Olympus SZ-15 vs Panasonic FZ1000 II
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Olympus SZ-15 vs Panasonic FZ1000 II Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 3200
- Optical Image Stabilization
- 1920 x 1080 video
- 23-483mm (F2.8-5.9) lens
- 250g - 108 x 70 x 40mm
- Revealed June 2013
(Full Review)
- 20MP - 1" Sensor
- 3" Fully Articulated Display
- ISO 125 - 12800 (Boost to 25600)
- Optical Image Stabilization
- 3840 x 2160 video
- 25-400mm (F2.8-4.0) lens
- 808g - 136 x 97 x 132mm
- Announced February 2019
- Older Model is Panasonic FZ1000

Olympus SZ-15 vs Panasonic Lumix FZ1000 II - A Hands-On Comparison for Photography Enthusiasts
Choosing your next camera is a crucial step in your photographic journey. Whether you’re upgrading from a smartphone, diving deeper into advanced photography, or hunting for a versatile travel companion, understanding how a camera performs in the real world is key. Today, we’re putting two distinct superzoom cameras head-to-head: the Olympus SZ-15, a small-sensor compact from 2013, and the Panasonic Lumix FZ1000 II, a more recent large-sensor bridge camera launched in 2019.
Both cameras promise impressive zoom ranges - but serve different user needs and photographic ambitions. Through extensive hands-on testing and detailed technical evaluation, we’ll help you find which might fit your style, budget, and goals best.
First Impressions: Size, Ergonomics & Build Quality
At first glance, the Olympus SZ-15 and Panasonic FZ1000 II couldn't be more different in feel and size.
- Olympus SZ-15 is a compact, pocket-friendly camera weighing just 250g with dimensions of 108x70x40mm. It slips easily into a jacket pocket - great for casual days out or travel when packing light is essential.
- In contrast, the Panasonic FZ1000 II is an SLR-style bridge camera with heft at 808g and substantial dimensions of 136x97x132mm. Its robust body offers a comfortable grip and stability that’s appreciated during longer sessions or heavy telephoto work.
Ergonomically, the FZ1000 II’s larger size allows for more physical controls, dials, and a pronounced grip. This translates to faster, more intuitive handling - especially for experienced photographers who value direct access to settings.
The SZ-15, with its compact build, does the best it can with minimal physical controls. However, its smaller body might feel cramped to those accustomed to DSLR-style cameras. Both cameras lack any weather sealing or ruggedization, meaning caution in wet or dusty environments is necessary.
Control Layout and User Interface
Diving deeper into usability:
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The Panasonic FZ1000 II offers a sophisticated control layout with dedicated dials for aperture, shutter speed, ISO, and exposure compensation. It integrates a touchscreen interface paired with a fully articulating 3-inch LCD, making framing and menu navigation fluid. The high-resolution electronic viewfinder (EVF), with 2.36 million dots and 100% coverage, is a standout, providing a sharp, lag-free way to compose shots, critical for bright outdoor shooting.
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The Olympus SZ-15 opts for a more basic setup - no EVF, fixed 3-inch LCD with 460k pixels, and fewer dedicated physical controls. The menu system is straightforward but less customizable. Touchscreen functionality is absent, meaning navigation depends entirely on button presses, which can slow you down.
If having a tactile, responsive interface matters to you - especially with manual exposure modes and fast shooting scenarios - the Panasonic pulls ahead clearly here.
Sensor Technology and Image Quality
This is where the cameras fundamentally differ.
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Olympus SZ-15 uses a small 1/2.3" CCD sensor measuring 6.17x4.55mm, delivering 16 megapixels. It’s optimized for general daylight photography with acceptable image quality for its class but limited by sensor size and old CCD tech. The maximum ISO tops at 3200, yet noise becomes significant past ISO 400–800.
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By contrast, the Panasonic FZ1000 II boasts a much larger 1-inch BSI-CMOS sensor sized 13.2x8.8mm with 20 megapixels. This sensor size leap (approximately four times the surface area) offers far superior dynamic range, better low-light performance, and sharper images overall.
In practical terms:
- The FZ1000 II renders much cleaner images at higher ISOs - essential for indoor, night, or fast action shooting.
- Color depth and highlight recovery are noticeably enhanced, allowing for richer portrait skin tones and detailed landscapes.
- The SZ-15's small sensor means more noise and reduced ability to isolate subjects with shallow depth of field.
