Olympus TG-810 vs Panasonic ZR1
92 Imaging
37 Features
37 Overall
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94 Imaging
34 Features
17 Overall
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Olympus TG-810 vs Panasonic ZR1 Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 80 - 1600
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 28-140mm (F3.9-5.9) lens
- 215g - 100 x 65 x 26mm
- Launched August 2011
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 80 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 25-200mm (F3.3-5.9) lens
- 158g - 98 x 55 x 26mm
- Revealed July 2009
- Additionally Known as Lumix DMC-ZX1
Meta to Introduce 'AI-Generated' Labels for Media starting next month Olympus TG-810 vs Panasonic Lumix DMC-ZR1: A Detailed Comparison for Enthusiasts and Professionals
Choosing the right compact camera can be a subtle balancing act - especially when it comes to small sensor compacts with fixed zoom lenses. In this detailed head-to-head, I compare Olympus’s rugged TG-810 waterproof compact against Panasonic’s versatile Lumix DMC-ZR1 (also known as the Lumix ZX1). Drawing on my extensive hands-on camera testing experience, I evaluate every critical aspect from sensor tech to autofocus, build, and usability across multiple photographic disciplines - to help you determine which suits your needs best.

First Impressions: Design, Ergonomics & Controls
When handling these two cameras side-by-side, design and ergonomics create the first meaningful distinctions. The Olympus TG-810, measuring 100 x 65 x 26 mm and weighing 215 grams, opts for a rugged exterior with clear environmental sealing - waterproof, dustproof, freezeproof, and shock-resistant. For adventure enthusiasts or casual users seeking a dependable camera in harsh conditions, these credentials carry considerable weight.
By contrast, the Panasonic ZR1 is slightly more compact at 98 x 55 x 26 mm and lighter at 158 grams but lacks any environmental sealing or rugged design. It aims for traditional compact portability without specialized protection.
Both cameras use fixed lenses with zoom ranges typical for their categories: 28-140mm equivalent on the Olympus and 25-200mm on the Panasonic, the latter’s longer zoom advantage suggesting more reach for telephoto-centric shooting.

Control layouts further reflect their philosophies. The TG-810's buttons and dials feel robust but lean toward simplicity - no customizable buttons or advanced exposure modes, keeping operation straightforward but limited. The Panasonic ZR1 utilizes a smaller chassis, and its control scheme shows some compromises in button size and placement, but it allows for slightly greater user customization with features like custom white balance.
Neither camera includes electronic viewfinders, relying fully on LCD screens for composition and image review.
Sensor and Image Quality: Core Imaging Performance
Critically evaluating sensor technology and resulting image quality is pivotal. Both cameras employ 1/2.3" CCD sensors, a standard at their launch times but considered entry-level by today's standards, especially compared with modern CMOS tech. Despite their shared sensor size, there are subtle differences in resolution and performance metrics:
| Specification | Olympus TG-810 | Panasonic Lumix DMC-ZR1 |
|---|---|---|
| Sensor Size | 1/2.3" (6.17 x 4.55 mm) | 1/2.3" (6.08 x 4.56 mm) |
| Effective Megapixels | 14 MP | 12 MP |
| Pixel Dimensions | 4288 x 3216 | 4000 x 3000 |
| ISO Range | 80-1600 | 80-6400 |
| Color Filter | Bayer pattern | Bayer pattern |

While the Olympus TG-810 marginally edges out in pixel count and native ISO performance, its CCD sensor and TruePic III+ processor combination limit dynamic range and low-light sensitivity. Panasonic’s ZR1 extends max ISO sensitivity impressively to 6400, though higher ISO images suffer from more notable noise due to sensor limitations and older Motion JPEG video compression.
The Olympus benefits from a slightly larger sensor area (28.07 mm² vs 27.72 mm²), but realistically, differences in sensor performance for either camera are subtle and tied closely to processing capabilities rather than pure sensor specs alone. Neither produces RAW images - a significant limitation for professional photographers or enthusiasts desiring post-capture editing latitude.
Display and Interface: Real-World Usability
Both cameras forego touchscreens and electronic viewfinders, relying instead upon fixed LCD panels - common at their respective launches - yet with notable differences in quality:
| Feature | Olympus TG-810 | Panasonic Lumix DMC-ZR1 |
|---|---|---|
| Screen Size | 3.0-inch TFT Hypercrystal III LCD | 2.7-inch Fixed LCD |
| Resolution | 920k dots | 230k dots |
| Screen Technology | Hypercrystal III for better outdoors visibility | Standard |

The Olympus’s higher-resolution 3” screen and improved hypercrystal technology noticeably enhance outdoor visibility - critical for adventure shooting in bright light - whereas the Panasonic’s smaller, lower-res display fares less well in sunlight, sometimes requiring framing compensation.
