Olympus TG-630 iHS vs Panasonic LX5
94 Imaging
35 Features
34 Overall
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88 Imaging
35 Features
44 Overall
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Olympus TG-630 iHS vs Panasonic LX5 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 6400
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 28-140mm (F3.9-5.9) lens
- 167g - 98 x 66 x 22mm
- Revealed January 2013
(Full Review)
- 10MP - 1/1.63" Sensor
- 3" Fixed Display
- ISO 80 - 12800
- Optical Image Stabilization
- 1280 x 720 video
- 24-90mm (F2.0-3.3) lens
- 271g - 110 x 65 x 43mm
- Announced December 2011
- Superseded the Panasonic LX3
- Successor is Panasonic LX7
Apple Innovates by Creating Next-Level Optical Stabilization for iPhone Olympus TG-630 iHS vs. Panasonic Lumix DMC-LX5: In-Depth Camera Comparison for Enthusiasts and Professionals
Choosing the right camera can be a daunting decision in an increasingly crowded market, especially when two similarly sized compact cameras offer notably different features tailored to diverse photography needs. The Olympus TG-630 iHS and Panasonic Lumix DMC-LX5 are two such contenders, both delivering compact form factors but differing fundamentally in sensor size, lens design, durability, and photographic ambition. Drawing on over 15 years of rigorous camera testing experience, I will dissect their specifications, real-world performance, and suitability across multiple photographic disciplines to help you confidently navigate this choice.

First Impressions: Physical Design and Ergonomics
At a glance, the Olympus TG-630 iHS is designed with ruggedness and portability firmly in mind. Measuring 98x66x22 mm and weighing just 167 grams, this compact operates comfortably in active environments - whether underwater, in dusty terrain, or subzero conditions. Its tough physicality is immediately apparent and is certified waterproof, dustproof, shockproof, crushproof, and freezeproof, ensuring durability where more conventional compacts falter.
Compare this to the Panasonic LX5, which is marginally larger and heavier at 110x65x43 mm and 271 grams, respectively. The LX5 favors a more traditional enthusiast compact profile, offering a bit more heft in hand which some photographers find lends a more stable shooting experience. However, its lack of environmental sealing requires added caution outdoors.

Ergonomically, the LX5 presents a more feature-rich control scheme, including manual focus capabilities and dedicated exposure modes such as shutter priority, aperture priority, and full manual exposure. These controls provide seasoned photographers with precision command. The TG-630 iHS, by contrast, is largely automated, lacking manual exposure controls and focus ring, appealing more to casual shooters or those prioritizing operational simplicity in harsh settings. Button layouts favor quick access to core features but minimize customization.
Sensor Technology and Image Quality: Balancing Resolution and Performance

One of the most critical differentiators between these two cameras is their sensor technology - a factor with profound impact on image quality, noise handling, and dynamic range.
The Olympus TG-630 features a 1/2.3-inch CMOS sensor with 12-megapixel resolution. While standard for rugged compacts, this relatively small sensor and pixel count combination typically results in moderate image quality, particularly in low-light environments. Olympus applies sensor-shift based image stabilization to help maintain sharpness under challenging hand-held shooting scenarios.
In contrast, the Panasonic LX5 is equipped with a significantly larger 1/1.63-inch CCD sensor, delivering 10 megapixels. Although the megapixel count is slightly lower, the larger sensor area (approximately 44.87 mm² versus 28.07 mm² on the Olympus) produces better light-gathering capabilities, reducing noise and enhancing dynamic range. Panasonic's renowned Venus Engine FHD processor complements the sensor with fine noise reduction and color reproduction.
DxO Mark’s sensor scoring, where applicable, places the LX5 notably ahead due to superior color depth (19.6 bits) and dynamic range (10.8 EV), emphasizing the sensor advantage for image quality purists. While Olympus’s sensor is not formally tested by DxO, anecdotal testing confirms the LX5 delivers cleaner high-ISO performance and richer detail retention.
Lens & Optical Performance: Versatility Meets Speed
When comparing the fixed lenses, both cameras cover useful focal lengths but diverge sharply in their optical design philosophy.
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Olympus TG-630 iHS offers a 28-140 mm equivalent zoom range (5× zoom) with maximum apertures ranging from f/3.9 to f/5.9. This range provides good telephoto flexibility for casual wildlife or distant subjects, but the slower maximum aperture limits low-light and shallow-depth-of-field performance.
