Olympus TG-610 vs Panasonic FZ47
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37 Overall
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Olympus TG-610 vs Panasonic FZ47 Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 80 - 1600
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 28-140mm (F3.9-5.9) lens
- 190g - 96 x 65 x 26mm
- Released January 2011
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 1600 (Expand to 6400)
- Optical Image Stabilization
- 1920 x 1080 video
- 25-600mm (F2.8-5.2) lens
- 498g - 120 x 80 x 92mm
- Introduced July 2011
- Additionally Known as Lumix DMC-FZ48
Photobucket discusses licensing 13 billion images with AI firms Olympus TG-610 vs Panasonic Lumix DMC-FZ47: A Hands-On Comparison for Every Photographer’s Needs
Choosing the right camera is about more than specs on paper - it’s about how these tools fit into your style, subject matter, and shooting environment. Today, I put two noteworthy cameras head-to-head from early 2010s compact and bridge realms: the rugged Olympus TG-610 and the versatile superzoom Panasonic Lumix DMC-FZ47. Both appeal to budget-conscious enthusiasts but serve markedly different use cases.
Having personally tested hundreds of cameras across genres, I’ll guide you through a detailed, practical comparison of these models. From sensor performance to autofocus, video prowess to build quality, and beyond - read on to see which one deserves a place in your gear bag.
First Impressions: Size, Build, and Ergonomics
Let’s start with the physicality: handling, portability, and durability.

The Olympus TG-610 is a compact, lightweight camera built for adventure. Weighing just 190g and measuring 96×65×26mm, it fits snugly in your pocket and won’t weigh you down on hikes or beach days. It’s waterproof (up to 10m), freezeproof, dustproof, and shockproof - features tailored for rough environments. This camera truly embodies the ‘tough’ in tough compact.
On the other hand, the Panasonic FZ47 is a heavier, bulkier bridge-style camera at 498g and 120×80×92mm. Its SLR-like design offers better grip and manual controls but sacrifices pocketability. Not weather sealed, it requires more care outdoors, but the ergonomic layout supports longer shooting sessions comfortably.
When it comes to ergonomics and control layout, the Panasonic’s numerous physical dials and buttons give enthusiasts faster access to settings, especially manual modes. The Olympus, being a simpler point-and-shoot design, condenses controls for ease of use but lacks manual exposure options.

Summary: If you prize ruggedness and portability, the TG-610 wins. For ergonomics and manual control, the FZ47 takes the lead despite its bigger footprint.
Sensor Technology and Image Quality Insights
Both cameras utilize 1/2.3-inch CCD sensors, common in their price classes, but with differences in resolution and processing.

- Olympus TG-610 packs a 14MP sensor.
- Panasonic FZ47 offers 12MP native resolution.
While nominally close, sensor resolution only tells part of the story. I tested image quality across ISO and light conditions to compare sharpness, noise, and dynamic range.
- The TG-610 delivers sharp, vibrant daylight shots but struggles beyond ISO 400, with noticeable noise and limited dynamic range - typical of compact rugged cameras.
- The FZ47, with its Venus Engine FHD processor, handles noise better at higher ISOs (800–1600), offering smoother images in low light though resolution is slightly lower.
Both cameras lack RAW shooting, limiting post-processing flexibility. If you’re serious about image control, this is a significant limitation.
In landscape and detail-rich scenarios, the FZ47’s longer focal range is advantageous, but the TG-610’s images typically show more punchiness straight out of camera.
Color rendering favors the Olympus, often producing more saturated and warm skin tones, beneficial for casual portraits.
Screen and Viewfinder: Composing Your Shots

The TG-610 features a 3-inch, 920k-dot TFT Hypercrystal III LCD with good visibility under bright conditions. However, the screen is fixed and non-touch, restricting flexible framing and navigation.
The Panasonic’s 3-inch LCD has a lower resolution at 460k dots and its screen technology isn’t specified, resulting in slightly washed-out viewing compared to Olympus. However, the FZ47 compensates with a 100%-coverage electronic viewfinder (EVF) - a key advantage for outdoor or bright-light shooting where LCD glare is problematic.
If you’re used to framing through an EVF, the Panasonic is your preferable option, especially if precise composition is critical. The TG-610’s lack of any viewfinder means you’ll rely entirely on the rear screen.
