Olympus SH-1 vs Sony WX5
88 Imaging
40 Features
53 Overall
45


95 Imaging
35 Features
29 Overall
32
Olympus SH-1 vs Sony WX5 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 6400
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 25-600mm (F3.0-6.9) lens
- 271g - 109 x 63 x 42mm
- Launched March 2014
- Successor is Olympus SH-2
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.8" Fixed Display
- ISO 125 - 3200
- Optical Image Stabilization
- 1920 x 1080 video
- 24-120mm (F2.4-5.9) lens
- 146g - 92 x 52 x 22mm
- Released July 2010

Olympus SH-1 vs Sony WX5: An Enthusiast’s Take on Two Compact Contenders
When it comes to compact cameras, the market is a crowded one. Two models that often pop up in conversations - especially for those seeking versatility on a budget - are the Olympus Stylus SH-1 (henceforth SH-1) and the Sony Cyber-shot DSC-WX5 (WX5). Launched just a few years apart (SH-1 in 2014 and WX5 in 2010), both aim to balance portability with features that quench the thirst for travel, street, and casual photography without dumping your savings into a mirrorless or DSLR system.
Having put both of these cameras through their paces over countless shoots, I’m excited to unpack where each shines, where they falter, and ultimately who they’re for. Spoiler alert: These are very different beasts masked as compacts, and understanding their quirks will help you pick the right partner for your photographic journey.
First Impressions: Ergonomics and Physicality in Your Hands
One’s first tactile encounter can make or break a camera experience. The Olympus SH-1 definitely feels like it means business, packed with a substantial body relative to typical point-and-shoots, while the Sony WX5 opts for a featherweight, truly pocketable profile.
Looking at the size and weight numbers, the SH-1 tips the scales at 271 grams and measures 109 x 63 x 42 mm; meanwhile, the WX5 is nearly half the weight (146 grams) and comes in at a slim 92 x 52 x 22 mm. That’s a noticeable difference - which translates to an easier carry experience with the Sony if sheer portability is your mantra.
From a handling perspective, Olympus outfits the SH-1 with a thicker grip and a tactile surface that gives confidence - great for those longer sessions and one-handed shooting. The Sony feels more like an extension of your pocket, perfect for spur-of-the-moment shots or slip-in-a-purse stealth. But with such a thin profile, it’s a bit trickier to hold steady without accidental button presses (a minor frustration if you prefer grip over gumption).
Both feature fixed lenses - no lens swaps here - which is expected in their compact categories, but the SH-1’s added girth also allows for more robust control dials and buttons.
Inspecting their top controls reveals the SH-1 sports a more generous and thoughtfully spaced set of buttons, including tactile zoom toggles and a mode dial. The WX5, with its minimalist design, pares down on physical control, pushing more settings into menu navigation.
In short: Olympus SH-1 wins on ergonomics and physical usability; Sony WX5 is the stealthy pocket sniper.
Sensor and Image Quality: The Heartbeat Behind the Lens
Both cameras feature 1/2.3" BSI-CMOS sensors measuring 6.17 x 4.55 mm, which is a common size for compact cameras but certainly not the holy grail for image quality enthusiasts. This sensor size somewhat limits image quality potential, especially at higher ISO settings or when subtle gradients and dynamic range are desired.
Resolution and Processing:
- SH-1 boasts a 16 MP sensor, promising more resolution (4608×3456 max images) against the WX5’s 12 MP (4000×3000).
- Olympus’s TruePic VII processor generally produces punchier JPEGs - not surprising given Olympus’s long-standing focus on color science.
- Sony’s Bionz engine, while competent, favors smoother tonal gradations, sometimes at the expense of sharpness.
ISO and Noise:
- SH-1’s native ISO ranges from 100 to 6400.
- Sony WX5 tops out at ISO 3200 but starts at ISO 125.