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Panasonic LX5, with a 24-90 mm equivalent zoom (3.8× zoom), provides a wider starting point, suitable for landscapes and street photography, paired with a fast aperture of f/2.0 at wide angle tapering to f/3.3 telephoto. The fast wide aperture enables better low-light shooting and more pleasing subject isolation with bokeh.
For photographers who prize manual control over focusing, the LX5's lens allows full manual focus - a critical feature for macro work or creative control - which the Olympus TG-630 lacks completely, relying solely on single autofocus without manual override.
Autofocus Systems: Speed, Accuracy, and Tracking Capabilities
The Olympus TG-630, while limited to contrast-detection focus methodology, includes face detection and continuous autofocus tracking albeit with an unknown number of focus points and no dedicated phase detection arrays. In real-world use, this translates to reasonable performance in well-lit scenes but susceptibility to hunting in low contrast or fast-moving situations.
Conversely, the Panasonic LX5 boasts 23 autofocus points, providing enhanced frame coverage and improved accuracy in focus acquisition, even though it also utilizes contrast detection only. However, the inclusion of center-weighted metering and a more advanced processor aids in quicker AF lock speeds and better exposure consistency.
Neither camera supports advanced animal eye autofocus or advanced tracking found in more recent or higher-tier models but for their classes, the LX5 exhibits a smoother autofocus experience when tested under typical photo walk conditions.
Display and Viewfinder: Viewing and Composing Images

Both cameras feature non-touch 3-inch LCD screens with 460k-dot resolution, providing adequate viewing clarity for composing and menu navigation. The screens are fixed type, limiting angle adjustment flexibility for shooting at awkward positions.
The Olympus TG-630 dispenses with any viewfinder, relying entirely on the LCD which can be challenging to use in bright sunlight or underwater scenarios.
The Panasonic LX5 offers the option of an electronic viewfinder (EVF), although it is sold separately as an accessory. This EVF enhances composing precision in bright light and allows for steadier handheld shooting by providing an additional eye-level framing option beloved by enthusiasts.
Durability and Environmental Resistance: Surviving the Elements
It is here that the Olympus TG-630 truly distinguishes itself as a specialty rugged camera. Certified waterproof down to 10 meters, dustproof, shockproof from falls up to 1.5 meters, crushproof, and freezeproof to -10°C, it is engineered to withstand extreme shooting conditions with minimal user risk.
The Panasonic LX5 lacks any formal weather sealing or rugged certification. Although robustly built with quality materials, it requires more cautious handling, making it best suited to controlled environments or light outdoor use, rather than adventures where submersion or rough treatment is anticipated.
Burst Shooting and Continuous Performance: Capturing Fast Action
The Olympus TG-630 offers a respectable continuous shooting rate of 5 frames per second, supporting quick capture of fleeting moments - a useful feature for sports or wildlife, although limited by its autofocus speed.
The Panasonic LX5’s burst speed is slower, capped at 3 fps, reflecting its focus on image quality over speed. Coupled with a longer minimum shutter speed (up to 60 seconds max), it favors deliberate exposures and creative shooting techniques.
Low-light autofocus performance, an area often challenging for compact cameras, slightly favors the LX5 due to its brighter lens and sensor size, although neither camera excels under very dim conditions.
Video Capabilities: Recording Quality and Flexibility
For users incorporating video into their workflow, the two models again present diverging abilities.
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The Olympus TG-630 supports full HD recording at 1920x1080 pixels and 60 frames per second, providing smooth high-resolution video footage. Its use of MPEG-4 and H.264 codecs delivers widely compatible files, but the lack of external microphone ports limits audio upgrades.
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The Panasonic LX5, by contrast, maxes out at 1280x720 HD at 60p with AVCHD Lite format, which is efficient but lower resolution than the TG-630. Its video quality is sufficient for casual use, but not for professional-grade production.
Neither camera offers in-body electronic stabilization optimized for video; Olympus applies sensor-shift still image stabilization during shooting, which helps handheld video smoothness to some extent.
Specialized Photography Applications: Macro, Night, and Travel
Macro Photography: Both cameras boast a close focusing distance of around 1 cm, facilitating detailed macro shots. However, the LX5’s manual focus ring and faster aperture provide greater control over depth of field and sharper close-ups when properly focused, whereas the TG-630’s autofocus may struggle with fine focus precision at extreme close range.
Night and Astro Photography: The LX5’s larger sensor and low base ISO (80 vs. 100) enable somewhat cleaner high-ISO images, crucial for night photography where longer exposures and higher sensitivities are common. Its minimum shutter speed of 60 seconds is ideal for star trails and astrophotography, unmatched by the TG-630’s 4-second maximum.
