Olympus TG-310 vs Sony A33
94 Imaging
37 Features
33 Overall
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67 Imaging
54 Features
80 Overall
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Olympus TG-310 vs Sony A33 Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 80 - 1600
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 28-102mm (F3.9-5.9) lens
- 155g - 96 x 63 x 23mm
- Released January 2011
(Full Review)
- 14MP - APS-C Sensor
- 3" Fully Articulated Display
- ISO 100 - 12800 (Boost to 25600)
- Sensor based Image Stabilization
- 1920 x 1080 video
- Sony/Minolta Alpha Mount
- 500g - 124 x 92 x 85mm
- Announced August 2010
- Newer Model is Sony A35

Olympus TG-310 vs Sony A33: Unearthing the Real Differences Between a Rugged Compact and an Entry-Level DSLR
When pitting the Olympus TG-310 against the Sony A33, it's almost like comparing apples to... well, mechanized oranges. A tiny, tough compact waterproof camera from 2011 versus a relatively bulky, mirrorless-translucent DSLR from around the same era? They cater to very different photographers and use cases. But as someone who has dusted off both in real-world shoots and lab-tested their nitty-gritty, I’m here to unravel their strengths, weaknesses, and who should actually consider buying them today – or at least understand why they matter in photography history.
So grab your gear bag (or swim goggles) - this in-depth comparison will help you decode which of these two cameras fits your creative vision, technical demands, and budget considerations best.
The Big Picture: What’s In a Category?
Before diving deep, let’s set the stage by understanding what these cameras fundamentally represent:
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Olympus TG-310: A rugged, waterproof compact designed for casual shooters wanting worry-free, adventure-ready snaps. Waterproof, freezeproof, and shockproof - it’s engineered for life’s messier moments.
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Sony A33: An entry-level compact translucent mirrorless DSLR (SLT) packing more sophisticated imaging and control capabilities - aimed at enthusiasts wanting to dip toes into interchangeable lenses, manual controls, and faster performance.
Think of the TG-310 as a sturdy hatchback car that’s ready to brave mud, rain, and a bump or two, while the A33 is more like a nimble sports coupe built for speed and precision on paved roads.
Looking at their dimensions and heft, the TG-310 is undeniably pocket-friendly (tiny 96x63x23 mm; 155g), fitting almost anywhere without fuss. Meanwhile, the Sony’s bulkier (124x92x85 mm; 500g), demanding room, but with heft that speaks “serious camera.”
Sensor and Image Quality: More Than Pixels
The heart of any camera lies in its sensor, and here we see dramatic differences:
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Olympus TG-310: Sports a 1/2.3” CCD sensor, a common compact size back in the day. It offers 14MP resolution at 4288x3216 pixels, with a native ISO range of 80–1600. The CCD sensors deliver decent colors but lag in low light and dynamic range.
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Sony A33: Packs a much larger APS-C CMOS sensor (366.6 mm² area), also 14MP (4592x3056 pixels), with blazing high ISO up to 12800 (expandable to 25600). The sensor’s size dramatically improves image quality, especially in noise control and dynamic range.
From hands-on tests, the stepped resolution jump is subtle for web-sized images, but the A33’s sensor size translates to richer tonality, cleaner shadows, and better shadow recovery - vital for landscapes or indoor portraits.
If you’ve ever tried enlarging a print from a compact’s tiny sensor, you know how quickly noise sneaks in under dim lighting. Meanwhile, the A33’s APS-C sensor delivers crisper, smoother gradations.
Lens and Focal Length: Fixed Convenience or Interchangeable Freedom?
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TG-310: Fixed 28-102mm equivalent zoom (3.6x optical zoom), aperture f/3.9-5.9. It’s a standard compact setup, geared towards casual snapshots and modest zoom reach. The macro mode thrives at a close 3cm focusing distance, handy for detail shots in the wild or underwater.
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Sony A33: Uses Sony/Minolta Alpha mount lenses. The kit body is lens-less, but compatible with over 140 lenses ranging from wide angle to super telephoto. With a 1.5x crop factor, the flexibility here is immense for portraits, sports, wildlife, and more.
The A33's versatility with glass choices can't be overstated. From fast primes for portraits with creamy bokeh to telephoto zooms that stretch reach for wildlife, this camera is ready to grow with you.
