Olympus 9000 vs Panasonic G3
92 Imaging
34 Features
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83 Imaging
51 Features
62 Overall
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Olympus 9000 vs Panasonic G3 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 50 - 1600
- Sensor-shift Image Stabilization
- 640 x 480 video
- 28-280mm (F3.2-5.9) lens
- 225g - 96 x 60 x 31mm
- Launched May 2009
- Other Name is mju 9000
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Fully Articulated Screen
- ISO 160 - 6400
- 1920 x 1080 video
- Micro Four Thirds Mount
- 336g - 115 x 84 x 47mm
- Announced July 2011
- Older Model is Panasonic G2
- Successor is Panasonic G5

Olympus Stylus 9000 vs Panasonic Lumix DMC-G3: The Compact Contender Meets the Mirrorless Marvel
When it comes to choosing your next camera, comparing two seemingly different beasts - a classic small sensor compact versus an entry-level mirrorless - is an exercise in understanding your real photographic needs. Today, I’m putting the Olympus Stylus 9000 (also known as the mju 9000) head-to-head with the Panasonic Lumix DMC-G3 to help you cut through the specs and marketing fluff. With over 15 years of hands-on testing behind me, I'll take you from sensor details to real-world handling, covering all major photography genres and use cases these two cameras might handle.
First Impressions and Build: Tiny Compact vs SLR-Style Mirrorless
Taking these cameras out of their boxes conjures two quite distinct experiences.
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The Olympus 9000 is a petite lightweight compact clocking in at just 225 grams and measuring a neat 96x60x31 mm. This slim profile is perfect for stuffing in a jacket pocket or handbag and snapping discreetly on the go. It’s a no-frills design with a simple fixed lens, fixed 2.7-inch screen, and no viewfinder to speak of.
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The Panasonic G3, by contrast, is a full-blown mirrorless camera with an SLR-like body weighing 336 grams and sized at 115x84x47 mm. The build feels like a proper camera - solid plastic but poised solidly in the hands. Its articulating 3-inch touchscreen LCD and electronic viewfinder make it ergonomic for extended shoots, while offering much more manual control.
From an ergonomic standpoint, the G3 wins hands-down for dedicated photographers craving control clubs for their thumbs and fingers. Olympus’s tiny 9000 is more for casual or travel shooters who want a quick get-it-done point-and-shoot. But if portability trumps full control, the 9000’s slender frame is a compelling advantage.
Sensor Size and Image Quality: The Heart of the Matter
One of the most vital parameters to understand is sensor size because it heavily influences image quality, dynamic range, low-light prowess, and control over depth of field.
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The Olympus 9000’s sensor is a tiny 1/2.3-inch CCD, measuring just 6.08 x 4.56 mm with an area of 27.7 mm². It packs a 12-megapixel resolution (3968×2976px). While respectable for a compact of its era (released in 2009), this sensor struggles inherently with noise above ISO 400 and has limited dynamic range due to its tiny photosites. CCD sensors like this excel at color rendition but suffer in high-ISO situations.
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The Panasonic G3 sports a much larger Four Thirds CMOS sensor (17.3 x 13 mm, 224.9 mm²), resolving 16 megapixels at 4592 x 3448px. Even though this sensor is smaller than APS-C or full frame, it’s roughly eight times the area of the 9000’s sensor, enabling better image quality with lower noise, greater dynamic range, and more pleasing background blur.
In practical terms, this difference means the G3 gives you superior low-light performance, cleaner images at high ISOs (up to 6400 native ISO), and more professional-grade files (RAW support), whereas the Olympus 9000 caps out at ISO 1600 and shoots only JPEG. This sensor size gap is critical for enthusiasts or professionals prioritizing image quality and flexibility in post.
User Interface and Handling Experience: Screen, Controls, and Viewfinder
The Olympus 9000 is incredibly straightforward: a fixed 2.7-inch screen with 230k-dot resolution and no touchscreen or articulating capabilities. For quick snaps, it works fine, but lack of touch, manual controls, or viewfinder significantly limits its appeal beyond basic snapshots.
The Panasonic G3, meanwhile, offers a game-changing fully articulating 3-inch touchscreen LCD with 460k-dot resolution and a fantastic electronic viewfinder covering 100% frame accuracy. Touch focus and exposure controls elevate the shooting experience. The inclusion of exposure modes like shutter and aperture priority, manual exposure, exposure compensation, custom white balance, and a comprehensive autofocus system underscore the G3’s more serious photographer appeal.
Lens System: Fixed Convenience vs Interchangeable Creativity
With the Olympus 9000, you’re stuck with a fixed 28-280mm equivalent zoom lens (10x zoom with f/3.2-5.9 aperture). This broad zoom range covers everything from wide angle to super-telephoto but with tradeoffs in image quality and aperture speed. Macro capability is surprisingly decent, down to 1 cm focusing distance.