Travel Photography: Olympus’s rugged build and compact size make it an excellent companion for travel in unpredictable conditions, especially adventures involving water or rough terrain. Battery life is modest at 220 shots per charge but typical for cameras of this size. The LX5, while less portable and fragile, offers more creative flexibility with manual controls, appealing to travelers seeking image artistry over ruggedness.
In side-by-side image comparisons, the LX5's photos generally exhibit richer tones, stronger detail retention, and superior dynamic range, particularly in shadows and highlights. Olympus images, meanwhile, provide decent color accuracy but occasionally display noise and limited sharpness at the telephoto end.
Workflow, Connectivity, and Storage
Both cameras rely on single SD/SDHC/SDXC card storage, with no dual card slots for redundancy, a feature expected in this segment. USB 2.0 connectivity supports basic file transfers but lacks modern conveniences like Wi-Fi or Bluetooth, limiting tethered shooting and remote control capabilities.
Neither unit supports RAW image capture except the Panasonic LX5, which is a significant advantage for photographers requiring post-processing flexibility and workflow integration with professional editing software.
Battery Endurance and Power Management
In practical use, Olympus’s specified battery life of 220 shots per charge is on the lower end, necessitating spares for extended sessions or travel. Battery capacity for the LX5 is unspecified in official specs, but user reports indicate comparable endurance, though its larger body can harbor a physically bigger battery.
Neither camera supports USB charging or in-camera power delivery, requiring dedicated chargers that can be inconvenient during travel.
Price-to-Performance: Which Option Delivers More Value?
At their respective launch prices - Olympus TG-630 at approximately $200 and Panasonic LX5 around $295 - the pricing reflects divergent priorities rather than direct feature parity.
The Olympus TG-630 offers exceptional value for the rugged compact enthusiast seeking a weatherproof camera with straightforward operation. It fills a specific niche for adventure photographers on a budget.
The Panasonic LX5, with its larger sensor, advanced manual controls, and better image quality, appeals to the enthusiast willing to trade ruggedness for creative freedom and superior photographic results.
Expert Recommendations by Photography Genre
Portrait Photography
- Panasonic LX5: Preferred for its sharper images, manual aperture control enabling shallow depth of field, and accurate color portrayal.
- Olympus TG-630: Offers face detection, but slower lens and smaller sensor limit bokeh quality and skin tone nuance.
Landscape Photography
- Panasonic LX5: Larger sensor and wider-angle lens provide better resolution and dynamic range.
- Olympus TG-630: Useful in adverse conditions where environmental durability is paramount, but image quality is compromised.
Wildlife Photography
- Olympus TG-630: Longer telephoto reach (140mm) and faster burst shooting enhance candid wildlife capture outdoors.
- Panasonic LX5: Manual focus and slower burst limit its effectiveness here.
Sports Photography
- Olympus TG-630: Higher frame rate (5fps) benefits fast action capture, but autofocus is modest.
- Panasonic LX5: Image quality excels, but slower burst rate and less responsive AF reduce performance.
Street Photography
- Panasonic LX5: Compact yet feature-rich controls enable discretion and creative composition.
- Olympus TG-630: Ruggedness useful in urban adventure, but lens speed is a limitation.
Macro Photography
- Panasonic LX5: Manual focus and faster aperture dominate for close-ups.
- Olympus TG-630: Close focus distance is competitive but less flexible.
Night/Astro Photography
- Panasonic LX5: Longer shutter speeds and better noise control favor astro.
- Olympus TG-630: Shorter shutter ceiling and smaller sensor reduce performance.
Video Capabilities
- Olympus TG-630: Superior resolution and frame rate in video.
- Panasonic LX5: Limited to HD 720p, lower functional video performance.
Travel Photography
- Olympus TG-630: Lightweight, rugged, and versatile.
- Panasonic LX5: Better for controlled environments needing higher image quality.
Professional Workflows
- Panasonic LX5: Supports RAW, manual exposure, and integrates well into post-production workflows.
- Olympus TG-630: Jpegs only, emphasizing casual use.
Final Thoughts: Which Compact Camera Should You Choose?
Both the Olympus TG-630 iHS and Panasonic LX5 provide compelling value but cater to distinctly different photographic priorities.
If your shooting involves rugged or aquatic environments, or you need a tough daily-carry compact for unpredictable conditions - especially if manual exposure is daunting - the Olympus TG-630 is a dependable, budget-friendly choice with solid video and telephoto reach.