The user interface on the TG-810 remains simple and uncluttered, oriented toward clear modes with fewer manual controls - befitting its rugged design ethos. The Panasonic allows custom white balance adjustment, giving it slightly more flexibility under varying lighting, though menus feel denser and slightly less intuitive.
Autofocus and Shooting Performance
Neither camera offers highly sophisticated autofocus systems, reflecting their compact sensor roots and beginner-friendly targets.
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Olympus TG-810: Employs contrast detection autofocus with face detection functionality, able to track faces but lacking animal eye AF or advanced tracking. Single continuous AF mode seems limited, and despite a decent 5x zoom, it maxes out burst shooting at a mere 1 fps - a severe restriction for fast action or wildlife.
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Panasonic ZR1: Also relies on contrast-detection AF, but includes 11 focus points providing better precision framing. However, it lacks face detection and tracking features, which reduces performance for dynamic subjects. Multi-area and center-weighting modes are absent. The continuous shooting rate improves to 2 fps, though still minimal for sports or wildlife.
In practical field testing, neither camera excelled in demanding focus scenarios such as wildlife or sports, but the Panasonic’s broader AF coverage gave marginal advantages for static or studio setups where focus placement matters.
Zoom and Lens Characteristics
Lens versatility strongly influences compact usability:
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The Olympus TG-810’s 28-140 mm equivalent zoom range balances wide-angle and telephoto relatively well with its 5x optical zoom and a maximum aperture range of F3.9-5.9. This aperture, skewing towards narrower apertures especially at telephoto, constrains low-light and depth-of-field control.
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The Panasonic ZR1 boasts a longer 25-200 mm equivalent zoom (8x optical zoom), starting at a slightly wider F3.3 aperture on the wide end and tapering to F5.9. This gives better reach for telephoto use, beneficial for travel shots or subjects at distance beyond the Olympus’s maximum.
Both cameras have fixed lenses that prohibit accessory lens use, limiting creative flexibility or macro experimentation beyond built-in macro modes with close focus distances around 3cm.
Durability and Environmental Resistance
Here the Olympus TG-810 distinctly stands out:
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Offers waterproofing (up to 10m), dustproof, shockproof (can withstand drops up to 2m), and freezeproof down to -10°C, making it ideal for rugged outdoor use including hiking, skiing, or swimming.
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Panasonic ZR1 features no environmental sealing or ruggedization, greatly limiting its use in adverse conditions.
For photographers needing peace of mind against weather and accidental impacts, the TG-810 is clearly preferable.
Battery Life and Storage
While detailed Panasonic battery life data are sparse, the Olympus TG-810 provides respectable longevity with a 220 shot capacity on the LI-50B battery, suited for day-long excursions without frequent charging.
Both cameras utilize standard SD/SDHC/SDXC cards in a single slot - notably, Panasonic includes internal storage as a supplementary option, but its limited capacity makes reliance on cards necessary.
Connectivity options differ with Olympus including Eye-Fi Card wireless compatibility and HDMI output, whereas Panasonic lacks wireless features altogether and no HDMI port, impeding streamlined image transfer or live HD playback.
Video Capabilities and Multimedia
Both cameras record HD video at 1280 x 720 resolution and 30fps, but video format and audiovisual features show practical usage divides:
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Olympus TG-810 uses efficient MPEG-4 and H.264 compression; despite basic continuous shooting rates, video quality is decent with sensor-shift image stabilization effectively smoothing handheld footage.
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Panasonic ZR1 records using the older Motion JPEG format, resulting in larger file sizes and more compression artifacts. It features optical image stabilization, improving video steadiness, but lack of microphone inputs or HDMI output limits professional workflows.
Neither camera supports 4K or higher video frame rates, nor advanced audio controls, reflecting their entry-level positioning.
Comprehensive Photo Genre Performance Breakdown
Evaluating practical applied uses across photography types underscores each camera’s suitability clearly.
