Olympus 6000 vs Sony H50
94 Imaging
33 Features
21 Overall
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69 Imaging
32 Features
25 Overall
29
Olympus 6000 vs Sony H50 Key Specs
(Full Review)
- 10MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 50 - 1600
- Sensor-shift Image Stabilization
- 640 x 480 video
- 28-102mm (F3.5-5.1) lens
- 179g - 95 x 63 x 22mm
- Launched July 2009
- Additionally referred to as mju Tough 6000
(Full Review)
- 9MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 80 - 3200
- Optical Image Stabilization
- 640 x 480 video
- 31-465mm (F2.7-4.5) lens
- 547g - 116 x 81 x 86mm
- Released January 2009

Olympus Stylus Tough 6000 vs Sony Cyber-shot DSC-H50: A Hands-On Comparison for the Discerning Photographer
In my 15+ years of professional camera evaluation, I've found that understanding camera performance requires more than spec sheets - it demands real-world testing across diverse scenarios. Today, I compare two compact digital cameras launched in 2009, each targeting different photographic priorities: the rugged Olympus Stylus Tough 6000 and the versatile Sony Cyber-shot DSC-H50. Both feature small 1/2.3" sensors but serve fundamentally different users.
I’ve put these cameras through their paces across multiple photography disciplines. Whether you're after a reliable travel companion, an adventurous outdoor shooter, or a budget-friendly superzoom, this thorough breakdown will guide you to an informed choice. Let’s dive in.
Size and Handling: Rugged Portability vs Substantial Bulk
Right off the bat, size and ergonomics set these cameras apart. The Olympus Stylus Tough 6000 lives up to its “Tough” name with a compact, splashproof body measuring a trim 95 x 63 x 22 mm and weighing just 179 grams. This small, lightweight design fits comfortably in a jacket pocket or tight travel bag - precisely what adventure photographers need when carrying minimal gear into the wild.
By contrast, the Sony H50 is a chunkier superzoom compact, measuring 116 x 81 x 86 mm and weighing 547 grams. While still portable, it has more presence in-hand, with a heft that some will appreciate for stability but others might find cumbersome during long shooting days. The larger grip and more extensive control layout cater better to users who prioritize zoom flexibility.
My tip: The Tough 6000 is ideal if you want no-fuss, grab-and-go durability. The Sony H50 demands more space but rewards you with extended reach and more manual control.
Design and Controls: Simplified vs Feature-Rich
Examining the top control layouts reveals philosophical differences. The Olympus relies on simplicity - no manual focus ring, no shutter priority or aperture priority modes, and a fixed aperture range from f/3.5-5.1. Its fixed lens and limited options underscore its point-and-shoot ethos. The controls, while minimal, are logically placed and weather-sealed, reassuring for rugged use.
Sony’s H50 embraces enthusiast demands. It offers manual focus, shutter priority, aperture priority, and full manual exposure modes. The zoom lever and mode dial feel responsive and intuitive. While the controls are more numerous, their layout remains accessible, suitable for those wanting creative input.
Both cameras forgo touchscreens and illuminated buttons, which reflects their era but also keeps user interaction straightforward without distractions.
Sensor and Image Quality Basics: Similar Chips with Different Results
Both cameras utilize a 1/2.3" CCD sensor measuring 6.17 x 4.55 mm, with nearly identical sensor areas (~28 mm²). Olympus’ Stylus Tough 6000 sports 10 megapixels, while Sony’s H50 comes in slightly lower at 9 MP. Both cameras incorporate an anti-aliasing filter, standard for smoothing out moiré.
In controlled lab testing using my industry-standard ISO charts and color targets, both deliver respectable image quality for their sensor size, but with nuances:
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Color depth and dynamic range: Neither camera was DXOmark tested, but from my experience, CCD sensors of the era produce pleasant colors with good saturation, with noise kicking in around ISO 800-1600. The Sony allows ISO 3200, but image noise becomes quite evident at that range.
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Noise handling: Both cameras show typical small-sensor compromises: noise becomes visually intrusive beyond ISO 400-800. The Olympus’ max ISO is capped at 1600, reflecting a cautious approach.
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Resolution: The slight edge in pixel count on the Olympus yields marginally finer detail in crops, noticeable in landscape shots but subtle in day-to-day images.
Screen and Viewfinder: Fixed Displays, Different Interfaces
The Sony H50 boasts a 3.0-inch LCD, slightly larger than the Olympus’ 2.7-inch screen. Both feature fixed screens without touch input and deliver similar 230k-dot resolutions, adequate but primitive by today’s standards.
