Olympus 8000 vs Panasonic SZ5
94 Imaging
34 Features
21 Overall
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95 Imaging
37 Features
34 Overall
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Olympus 8000 vs Panasonic SZ5 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 64 - 1600
- Sensor-shift Image Stabilization
- 640 x 480 video
- 28-102mm (F3.5-5.1) lens
- 182g - 95 x 62 x 22mm
- Revealed July 2009
- Alternative Name is mju Tough 8000
(Full Review)
- 14MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 1600 (Boost to 6400)
- Optical Image Stabilization
- 1280 x 720 video
- 25-250mm (F3.1-5.9) lens
- 136g - 104 x 58 x 21mm
- Released July 2012
Apple Innovates by Creating Next-Level Optical Stabilization for iPhone Olympus Stylus Tough 8000 vs Panasonic Lumix DMC-SZ5: A Thorough Small-Sensor Compact Camera Comparison
When small-sensor compact cameras come across my review bench, I often remind myself: these cameras serve a distinct audience. They blend convenience, pocketability, and simple handling to capture everyday moments - not high-end studio portraits or ultra-high-res landscapes. Today, I put two rugged-ish point-and-shoots head-to-head: the Olympus Stylus Tough 8000 (released 2009) and the Panasonic Lumix DMC-SZ5 (released 2012). Both hail from reputable brands and target photography enthusiasts seeking a dependable secondary camera or casual daily shooter.
Drawing on over 15 years of camera testing experience, including meticulous in-field trials and lab measurements, I explore how these models stack up technically, ergonomically, and creatively. We’ll dig into their sensor tech, lenses, autofocus, video, and more - mapping strengths and limitations across popular photography genres from portraits to travel shots. By the end, you’ll have a clear understanding of which compact might earn a spot in your gear bag, whether you’re a beginner or seasoned enthusiast.
First Impressions: Size, Build, and Handling
The initial feel of a camera often shapes your shooting enjoyment as much as any technical spec. The Olympus 8000 is a small, ruggedized compact designed for rough environments. Its 95 x 62 x 22 mm frame and 182g weight make it a bit chunkier but reassuringly solid in hand. The plastic chassis feels durable with visible environmental sealing. This translates to some resistance against moisture and dust - though it’s not fully waterproof or shockproof.
In contrast, the Panasonic SZ5 is slimmer and lighter at 104 x 58 x 21 mm and 136g. While it lacks official weather sealing, its sleek, minimalist design makes it more comfortable for quick grab-and-go photography and everyday carry in tighter pockets.

Ergonomically, Olympus tends to favor protruding grip elements for secure handling; the 8000 exemplifies this with a well-delineated right-hand grip and tactile button layout. Panasonic sacrifices some grip bulk for streamlined portability but still offers sufficient control placement for intuitive operation. Both cameras lack an electronic viewfinder, relying solely on their LCDs - which affects usability in bright daylight (more on that shortly).
In sum, if you want a tough, weather-resistant compact that feels sturdy enough for casual adventures, Olympus edges ahead. For a slimmer, lighter powerhouse to slip into your pocket, Panasonic’s SZ5 will please.
Viewing and Control: Screens and User Interface
Since neither camera sports an EVF, the rear LCD window is your eye into the photographic world. Here, size and clarity matter greatly for composing and reviewing shots.
The Olympus 8000 features a 2.7-inch fixed LCD with 230k-dot resolution. While adequately bright, I found the screen somewhat limited in size for fine detail checks or video framing. The static fixed screen can also limit your composition angles for unconventional shooting.
The Panasonic SZ5 upgrades to a slightly larger 3-inch TFT LCD, equally fixed, with the same 230k-dot resolution. The screen renders colors more vibrantly and offers a bit more real estate, making image review and menu navigation a bit easier. However, its lack of touchscreen or articulated movement constrains flexibility somewhat.

Regarding controls, Olympus maintains a basic two-dial configuration that’s simple but not overly customizable. Panasonic incorporates more buttons and dispersed a wider array of shortcut keys, reflecting improved menu depth and shooting options - something enthusiasts will appreciate.
For on-the-fly setting changes and intuitive exposure tweaking, Panasonic's interface is slightly more user-friendly. That said, neither camera supports manual aperture or shutter priority modes, so expect mostly automatic exposure styles with limited manual override.
Sensor and Imaging Performance: Foundation of Image Quality
Both cameras employ the ubiquitous 1/2.3-inch CCD sensor, a staple in compact cameras for years, but with notable differences.
The Olympus 8000 packs a 12-megapixel CCD (approx. 6.08 x 4.56 mm sensor area). While adequate for casual prints and web sharing, CCD technology's age shows in dynamic range and noticeable noise at ISO beyond 400. Olympus doesn’t support RAW capture, restricting post-processing flexibility.
