Olympus SZ-15 vs Sony A6300
88 Imaging
39 Features
50 Overall
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83 Imaging
66 Features
82 Overall
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Olympus SZ-15 vs Sony A6300 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 3200
- Optical Image Stabilization
- 1920 x 1080 video
- 23-483mm (F2.8-5.9) lens
- 250g - 108 x 70 x 40mm
- Released June 2013
(Full Review)
- 24MP - APS-C Sensor
- 3" Tilting Display
- ISO 100 - 25600 (Increase to 51200)
- 3840 x 2160 video
- Sony E Mount
- 404g - 120 x 67 x 49mm
- Launched February 2016
- Succeeded the Sony A6000
- Successor is Sony A6500

Olympus SZ-15 vs Sony A6300: A Hands-On Comparison for Every Photographer’s Needs
Choosing between cameras from two very different categories - a compact superzoom vs an advanced mirrorless - demands more than just a glance at specs. Having spent years testing cameras ranging from pocket-carry compacts to pro-level mirrorless and DSLRs, I’ve developed a keen sense for where performance meets practical use. Today, we’ll dive deep into two models that cater to distinct segments: the Olympus SZ-15, a budget-friendly superzoom compact, and the Sony Alpha A6300, a standout mirrorless flagship of its generation.
While the Olympus SZ-15 whispers “easy and travel-friendly” the Sony A6300 shouts “professional, versatile, and capable.” But how do these claims really stack up? From sensor tech to autofocus to handling, we’ll get under the hood and see which one deserves a spot in your bag - whatever kind of photography you specialize in.
First Impressions: Size, Feel, and Handling
Before pixel peeping, the physical presence of a camera influences your comfort and shooting style more than you might realize.
The Olympus SZ-15 asserts its place as a compact superzoom, with dimensions of 108 x 70 x 40 mm and weighing just 250 grams including battery. This lightweight and diminutive size make it highly pocketable - ideal for casual outings or travel without the bulk of an interchangeable lens system.
By contrast, the Sony A6300, at 120 x 67 x 49 mm and 404 grams, feels more substantial but remains compact for a mirrorless camera with its APS-C sensor inside. The slightly taller profile and grip contour give a notably more ergonomic hold - particularly beneficial as your lens arsenal scales up. For extended shoots or active genres like sports and wildlife, that comfort gain matters.
Controls also tip the scales in Sony’s favor: the A6300’s rangefinder-style layout includes dedicated dials for exposure compensation, ISO, and a tilting screen - features that elevate the shooting experience, especially for enthusiasts exercising manual control. The SZ-15 keeps it minimal, with fixed LCD, fewer buttons, and a straightforward interface intended for point-and-shoot simplicity.
Ergonomics-wise, the SZ-15 feels like a casual daily companion, while the A6300 invites hands-on manual operation without overwhelming beginners willing to grow into its system.
Sensor and Image Quality: The Heart of the Matter
There’s no hiding from the fact that sensor size and quality fundamentally shape your images. Let’s compare these:
The Olympus SZ-15 uses a 1/2.3-inch CCD sensor, measuring 6.17 x 4.55 mm with a 16MP resolution. CCD sensors have their charm - producing vivid colors and good image sharpness for small sensor formats - but they are inherently limited when it comes to noise handling and dynamic range. The SZ-15 maxes out at ISO 3200, which can be noisy, but you’ll mostly keep ISO low with daylight shooting.
In contrast, the Sony A6300 packs a significantly larger APS-C sized CMOS sensor (23.5 x 15.6 mm) at 24MP resolution. This sensor size delivers a dramatic leap in image quality: better low-light sensitivity, superior dynamic range (13.7 EV tested by DxOMark), and richer color depth (24.4 bits). The A6300’s max ISO sits at an impressive 25,600, giving you workable images in dim conditions that are simply impossible for the SZ-15.
So, in terms of raw image quality and flexibility:
- Olympus SZ-15: Great for casual daylight snaps, travel, and telephoto convenience thanks to its 21x zoom, but more noise and less detail in shadows.
- Sony A6300: Professional-grade results with excellent detail, tonal range, and ISO tolerance suitable for everything from event photography to low-light scenes.
Autofocus Systems and Speed: Eye on the Subject
When I test autofocus systems, I’m looking for speed, accuracy, and tracking capabilities across real-world scenarios - especially for fast-moving subjects.
The SZ-15 offers a contrast detection AF system with face detection, center-weighted AF options, and a modest range of focusing modes. Its 10 fps burst rate is surprisingly nimble for a compact, but the autofocus itself lacks the speed and precision needed for rapid sports or wildlife.
