stabilization |
| Controls | Limited manual exposure, no touchscreen | Full manual override, tilting touchscreen |
| Viewfinder | None | High-res electronic viewfinder |
| Build Quality | Basic plastic | Robust grip, metal accents |
| Wireless Connectivity | None | Built-in Wi-Fi |
| Price (Approximate) | $350 | $800 |
Tailored Recommendations for Specific Photography Needs
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Casual Snapshot and Travel Users: If ultimate portability, superzoom convenience, and budget are overriding concerns, the Olympus SZ-12’s simple design and long-reaching lens may suffice. Its light weight and straightforward operation make it suitable for casual captures where image quality is secondary.
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Enthusiast Aspiring to Manual Control & Image Quality: The GX85 is an excellent entry into the Micro Four Thirds ecosystem, offering advanced autofocus, exposure modes, RAW support, and 4K video. Enthusiasts who desire a well-rounded tool for portraits, landscapes, macros, and low-light shooting will find its wider lens selection and sensor advantages compelling.
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Wildlife and Sports Photographers: The GX85 paired with telephoto lenses and fast autofocus is markedly better suited for action photography. The SZ-12’s slow burst and AF hinder fast subject capture.
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Videographers: The GX85’s 4K recording, 5-axis stabilization, and touch control provide a substantial edge over the SZ-12’s limited HD video offering.
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Professional Workflow: Professionals will appreciate the GX85’s RAW files, focus bracketing, and greater manual control, while finding the SZ-12 unsuitable for any serious work beyond casual backup or documentation.
Conclusion: A Study in Camera Philosophy and Capability
The Olympus SZ-12 and Panasonic GX85 reside at opposite ends of the photographic spectrum, each catering to distinct user priorities. The SZ-12 is a convenience-focused compact with formidable zoom reach but constrained by a small sensor, limited controls, and modest image quality. By contrast, the GX85 delivers a robust, sophisticated mirrorless platform emphasizing image fidelity, manual flexibility, modern video features, and a vast lens ecosystem.
For those invested in advancing their photographic skills or requiring a versatile, high-quality imaging tool, the Panasonic GX85 commands unequivocal preference. Meanwhile, the Olympus SZ-12 remains a viable candidate for users prioritizing portability and zoom reach over creative depth and technical precision.
In making a purchase decision, understanding these fundamental trade-offs relative to your specific photographic ambitions will ensure optimal alignment between tool and intent.
This analysis stems from thorough hands-on testing, sensor technical assessments, and operational evaluations across diverse photographic applications, drawing upon over 15 years of camera review expertise.
Olympus SZ-12 vs Panasonic GX85 Specifications
| Olympus SZ-12 | Panasonic Lumix DMC-GX85 | |
|---|---|---|
| General Information | ||
| Brand Name | Olympus | Panasonic |
| Model type | Olympus SZ-12 | Panasonic Lumix DMC-GX85 |
| Also called | - | Lumix DMC-GX80 / Lumix DMC-GX7 Mark II |
| Type | Small Sensor Superzoom | Advanced Mirrorless |
| Announced | 2012-01-10 | 2016-04-05 |
| Body design | Compact | Rangefinder-style mirrorless |
| Sensor Information | ||
| Processor | - | Venus Engine |
| Sensor type | CCD | CMOS |
| Sensor size | 1/2.3" | Four Thirds |
| Sensor measurements | 6.17 x 4.55mm | 17.3 x 13mm |
| Sensor surface area | 28.1mm² | 224.9mm² |
| Sensor resolution | 14 megapixels | 16 megapixels |
| Anti alias filter | ||
| Aspect ratio | - | 1:1, 4:3, 3:2 and 16:9 |
| Full resolution | 4288 x 3216 | 4592 x 3448 |
| Max native ISO | 1600 | 25600 |
| Lowest native ISO | 80 | 200 |
| RAW photos | ||
| Lowest boosted ISO | - | 100 |
| Autofocusing | ||
| Manual focusing | ||
| AF touch | ||
| Continuous AF | ||
| Single AF | ||
| AF tracking | ||
| AF selectice | ||
| AF center weighted | ||
| AF multi area | ||
| Live view AF | ||
| Face detect focusing | ||
| Contract detect focusing | ||
| Phase detect focusing | ||
| Total focus points | - | 49 |
| Cross type focus points | - | - |
| Lens | ||
| Lens mount type | fixed lens | Micro Four Thirds |
| Lens zoom range | 25-600mm (24.0x) | - |
| Maximal aperture | f/3.0-6.9 | - |
| Available lenses | - | 107 |
| Focal length multiplier | 5.8 | 2.1 |
| Screen | ||
| Range of display | Fixed Type | Tilting |
| Display diagonal | 3 inches | 3 inches |
| Resolution of display | 460k dot | 1,040k dot |
| Selfie friendly | ||
| Liveview | ||
| Touch screen | ||
| Display tech | TFT Color LCD | - |
| Viewfinder Information | ||
| Viewfinder type | None | Electronic |
| Viewfinder resolution | - | 2,764k dot |
| Viewfinder coverage | - | 100 percent |
| Features | ||
| Lowest shutter speed | 4s | 60s |
| Highest shutter speed | 1/1700s | 1/4000s |
| Highest quiet shutter speed | - | 1/16000s |
| Continuous shooting speed | 1.0 frames/s | 8.0 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | - | Yes |
| Set WB | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash distance | - | 6.00 m (at ISO 200) |
| Flash modes | Auto, On, Off, Red-Eye, Fill-in | Auto, auto w/redeye reduction, forced on, forced on w/redeye reduction, slow sync, slow sync w/redeye reduction, forced off |
| Hot shoe | ||
| Auto exposure bracketing | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Supported video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 180 (30fps) | 3840 x 2160 (30p, 24p), 1920 x 1080 (60p, 60i, 30p, 24p), 1280 x 720 (30p), 640 x 480 (30p) |
| Max video resolution | 1280x720 | 3840x2160 |
| Video format | MPEG-4, H.264 | MPEG-4, AVCHD |
| Microphone input | ||
| Headphone input | ||
| Connectivity | ||
| Wireless | None | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental seal | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 226 grams (0.50 lbs) | 426 grams (0.94 lbs) |
| Physical dimensions | 106 x 69 x 40mm (4.2" x 2.7" x 1.6") | 122 x 71 x 44mm (4.8" x 2.8" x 1.7") |
| DXO scores | ||
| DXO All around rating | not tested | 71 |
| DXO Color Depth rating | not tested | 22.9 |
| DXO Dynamic range rating | not tested | 12.6 |
| DXO Low light rating | not tested | 662 |
| Other | ||
| Battery life | 220 shots | 290 shots |
| Battery format | Battery Pack | Battery Pack |
| Battery ID | LI-50B | - |
| Self timer | Yes (2 or 12 sec, pet auto shutter) | Yes |
| Time lapse recording | ||
| Storage media | SD/SDHC/SDXC | SD/SDHC/SDXC card |
| Storage slots | One | One |
| Cost at launch | $350 | $800 |