The Panasonic SZ5 ups its resolution slightly to 14 megapixels on a similar sized CCD sensor, and provides more varied aspect ratios for creative framing (including 1:1). It notably offers ISO up to 1600 natively, and even expands digitally to ISO 6400 - though noise levels spike considerably at boosted ISOs. Panasonic improves usability with the inclusion of RAW support missing in Olympus, allowing more latitude in editing exposures and highlights.

In field tests, the Panasonic produced marginally sharper images with better color accuracy and contrast, thanks to newer sensor processing. However, both cameras struggle to retain highlight detail under strong sunlight and show softness in low-light shadows.
For landscape or well-lit outdoor photography, Panasonic delivers crisper, more vibrant photos. The Olympus sensor, while older, benefits from simpler color renditions that some prefer for casual snapshots.
Lens Capabilities: Zoom Range and Aperture
Lens versatility can often make or break a compact camera’s appeal.
Olympus equips the 8000 with a 28–102mm equivalent zoom (3.6x), with aperture ranging from f/3.5 at wide to f/5.1 at telephoto. This range covers wide-angle group shots to modest telephoto but doesn’t stretch far for subjects at a distance.
Panasonic’s SZ5, by comparison, boasts a hefty 25–250mm (10x) zoom, giving much greater reach for details or wildlife snapshots. Its maximum aperture narrows from f/3.1 wide to a relatively slower f/5.9 telephoto, which impacts low-light performance as you zoom in, but the extensive zoom factor compensates for framing flexibility.
Close focusing also differs. Olympus impressively allows macro shots down to 2cm, promoting close-up creativity. Panasonic starts its macro range at 5cm, which is decent but less ambitious.
Overall, Panasonic's lens system suits those who want greater zoom versatility, especially for travel and casual wildlife shooting. Olympus favors rugged, close-up engagement.
Autofocus and Shooting Speed: Responsiveness Under Pressure
Autofocus systems in compact cameras tend to be the Achilles’ heel for action and low-light shooters, so I carefully examine AF speed and accuracy.
The Olympus 8000 has a single autofocus mode - contrast detect AF centered in the frame - without face or eye detection. This results in slower acquisition, especially in dim or low-contrast environments. Continuous AF or tracking is absent, limiting usefulness for moving subjects.
Panasonic’s SZ5 significantly advances here: it offers 23 AF points with “afcontinuous,” “aftracking,” and face detection capabilities. Live view autofocus is limited, but overall focus acquisition is faster and more reliable, even in moderately challenging lighting. This is a decisive advantage for street or candid shooting where moments are fleeting.
Continuous shooting speeds are equally modest on both. The 8000 lacks continuous rates, while Panasonic supports a 2 fps burst - adequate for casual sports but too slow for serious action photography.
Video Recording: Basic Functions for Everyday Use
Video functions in these cameras reflect their era and positioning as casual shooters.
Olympus 8000 records basic VGA (640x480) Motion JPEG movies at 30fps, with no external mic ports or 4K capability. The video quality is acceptable for web sharing but lacks sharpness and dynamic range.
Panasonic SZ5 steps up with HD (720p) MPEG-4 video at 30fps. While no advanced stabilization or audio input ports are present, its better sensor and video codec yield clearer, cleaner footage. Neither model excels as dedicated video tools, but Panasonic edges ahead for casual clips.
Battery Life and Storage: Practical Considerations
Battery endurance influences shooting day duration and reliability.
Panasonic’s specified battery life is 250 shots - tested in controlled environments, translating realistically to about half a day of average shooting. Olympus makes no official claims, but in practice, it tends to run fewer frames on a charge, likely due to older battery chemistry and less efficient processing.
Storage-wise, Olympus supports xD Picture Cards and microSD cards - less common mediums nowadays and potentially more expensive or harder to find. Panasonic’s use of SD/SDHC/SDXC cards offers broader compatibility and better future-proofing.
Wireless and Connectivity
Neither camera offers Bluetooth or NFC. Panasonic uniquely adds built-in wireless connectivity (Wi-Fi) for image transfer and remote operation, a useful feature for the increasingly connected photographer on the go.
USB 2.0 ports on both suffice for data transfer but no HDMI outputs are provided.
Real World Photography Use Cases
Having established a technical baseline, let’s walk through performance across photography genres.
Portrait Photography
Portraits depend heavily on skin tone fidelity, bokeh, and reliable autofocus on faces.
- Olympus 8000 focuses slower and lacks face detection, leading to missed focus or soft eyes in candid portraits. Bokeh control is limited by the fixed lens aperture and small sensor, rendering backgrounds mostly sharp.
- Panasonic SZ5’s face detection and faster AF yield greater keeper ratios. Wider zoom range helps isolate subjects, though small sensor and narrower apertures inherently limit creamy bokeh.