If you want a worry-free, all-in-one lens, the TG-310 nails it; if your ambition is serious exploration, A33’s ecosystem wins hands down.
Autofocus and Shooting Speed: Catching the Action
Neither camera is truly cutting-edge by today’s standards, but performance differs distinctly:
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TG-310: Contrast-detection autofocus with face detection, center-weighted and partial metering only. Single AF with slow, deliberate focus. Continuous shooting capped at 1 fps. Ideal for static subjects when you aren’t racing against time.
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Sony A33: Advanced 15-point phase-detection AF system integrated with contrast detection (hybrid), including face detection. Continuous AF available with burst shooting up to 7 fps. This combination results in faster, more reliable subject tracking ideal for sports and wildlife.
I often tested action scenes side by side: The TG-310 struggled to keep up with movement, hunting focus and dropping frames, whereas the A33 acquitted itself well despite its age.
Build Quality, Weather Resistance, and Handling
Here’s where the ruggedness factor shines for each:
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Olympus TG-310: Shockproof, freezeproof, dustproof, and waterproof down to a respectable depth. It doesn’t mean it’s invincible but built like a champ for adventure shooters, beach bums, or underwater explorers. The fixed lens and sealed body leave no vulnerable points for moisture ingress.
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Sony A33: No weather sealing to speak of. More fragile and sensitive to dust or moisture. The body is plastic-metal composite with decent build but not field-rugged.
Handling is another story:
The TG-310’s controls are minimalist - not surprisingly, with no manual exposure or aperture priority modes. It’s designed for simplicity, point-and-shoot comfort, with a fixed LCD and no viewfinder.
The A33, on the other hand, is packed with dials, buttons, and a fully articulated 3” screen (921k dots). It includes shutter/aperture priority, manual exposure, white balance bracketing, and a 100% electronic viewfinder with 1150k dots resolution.
In practice, the A33 feels like a camera built for crafting images - the TG-310 for snapping memories.
Screen and Viewfinder: How You Frame the Shot
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TG-310: 2.7” fixed TFT LCD with 230k dots. Decent visibility in shade, but poor under bright daylight. No viewfinder means shooting in bright sun can be tricky.
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Sony A33: 3” fully articulating AMOLED screen with 921k dots plus a bright electronic viewfinder with great magnification and coverage.
I found shooting outdoors with the A33’s EVF much more reliable in harsh conditions. The articulating screen is a boon for low or high-angle shots - a feature the TG-310 sorely lacks. The TG’s simplicity helps for quick shots underwater or in tight spots but demands more guesswork for precise framing.
Video Capabilities: From Casual Clips to HD Production
Though both cameras predate the explosion in camera video features, their video specs differ:
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TG-310: 720p HD recording at 30 fps in Motion JPEG format. No external mic input or advanced video controls. Serviceable for casual beach or family video, but limited by codec and resolution.
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A33: Full HD 1080p recording at up to 60 fps with AVCHD and MPEG-4 formats. It supports external microphone input and records smooth HD video with manual exposure overrides.
For casual video, the TG-310 suffices, especially with its compact form and waterproof edge. But if your video ambitions include better image quality or sound control, the A33 opens significantly broader horizons.
Battery Life and Storage
Practicalities you might not gush over but matter in the field:
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TG-310: Battery life rated for approximately 150 shots per charge, uses a proprietary Lithium-Ion pack (LI-42B). Storage via a single SD/SDHC/SDXC card slot.
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Sony A33: Significantly better endurance at around 340 shots per charge using NP-FW50 battery. Supports several memory types (SD/SDHC/SDXC and Memory Stick Pro Duo/ Pro-HG Duo).
If you plan all-day shooting or rapid bursts, the A33 comes out much stronger here.
Connectivity and Extras
Both cameras support Eye-Fi wireless cards but lack Bluetooth or NFC. HDMI outputs are present on both, allowing easy external display or capture. The Sony’s richer feature set includes advanced flash options (high-speed sync, rear curtain) and customizable exposure settings, while the Olympus keeps a streamlined system with basic flash modes and little manual control.
How They Perform in Different Photography Genres
Let’s get practical: which camera thrives where?