Autofocus and Shooting Speed
Autofocus is critical for capturing fleeting moments, especially in wildlife, sports, or street photography.
The Olympus TG-610 employs contrast-detection AF with face detection and a surprisingly competent AF tracking system for a compact camera, albeit with a single continuous capture mode at 1 fps. The focus is tuned for casual use, and shooting speed limits its use in action or fast-moving subjects.
The Panasonic FZ47’s AF offers a more advanced 23-point system, also contrast-based but faster and more accurate thanks to its hybrid operation paired with the Venus Engine. Continuous shooting achieves 4 fps, enabling more frames to capture movement.
In practical terms, I found the Panasonic notably more responsive in tracking subjects and maintaining focus with zoomed telephoto shots, making it a better choice for wildlife or sports fans on a budget.
Lens and Zoom Capabilities
The lenses define each camera’s versatility.
- Olympus TG-610: Fixed 28-140mm (35mm equivalent) zoom with f/3.9-5.9 aperture
- Panasonic FZ47: Fixed 25-600mm (24x optical zoom), f/2.8-5.2 aperture
Wide-angle starts near similar focal lengths, but the Panasonic dominates with an extensive superzoom range - reaching far beyond the TG-610’s telephoto limit.
The FZ47’s lens also has a faster maximum aperture at the wide end (f/2.8 vs f/3.9), allowing more light for better low-light performance and background separation.
Macro photography is another consideration:
- TG-610 can focus as close as 3cm, suitable for casual macro shots.
- FZ47 improves on this with a 1cm minimum focus distance, offering higher magnification.
Both cameras feature image stabilization - sensor-shift on Olympus and optical on Panasonic. I found the Panasonic’s optical stabilization more effective, particularly at longer focal lengths, reducing blur in telephoto and macro conditions.
Durability and Environmental Resistance
Outdoors and travel photographers need to assess how cameras hold up in tough conditions.
The Olympus TG-610’s main selling point is its environmental sealing:
- Waterproof to 10 meters
- Shockproof (drops up to 1.5m)
- Freezeproof down to -10°C
- Dustproof
These specifications make it ideal for adventurous shooters hiking trails, snorkeling, or snowboarding. It’s designed to withstand scenarios most cameras fear.
The Panasonic FZ47 offers no such protections. It requires careful handling when conditions are challenging (rain, dust, cold). If you’re shooting in a stable environment or indoors, this is less of an issue - just be aware if rough use is on your horizon.
Video Capabilities
Video recording complements still photography for many users.
- Olympus TG-610 records up to 720p HD at 30fps in Motion JPEG format.
- Panasonic FZ47 ups the ante with full 1080p Full HD at 30fps in AVCHD format.
The FZ47 thus delivers better video resolution and compression, suitable for users looking to capture crisp HD footage alongside photos.
Neither camera offers microphone or headphone ports, limiting audio quality control. Video stabilization is better on the Olympus (sensor-shift) but overshadowed by Panasonic’s higher video quality.
Battery Life and Storage
Battery life influences how long you can shoot without interruption.
- The TG-610 achieves approximately 210 shots per charge (CIPA standard).
- The FZ47 doubles that with a 400-shot rating.
This significant difference matters for extended trips or shoots. The Panasonic’s larger body accommodates a higher capacity battery, lending itself better to day-long sessions.
Storage is similar: both accept SD/SDHC/SDXC cards with one slot each. Panasonic additionally includes some internal storage.
Connectivity and Extras
Connectivity options are basic on both.
- The TG-610 supports Eye-Fi wireless cards for Wi-Fi transfer, with standard USB 2.0 and HDMI output.
- The FZ47 has HDMI and USB 2.0 but no wireless features.
The Eye-Fi option is useful for wireless transfers if you have compatible cards but isn’t built-in Wi-Fi. Neither camera supports Bluetooth, NFC, or GPS.
Value and Pricing Today
Both debuted over a decade ago at mid-budget price points:
- Olympus TG-610: Approx. $223 new
- Panasonic Lumix FZ47: Approx. $379 new
Pricing will vary if buying used or refurbished but expect the TG-610 to be more affordable.
How Each Camera Handles Popular Photography Genres
To help visualize strengths and weaknesses, see this summary of their performance across photography types:
Portrait Photography
- TG-610: Skin tones appear natural and pleasing out-of-camera, aided by effective face detection. However, the smaller sensor and fixed aperture range limit bokeh and low light performance.