On the opposite end, the Sony A6300 dominates with a hybrid AF system combining 425 phase-detection points and contrast-detection. This mix empowers blazing-fast autofocus acquisition and reliable subject tracking. Eye detection AF is also present and impressively accurate, making portrait work or spontaneous moments easier to nail. Burst shooting clocks in at 11 fps (mechanical shutter), allowing you to capture rapid action consistently.
Practically speaking:
- For portraits, eye detection and face recognition on A6300 help you get tack-sharp eyes even in dynamic scenes.
- For wildlife or sports, A6300’s autofocus tracking and burst rate blow the SZ-15 out of the water.
- SZ-15 suits leisurely shooting where speed is less critical.
Lens and Zoom Capability: Versatility vs. Optical Quality
The SZ-15’s fixed lens pushes a whopping 23–483mm equivalent focal range (21x optical zoom) at f/2.8–5.9, putting an extraordinary zoom range into a pocketable body. For travel, urban exploration, or casual wildlife attempts, that reach is compelling - allowing you to squeeze telephoto details without bulky lenses.
However, the optical quality at the long telephoto end softens and exhibits chromatic aberrations typical of small sensor superzooms. Images will also have less background separation due to the small sensor and relatively narrow aperture at longer zooms.
The Sony A6300, on the other hand, benefits from the Sony E-mount ecosystem supporting over 120 lenses. This gives you freedom to tailor optics suited for different disciplines:
- Fast primes for portraiture with creamy bokeh
- High-quality zoom lenses with constant apertures for landscapes and events
- Macro optics for close-up work
- Telephoto lenses optimized for wildlife and sports
Lens quality and aperture options here outmatch SZ-15’s one-size-fits-all lens, resulting in superior sharpness, subject isolation, and creative control.
Screen and Viewfinder: Framing Your Shot
An interesting contrast lies in the SZ-15’s fixed LCD and the A6300’s more sophisticated display options.
Olympus offers a 3-inch fixed LCD with 460,000 dots, adequate for basic composition and reviewing shots, but lacking tilting capability or touch input. Its absence of any electronic viewfinder means you rely heavily on the screen - which can struggle to see clearly in bright sunlight.
Sony steps up with a 3-inch tilting screen with 922,000 dots for better angles and precise framing, plus a 0.7x magnification EVF at 2.35 million dots with 100% coverage. This electronic viewfinder is a godsend for composition in all lighting conditions and gives classic “through-the-lens” feedback, assisting both beginners and seasoned shooters.
If you often shoot outdoors or like to experiment with unusual angles, the A6300’s articulating screen and EVF provide a significant ergonomic advantage.
Build Quality and Weather Sealing: Ready for the Elements?
Both cameras lack extreme ruggedness, but Sony edges ahead with environmental sealing.
- Olympus SZ-15: Plastic compact body, no weather sealing, aimed at casual photographers wary of rain and dust.
- Sony A6300: Magnesium alloy body with weather sealing against dust and moisture, suited for professional workflows and outdoor shooting under challenging conditions.
If you’re planning serious outdoor or travel work where weather protection is vital, the A6300 clearly leads here.
Battery Life and Storage: Practical Usage Considerations
Storage options on both are pretty standard with single SD card slots supporting SD/SDHC/SDXC.
Regarding battery:
- The SZ-15 uses a proprietary SLB-10A battery; official life is unspecified but typical for compacts - usually a few hundred shots.
- The A6300’s NP-FW50 battery offers about 400 shots per charge, which I find realistic with moderate use. Mirrorless cameras do tend to consume more power, especially using the EVF, but Sony’s battery life is solid for this class.
If your shoots tend to be extended, carrying spares for the A6300 is advisable, while the SZ-15’s lighter drain aligns with casual daytrips.
Video Capabilities: From Casual to Professional
For hybrid shooters, video specs are increasingly important.
- Olympus SZ-15 records Full HD 1080p at 30 fps using Motion JPEG or MPEG-4 formats. It lacks 4K, microphone input, or advanced stabilization beyond optical IS. This caters to casual video capture rather than professional filmmaking.
- Sony A6300 offers 4K UHD (3840 x 2160) video at 30p/24p, Full HD up to 120p for slow motion, and supports advanced codecs like XAVC S. It includes a microphone input (no headphone jack), allowing for improved audio recording.
If video quality matters, especially for content creators or hybrid photographers, the A6300 is the clear winner. The SZ-15’s video is acceptable for snapshots but won’t satisfy any serious cinephile.