The Panasonic G3 belongs to the Micro Four Thirds ecosystem, meaning access to over 100 lenses ranging from ultra-wide to monstrous telephotos, primes, macro, and specialized optics. This flexibility is massive for photographers looking to evolve their system.
Autofocus System: Snapshots vs Serious Tracking
The Olympus 9000 employs basic contrast-detection autofocus with no face or eye detection. It’s adequate for daylight stills but flaky in complex scenes or moving subjects. No continuous or tracking AF modes (only single AF) limits use for action photography.
The Panasonic G3 shines here with its 23 AF points, contrast detection, face detection, continuous AF, and AF tracking capability. The autofocus is noticeably faster and more accurate in real-world tests, locking onto faces or moving subjects even in dimmer light. This makes the G3 a far better candidate for wildlife, sports, and street shooting.
Burst Rate and Shutter Speed: Capturing Motion
Burst shooting on the Olympus 9000 is not available (no continuous shooting capability), restricting its use for sports or wildlife. Shutter speed ranges from 4 to 1/2000 sec, which is standard for compacts but rather limited.
The Panasonic G3 supports 4 fps continuous shooting and shutter speeds up to 1/4000 sec, giving you more flexibility capturing fast action. It also adds shutter and aperture priority modes with full manual exposure control - clear wins for creative work and dynamic subjects.
Video Capabilities: Basic Movies or Full HD Footage
If you want to shoot video, the Olympus 9000 offers VGA resolution (640x480) at 30fps in Motion JPEG format with no microphone input. This is basic and mostly a fun novelty.
The Panasonic G3 pushes things into the serious zone - offering Full HD 1080p at 60fps (also 720p and lower), utilizing the more efficient AVCHD format. Video is noticeably sharper, with better color and frame rate options. However, it lacks an external microphone port, so audio input options are limited, but much better than the 9000.
Stability and Durability: Image Stabilization and Build Toughness
The Olympus 9000 boasts sensor-shift image stabilization, significantly helping handheld shooting at longer zooms or lower shutter speeds. Since the lens is fixed, this is essential.
The Panasonic G3 does not have in-body stabilization, relying on lens-based optical stabilization. Many MFT lenses offer this, but shooters need to mind the lens choice for stable shots.
Neither camera offers weather sealing, dustproofing, or shock protection - not unexpected given their categories. If ruggedness is key, you would be looking elsewhere.
Storage, Power, and Connectivity
The Olympus uses xD Picture Cards or microSD, which are now obsolete and hard to find. The Panasonic uses modern SD cards (SD/SDHC/SDXC) compatible with today’s cards, a big win for convenience and cost.
Olympus’s battery life details are scarce, but expect compact cameras to fall short of mirrorless standards. The Panasonic G3 offers a decent 270 shots per battery charge, typical for entry-level mirrorless models.
Both cameras lack wireless connectivity - no Wi-Fi, Bluetooth, GPS, or NFC - so sharing images on the fly demands a card reader or cable connection.
Performance Across Photography Genres: Where Each Shines - and Struggles
Now that the technical landscape is clear, let’s look at how these cameras perform in real photographic genres that matter.
Portrait Photography: Rendering Skin Tones and Background Separation
If you appreciate softly rendered skin tones and creamy bokeh for portraits, the Panasonic G3 delivers. Its larger Four Thirds sensor enables depth of field control to isolate subjects, and wide-aperture lenses can create that flattering background blur. Face detection autofocus locks accurately on eyes for sharp portraits.
The Olympus 9000 can snag casual portraits but struggles with shallow depth of field due to its tiny sensor and slower lens. Without face detection, you might find skin tones a bit flatter, and background distractions more noticeable.
Pros for Portraits:
- Panasonic G3: better bokeh, face detect AF, sharper skin tone rendering
- Olympus 9000: lightweight, fast grab-and-go portraits
Landscape Photography: Dynamic Range and Resolution Matter
For landscapes, sensor size correlates strongly with the ability to capture detail across shadows and highlights. The Panasonic G3’s dynamic range of 10.6 stops and 16MP resolution outperform compact sensors in detail richness and tonality.
The Olympus’s small sensor limits dynamic range and image quality, producing flatter JPEGs with less post-processing flexibility. Its longer zoom is less useful here; landscapes favor wide-angle primes or zooms with excellent sharpness, which the fixed 28mm equivalent lens only modestly offers.
If shooting landscapes on a budget or casual travel, the 9000 can suffice, but for serious landscape work, the G3 is superior.