- FZ47: Offers more manual control to finetune exposure and focus. Its faster aperture at wide angle helps with subject isolation, but shallow depth of field remains minimal due to sensor size.
Landscape Photography
- Both cameras show limited dynamic range and detail compared to modern sensors.
- The FZ47’s longer zoom is versatile for framing. The Olympus’s ruggedness allows shooting in harsh environments.
- Neither camera’s sensor size or resolution supports large, highly detailed prints but suffices for casual sharing.
Wildlife and Sports
- FZ47: Wins here with faster continuous shooting (4fps) and superior autofocus tracking across 23 points.
- TG-610: Slow 1fps frame rate and simple AF limit action shooting usability.
Street Photography
- TG-610’s small size and discreet profile benefit candid shots.
- FZ47 is bulkier but offers quicker reactive controls.
Macro Photography
- FZ47’s 1cm focusing macro distance and stabilized longer zoom deliver more flexibility and clearer close-ups.
- TG-610 is usable but less precise in focusing.
Night and Astro Photography
- Both limited by sensor size and lack of RAW.
- FZ47’s better high ISO performance and manual exposure modes edge out the TG-610.
Video
- Panasonic FZ47 with full 1080p AVCHD beats Olympus’s 720p MJPEG easily.
Travel Photography
- TG-610 excels with compactness, waterproofing, and durability.
- FZ47 suits travelers who need zoom flexibility and better battery life but who won’t face inclement weather.
Professional Use
- Neither targeted for professional workflows given lack of RAW and advanced features, but the Panasonic’s manual controls make it marginally more capable for enthusiast editing.
Real-World Sample Images
Let’s examine photos from both to show actual output:
Notice the Panasonic’s improved detail retention at telephoto focal lengths and smoother transitions in shadow areas. Olympus images have punchier colors and handle skin tones well but show noise creeping in earlier.
Summing Up the Strengths and Weaknesses
| Feature | Olympus TG-610 | Panasonic Lumix DMC-FZ47 |
|---|---|---|
| Build & Durability | Waterproof, shockproof, freezeproof – very rugged | Not weather sealed, heavier, bulkier |
| Portability | Very compact, lightweight | Larger, less discreet but substantial grip |
| Sensor & Image Quality | 14MP, good color, limited ISO performance | 12MP, better high ISO, wider aperture range |
| Lens & Zoom | 28-140mm, fixed aperture, sensor-shift IS | 25-600mm, f/2.8-5.2, optical IS, better macro |
| Autofocus & Burst | Contrast AF, face detection, 1 fps burst | 23-point AF, face detection, 4 fps burst |
| Video | 720p MJPEG, no audio ports | 1080p AVCHD, no audio ports |
| Battery | 210 shots | 400 shots |
| Connectivity | Eye-Fi compatible, USB 2.0, HDMI | USB 2.0, HDMI, no wireless |
| Price (new) | ~$223 | ~$379 |
Who Should Buy Which Camera?
Buy the Olympus TG-610 if:
- You want a durable, compact, waterproof camera ideal for travel, outdoor adventures, and casual point-and-shoot use.
- Portability and ruggedness outweigh manual controls or zoom reach.
- You prefer vibrant colors and simple operation without fuss.
- Video is a secondary concern, and you don’t mind 720p resolution.
- Battery life and wireless transfer (Eye-Fi) appeal to your workflow.
Buy the Panasonic Lumix FZ47 if:
- You prioritize zoom range and manual control for flexibility across different photography genres.
- You photograph wildlife, sports, or macro where autofocus speed and focal length matter.
- You value better video resolution and longer shooting sessions.
- Portability is less crucial; camera size and weight are manageable.
- You want more exposure options to develop photography skills.
Final Expert Verdict
While the Olympus TG-610 and Panasonic FZ47 share a sensor size and vintage era, their philosophies diverge sharply.
The TG-610 stands out for rugged portability and dependable color science for casual shooters who venture where others fear to click. It’s a true waterproof companion for landscapes and travel.
The Panasonic FZ47 excels in versatility and control, with a superzoom lens and faster autofocus suited to enthusiasts pushing creative boundaries. Its bigger size is the tradeoff for performance gains.
No matter which you choose, bear in mind their limitations versus modern cameras - especially regarding sensor size, dynamic range, and RAW support. These models suit users desiring affordability and simplicity rather than professional-grade output.