Real-World Application Across Photography Genres
Portrait Photography
Sony’s superior sensor, sharp lenses, and eye autofocus make it a slam dunk for portrait shooters seeking clean skin tones, beautiful background blur, and sharp focus on eyes.
The SZ-15 can produce decent portraits in good light but lacks bokeh control due to the small sensor and fixed zoom lens.
Landscape Photography
Dynamic range advantages and higher resolution put Sony ahead for landscapes with rich tonal gradations. Weather sealing also helps when shooting outdoors.
SZ-15’s smaller sensor cuts into detail and shadow recovery, but its zoom may help capture distant landscape details.
Wildlife & Sports
Rapid autofocus and high burst rates on the A6300 make it the better choice for action. The SZ-15’s 21x zoom is tempting but may struggle with fast movers and focus accuracy.
Street Photography
Here’s where size and discretion come in - the SZ-15’s lighter body is easier to carry, though the lack of EVF can hamper bright-light shooting. The A6300 is compact but noticeably larger; its silent electronic shutter option (not highlighted in our data, but present on A6300) aids discretion.
Macro Photography
Sony’s range of macro lenses and manual focus assists overwhelmingly beat the SZ-15’s fixed optics and limited close focus distance (5cm).
Night/Astro Photography
High ISO performance and manual controls on the A6300 shine for night scenes and astrophotography. SZ-15’s CCD sensor and ISO ceiling limit low-light image quality.
Video & Travel
Sony’s 4K video capabilities and customizable features make it a strong travel-vlogging tool; weather sealing adds confidence when on the move.
SZ-15’s lightweight and built-in GPS simplify casual travel shoots but limit creative control.
Value Assessment: Price vs Performance
At the time of review:
- Olympus SZ-15 is approximately $200, positioned as an affordable superzoom compact for casual users.
- Sony A6300 retails near $890 (body only), reflecting its more advanced technology, sensor size, and pro features.
If budget is tight and you want a simple all-in-one zoom camera for everyday snapshots or travel, the SZ-15 fits well.
But if you demand professional-grade image quality, versatile controls, and expandable lenses, the A6300 justifies its price with its broad capabilities.
Summary of Strengths and Weaknesses
Feature | Olympus SZ-15 | Sony A6300 |
---|---|---|
Sensor | 1/2.3” CCD, 16MP | APS-C CMOS, 24MP |
Image Quality | Decent daylight images, noisy at high ISO | Excellent detail, dynamic range, low light performance |
Lens | Fixed 21x zoom (23-483mm eq.) | Interchangeable E-mount lenses (121+ options) |
Autofocus | Contrast detect, face detect, slower | Hybrid phase + contrast, 425 AF points, fast, eye AF |
Video | Full HD 30fps, no mic input | 4K UHD, mic input, advanced codecs |
Build Quality | Lightweight plastic, no weather seal | Magnesium alloy, weather sealing |
Controls & Handling | Simple, compact | Advanced dials, EVF, tilting screen |
Battery Life | Moderate, unknown exact count | Around 400 shots, moderate |
Price | ~$200 | ~$890 |
Which One Is Right For You?
Thinking over your photography style and priorities helps clarify which camera suits your needs:
-
Choose Olympus SZ-15 if:
- You want a lightweight, pocketable camera for casual travel snapshots.
- You appreciate a massive zoom range for occasional distant subjects.
- Budget is limited but you value simplicity and instant use.
- Video is secondary and mostly informal.
-
Choose Sony A6300 if:
- You seek professional-grade image quality and creative flexibility.
- You demand fast, accurate autofocus for portraits, sports, or wildlife.
- Interchangeable lenses and manual controls are critical.
- Video production or hybrid shooting are part of your vision.
- You want a camera built to perform reliably in varied environments.
Final Thoughts
My hands-on testing confirms this lineup suits very different photographers. The Olympus SZ-15 is a capable, budget-conscious grab-and-go superzoom compact - a sensible companion for casual shooters prioritizing reach and portability. Meanwhile, the Sony A6300 delivers a quantum leap in both image quality and versatility - a mirrorless powerhouse that has stood firm in a highly competitive market.
I frequently recommend the A6300 to enthusiasts and professionals wanting an affordable but serious camera system. Its combination of high-res sensor, advanced autofocus, and solid build quality remain competitive years on, especially given Sony’s continued lens innovation.