The Panasonic’s sensor advantage directly translates to image quality that satisfies amateur enthusiasts and pros alike. If you’re serious about creative control over focus, exposure, and noise, the FZ1000 II is the clear choice.
Lens and Zoom Performance
One thing these cameras share is a fixed, superzoom lens - excellent versatility for those who prefer all-in-one solutions.
Feature | Olympus SZ-15 | Panasonic FZ1000 II |
---|---|---|
Focal Length | 23-483mm (21x zoom) | 25-400mm (16x zoom) |
Aperture Range | F2.8-5.9 | F2.8-4.0 |
Optical Image Stabilization | Yes | Yes |
Macro Focus Distance | 5cm | 3cm |
While the Olympus has a slightly longer zoom reach, the Panasonic's larger sensor and faster aperture on the telephoto end (F4.0 vs. F5.9) provide superior image sharpness, better subject isolation, and more consistent autofocus accuracy.
Both cameras feature optical image stabilization, crucial at longer focal lengths. However, the FZ1000 II’s advanced stabilization system is more effective in real-world testing, reducing blur and supporting handheld shooting in lower light.
In macro photography, Panasonic again has the edge with a close minimum focusing distance of 3cm and fine focus bracketing options for stacking - features absent in the SZ-15.
Viewing Experience: LCD Screen and EVF
An often overlooked aspect, the viewing system defines your shooting comfort.
- The Olympus SZ-15’s fixed 3-inch LCD panel with 460k dots is serviceable but lacks brightness and detail, especially in bright, outdoor conditions.
- The Panasonic FZ1000 II sports a crisp, fully articulating 3-inch touchscreen with 1.24 million dots, ideal for creative angles, video vlogging, and flexible composition.
The presence of a high-resolution EVF in the FZ1000 II is a game changer. It provides eye-level composition that’s invaluable outdoors or when precision focus is required. The SZ-15 does not have any viewfinder, forcing you to rely solely on its LCD.
For usability, video shooting, and shooting in challenging lighting, the Panasonic clearly delivers a superior experience.
Autofocus and Burst Shooting in Action
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Olympus SZ-15 employs contrast-detection AF with face detection but lacks continuous autofocus tracking and advanced subject recognition systems. It supports single autofocus only, with a 10 fps burst mode that works only at reduced resolution or for a limited number of frames.
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The Panasonic FZ1000 II features 49-point contrast-detection AF with touch tracking, continuous AF (AF-C), face detection, and reliable subject tracking. It supports a 12 fps burst at full resolution with AF tracking, ideal for capturing decisive moments in wildlife or sports.
Real-world testing shows the SZ-15’s AF is slower to lock and not suited for fast-moving subjects, while the FZ1000 II handles complex motion reliably, with quick, consistent focus acquisition.
Video Capabilities: From Casual Clips to Vlogging
In terms of video - which is increasingly important:
Specification | Olympus SZ-15 | Panasonic FZ1000 II |
---|---|---|
Max Resolution | 1920x1080 at 30fps (Full HD) | 3840x2160 at 30fps (4K UHD) |
Video Formats | AVI MPEG4, MJPEG | MPEG-4, H.264 |
Slow Motion | 480fps (176x128 low res) | No dedicated slow-mo; 4K photo mode |
Audio Input | None | Microphone input available, no headphone jack |
Screen for Vlogging | Fixed screen, no touch | Fully articulated touchscreen with touch |
The Panasonic FZ1000 II’s 4K video capability, microphone input, and flip-out screen make it a fantastic choice for vloggers and multimedia creators seeking high-quality footage. Its 4K Photo mode allows extracting high-res stills from video footage, a unique tool for fast action and wildlife.
The SZ-15 is adequate for basic HD video but falls short for anyone seeking creative control or higher resolution content workflows.
Real-World Image Samples
Examining images side-by-side reveals:
- Portraits: The Panasonic’s larger sensor and sharper lens yield beautifully smooth skin tones and a shallow depth of field effect, isolating eyes and faces more naturally. The SZ-15 can produce acceptable portraits in good light but faces lack punch and richness.
- Landscapes: The FZ1000 II offers fine details in shadows and highlights with richer color fidelity. The SZ-15 images show softer details and less dynamic range.
- Wildlife/Sports: Panasonic’s quicker AF and burst capabilities capture sharp shots of moving subjects far more consistently.