From real-world testing, SH-1's higher megapixel count offers greater flexibility for moderate crops or decent enlargements, though noise creeps in beyond ISO 800, making it best to keep ISO low-to-mid for clean results. Sony’s sensor, optimized for smoothness, tends to preserve details better below ISO 400 but fades quicker beyond that, with noticeably more chroma noise.
Color and Dynamic Range:
Considering the fixed lens compact category, both stumble when it comes to dynamic range. The SH-1 slightly edges out with richer colors and a minor advantage in recovering shadows in post, thanks in part to its processor and sensor combination.
Neither camera supports RAW capture (a bummer for pros seeking ultimate control), so you’re largely at the mercy of in-camera JPEG processing.
Bottom line: SH-1 offers better resolution and a slight edge in image quality, but don’t expect DSLR-grade performance here.
LCD Screens and User Interface: Your Window to the World
For compositions and reviewing images, screen quality is key. Time for some side-by-side visual appraisal.
The Olympus SH-1 boasts a 3-inch touchscreen with 460k dots. This interface introduces the convenience of touch focus and menu navigation - a modern perk that brings fluid control usually absent in compact cameras. The WX5’s screen is a 2.8-inch fixed, 461k dot display - similar resolution but smaller and non-touch - which can feel slightly dated versus the SH-1’s interface.
Practical handling of these screens tells the same story: The SH-1’s touchscreen responsiveness improves the shooting experience and makes reviewing shots more intuitive, especially when experimenting with focus points or exposure compensation. The WX5 provides a straightforward, no-frills display that’s decent but uninspiring for today’s standards.
Neither camera offers an electronic viewfinder - using rear LCD exclusively is standard in this category but can hinder visibility in bright outdoor conditions.
Autofocus Capabilities: How Swift and Accurate Are They?
Autofocus technology is where compact cameras often reveal their limits. Both Olympus and Sony rely on contrast-detection AF systems in these models - less speedy and reliable compared to hybrid or phase-detection systems in modern compacts or mirrorless models.
- Olympus SH-1 offers touch autofocus, continuous AF, face detection, and a multi-area AF system.
- Sony WX5 has contrast detection AF with nine focus points but lacks face or eye tracking and no continuous AF.
Testing confirms that SH-1's AF system feels peppier and more accurate, locking focus quickly in decent light situations and handling moving subjects better with its continuous mode. Face detection improves portrait framing, though lack of eye detection means manual focus adjustments may be needed for critical focus on eyes.
Sony WX5 AF can feel sluggish, particularly in low light; hunting for focus becomes apparent, and continuous AF is basically absent, hampering tracking of any moving subject.
Zoom Lenses: Stretching Your Creative reach
Here’s where these two compact champs really diverge.
The Olympus SH-1 features a 25-600 mm (equivalent) superzoom lens - a whopping 24× zoom range that lets you nail everything from wide-angle landscapes to distant wildlife. That’s exceptional for a compact body.
Sony WX5 offers a more modest 24-120 mm focal length (5× zoom), better suited for general snapshots and casual travel photography without the need for extreme reach.
- SH-1’s maximum aperture ranges from f/3.0 at wide to f/6.9 at telephoto.
- WX5’s lens is slightly faster at wide with f/2.4 but closes to f/5.9 at telephoto.
In practice, Olympus’s massive zoom span makes it a versatile tool for hobbyists dabbling in wildlife, sports, and travel photography without swapping lenses - though image quality toward maximum zoom inevitably softens and requires steady hands or tripods.
Sony’s lens is faster at wide to mid-range, lending itself to better low-light shots and shallower depth of field on the wide end but limited framing options at long range.
Image Stabilization: Staying Sharp When Shaky
Both cameras help users freeze moments with stabilization, just implemented slightly differently.
- Olympus SH-1 sports sensor-shift (in-body) image stabilization.
- Sony WX5 uses optical stabilization in its lens.
In real-world handheld shooting, SH-1’s stabilization shines during telephoto zooms where camera shake is amplified, making it feasible to shoot at slower shutter speeds. Sony’s lens stabilization eases shake in regular zoom ranges but becomes less effective beyond mid-zoom focal lengths.
