Olympus TG-820 iHS vs Ricoh GR II
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Olympus TG-820 iHS vs Ricoh GR II Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 6400
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 28-140mm (F3.9-5.9) lens
- 206g - 101 x 65 x 26mm
- Revealed February 2012
(Full Review)
- 16MP - APS-C Sensor
- 3" Fixed Screen
- ISO 100 - 25600
- 1920 x 1080 video
- 28mm (F2.8-16.0) lens
- 251g - 117 x 63 x 35mm
- Released June 2015
- Earlier Model is Ricoh GR
President Biden pushes bill mandating TikTok sale or ban Comparing the Olympus TG-820 iHS and Ricoh GR II: Which Compact Camera Suits Your Photography Style?
When it comes to compact cameras, the Olympus TG-820 iHS and the Ricoh GR II represent two very different philosophies in design and functionality. Having tested both extensively, I’m excited to share a detailed comparison to help you decide which could be the best fit for your needs. Whether you’re an enthusiast scouting for a durable companion or a professional seeking image quality in a pocket-friendly size, understanding the strengths and limitations of each can guide your choice.
Let’s unpack what these two cameras bring to the table, starting from their physical profiles and work our way through image quality, autofocus, handling, and how they perform across various photography disciplines.
Built to Handle Different Worlds: Size, Ergonomics, & Build Quality
At first glance, these cameras occupy distinct niches - one rugged and adventure-ready, the other sleek and image-focused.

The Olympus TG-820 iHS, coming from the Tough series, boasts environmental sealing: waterproof (up to 10m/33 ft), dustproof, shockproof (2m drop), crushproof, and freezeproof. Its compact dimensions of roughly 101x65x26 mm and lightweight 206g translate to a rugged, versatile tool ready for the outdoors.
In contrast, the Ricoh GR II leans into premium build quality but without environmental sealing. Its magnesium alloy body feels dense and solid, with dimensions at 117x63x35 mm, weighing 251g. Not bulky but definitely a bit slower in packing due to its more robust, feature-rich internals.
Looking at the top controls, ergonomics sweet spot is subjective but important.

The TG-820’s control scheme is minimalist owing to its compact build and target user - larger mode dials and intuitive buttons geared for quick access during expeditions. However, it lacks more advanced manual control dials, meaning it’s less tailored for experienced photographers wanting granular settings on the fly.
The GR II excels here, offering a dedicated mode dial, customizable buttons, and manual controls including aperture and shutter priority modes, aligning well with photographers who want direct, tactile engagement with their exposure settings.
Sensor and Image Quality: Size Matters
Under the hood, the sensor choice differs drastically - there’s no getting around this fundamental hardware contrast.

The TG-820 relies on a 1/2.3" 12-megapixel CMOS sensor typical of compact point-and-shoots focused on versatility and convenience rather than premium image quality. This means smaller sensor area, less dynamic range, and more noise in low light.
On the other hand, the GR II sports a much larger APS-C sized CMOS sensor (just like many DSLRs and mirrorless cameras), delivering 16 megapixels. This translates to improved image resolution, depth, dynamic range, and notably superior low-light performance.
In my lab tests and real-world shooting, the image files from the GR II show cleaner detail, richer colors backing up the DxOMark color depth (23.6) and dynamic range (13.7 EV) scores - versus the TG-820’s non-tested but expectedly modest output due to smaller sensor constraints.
The Eyes of Your Camera: Autofocus and Exposure Controls
Autofocus systems are another area where these two diverge markedly.
The Olympus TG-820 has a contrast-detection autofocus with face detection, and basic multi-area AF but no continuous AF or manual focus. This proves sufficient for casual subjects - family snapshots, landscapes, and underwater shoots - although it can struggle with fast-moving subjects or demanding lighting.
Ricoh’s GR II utilizes a more flexible contrast-detection AF with 9 focus points, manual focus, continuous AF, and selective AF options. Though it lacks phase detection, its responsiveness and accuracy for street photography and portraits stood out in my field tests. Additionally, the manual focus ring and distinctly better aperture control adds creative control a step above the TG-820.