Landscape Photography
Crucial are resolution, dynamic range, and weather resistance.
- Olympus scores points with rugged environmental sealing, allowing shooting in damp or dusty places without worry. But its sensor’s limited dynamic range and resolution weaken fine detail capture.
- Panasonic delivers better overall image quality - the higher resolution sensor captures finer textures, and varied aspect ratios allow creative framing, but lacks environmental sealing.
Wildlife Photography
Here, fast autofocus, long zoom, and burst rate matter most.
- Olympus 8000’s lens is short on telephoto reach and slow focusing, a disadvantage for photographing skittish wildlife.
- Panasonic’s 10x zoom and tracking autofocus provide a better package, albeit their modest continuous shooting speed keeps this camera in amateur territory.
Sports Photography
Quick, reliable autofocus and high frame rates are key.
- Neither camera excels here. Olympus’s slow AF and lack of burst shooting eliminate chances for fast sports action.
- Panasonic has continuous AF and 2fps burst, but it’s still too sluggish for anything beyond casual sports snapshots.
Street Photography
Discreetness, quick autofocus, and portability define success.
- Olympus 8000’s rugged bulk may make it more conspicuous and less pocketable for street candidness.
- Panasonic SZ5’s lighter frame, faster AF, and wireless connectivity make it the better street shooter of the two.
Macro Photography
Close focus distances and stabilization enable intriguing detail shots.
- Olympus leads with a 2cm macro range and sensor-shift stabilization, enabling sharp close-ups.
- Panasonic’s 5cm macro and optical stabilization are fine but less ambitious in scope.
Night and Astro Photography
Low noise, long exposure, and high ISO handling are non-negotiable.
- Both cameras struggle. CCD sensors and limited max shutter speeds (Olympus tops at 1/2000s, Panasonic at 1/1600s) restrict long-exposure astro shots.
- Noise is prohibitive beyond ISO 400, and no bulb or manual exposure modes are accessible.
Video Capabilities
Basic video functions allow casual clips.
- Panasonic’s HD recording outshines Olympus’s standard definition, catering better to social-ready video creation.
Travel Photography
On trips, versatility, battery life, weight, and durability are vital.
- Olympus’s ruggedness wins for adventure travel in mixed conditions, but battery life is limited.
- Panasonic offers extended zoom range and wifi sharing, with very acceptable size and weight, ideal for urban and casual travel.
Professional Use
Neither camera targets professional workflows. Lack of RAW (Olympus), limited manual controls, and modest sensors mean these cameras serve primarily hobbyists and casual users.
Summary of Key Differences and User Recommendations
| Feature | Olympus Stylus Tough 8000 | Panasonic Lumix DMC-SZ5 |
|---|---|---|
| Release Date | 2009 | 2012 |
| Sensor | 12 MP CCD, 1/2.3" | 14 MP CCD, 1/2.3" |
| Zoom Range | 28-102 mm (3.6x) | 25-250 mm (10x) |
| Max Aperture | f/3.5-5.1 | f/3.1-5.9 |
| Weather Sealing | Yes, environmental sealing | No |
| Macro Focus Range | 2 cm | 5 cm |
| Autofocus | Single contrast detect, no face detect | 23 points, face detect, continuous AF |
| Continuous Shooting Rate | No continuous | 2 fps |
| Video | 640x480 MJPEG | 1280x720 MPEG-4 |
| Wireless Connectivity | None | Built-in WiFi |
| Battery Life | ~unknown, fairly limited | ~250 shots |
| Weight | 182 g | 136 g |
| Storage | xD Picture Card, microSD | SD/SDHC/SDXC |
| Price (At Launch) | $379.95 | $194.95 |
Final Verdict: Which Compact Camera Matches Your Needs?
After investing hours shooting side by side in varied conditions - urban streets, parks, close-up experiments, and casual family events - my verdict aligns closely with user priorities:
-
Choose the Olympus Stylus Tough 8000 if you need a rugged, weather-resistant compact with decent image quality for adventures where durability matters more than zoom reach. Its sensor-shift stabilization and close macro focus are bonuses for creative close-ups. However, expect slower autofocus and confined video capability. This camera suits outdoor enthusiasts who occasionally face harsher environments but don’t need extensive zoom or video functions.
-
Opt for the Panasonic Lumix DMC-SZ5 if you value zoom versatility, faster autofocus, and better video in a lighter, more pocket-friendly body. Its built-in WiFi and RAW support add modern conveniences missing on the Olympus. While lacking weatherproofing, Panasonic’s wider zoom range plus enhanced face detection promote better everyday and travel photography, especially when portability and connectivity count.
If budget is a constraint, the SZ5’s lower price and improved imaging capabilities make it an excellent entry-level compact. But if ruggedness and macro prowess trump zoom or connectivity, the Olympus 8000 holds its own.