| Genre | Olympus TG-810 | Panasonic Lumix DMC-ZR1 |
|---|---|---|
| Portrait | Adequate with face detection and pleasing bokeh via 5x zoom; limited manual control | Lacks face detection; bokeh moderate due to sensor size and aperture; more focus points help framing |
| Landscape | Good dynamic range for sensor size; fixed LCD clarity aids framing | Longer zoom beneficial; lower screen visibility in sunlight |
| Wildlife | Slow burst and modest autofocus reduce suitability | Longer zoom helps; slow autofocus hinders subject capture |
| Sports | 1 fps burst and rudimentary tracking limit sports usability | Faster burst (2 fps) better, but still falls short for action |
| Street | Rugged build can be cumbersome; good for all-weather candid shots | More discreet due to lighter weight and size |
| Macro | 3 cm macro focusing effective; image stabilization assists sharpness | Similar macro focus, less stabilization impact due to optical shift |
| Night/Astro | Max ISO 1600 limitation; sensor noise is evident | Higher max ISO of 6400 but noisy; neither ideal for astro without tripod |
| Video | Superior codec and stabilization aid smooth clips | Video lacks compression finesse, no external mic |
| Travel | Perfect for adventure travel with ruggedness; moderate zoom | Better zoom range for urban/landscape travel; less durable |
| Professional Workflow | No RAW output; limited manual controls; adequate reliability | Also no RAW; limited manual controls; USB 2.0 transfer only |
Technical Strengths and Weaknesses
Sensor & Image Quality
Both cameras rely on older CCD technology with fixed top native ISOs (TG-810 at 1600, ZR1 at 6400). The Olympus sensor’s higher resolution nominally yields more detail, but both cameras produce images with typical noise from small sensors at higher ISOs. Neither supports RAW, hindering professional-grade post-processing.
Autofocus & Speed
Olympus focuses on face tracking with 5x zoom, useful for casual shooting but hampered by 1 fps continuous shooting. Panasonic’s 11-point autofocus aids composition but lacks tracking sophistication and faces limitations with moving subjects, displaying latency in shutter response.
Build & Durability
Olympus’s extensive environmental sealing (waterproof/dustproof/shockproof/freezeproof) positions it in a niche for outdoor enthusiasts. Panasonic’s lack of sealing and lighter construction suits everyday urban use but requires more careful handling.
Usability & Interface
TG-810’s superior LCD and simple UI design enable easier shooting in challenging lighting. Panasonic offers modest customization (custom white balance) but suffers from dimmer screen visibility.
Connectivity
Olympus supports Wi-Fi (via Eye-Fi cards) and HDMI, crucial for modern workflows; Panasonic lacks wireless features and HDMI, impacting image sharing and video monitoring.
Price-to-Performance
Retail prices (Olympus TG-810 ~$428, Panasonic ZR1 ~$280) reflect different market targets - TG-810 commands a premium for rugged durability and better display, while ZR1 offers more zoom reach and slightly better burst speed for less.
Recommendations: Which Camera Fits Your Needs?
For Adventure and Rugged Use
Choose the Olympus TG-810 without hesitation if your photography ventures frequently encounter harsh environments or require “grab-and-go” reliability against water, dust, or shocks. Its superior weather sealing and user-friendly grip make it the ideal companion for mountain hiking, beach trips, and winter sports photography.
For Urban, Travel, and Casual Photography
The Panasonic Lumix ZR1’s longer zoom and lighter weight suit travelers prioritizing reach and portability over durability. Its better continuous shooting speed and focus points also provide a marginal edge in street photography and family events. However, be mindful of its limited weather protection and slightly outdated video codec.
For Video-Focused Users
While neither camera excels with professional video needs, the Olympus TG-810’s modern compression and effective sensor-shift stabilization offer noticeably better handheld video quality. Panasonic’s reliance on Motion JPEG limits video versatility and file management.
For Macro and Close-Up Enthusiasts
Both cameras offer similar macro close-focusing capabilities (around 3cm), but Olympus’s image stabilization aids steady shooting. Neither camera supports focus stacking or advanced macro features found on higher-end models.
Final Thoughts: Balancing Legacy Technology and User Priorities
When viewing these cameras through the lens of 2024 standards, both the Olympus TG-810 and Panasonic ZR1 represent early attempts to blend compact convenience with semi-advanced features, but both now lag behind in sensor technology, autofocus sophistication, and video capabilities.
Nevertheless, the Olympus TG-810’s rugged construction and superior user interface deliver tangible advantages for outdoor photographers needing toughness and operational confidence under difficult conditions. By contrast, Panasonic’s ZR1, while more limited in build quality, offers better telephoto reach and slightly improved burst rates - useful for more controlled shooting environments.
If your budget permits and you require a durable all-weather shooter, the Olympus TG-810 remains a strong candidate. For those prioritizing reach and compactness for travel or casual daily snapshots, Panasonic ZR1 could fill the niche at a lower price.