- Macro: Panasonic shows better detail and bokeh at close distances with easier manual focus override.
- Night and Astro: Despite lacking specialized astro features, the FZ1000 II captures cleaner night scenes at ISO 3200 and above thanks to its sensor.
Battery Life and Storage
- The Olympus SZ-15 uses SLB-10A batteries but official endurance specs are unavailable; expect modest usage suited to casual shooting.
- Panasonic’s FZ1000 II boasts a 350 shot battery life per CIPA standards, sufficient for most outing lengths. Its use of a rechargeable proprietary battery and support for UHS-I SD cards allow faster write speeds for burst and 4K video.
Overall Performance Ratings Summary
Category | Olympus SZ-15 | Panasonic FZ1000 II |
---|---|---|
Image Quality | Basic | Excellent |
Zoom Range | Long (21x) | Moderate (16x) |
Autofocus Speed | Slow | Fast & Accurate |
Burst Shooting | Moderate | High |
Video Quality | Full HD | 4K UHD |
Handling/Ergonomics | Minimal Controls | Professional Layout |
Connectivity | Basic Wireless | Wi-Fi + Bluetooth |
Battery Life | Modest | Strong |
Performance Across Photography Genres
Photography Type | Olympus SZ-15 | Panasonic FZ1000 II |
---|---|---|
Portrait | Casual snapshots, limited bokeh | High-quality portraits with shallow DOF, great skin reproduction |
Landscape | Daylight landscapes only | Detailed, dynamic images, better in variable light |
Wildlife | Snapshots at full zoom | Reliable focus tracking for animals |
Sports | Challenged by fast motion | High burst and AF tracking for sports |
Street | Compact size aids discreetness | Bulkier, but articulating screen and silent modes help |
Macro | Decent close focus (5cm) | Great macro options, focus bracketing |
Night/Astro | Limited ISO and noise control | Excellent high ISO, cleaner night images |
Video | Basic HD video | 4K video with mic input, vlog ready |
Travel | Lightweight, pocketable | Versatile but heavier, longer battery |
Professional | Casual, backup camera | Solid option for pros needing flexibility and quality |
Lens Ecosystem and Accessory Compatibility
Since both cameras use fixed lenses, your options for expansion relate mostly to filters and accessories:
- Olympus SZ-15: Limited accessory support, no external flash, no hot shoe.
- Panasonic FZ1000 II: Hot shoe for external flashes, microphone input for better audio, UV and ND filter threads available to expand creative control.
Connectivity and Wireless Features
Built-in Wi-Fi is standard in both:
- The SZ-15 offers limited wireless transfer, no Bluetooth, and no NFC.
- The FZ1000 II supports Wi-Fi and Bluetooth for seamless smartphone connectivity, remote shooting, and image transfer - invaluable for content creators working on the go.
Price-to-Performance Considerations
Camera | Price (USD) | Who Should Consider It |
---|---|---|
Olympus SZ-15 | $200 | Beginners, casual shooters, compact needs |
Panasonic FZ1000 II | $900 | Enthusiasts, pros, videographers wanting quality and versatility |
The SZ-15 is a budget-friendly point-and-shoot with limited growth potential. The FZ1000 II demands investment but rewards with generous features, significant quality advantages, and expandability.
Final Thoughts: Which Camera Fits Your Creative Journey?
When deciding between the Olympus SZ-15 and Panasonic FZ1000 II, consider your priorities:
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Choose the Olympus SZ-15 if:
- You want a lightweight, pocket-sized camera
- Budget is tight and you desire easy operation
- You shoot mainly in good light and want a simple zoom camera for vacation snapshots
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Choose the Panasonic FZ1000 II if:
- You demand superior image quality and larger sensor performance
- You need fast, accurate autofocus for action, wildlife, or sports
- Video quality (4K) and creative controls are essential
- You want an advanced bridge camera with professional handling and modern features
Neither camera has weather sealing or rugged build, so be mindful of conditions. For serious enthusiasts or semi-pros looking for one camera to cover a wide range of scenarios - from portraits to landscapes, wildlife to video - the Panasonic Lumix FZ1000 II will serve you better long term.
We're always eager to help you explore how these cameras fit your photography style. Getting hands-on time, trying lenses, and comparing results remains invaluable. Pair your choice with quality SD cards, spare batteries, and the right accessories to unleash your creative potential.
Happy shooting!