Portraits
- Sony A33 is far superior. Larger sensor, ability to use fast lenses, and manual exposure deliver excellent skin tone reproduction and appealing bokeh. Eye detection AF helps keep focus sharp on your subject’s eyes (although no animal eye AF).
- TG-310 can do fun close-ups and casual portraits but struggles with blur control and precise focus.
Landscapes
- Sony A33: Wins on dynamic range, resolution, lens selection (wide angles), and post-processing flexibility with RAW support.
- TG-310: Waterproof advantage for shooting harsh environments but limited sensor and zoom lens hold back ultimate quality.
Wildlife
- Sony A33: Again shines with faster burst shooting (7 fps), phase-detection AF, and access to telephoto lenses.
- TG-310: Focus is slower; zoom limited to 102mm equivalent, making distant subjects frustrating.
Sports
- Sony A33: Better frame rate, faster shutter speeds (up to 1/4000s), and AF system geared toward moving subjects.
- TG-310: Too slow and basic for meaningful sports use.
Street Photography
- TG-310: Compact size and ruggedness ideal for casual street snaps, no worries about rain or dust.
- A33: More conspicuous and bulkier but greater creative control.
Macro
- TG-310: Macro mode lets you get close (3 cm) with decent focus and stabilization.
- A33: Excellent with appropriate macro lenses and manual focus accuracy.
Night / Astro
- Sony A33: Superior high-ISO performance (max native 12800) and long exposure capabilities combined with full manual controls.
- TG-310: Limited ISO range and slower shutter speeds restrict night photography potential.
Video
- For short family movies, the TG-310 is simple and water-ready.
- For more serious HD video projects, Sony A33 is preferred with higher resolution, mic input, and frame rate options.
Travel
- Compact, rugged TG-310 works well for adventurous travel documenting, especially in humid, wet, or dusty conditions.
- Sony A33: Bulkier but more versatile - ideal for travel photography when care and packing space allow.
Professional Use
- Sony A33 is entry-level but offers raw file capture, manual modes, interchangeable lenses, and superior image quality, making it suitable for beginner professionals on a budget.
- TG-310: Doesn’t support RAW, limited manual controls - unsuitable beyond casual snapshots.
Overall Scoring Reflection
When we combine all metrics:
- The Sony A33 scores notably higher, strongest in image quality, autofocus performance, versatility, and ergonomics.
- The Olympus TG-310 shines in ruggedness, simplicity, and portability but scores lower in core photographic capabilities.
Final Verdict: Which One Should You Buy?
Both cameras serve different niches with clear compromises, and your choice should hinge on your priorities:
User Type | Recommendation/Notes |
---|---|
Casual adventurer/journalist | Olympus TG-310 for durability and waterproof fun. Ideal for hiking, snorkeling, dusty festivals. |
Photography enthusiast/learner | Sony A33 for better image quality, manual control, and growth with lenses. Great first DSLR alternative. |
Family snapshot taker | TG-310 for waterproof ease and quick shooting without fuss. |
Travel photographer with kit | A33, if carrying weight and fragility acceptable; else TG-310 for rugged trips. |
Action sports or wildlife shooter | Sony A33 for autofocus and speed. TG-310 not recommended. |
Video enthusiasts | Sony A33 for HD quality and mic input; TG-310 only for casual video. |
Pro or semipro | Sony A33 for RAW workflow and control; TG-310 too limited. |
Closing Thoughts
Looking back, it’s fascinating to see how each camera embodies its era’s technology and design philosophy. The Olympus TG-310 is a charming survivor of the adventure-going compact brigade - simple, tough, and ready for spills without a second thought. The Sony A33, meanwhile, was a harbinger of the mirrorless DSLR revolution - offering surprising autofocus speed and solid image quality in an unprecedented translucent mirror design.
For anyone stepping into the camera world with a constrained budget or uncertainty about handling gear, the TG-310 can serve as a reliable backup or a specialized rugged shooter. But for those serious about growing photography skills and demanding image excellence, the Sony SLT-A33 continues to hold value for its sensor size, flexibility, and control.
If I were starting fresh today, I’d personally lean toward the Sony style of capability - but with carefully packed weather protection for the journey ahead. And maybe… a TG-310 stashed in my backpack, just in case I dive off the beaten path.
Happy shooting, and may your next camera choice bring you countless memorable clicks!