Summary Table: Key Specifications and Features Comparison
| Feature | Olympus TG-810 | Panasonic Lumix DMC-ZR1 |
|---|---|---|
| Release Year | 2011 | 2009 |
| Sensor | 1/2.3" CCD, 14 MP | 1/2.3" CCD, 12 MP |
| Lens Focal Length | 28-140 mm equiv. (5x zoom) | 25-200 mm equiv. (8x zoom) |
| Max Aperture | F3.9-5.9 | F3.3-5.9 |
| ISO Range | 80-1600 | 80-6400 |
| Image Stabilization | Sensor-shift | Optical |
| Video Resolution | 1280x720 @ 30fps (H.264) | 1280x720 @ 30fps (Motion JPEG) |
| Continuous Shooting | 1 fps | 2 fps |
| AF Points | Unknown, face detection | 11 (contrast detection, no face tracking) |
| Environmental Sealing | Waterproof, dustproof, shockproof | None |
| Screen | 3” 920k Hypercrystal LCD | 2.7” 230k LCD |
| Battery Life | 220 shots | Not specified |
| Weight | 215 g | 158 g |
| Price (approximate) | $428 | $280 |
As always, the best camera is one that suits your personal workflow, environment, and photographic ambitions. I hope this exhaustive analysis empowers you with the knowledge to make an informed choice between these compelling compacts, each a product of its time, strengths, and compromises. Happy shooting!
End of article.
Olympus TG-810 vs Panasonic ZR1 Specifications
| Olympus TG-810 | Panasonic Lumix DMC-ZR1 | |
|---|---|---|
| General Information | ||
| Company | Olympus | Panasonic |
| Model | Olympus TG-810 | Panasonic Lumix DMC-ZR1 |
| Also called | - | Lumix DMC-ZX1 |
| Category | Waterproof | Small Sensor Compact |
| Launched | 2011-08-16 | 2009-07-27 |
| Physical type | Compact | Compact |
| Sensor Information | ||
| Powered by | TruePic III+ | Venus Engine V |
| Sensor type | CCD | CCD |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor measurements | 6.17 x 4.55mm | 6.08 x 4.56mm |
| Sensor surface area | 28.1mm² | 27.7mm² |
| Sensor resolution | 14MP | 12MP |
| Anti aliasing filter | ||
| Aspect ratio | 4:3 and 16:9 | 4:3, 3:2 and 16:9 |
| Highest resolution | 4288 x 3216 | 4000 x 3000 |
| Highest native ISO | 1600 | 6400 |
| Min native ISO | 80 | 80 |
| RAW photos | ||
| Autofocusing | ||
| Focus manually | ||
| Touch focus | ||
| Continuous AF | ||
| AF single | ||
| Tracking AF | ||
| AF selectice | ||
| AF center weighted | ||
| AF multi area | ||
| Live view AF | ||
| Face detect focusing | ||
| Contract detect focusing | ||
| Phase detect focusing | ||
| Number of focus points | - | 11 |
| Cross focus points | - | - |
| Lens | ||
| Lens mounting type | fixed lens | fixed lens |
| Lens focal range | 28-140mm (5.0x) | 25-200mm (8.0x) |
| Maximum aperture | f/3.9-5.9 | f/3.3-5.9 |
| Macro focus range | 3cm | 3cm |
| Crop factor | 5.8 | 5.9 |
| Screen | ||
| Display type | Fixed Type | Fixed Type |
| Display sizing | 3 inch | 2.7 inch |
| Resolution of display | 920 thousand dots | 230 thousand dots |
| Selfie friendly | ||
| Liveview | ||
| Touch capability | ||
| Display tech | TFT Hypercrystal III Color LCD | - |
| Viewfinder Information | ||
| Viewfinder | None | None |
| Features | ||
| Lowest shutter speed | 4 seconds | 60 seconds |
| Highest shutter speed | 1/2000 seconds | 1/2000 seconds |
| Continuous shooting rate | 1.0 frames/s | 2.0 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Custom WB | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash range | 4.20 m | 5.10 m |
| Flash modes | Auto, On, Off, Red-Eye, Fill-in | Auto, On, Off, Red-eye, Slow Sync |
| Hot shoe | ||
| Auto exposure bracketing | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 180 (30fps) | 1280 x 720 (30 fps), 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
| Highest video resolution | 1280x720 | 1280x720 |
| Video data format | MPEG-4, H.264 | Motion JPEG |
| Microphone port | ||
| Headphone port | ||
| Connectivity | ||
| Wireless | Eye-Fi Connected | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | BuiltIn | None |
| Physical | ||
| Environment sealing | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 215 grams (0.47 lbs) | 158 grams (0.35 lbs) |
| Dimensions | 100 x 65 x 26mm (3.9" x 2.6" x 1.0") | 98 x 55 x 26mm (3.9" x 2.2" x 1.0") |
| DXO scores | ||
| DXO All around score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery life | 220 shots | - |
| Battery type | Battery Pack | - |
| Battery model | LI-50B | - |
| Self timer | Yes (2 or 12 sec) | Yes (2 or 10 sec) |
| Time lapse feature | ||
| Type of storage | SD/SDHC/SDXC | SD/SDHC card, Internal |
| Card slots | Single | Single |
| Price at launch | $428 | $280 |