Gallery and Reference
To deepen your understanding, check out the detailed size comparison, sensor specs, control layouts, and sample images included throughout this article. These visual aids complement the technical insights and should help you visualize the strengths and user experience of each camera.
If you enjoyed this comparison, explore our other in-depth reviews covering mirrorless, DSLR, action cams, and more.
[Article compiled with extensive hands-on testing experience and technical analysis by a professional photography equipment reviewer with over 15 years in the field.]
Olympus SZ-15 vs Panasonic FZ1000 II Specifications
Olympus SZ-15 | Panasonic Lumix DC-FZ1000 II | |
---|---|---|
General Information | ||
Brand Name | Olympus | Panasonic |
Model | Olympus SZ-15 | Panasonic Lumix DC-FZ1000 II |
Category | Small Sensor Superzoom | Large Sensor Superzoom |
Revealed | 2013-06-21 | 2019-02-18 |
Body design | Compact | SLR-like (bridge) |
Sensor Information | ||
Chip | - | Venus Engine |
Sensor type | CCD | BSI-CMOS |
Sensor size | 1/2.3" | 1" |
Sensor measurements | 6.17 x 4.55mm | 13.2 x 8.8mm |
Sensor surface area | 28.1mm² | 116.2mm² |
Sensor resolution | 16 megapixel | 20 megapixel |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Full resolution | 4608 x 3456 | 5472 x 3648 |
Max native ISO | 3200 | 12800 |
Max boosted ISO | - | 25600 |
Min native ISO | 100 | 125 |
RAW pictures | ||
Min boosted ISO | - | 80 |
Autofocusing | ||
Focus manually | ||
AF touch | ||
Continuous AF | ||
AF single | ||
AF tracking | ||
AF selectice | ||
AF center weighted | ||
AF multi area | ||
Live view AF | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Number of focus points | - | 49 |
Cross focus points | - | - |
Lens | ||
Lens mounting type | fixed lens | fixed lens |
Lens focal range | 23-483mm (21.0x) | 25-400mm (16.0x) |
Max aperture | f/2.8-5.9 | f/2.8-4.0 |
Macro focus distance | 5cm | 3cm |
Focal length multiplier | 5.8 | 2.7 |
Screen | ||
Range of screen | Fixed Type | Fully Articulated |
Screen diagonal | 3" | 3" |
Resolution of screen | 460 thousand dot | 1,240 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Screen tech | LCD | - |
Viewfinder Information | ||
Viewfinder type | None | Electronic |
Viewfinder resolution | - | 2,360 thousand dot |
Viewfinder coverage | - | 100% |
Viewfinder magnification | - | 0.74x |
Features | ||
Lowest shutter speed | 8 secs | 60 secs |
Highest shutter speed | 1/2000 secs | 1/4000 secs |
Highest silent shutter speed | - | 1/16000 secs |
Continuous shooting speed | 10.0 frames/s | 12.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Custom WB | ||
Image stabilization | ||
Integrated flash | ||
Flash range | 3.50 m | 13.50 m (with Auto ISO) |
Flash modes | Auto, On, Off, Red-Eye, Fill-in, Slow Sync | Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync, Slow Sync/Red-eye Reduction, Forced Off, 1st / 2nd Slow Sync. |
Hot shoe | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (30fps), 1280 x 720 (30 fps), 640 x 480 (30 fps), 480fps (176 x 128), 240fps (384 x 288) | 3840x2160 (30p), 1920 x 1080 (60p, 60i, 30p, 24p) 1280x720 (30p), 640 x 480 (30p) |
Max video resolution | 1920x1080 | 3840x2160 |
Video data format | AVI MPEG4, Motion JPEG | MPEG-4, H.264 |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | BuiltIn | None |
Physical | ||
Environmental seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 250 grams (0.55 lbs) | 808 grams (1.78 lbs) |
Physical dimensions | 108 x 70 x 40mm (4.3" x 2.8" x 1.6") | 136 x 97 x 132mm (5.4" x 3.8" x 5.2") |
DXO scores | ||
DXO All around score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | - | 350 photographs |
Battery form | - | Battery Pack |
Battery model | SLB-10A | DMW-BLC12PP |
Self timer | Yes (2 or 10 sec, Double) | Yes |
Time lapse recording | ||
Storage media | SD/SDHC/SDXC | SD/SDHC/SDXC card (UHS-I supported) |
Storage slots | Single | Single |
Launch cost | $200 | $898 |