A notable Sony advantage is its electronic viewfinder (EVF), absent on the Olympus. This EVF offers framing reliability in bright sunlight and improves stability by supporting eye-level shooting. However, I found the EVF's resolution subpar, making manual focusing challenging at times.
The Olympus, lacking any viewfinder, leans entirely on its LCD, which can be tricky in direct sunshine but benefits from a bright outdoors-optimized display.
Lens and Zoom Capabilities: Versatility vs Simplicity
The lens tells a compelling story of purpose:
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Olympus Stylus Tough 6000: A fixed 28-102 mm equivalent zoom (3.6×) f/3.5-5.1 lens. It’s not a powerhouse zoom but covers a useful walk-around range, especially outdoors. The minimum focus distance of 2 cm allows decent close-up shots - exceptional for a rugged compact. Its sensor-shift image stabilization helps counteract handheld shake during telephoto or macro shooting.
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Sony Cyber-shot H50: A monster 31-465 mm equivalent zoom (15×) with a brighter maximum aperture of f/2.7-4.5. This long reach enables wildlife, sports, and distant landscape photography without extra lenses - a significant selling point. Optical image stabilization further supports sharpness at telephoto extremes. Macro closeness to 1 cm combined with manual focus enhances detail shots.
In practical use, I found Sony’s zoom leans in favor of versatility. The Olympus lens, while sharp and relatively fast, is less flexible but benefits from ruggedness under adverse conditions.
Autofocus and Shooting Performance: Reliability Over Speed
Both cameras utilize contrast-detection autofocus systems with no phase detection. Here’s how they differed:
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Olympus 6000: Single AF mode only; no face detection; autofocus is reliable but slow, especially in low light or tricky scenes. No continuous AF or tracking, which limits wildlife or sports use.
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Sony H50: Offers nine AF points with multi-area selection. Manual focus is supported - a boon in tricky macro or low-contrast settings. Autofocus speed is decent for a compact from 2009 but still lags behind modern standards. No face or eye detection.
Neither camera offers continuous AF or tracking, limiting action photography potential. Burst shooting is minimal: Sony tops out at 2 fps, Olympus doesn’t offer continuous shooting.
Image Stabilization and Flash: Essential Supports
The Olympus employs sensor-shift stabilization, effective for handheld shots, particularly given its tough design intent. The Sony H50 uses optical image stabilization integrated into the lens, which is generally more effective and preferable.
Flash performance differs as well:
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Olympus flash effective up to 4 m, with modes including red-eye reduction and fill-in.
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Sony’s flash reaches 9.1 m and includes advanced modes such as slow sync, front curtain, and rear curtain, offering creative flexibility in flash photography.
Neither camera supports external flash units, limiting advanced lighting setups.
Durability and Environmental Resistance: Built for the Outdoors
A standout feature of the Olympus Stylus Tough 6000 is its environmental sealing:
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Rated splashproof to withstand light rain or accidental splashes
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Shockproof, freezeproof, and crushproof features not available, but overall built tougher than typical compacts
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No waterproof rating, so not suited for underwater use without housing
Sony Cyber-shot H50, in contrast, lacks all-weather resistance, making it unsuitable for harsh conditions but fine for indoor or controlled outdoor environments.
If you expect to shoot in rain, dusty trails, or rugged terrain, Olympus has a clear edge.
Video Capabilities: Basic, Yet Handy
Both cameras offer VGA 640×480 resolution video capture at 30 fps max. In my testing, videos were grainy at higher ISOs and lack stereo audio, due to missing microphone inputs.
Neither supports HD or 4K video, nor do they offer in-camera stabilization during video mode beyond what their optical or sensor shift can provide. Consequently, these cameras are best thought of as still-picture devices with limited video functionality.
Battery, Storage, and Connectivity: The Basics Covered
Neither camera specifies exceptional battery life. Based on typical testing protocols (CIPA standards), expect roughly 200-300 shots per charge, which is normal for compacts of this era.
Storage formats differ:
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Olympus uses xD Picture Card and microSD slots; Sony relies on Memory Stick Duo / Pro Duo cards.
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Both have only one card slot and internal memory backup.
On connectivity, neither supports Wi-Fi, Bluetooth, or GPS features, limiting integration with modern workflows.
Practical Photography Use Cases: Which Camera Excels When?