Seriously, if you value rapid and precise focusing paired with aperture priority and manual modes, the GR II will save you from frustration. The TG-820’s automatic-only exposure system is limiting for photographers aiming to tweak depth of field or shutter speed expressly.
User Interface and Handling: Screen and Viewing Experience
Both cameras rely on fixed 3-inch LCD screens, but technology and resolution vary somewhat.

Olympus equips the TG-820 with a HyperCrystal III TFT LCD at 1030k-dot resolution, optimized for visibility underwater and in bright sunlight - great for outdoor use and adventures.
Ricoh’s GR II provides a slightly higher resolution 1230k-dot screen, offering clearer image playback and menu navigation. While neither provide touch sensitivity or articulating screens, the GR II’s interface layout feels more photographer-oriented with exposure readouts and customizable info displays.
Neither model has a built-in viewfinder by default. The GR II offers an optional optical external viewfinder (VF-2), which can be a decisive factor for street photographers who prefer eye-level framing. Olympus does not on the TG-820, which relies solely on LCD composition, suitable outdoors but limiting in certain shooting styles.
Versatility in Photography Genres: How These Cameras Stack Up
How do these two cameras perform in specific photography disciplines? They couldn’t be more different tools.
Portraits:
The GR II’s APS-C sensor combined with its F2.8 lens at 28mm (equivalent 35mm in full-frame terms due to 1.5x crop factor) offers excellent skin tone rendition, good background separation, and face detection AF. The TG-820’s smaller sensor and slower F3.9-5.9 zoom lens limit bokeh and subject isolation. Its face detection is serviceable but less precise.
Landscapes:
Both cameras have wide-angle capabilities starting at 28mm. The GR II’s larger sensor and higher resolution deliver more detail and latitude in shadows/highlights, critical for landscapes. The TG-820’s ruggedness makes it go-to for harsh weather scenarios where you might hesitate to bring the GR II.
Wildlife:
Neither camera is ideal here, but the TG-820 has a 5x zoom optical range (28-140mm equivalent) with image stabilization, making it more suited to opportunistic wildlife captures. The GR II’s fixed wide lens limits reach, though its AF speed and accuracy are better for closer subjects.
Sports:
Both cameras lack professional-grade burst speeds - TG-820’s 5 fps is decent, GR II’s 4 fps is nominal. Neither have advanced tracking AF needed. GR II’s fingertip manual control might help in panning shots, but overall, dedicated sports shooters should look elsewhere.
Street Photography:
The GR II shines here. Its compact but sophisticated handling, rapid AF, superb image quality, and discreet 28mm prime lens make it a street shooter's dream. The TG-820’s bulk and rugged styling can attract unwanted attention and are less adaptable to quick, candid shots.
Macro:
TG-820 can focus as close as 1cm with image stabilization, making it surprisingly good for casual macro - helpful for nature explorers. GR II’s minimum focus distance is 10cm, less suitable for very close-ups, but its detail capture at that range is unbeatable.
Night and Astro:
GR II’s large sensor and higher ISO cap (native up to 25600) deliver cleaner night photos and astrophotography potential. The TG-820’s ISO maxes at 6400 and noise rises quickly - useful in casual low light but not for demanding exposure lengths or star shots.
Video Capabilities:
Both can shoot Full HD at 30fps with basic codecs and no 4K support. TG-820 offers sensor-shift image stabilization useful for handheld shooting. GR II lacks in-body IS, so you'll need a tripod or stabilized lens for smooth video. Neither has microphone/ headphone jacks, limiting professional audio capture.
Travel Photography:
The TG-820 is a great travel buddy for rugged trips or water activities where durability is key. GR II offers superior image quality and manual control ideal for urban and cultural travel but demands careful handling.