For video, SH-1's stabilization smooths footage more noticeably, contributing to better handheld movie quality.
Battery Life and Storage: Ready for the Long Haul?
The SH-1 is equipped with the LI-92B battery pack, rated for approximately 380 shots per charge - respectable for its class but not exceptional. It uses standard SD/SDHC/SDXC cards and even offers some internal memory.
The Sony WX5 uses NP-BN1 batteries but lacks an official CIPA rating, though user reports suggest shorter endurance around 200-250 shots - possibly due to its smaller battery and less efficient power management. WX5 supports SD, SDHC, SDXC, and Sony’s proprietary Memory Stick formats, allowing more flexibility.
In my experience, if battery life is mission-critical (e.g., full-day trips), the Olympus wins with extra juice, but carrying a spare battery is advisable for either.
Connectivity and Features: The Little Extras That Matter
Connectivity-wise, Olympus SH-1 packs built-in Wi-Fi, enabling wireless image transfer and remote operations via smartphone apps - valuable for on-the-go sharing or discreet shooting from odd angles. It also features a microphone port - great for vloggers wanting better audio input for 1080p videos.
Sony WX5 predates widespread wireless adoption, offering “Eye-Fi Connected” compatibility, which requires special Wi-Fi cards and is less convenient. It lacks microphone or headphone jacks, so audio options are limited.
Both have HDMI and USB 2.0 for tethered workflows but no Bluetooth or NFC.
The SH-1 also offers time-lapse recording and a self-timer with customizable delays, features handy for creative experimentation.
Video Capabilities: Moving Pictures With Compact Power
If video matters, Olympus SH-1 pulls ahead with Full HD 1080p recording at 60 and 30 fps in H.264 codec - delivering smooth footage with decent detail. The presence of a mic input means you can greatly improve your sound quality, which - trust me - makes all the difference in lighting, documentaries, or family videos.
The Sony WX5 offers 1080p video at 50 fps but tends to crank up compression (AVCHD format), sometimes resulting in softer footage and less flexibility in post-production. The lack of external audio input is a pain point here.
Neither camera supports 4K or advanced video features, but for casual videography, they do the job.
Shooting Disciplines: Which Camera Excels Where?
Having tested both cameras across various genres, here’s a rundown based on my hands-on experience.
Portrait Photography
- Olympus SH-1: Face detection AF improves framing, and its longer zoom lets you isolate subjects with tighter crops. However, the small sensor means limited background blur (bokeh). Colors are vibrant but sometimes a bit punchy.
- Sony WX5: Faster wide aperture helps in low light, but lack of face/eye detection means less focus precision on eyes or subtle skin tones.
Winner: SH-1 for better autofocus; WX5 for low-light portraits.
Landscape Photography
- SH-1’s wide focal length to telephoto zoom versatility lets you frame sweeping vistas or distant peaks. Dynamic range is limited, but the higher resolution helps with cropping and detail.
- WX5 lacks the zoom reach and lower resolution curbs cropping flexibility. Landscape enthusiasts may feel restricted.
Winner: SH-1 due to zoom and resolution.
Wildlife Photography
- SH-1's 600 mm equivalent zoom is undoubtedly the trump card here. The camera’s continuous AF aids subject tracking, and image stabilization helps when shooting handheld animals.
- WX5 just can’t keep up; its focal length maxes out near 120 mm, limiting wildlife reach considerably.
Winner: SH-1, hands down.
Sports Photography
- Burst rates: SH-1 at 12 fps versus WX5 at 10 fps.
- SH-1’s continuous AF and faster burst rate give better chances of catching fast action.
Winner: SH-1.
Street Photography
- The WX5’s super-compact size and unobtrusive appearance make it a master of street stealth and portability.
- SH-1, with its larger size, may draw more attention but offers more creative flexibility.
Winner: WX5 for pure portability, SH-1 if you want more control.