Alternatively, if image quality, manual control, and photographic versatility top your list and your shooting environment is more predictable, the Panasonic LX5 remains a venerable option with a sensor advantage and comprehensive feature set, though at a slight trade-off in weather resistance and size.
Through methodical side-by-side evaluation of critical performance factors and use case applicability, I hope this detailed analysis empowers you to make a confident, informed decision tailored to your photographic aspirations and budget.
For more nuanced technical profiles and sample photos, revisit the integrated visual references throughout this comparison article that elucidate the subtle yet impactful differences between these two noteworthy compact cameras.
Olympus TG-630 iHS vs Panasonic LX5 Specifications
| Olympus TG-630 iHS | Panasonic Lumix DMC-LX5 | |
|---|---|---|
| General Information | ||
| Company | Olympus | Panasonic |
| Model type | Olympus TG-630 iHS | Panasonic Lumix DMC-LX5 |
| Category | Waterproof | Small Sensor Compact |
| Revealed | 2013-01-08 | 2011-12-15 |
| Body design | Compact | Compact |
| Sensor Information | ||
| Chip | - | Venus Engine FHD |
| Sensor type | CMOS | CCD |
| Sensor size | 1/2.3" | 1/1.63" |
| Sensor measurements | 6.17 x 4.55mm | 8.07 x 5.56mm |
| Sensor surface area | 28.1mm² | 44.9mm² |
| Sensor resolution | 12MP | 10MP |
| Anti alias filter | ||
| Aspect ratio | 4:3 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
| Full resolution | 3968 x 2976 | 3648 x 2736 |
| Max native ISO | 6400 | 12800 |
| Minimum native ISO | 100 | 80 |
| RAW data | ||
| Autofocusing | ||
| Focus manually | ||
| Touch focus | ||
| AF continuous | ||
| AF single | ||
| Tracking AF | ||
| AF selectice | ||
| Center weighted AF | ||
| Multi area AF | ||
| Live view AF | ||
| Face detect AF | ||
| Contract detect AF | ||
| Phase detect AF | ||
| Total focus points | - | 23 |
| Cross type focus points | - | - |
| Lens | ||
| Lens mount type | fixed lens | fixed lens |
| Lens zoom range | 28-140mm (5.0x) | 24-90mm (3.8x) |
| Maximum aperture | f/3.9-5.9 | f/2.0-3.3 |
| Macro focusing range | 1cm | 1cm |
| Crop factor | 5.8 | 4.5 |
| Screen | ||
| Range of display | Fixed Type | Fixed Type |
| Display sizing | 3 inch | 3 inch |
| Display resolution | 460k dot | 460k dot |
| Selfie friendly | ||
| Liveview | ||
| Touch screen | ||
| Viewfinder Information | ||
| Viewfinder | None | Electronic (optional) |
| Features | ||
| Lowest shutter speed | 4 seconds | 60 seconds |
| Highest shutter speed | 1/2000 seconds | 1/4000 seconds |
| Continuous shooting speed | 5.0 frames/s | 3.0 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Manual exposure | ||
| Exposure compensation | - | Yes |
| Change WB | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash distance | - | 7.20 m |
| Flash settings | Auto, On, Off, Red-Eye, Fill-in | Auto, On, Off, Red-Eye, Slow Sync |
| External flash | ||
| AE bracketing | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Video resolutions | 1920 x 1080 (60 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 180 (30fps) | 1280 x 720 (60, 30 fps), 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30fps), 320 x 240 (30 fps) |
| Max video resolution | 1920x1080 | 1280x720 |
| Video file format | MPEG-4, H.264 | AVCHD Lite |
| Microphone jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment seal | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 167 gr (0.37 pounds) | 271 gr (0.60 pounds) |
| Physical dimensions | 98 x 66 x 22mm (3.9" x 2.6" x 0.9") | 110 x 65 x 43mm (4.3" x 2.6" x 1.7") |
| DXO scores | ||
| DXO All around rating | not tested | 41 |
| DXO Color Depth rating | not tested | 19.6 |
| DXO Dynamic range rating | not tested | 10.8 |
| DXO Low light rating | not tested | 132 |
| Other | ||
| Battery life | 220 shots | - |
| Battery form | Battery Pack | - |
| Battery ID | LI-50B | - |
| Self timer | Yes (2 or 12 sec, pet auto shutter) | Yes (2 or 10 sec) |
| Time lapse feature | ||
| Type of storage | SD/SDHC/SDXC | SD/SDHC/SDXC, Internal |
| Storage slots | One | One |
| Retail pricing | $200 | $294 |