Wildlife and Sports: Autofocus and Burst Rates Are Key
Neither camera is optimized for hardcore sports or wildlife shooters. But between them, the Panasonic G3 is the clear choice with its 4fps continuous burst, 23 autofocus points, and face/tracking AF.
The Olympus 9000 cannot track moving subjects or shoot bursts, making it unsuitable for action work. Its zoom lens is versatile but limited by autofocus speed and absence of continuous shooting.
Street Photography and Travel: Discretion, Versatility, and Battery Life
On the street or traveling light, the Olympus 9000’s small size and quiet operation are assets. It slips unobtrusively in pockets and has enough zoom range for casual shooting.
The Panasonic G3 is bulkier but versatile. Its articulating screen helps compose shoots from awkward angles. Battery life is much better than typical compacts, and the interchangeable lens mount enables adapting lenses for street or travel needs.
If stealth is your priority, the Olympus 9000 wins by a hair. If creative flexibility and image quality count more, take the Panasonic G3.
Macro Photography and Close-ups
While the Olympus 9000 boasts impressive 1cm macro focusing, image quality limits detail and texture reproduction.
The Panasonic G3 benefits from a wide choice of true macro lenses and higher sensor resolution, though the minimum focus distance depends on the lens added.
Night and Astro Photography: High ISO and Exposure Options
Low-light performance is where sensor size shines. The Olympus 9000’s ISO ceiling of 1600 and considerable noise on anything beyond ISO 400 limit night photography potential.
The Panasonic G3 allows ISO 6400 native with cleaner results and manual exposure modes suited to long exposures and astrophotography.
Video Work: Moving Images with Full HD
The Olympus 9000’s VGA video is basically demo-level, suitable only for social media snippets.
The Panasonic G3’s HD video at 1080p60fps and 720p options put it in a small league of hybrid shooters of its time. Although lacking microphone input, it’s much better for vloggers and casual video creators.
Professional Use: Reliability and Workflow Integration
Neither camera is a flagship, but the Panasonic G3 has serious advantages with RAW file support, manual exposure, and greater control over settings - a more professional workflow-friendly system.
Technical Specs Summary: Pros and Cons
Feature | Olympus Stylus 9000 | Panasonic Lumix G3 |
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Sensor | 1/2.3" CCD (12MP) | Four Thirds CMOS (16MP) |
Max ISO | 1600 | 6400 |
Lens | Fixed 28-280mm f3.2-5.9 | Interchangeable Micro Four Thirds mount |
Autofocus | Contrast detect, single AF only | 23 points, face detect, continuous, tracking |
Image Stabilization | Sensor-shift | No in-body, lens-based |
Video | 640x480 @ 30fps | 1080p @ 60fps |
Viewfinder | None | Electronic, 1440x resolution |
Screen | Fixed 2.7" 230k-dot | Fully articulating 3" 460k-dot touchscreen |
Weight | 225g | 336g |
Battery Life | Unknown (likely low) | 270 shots per charge |
Storage | xD Picture Card & microSD | SD/SDHC/SDXC |
Price (approx.) | $300 | $500 |
Value Analysis: Which Camera Offers the Best Bang for Your Buck?
From a price perspective, the Olympus 9000 is cheaper by a significant margin, ideal for cheapskates or casual digicam users who want simplicity and pocketability over versatility.
However, if you want a camera that can grow with your skills, handle diverse genres, and deliver stronger image quality even in tough lighting, the Panasonic G3’s higher upfront cost pays off in creative control and long-term enjoyment.
My Recommendations: Who Should Buy Which?
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Buy the Olympus Stylus 9000 if:
- You want an ultra-compact, lightweight point-and-shoot for travel or casual use
- You prioritize convenience and simplicity over image quality or manual control
- Your subject is mostly daylight snapshots, snapshots of family, or street candids where discretion matters
- You’re on a tight budget or want a backup camera with a long zoom lens
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Buy the Panasonic Lumix G3 if:
- You seek a versatile entry-level mirrorless with interchangeable lens flexibility
- You want better image quality, low light performance, and manual control
- You care about shooting video and using advanced autofocus modes
- You plan to grow your skills, experiment with portrait, landscape, wildlife, and professional workflows
- You want more longevity and future-proofing from your gear investment
Conclusion: Compact Convenience vs Mirrorless Mastery
The Olympus Stylus 9000 and Panasonic Lumix G3 represent two different philosophies from the same photographic era. The 9000 is a neat, pocketable zoom camera with decent stabilization and straightforward operation - great for those who want a point-and-shoot they can trust to capture the moment without fuss.
The Panasonic G3 stood out as one of the pioneering affordable mirrorless cameras offering serious still and video capabilities, excellent autofocus, and razor-sharp image quality that make it worth the heftier price.