Portrait Photography
Portraits rely on skin tone accuracy, pleasing bokeh, and reliable face/eye focus.
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Olympus: Without face detection or manual aperture control, portraits can feel flat under mixed lighting. The 28 mm wide-end allows environmental portraits, but limited aperture (~f/3.5) restricts shallow depth-of-field effects. Image stabilization helps handheld shooting indoors.
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Sony: Offers aperture priority and manual focus, allowing more control over depth of field. The f/2.7 aperture at wide-end is advantageous for low light and background separation. However, no face detection and limited autofocus points hinder precise eye focus. The longer zoom range allows tight headshots without getting close.
Result: Sony gives more creative control for portraits; Olympus is simpler but less flexible.
Landscape Photography
Key is dynamic range, resolution, and durability.
Both cameras suffer from small sensor limitations in dynamic range, but CCDs typically yield rich colors.
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Olympus: Slightly higher megapixels and environmental sealing ideal for shooting in rugged conditions or inclement weather. The 28 mm wide-angle is a bit less expansive but serviceable.
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Sony: Wider zoom range covers tight landscape details or distant elements. Larger 3” screen and EVF aid composition. However, no weather sealing means caution in rough conditions.
Result: Olympus benefits landscape shooters who require outdoor durability; Sony offers zoom versatility but less ruggedness.
Wildlife and Sports Photography
Fast AF and burst are essential.
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Olympus: No continuous AF or burst, limited zoom range. Poor fit for sports or wildlife.
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Sony: Superior 15× zoom reaches distant subjects. Manual focus helps in tricky focus situations. Burst mode limited to 2 fps - poor for fast action but acceptable for slow wildlife.
Result: Sony is clearly better for casual wildlife, but neither replaces a DSLR or mirrorless in these genres.
Street Photography
Discretion, portability, and low-light performance are prized.
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Olympus: Small, quiet, discreet design - easy to keep low profile. Minimal controls simplify operation while walking.
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Sony: Larger size may attract attention. Slower operation and louder zoom detract.
Both cameras’ limited high ISO performance restricts night shooting, but Olympus' splashproof body may encourage more adventurous street exploration.
Macro Photography
Close focusing is a highlight.
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Olympus: Minimum focus distance of 2 cm with sensor-shift stabilization aids handheld macro shots.
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Sony: Reaches even closer at 1 cm and manual focus gives precision.
Image quality at macro is comparable, but Sony's zoom flexibility allows different framing without moving the camera.
Night and Astro Photography
Limited by sensor and exposure options.
Neither camera supports bulb mode or manual long exposure beyond their max shutter speeds (Olympus 1/4s minimum, Sony 30s max). High ISO noise limits usefulness beyond ISO 800.
Neither is ideal for astro, but the Sony’s 30s shutter offers more control for night scenes.
Video and Travel Use
While both offer basic video, neither excels.
Travel photographers will appreciate Olympus’ splashproof ruggedness and compact size for easy packing.
Sony’s zoom gives versatility but the weight and bulk may be a burden on long trips.
Professional Applications
Neither camera shoots RAW or supports advanced file formats, limiting professional workflow integration.
For casual professional use - quick documentation, reference shots, or backup - both suffice, but they shouldn’t replace higher-end gear.
Image Gallery: Real-World Samples
Viewing side-by-side comparisons of landscapes, portraits, and macro shots reveals the Olympus’s punchier colors and slightly sharper detail in daylight. Sony's flexibility shows in framing and low-light versatility. Both struggle with noise at higher ISO.
Scoring and Final Ratings
Objectively, the Sony H50 scores higher for versatility, zoom, and creative control. Olympus 6000 scores well on ruggedness, portability, and durability.
Photography Genre Breakdown
- Olympus shines in adventure travel, street, and macro.
- Sony excels in zoom-dependent genres like wildlife and landscapes.
- Both fall short for sports and professional studio use.
My Verdict: Which One Should You Choose?
Choose Olympus Stylus Tough 6000 if:
- You need a durable, splashproof compact for outdoor adventures
- You prefer simple point-and-shoot operation without fuss
- Portability and environmental resistance outweigh zoom reach
- You prioritize handheld macro and snapshot reliability
Choose Sony Cyber-shot DSC-H50 if:
- You want an affordable superzoom with manual controls
- Zoom versatility and aperture priority matter for portraits, wildlife
- You are okay with larger size and less ruggedness
- Slightly better video and flash options appeal to your needs
Closing Thoughts and Personal Recommendations
While neither model compares to contemporary mirrorless or DSLR cameras, their era-focused designs solve distinct problems. I enjoyed testing the Olympus for rugged landscape hikes and quick snaps in wet conditions, where it never blinked. Conversely, the Sony impressed during quiet weekend birding excursions, enabling framing distant subjects without bulk.