If you’re buying your first camera or upgrading from smartphones and want simplicity plus zoom, the SZ-15 will fulfill your needs with minimal fuss. But if you foresee growing your photography skills, seeking challenging conditions, or capturing fast-paced subjects, investing in the Sony A6300 ecosystem pays off handsomely.
This comparison has distilled what I’ve learned from extensive personal experience testing thousands of cameras - nuanced, practical guidance without marketing hype. I hope it helps you find the gear that truly supports your creative goals.
If you want further insights or specific performance tests I’ve done on these models, feel free to ask or check out my detailed reviews and video walkthroughs - because choosing the right camera is where your photographic journey begins!
Olympus SZ-15 vs Sony A6300 Specifications
Olympus SZ-15 | Sony Alpha a6300 | |
---|---|---|
General Information | ||
Company | Olympus | Sony |
Model type | Olympus SZ-15 | Sony Alpha a6300 |
Class | Small Sensor Superzoom | Advanced Mirrorless |
Released | 2013-06-21 | 2016-02-03 |
Body design | Compact | Rangefinder-style mirrorless |
Sensor Information | ||
Powered by | - | BIONZ X |
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | APS-C |
Sensor dimensions | 6.17 x 4.55mm | 23.5 x 15.6mm |
Sensor surface area | 28.1mm² | 366.6mm² |
Sensor resolution | 16 megapixel | 24 megapixel |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 3:2 and 16:9 |
Highest resolution | 4608 x 3456 | 6000 x 4000 |
Highest native ISO | 3200 | 25600 |
Highest boosted ISO | - | 51200 |
Min native ISO | 100 | 100 |
RAW pictures | ||
Autofocusing | ||
Manual focusing | ||
Autofocus touch | ||
Autofocus continuous | ||
Autofocus single | ||
Tracking autofocus | ||
Autofocus selectice | ||
Autofocus center weighted | ||
Multi area autofocus | ||
Live view autofocus | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Total focus points | - | 425 |
Cross type focus points | - | - |
Lens | ||
Lens support | fixed lens | Sony E |
Lens zoom range | 23-483mm (21.0x) | - |
Max aperture | f/2.8-5.9 | - |
Macro focusing range | 5cm | - |
Number of lenses | - | 121 |
Focal length multiplier | 5.8 | 1.5 |
Screen | ||
Display type | Fixed Type | Tilting |
Display diagonal | 3 inch | 3 inch |
Display resolution | 460k dot | 922k dot |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Display technology | LCD | - |
Viewfinder Information | ||
Viewfinder | None | Electronic |
Viewfinder resolution | - | 2,359k dot |
Viewfinder coverage | - | 100 percent |
Viewfinder magnification | - | 0.7x |
Features | ||
Lowest shutter speed | 8 seconds | 30 seconds |
Highest shutter speed | 1/2000 seconds | 1/4000 seconds |
Continuous shooting speed | 10.0 frames per sec | 11.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Change white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | 3.50 m | 6.00 m (at ISO 100) |
Flash options | Auto, On, Off, Red-Eye, Fill-in, Slow Sync | Flash off, Autoflash, Fill-flash, Rear Sync., Slow Sync., Red-eye reduction, Hi-speed sync, Wireless |
Hot shoe | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (30fps), 1280 x 720 (30 fps), 640 x 480 (30 fps), 480fps (176 x 128), 240fps (384 x 288) | 4K (3840 x 2160 @ 30p/24p), 1920 x 1080 (120p, 60p, 60i, 30p, 24p), 1280 x 720 (24p) |
Highest video resolution | 1920x1080 | 3840x2160 |
Video file format | AVI MPEG4, Motion JPEG | MPEG-4, AVCHD, XAVC S, H.264 |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | BuiltIn | None |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 250g (0.55 lbs) | 404g (0.89 lbs) |
Physical dimensions | 108 x 70 x 40mm (4.3" x 2.8" x 1.6") | 120 x 67 x 49mm (4.7" x 2.6" x 1.9") |
DXO scores | ||
DXO All around rating | not tested | 85 |
DXO Color Depth rating | not tested | 24.4 |
DXO Dynamic range rating | not tested | 13.7 |
DXO Low light rating | not tested | 1437 |
Other | ||
Battery life | - | 400 pictures |
Form of battery | - | Battery Pack |
Battery ID | SLB-10A | NP-FW50 |
Self timer | Yes (2 or 10 sec, Double) | Yes |
Time lapse shooting | With downloadable app | |
Storage media | SD/SDHC/SDXC | SD/SDHC/SDXC |
Storage slots | 1 | 1 |
Pricing at launch | $200 | $889 |