Choosing between them boils down to your shooting style: If your photography priorities align with convenience and casual snapshots, the Olympus 9000 remains a modest but capable companion. If you want an artistic tool with room to improve and shoot professionally, the Panasonic G3 is still a very relevant - and in many ways superior - option.
I hope this detailed comparison helps you narrow down what fits your photography best. Remember: the best camera is the one you enjoy using consistently. Happy shooting!
If you want to dive deeper into hands-on reviews or see more sample images from these two older but interesting cameras, feel free to reach out. Having tested thousands of cameras, I can assure you that understanding the sensor, lens, and control tradeoffs will always guide you toward satisfying your unique photographic goals.
Let me know what type of photography you crave most - and I can help you find a perfect match, whether it’s a compact pocket beast or a mirrorless powerhouse.
Cheers!
Olympus 9000 vs Panasonic G3 Specifications
Olympus Stylus 9000 | Panasonic Lumix DMC-G3 | |
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General Information | ||
Make | Olympus | Panasonic |
Model type | Olympus Stylus 9000 | Panasonic Lumix DMC-G3 |
Also called | mju 9000 | - |
Category | Small Sensor Compact | Entry-Level Mirrorless |
Launched | 2009-05-14 | 2011-07-11 |
Body design | Compact | SLR-style mirrorless |
Sensor Information | ||
Powered by | - | Venus Engine FHD |
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | Four Thirds |
Sensor dimensions | 6.08 x 4.56mm | 17.3 x 13mm |
Sensor surface area | 27.7mm² | 224.9mm² |
Sensor resolution | 12MP | 16MP |
Anti alias filter | ||
Aspect ratio | 16:9, 4:3 and 3:2 | 1:1, 4:3, 3:2 and 16:9 |
Full resolution | 3968 x 2976 | 4592 x 3448 |
Max native ISO | 1600 | 6400 |
Minimum native ISO | 50 | 160 |
RAW images | ||
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Autofocus continuous | ||
Single autofocus | ||
Autofocus tracking | ||
Selective autofocus | ||
Autofocus center weighted | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Total focus points | - | 23 |
Lens | ||
Lens mount type | fixed lens | Micro Four Thirds |
Lens zoom range | 28-280mm (10.0x) | - |
Maximum aperture | f/3.2-5.9 | - |
Macro focusing distance | 1cm | - |
Number of lenses | - | 107 |
Focal length multiplier | 5.9 | 2.1 |
Screen | ||
Screen type | Fixed Type | Fully Articulated |
Screen sizing | 2.7 inch | 3 inch |
Resolution of screen | 230 thousand dot | 460 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Screen technology | - | TFT Color LCD with wide-viewing angle |
Viewfinder Information | ||
Viewfinder | None | Electronic |
Viewfinder resolution | - | 1,440 thousand dot |
Viewfinder coverage | - | 100% |
Viewfinder magnification | - | 0.7x |
Features | ||
Lowest shutter speed | 4s | 60s |
Highest shutter speed | 1/2000s | 1/4000s |
Continuous shooting speed | - | 4.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | - | Yes |
Change white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 5.00 m | 11.00 m |
Flash options | Auto, Fill-in, Red-Eye reduction, Off, On | Auto, On, Off, Red-Eye, Slow Sync |
Hot shoe | ||
AE bracketing | ||
White balance bracketing | ||
Highest flash sync | - | 1/160s |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 640 x 480 (30, 15 fps), 320 x 240 (30, 15 fps) | 1920 x 1080 (60fps) 1280 x 720 (60, 30 fps), 640 x 480 (30fps), 320 x 240 (30fps)) |
Max video resolution | 640x480 | 1920x1080 |
Video data format | Motion JPEG | AVCHD, Motion JPEG |
Mic input | ||
Headphone input | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 225 grams (0.50 lb) | 336 grams (0.74 lb) |
Dimensions | 96 x 60 x 31mm (3.8" x 2.4" x 1.2") | 115 x 84 x 47mm (4.5" x 3.3" x 1.9") |
DXO scores | ||
DXO All around rating | not tested | 56 |
DXO Color Depth rating | not tested | 21.0 |
DXO Dynamic range rating | not tested | 10.6 |
DXO Low light rating | not tested | 667 |
Other | ||
Battery life | - | 270 photos |
Type of battery | - | Battery Pack |
Self timer | Yes (12 seconds) | Yes (2 or 10 sec) |
Time lapse feature | ||
Type of storage | xD Picture Card, microSD Card, Internal | SD/SDHC/SDXC |
Storage slots | 1 | 1 |
Pricing at launch | $300 | $500 |