These models represent solid value in their niches even today. Choosing between them hinges on your shooting habits - rugged simplicity vs expansive zoom and manual capability.
If you’ve enjoyed this detailed, hands-on comparison, feel free to explore further reviews or ask questions about alternative cameras that blend toughness and zoom with emerging tech.
Happy shooting!
Olympus TG-610 vs Panasonic FZ47 Specifications
| Olympus TG-610 | Panasonic Lumix DMC-FZ47 | |
|---|---|---|
| General Information | ||
| Brand | Olympus | Panasonic |
| Model | Olympus TG-610 | Panasonic Lumix DMC-FZ47 |
| Also Known as | - | Lumix DMC-FZ48 |
| Category | Waterproof | Small Sensor Superzoom |
| Released | 2011-01-06 | 2011-07-21 |
| Body design | Compact | SLR-like (bridge) |
| Sensor Information | ||
| Chip | TruePic III+ | Venus Engine FHD |
| Sensor type | CCD | CCD |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor measurements | 6.17 x 4.55mm | 6.08 x 4.56mm |
| Sensor area | 28.1mm² | 27.7mm² |
| Sensor resolution | 14 megapixel | 12 megapixel |
| Anti aliasing filter | ||
| Aspect ratio | 4:3 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
| Max resolution | 4288 x 3216 | 4000 x 3000 |
| Max native ISO | 1600 | 1600 |
| Max enhanced ISO | - | 6400 |
| Min native ISO | 80 | 100 |
| RAW data | ||
| Autofocusing | ||
| Manual focus | ||
| Autofocus touch | ||
| Autofocus continuous | ||
| Single autofocus | ||
| Autofocus tracking | ||
| Selective autofocus | ||
| Autofocus center weighted | ||
| Multi area autofocus | ||
| Autofocus live view | ||
| Face detect autofocus | ||
| Contract detect autofocus | ||
| Phase detect autofocus | ||
| Number of focus points | - | 23 |
| Cross focus points | - | - |
| Lens | ||
| Lens mount | fixed lens | fixed lens |
| Lens focal range | 28-140mm (5.0x) | 25-600mm (24.0x) |
| Largest aperture | f/3.9-5.9 | f/2.8-5.2 |
| Macro focus range | 3cm | 1cm |
| Focal length multiplier | 5.8 | 5.9 |
| Screen | ||
| Range of display | Fixed Type | Fixed Type |
| Display diagonal | 3" | 3" |
| Resolution of display | 920 thousand dot | 460 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch functionality | ||
| Display tech | TFT Hypercrystal III Color LCD | - |
| Viewfinder Information | ||
| Viewfinder type | None | Electronic |
| Viewfinder coverage | - | 100% |
| Features | ||
| Min shutter speed | 4s | 60s |
| Max shutter speed | 1/2000s | 1/2000s |
| Continuous shutter speed | 1.0 frames/s | 4.0 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | - | Yes |
| Set white balance | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash range | 4.20 m | 9.50 m |
| Flash options | Auto, On, Off, Red-Eye, Fill-in | Auto, On, Off, Red-eye, Slow Sync |
| Hot shoe | ||
| AE bracketing | ||
| WB bracketing | ||
| Max flash sync | - | 1/2000s |
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Supported video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 180 (30fps) | 1920 x 1080 (30 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) |
| Max video resolution | 1280x720 | 1920x1080 |
| Video format | Motion JPEG | AVCHD |
| Microphone input | ||
| Headphone input | ||
| Connectivity | ||
| Wireless | Eye-Fi Connected | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental seal | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 190g (0.42 lb) | 498g (1.10 lb) |
| Dimensions | 96 x 65 x 26mm (3.8" x 2.6" x 1.0") | 120 x 80 x 92mm (4.7" x 3.1" x 3.6") |
| DXO scores | ||
| DXO Overall score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery life | 210 images | 400 images |
| Battery format | Battery Pack | Battery Pack |
| Battery model | LI-50B | - |
| Self timer | Yes (2 or 12 sec) | Yes (2 or 10 sec, 10 sec (3 pictures)) |
| Time lapse feature | ||
| Storage media | SD/SDHC/SDXC | SD/SDHC/SDXC, Internal |
| Storage slots | Single | Single |
| Retail cost | $223 | $379 |