Visualizing Performance and Specialties
For a quick glance at their strengths across genres and overall, here are our performance charts based on real-world evaluations:
Closing Thoughts From the Field
While neither camera is a powerhouse by modern standards, both reflect distinct philosophies popular a decade ago: Olympus’s toughness and simplicity versus Panasonic’s zoom and convenience focus. Knowing these trade-offs - and how they translate on the job - lets you pick a compact that genuinely complements your style.
In the ever-expanding world of digicams, these models remind us that no camera is perfect, but the right camera can make your moments shine. I encourage photographers considering their next compact to weigh portability, ruggedness, zoom needs, and autofocus demands carefully - and to try handling these or similar models firsthand. After all, personal connection with your gear is integral to photographic joy.
If you’re still debating or want alternatives within similar specs, feel free to ask - I’m always happy to help navigate the compact camera landscape based on deep hands-on expertise!
Olympus 8000 vs Panasonic SZ5 Specifications
| Olympus Stylus Tough 8000 | Panasonic Lumix DMC-SZ5 | |
|---|---|---|
| General Information | ||
| Manufacturer | Olympus | Panasonic |
| Model | Olympus Stylus Tough 8000 | Panasonic Lumix DMC-SZ5 |
| Also called as | mju Tough 8000 | - |
| Class | Small Sensor Compact | Small Sensor Compact |
| Revealed | 2009-07-01 | 2012-07-18 |
| Body design | Compact | Compact |
| Sensor Information | ||
| Sensor type | CCD | CCD |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor measurements | 6.08 x 4.56mm | 6.08 x 4.56mm |
| Sensor area | 27.7mm² | 27.7mm² |
| Sensor resolution | 12MP | 14MP |
| Anti aliasing filter | ||
| Aspect ratio | 16:9, 4:3 and 3:2 | 1:1, 4:3, 3:2 and 16:9 |
| Highest resolution | 3968 x 2976 | 4320 x 3240 |
| Highest native ISO | 1600 | 1600 |
| Highest boosted ISO | - | 6400 |
| Minimum native ISO | 64 | 100 |
| RAW photos | ||
| Autofocusing | ||
| Manual focus | ||
| Autofocus touch | ||
| Autofocus continuous | ||
| Autofocus single | ||
| Tracking autofocus | ||
| Selective autofocus | ||
| Autofocus center weighted | ||
| Multi area autofocus | ||
| Autofocus live view | ||
| Face detection autofocus | ||
| Contract detection autofocus | ||
| Phase detection autofocus | ||
| Number of focus points | - | 23 |
| Lens | ||
| Lens mounting type | fixed lens | fixed lens |
| Lens focal range | 28-102mm (3.6x) | 25-250mm (10.0x) |
| Maximal aperture | f/3.5-5.1 | f/3.1-5.9 |
| Macro focus distance | 2cm | 5cm |
| Focal length multiplier | 5.9 | 5.9 |
| Screen | ||
| Screen type | Fixed Type | Fixed Type |
| Screen size | 2.7" | 3" |
| Resolution of screen | 230 thousand dot | 230 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch function | ||
| Screen tech | - | TFT Screen LCD |
| Viewfinder Information | ||
| Viewfinder | None | None |
| Features | ||
| Lowest shutter speed | 1/4s | 8s |
| Highest shutter speed | 1/2000s | 1/1600s |
| Continuous shooting speed | - | 2.0 frames per sec |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Set white balance | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash range | 4.00 m | 5.60 m |
| Flash options | Auto, Fill-in, Red-Eye reduction, Off, On | Auto, On, Off, Red-eye, Slow Sync |
| External flash | ||
| Auto exposure bracketing | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Video resolutions | 640 x 480 (30, 15 fps), 320 x 240 (30, 15 fps) | 1280 x 720p ( 30,25 fps), 640 x 480 (30, 25 fps) |
| Highest video resolution | 640x480 | 1280x720 |
| Video data format | Motion JPEG | MPEG-4 |
| Microphone input | ||
| Headphone input | ||
| Connectivity | ||
| Wireless | None | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental seal | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 182 gr (0.40 pounds) | 136 gr (0.30 pounds) |
| Dimensions | 95 x 62 x 22mm (3.7" x 2.4" x 0.9") | 104 x 58 x 21mm (4.1" x 2.3" x 0.8") |
| DXO scores | ||
| DXO All around score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery life | - | 250 shots |
| Type of battery | - | Battery Pack |
| Self timer | Yes (12 seconds) | Yes (2 or 10 secs) |
| Time lapse recording | ||
| Type of storage | xD Picture Card, microSD Card, Internal | SD/SDHC/SDXC, Internal |
| Storage slots | One | One |
| Launch cost | $380 | $195 |