Macro Photography
- SH-1’s minimum focus distance at 3 cm offers decent macro capability aided by sensor-shift stabilization.
- WX5 focuses as close as 5 cm but tends to struggle with detail and has less effective stabilization.
Winner: SH-1.
Night/Astro Photography
- Sensor size and noise control here matter most, and while neither shines as a dedicated astrophotography tool, SH-1’s better ISO ceiling edges it ahead.
- Lack of RAW and longer exposure modes limit serious nighttime work.
Winner: SH-1.
Video Shooting
- SH-1’s 1080p60 and mic input offer superior video creation tools.
- WX5's video specs are basic and less flexible.
Winner: SH-1.
Travel Photography
- WX5’s ultra-slender frame and lightweight build make it almost invisible in a travel bag.
- SH-1 balances travel versatility with longer zoom reach and sturdier handling.
Winner: Depending on your priority - WX5 for ultra-portability or SH-1 for all-in-one versatility.
Professional Use
Neither camera is designed for heavy-duty professional workflows due to limited RAW capture and modest sensor size. But SH-1’s better control, video options, and Wi-Fi connectivity make it marginally more workflow-friendly.
Build Quality and Weather Resistance
Neither camera offers weather sealing, waterproofing, or shockproofing - that’s expected for their class. SH-1 feels more robust in hand with solid construction, while WX5’s ultra-thin body feels slightly more fragile (think “handle with care”).
Price and Value Considerations
At their respective launch prices, the SH-1 retailed around $350 and the WX5 around $250.
Today, both models can be found at discounted rates or secondhand. For the price difference, the SH-1 packs considerably more features, better zoom range, and superior AF capabilities. The WX5’s value proposition lies in its compactness and simplicity, appealing to those prioritizing minimalism.
When evaluating overall performance, SH-1 scores solidly above WX5 in image quality, zoom versatility, autofocus, and video, while WX5 wins for portability and ease of use.
Looking at gallery samples, you can see the SH-1’s higher detail retention and color vibrancy side-by-side with the softer, moodier tones from the WX5.
Specialization Scores: Genre-Specific Assessment
From wildlife through street shooting, the SH-1 consistently outperforms the WX5 across nearly every category, except where pure portability counts most.
My Testing Methodology: A Quick Peek Behind the Curtain
I tested both cameras over several months, shooting in varied outdoor and indoor scenarios: daylight landscapes, wildlife in motion, street candids, macro experiments, night skies, and casual videos. Settings were kept native (JPEG, with default profiles) to simulate typical user workflows. Each camera’s autofocus was challenged with moving and dim subjects; video clips were analyzed for stabilization and clarity. Battery life was tested with continuous shooting and standby.
By applying this broad array of contexts, I aimed to observe how well each camera balanced its specifications against real-world demands - the true acid test for buyers.
Final Thoughts and Recommendations
Who Should Buy the Olympus SH-1?
- If you crave a versatile zoom range (25-600 mm) to cover wildlife, sports, travel, and landscapes without carrying bulkier gear.
- If you need better autofocus, superior video specs, and want modern conveniences like Wi-Fi and touchscreen.
- If you prefer better ergonomics and don’t mind sacrificing a bit of pocketability.
The SH-1 is a solid all-around compact superzoom that punches above its sensor size, fitting a broad range of genres - especially for enthusiasts balancing versatility with affordability.
Who Should Buy the Sony WX5?
- If you cherish ultra-compact size for street, candid, or travel snapshots where discretion and simplicity are king.
- If you want a straightforward point-and-shoot with decent image quality for casual use.
- If you’re on a budget and want something easily pocketed without fuss.
The WX5 excels as a lightweight, discreet companion that’s ready to capture moments without being in the way, but it comes with compromises in zoom reach and autofocus speed.
For photography enthusiasts deliberating between these siblings in compactness, it often comes down to trade-offs in zoom and control versus portability. Olympus SH-1 gifts you power and reach in a manageable package; Sony WX5 offers ease and stealth while keeping things straightforward.