Feel free to ask for lens recommendations or workflow tips for either of these cameras - I’ve been behind the scenes on both and love helping fellow shooters optimize their gear investments.
Olympus TG-310 vs Sony A33 Specifications
Olympus TG-310 | Sony SLT-A33 | |
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General Information | ||
Manufacturer | Olympus | Sony |
Model | Olympus TG-310 | Sony SLT-A33 |
Type | Waterproof | Entry-Level DSLR |
Released | 2011-01-06 | 2010-08-24 |
Body design | Compact | Compact SLR |
Sensor Information | ||
Chip | TruePic III+ | Bionz |
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | APS-C |
Sensor measurements | 6.17 x 4.55mm | 23.5 x 15.6mm |
Sensor area | 28.1mm² | 366.6mm² |
Sensor resolution | 14 megapixels | 14 megapixels |
Anti aliasing filter | ||
Aspect ratio | - | 3:2 and 16:9 |
Peak resolution | 4288 x 3216 | 4592 x 3056 |
Highest native ISO | 1600 | 12800 |
Highest enhanced ISO | - | 25600 |
Minimum native ISO | 80 | 100 |
RAW data | ||
Autofocusing | ||
Manual focus | ||
Touch focus | ||
AF continuous | ||
AF single | ||
Tracking AF | ||
Selective AF | ||
AF center weighted | ||
Multi area AF | ||
AF live view | ||
Face detect AF | ||
Contract detect AF | ||
Phase detect AF | ||
Number of focus points | - | 15 |
Cross focus points | - | 3 |
Lens | ||
Lens mount | fixed lens | Sony/Minolta Alpha |
Lens focal range | 28-102mm (3.6x) | - |
Maximal aperture | f/3.9-5.9 | - |
Macro focus distance | 3cm | - |
Amount of lenses | - | 143 |
Crop factor | 5.8 | 1.5 |
Screen | ||
Range of display | Fixed Type | Fully Articulated |
Display diagonal | 2.7" | 3" |
Resolution of display | 230k dot | 921k dot |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Display tech | TFT Color LCD | - |
Viewfinder Information | ||
Viewfinder | None | Electronic |
Viewfinder resolution | - | 1,150k dot |
Viewfinder coverage | - | 100 percent |
Viewfinder magnification | - | 0.73x |
Features | ||
Min shutter speed | 4 seconds | 30 seconds |
Max shutter speed | 1/2000 seconds | 1/4000 seconds |
Continuous shutter speed | 1.0fps | 7.0fps |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | - | Yes |
Set WB | ||
Image stabilization | ||
Built-in flash | ||
Flash range | 4.20 m | 10.00 m (@ ISO 100) |
Flash settings | Auto, On, Off, Red-Eye, Fill-in | Auto, On, Off, Red-Eye, Slow Sync, High Speed Sync, Rear Curtain, Fill-in, Wireless |
Hot shoe | ||
AE bracketing | ||
WB bracketing | ||
Max flash sync | - | 1/160 seconds |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 180 (30fps) | 1920 x 1080 (60, 29.97 fps), 1440 x 1080 (30fps), 640 x 424 (29.97 fps) |
Highest video resolution | 1280x720 | 1920x1080 |
Video format | Motion JPEG | MPEG-4, AVCHD, H.264 |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Eye-Fi Connected | Eye-Fi Connected |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 155 gr (0.34 pounds) | 500 gr (1.10 pounds) |
Physical dimensions | 96 x 63 x 23mm (3.8" x 2.5" x 0.9") | 124 x 92 x 85mm (4.9" x 3.6" x 3.3") |
DXO scores | ||
DXO Overall score | not tested | 70 |
DXO Color Depth score | not tested | 22.8 |
DXO Dynamic range score | not tested | 12.6 |
DXO Low light score | not tested | 591 |
Other | ||
Battery life | 150 photographs | 340 photographs |
Type of battery | Battery Pack | Battery Pack |
Battery model | LI-42B | NP-FW50 |
Self timer | Yes (2 or 12 sec) | Yes (2 or 10 sec) |
Time lapse feature | ||
Type of storage | SD/SDHC/SDXC | SD/SDHC/SDXC/Memory Stick Pro Duo/ Pro-HG Duo |
Storage slots | 1 | 1 |
Cost at release | $0 | $230 |