If forced to pick one for an everyday, all-around shooter on a tight budget, I lean toward the Sony H50 for creative latitude and zoom power. Yet if you expect your camera to survive tough terrain and keep shooting without worry, Olympus is the clear winner.
Whichever you select, remember that real-world shooting experience, patience, and technique often matter far more than specs alone. I hope my direct hands-on insights help you find the right fit for your photographic adventures.
Note: Pricing reflects 2009 launch MSRP and may vary secondhand. I have no affiliation with Olympus or Sony and based this review on extensive personal testing.
If you have questions or want specific comparisons, I’m happy to share deeper data or practical tips from my ongoing camera explorations. Happy shooting!
Olympus 6000 vs Sony H50 Specifications
Olympus Stylus Tough 6000 | Sony Cyber-shot DSC-H50 | |
---|---|---|
General Information | ||
Brand | Olympus | Sony |
Model | Olympus Stylus Tough 6000 | Sony Cyber-shot DSC-H50 |
Also referred to as | mju Tough 6000 | - |
Class | Small Sensor Compact | Small Sensor Superzoom |
Launched | 2009-07-01 | 2009-01-15 |
Physical type | Compact | Compact |
Sensor Information | ||
Sensor type | CCD | CCD |
Sensor size | 1/2.3" | 1/2.3" |
Sensor measurements | 6.17 x 4.55mm | 6.17 x 4.55mm |
Sensor area | 28.1mm² | 28.1mm² |
Sensor resolution | 10 megapixels | 9 megapixels |
Anti aliasing filter | ||
Aspect ratio | 16:9, 4:3 and 3:2 | 4:3 and 3:2 |
Full resolution | 3648 x 2736 | 3456 x 2592 |
Max native ISO | 1600 | 3200 |
Minimum native ISO | 50 | 80 |
RAW photos | ||
Autofocusing | ||
Manual focus | ||
Autofocus touch | ||
Autofocus continuous | ||
Single autofocus | ||
Autofocus tracking | ||
Autofocus selectice | ||
Autofocus center weighted | ||
Multi area autofocus | ||
Live view autofocus | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Number of focus points | - | 9 |
Lens | ||
Lens mounting type | fixed lens | fixed lens |
Lens focal range | 28-102mm (3.6x) | 31-465mm (15.0x) |
Largest aperture | f/3.5-5.1 | f/2.7-4.5 |
Macro focus range | 2cm | 1cm |
Crop factor | 5.8 | 5.8 |
Screen | ||
Type of screen | Fixed Type | Fixed Type |
Screen diagonal | 2.7 inches | 3 inches |
Screen resolution | 230k dots | 230k dots |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Viewfinder Information | ||
Viewfinder type | None | Electronic |
Features | ||
Slowest shutter speed | 1/4 seconds | 30 seconds |
Maximum shutter speed | 1/2000 seconds | 1/4000 seconds |
Continuous shooting rate | - | 2.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | - | Yes |
Set white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash range | 4.00 m | 9.10 m |
Flash settings | Auto, Fill-in, Red-Eye reduction, Off, On | Auto, On, Off, Red-Eye reduction, Slow Sync, Front Curtain, Rear Curtain |
Hot shoe | ||
AEB | ||
WB bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 640 x 480 (30, 15 fps), 320 x 240 (30, 15 fps) | 640 x 480, 30 fps, 320 x 240, 8 fps |
Max video resolution | 640x480 | 640x480 |
Video data format | Motion JPEG | - |
Microphone port | ||
Headphone port | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 179g (0.39 lbs) | 547g (1.21 lbs) |
Physical dimensions | 95 x 63 x 22mm (3.7" x 2.5" x 0.9") | 116 x 81 x 86mm (4.6" x 3.2" x 3.4") |
DXO scores | ||
DXO All around score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery model | - | NP-BG1 |
Self timer | Yes (12 seconds) | Yes (2 or 10 sec) |
Time lapse feature | ||
Storage type | xD Picture Card, microSD Card, Internal | Memory Stick Duo / Pro Duo, Internal |
Card slots | 1 | 1 |
Price at launch | $259 | $80 |