In the grand scheme, despite their small sensors and age, both remain compelling options for specific users - just know your priorities, and you won’t be disappointed.
If you want a quick visual recap before diving deeper, here’s a side-by-side comparison of key elements:
Thank you for sticking through this detailed comparison! Once you’ve made your pick, happy shooting - and remember, no matter the gear, great photos come from your eye and creativity above all.
Olympus SH-1 vs Sony WX5 Specifications
Olympus Stylus SH-1 | Sony Cyber-shot DSC-WX5 | |
---|---|---|
General Information | ||
Make | Olympus | Sony |
Model | Olympus Stylus SH-1 | Sony Cyber-shot DSC-WX5 |
Class | Small Sensor Superzoom | Small Sensor Compact |
Launched | 2014-03-31 | 2010-07-08 |
Physical type | Compact | Compact |
Sensor Information | ||
Processor Chip | TruePic VII | Bionz |
Sensor type | BSI-CMOS | BSI-CMOS |
Sensor size | 1/2.3" | 1/2.3" |
Sensor dimensions | 6.17 x 4.55mm | 6.17 x 4.55mm |
Sensor area | 28.1mm² | 28.1mm² |
Sensor resolution | 16 megapixel | 12 megapixel |
Anti aliasing filter | ||
Aspect ratio | 3:2 | 4:3 and 16:9 |
Highest Possible resolution | 4608 x 3456 | 4000 x 3000 |
Maximum native ISO | 6400 | 3200 |
Lowest native ISO | 100 | 125 |
RAW images | ||
Autofocusing | ||
Manual focus | ||
Touch focus | ||
Continuous autofocus | ||
Autofocus single | ||
Tracking autofocus | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Number of focus points | - | 9 |
Cross focus points | - | - |
Lens | ||
Lens mount | fixed lens | fixed lens |
Lens focal range | 25-600mm (24.0x) | 24-120mm (5.0x) |
Max aperture | f/3.0-6.9 | f/2.4-5.9 |
Macro focus range | 3cm | 5cm |
Crop factor | 5.8 | 5.8 |
Screen | ||
Type of display | Fixed Type | Fixed Type |
Display diagonal | 3 inches | 2.8 inches |
Display resolution | 460k dots | 461k dots |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Viewfinder Information | ||
Viewfinder | None | None |
Features | ||
Minimum shutter speed | 30 secs | 2 secs |
Fastest shutter speed | 1/2000 secs | 1/1600 secs |
Continuous shutter rate | 12.0fps | 10.0fps |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | - |
Change white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | - | 5.10 m |
Flash options | - | Auto, On, Off, Red-eye, Slow sync |
External flash | ||
AE bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (60p, 30p), 1280 x 720 (30p), 640 x 480 (30 fps) | 1920 x 1080 (50 fps), 1440 x 1080 (50, 25fps), 1280 x 720 (25 fps), 640 x 480 (25 fps) |
Maximum video resolution | 1920x1080 | 1920x1080 |
Video format | H.264 | AVCHD |
Mic support | ||
Headphone support | ||
Connectivity | ||
Wireless | Built-In | Eye-Fi Connected |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 271 gr (0.60 lbs) | 146 gr (0.32 lbs) |
Physical dimensions | 109 x 63 x 42mm (4.3" x 2.5" x 1.7") | 92 x 52 x 22mm (3.6" x 2.0" x 0.9") |
DXO scores | ||
DXO Overall score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | 380 photographs | - |
Form of battery | Battery Pack | - |
Battery model | LI-92B | NP-BN1 |
Self timer | Yes (2 or 12 sec, custom) | Yes (2 or 10 sec) |
Time lapse shooting | ||
Storage type | SD, SDHC, SDXC, Internal Memory | SD/ SDHC/ SDXC, Memory Stick Duo/Pro Duo, Internal |
Card slots | Single | Single |
Price at release | $349 | $250 |