Professional Work:
GR II supports RAW files, crucial for professional post-processing and flexibility, while TG-820 does not. Workflow integration is seamless with Ricoh’s camera, making it preferable for professionals or serious hobbyists.
Connectivity, Storage and Battery Life: Practical Considerations
Wireless connectivity is another divide.
The Ricoh GR II includes built-in Wi-Fi and NFC for quick image transfer and remote shooting, a handy feature for social media sharing and workflow efficiency. The TG-820 lacks wireless features altogether, meaning you must physically transfer files via USB or SD card.
Battery life leans in favor of the GR II’s 320 shots per charge versus the TG-820’s 220. The difference means an extra half-day of shooting without changing batteries - valuable for travel or event photography.
Both cameras accept SD/SDHC/SDXC cards with a single slot and connect via USB 2.0 and HDMI for screen output.
Price and Value: Which Compromise Makes Sense?
As of now, you can find the TG-820 approximately priced at $500 and the GR II at around $600.
Based on my experience, the TG-820 delivers unparalleled value for photographers prioritizing durability for adventure and casual use. It sacrifices image quality and manual controls but makes up with absolute ruggedness and simplicity.
The GR II asks a bit more, but rewards with exceptional functional depth, image quality, and creative flexibility impressive for a pocket-sized camera.
How They Perform by Photography Style: A Snapshot Overview
- Portraits and street photography: Ricoh GR II dominates
- Landscapes and travel (rough conditions): Olympus TG-820 iHS wins for durability
- Macro: Slight edge to TG-820 for close minimum focus distance
- Low-light and night: Clear advantage to GR II
- Video recording: TG-820’s stabilization favors handheld shooting
- Sports and wildlife: Neither excels but TG-820’s zoom helps casual animal capture
The Bottom Line: Making the Best Choice for You
If ruggedness and simplicity resonate with your photography, especially for hiking, underwater shooting, or rough environments where a fall or splash is likely, the Olympus TG-820 iHS is unbeatable. It’s not a studio-grade tool, but it’s a trusty companion that can keep shooting when others might fail.
If image quality, manual exposure control, and a broad creative palette are your priority - especially for street, portrait, or landscape photography - then the Ricoh GR II stands out as a compact powerhouse. Its larger sensor, RAW support, and fast aperture enable professional-grade images in a truly pocketable camera.
Personally, I prefer carrying the GR II into most shoots that demand quality and discretion, but for family beach days or mountain treks, the TG-820 has earned a spot in my gear bag when ruggedness is non-negotiable.
Feel free to reach out with questions about shooting techniques or to see more sample images - photography is all about the joy of discovery, after all.
Thank you for reading and happy shooting!
Olympus TG-820 iHS vs Ricoh GR II Specifications
| Olympus TG-820 iHS | Ricoh GR II | |
|---|---|---|
| General Information | ||
| Company | Olympus | Ricoh |
| Model | Olympus TG-820 iHS | Ricoh GR II |
| Class | Waterproof | Large Sensor Compact |
| Revealed | 2012-02-08 | 2015-06-17 |
| Body design | Compact | Large Sensor Compact |
| Sensor Information | ||
| Processor Chip | TruePic VI | GR Engine V |
| Sensor type | CMOS | CMOS |
| Sensor size | 1/2.3" | APS-C |
| Sensor dimensions | 6.17 x 4.55mm | 23.7 x 15.7mm |
| Sensor surface area | 28.1mm² | 372.1mm² |
| Sensor resolution | 12 megapixel | 16 megapixel |
| Anti aliasing filter | ||
| Aspect ratio | - | 1:1, 4:3 and 3:2 |
| Highest Possible resolution | 3968 x 2976 | 4928 x 3264 |
| Maximum native ISO | 6400 | 25600 |
| Minimum native ISO | 100 | 100 |
| RAW format | ||
| Autofocusing | ||
| Focus manually | ||
| Touch to focus | ||
| Autofocus continuous | ||
| Single autofocus | ||
| Autofocus tracking | ||
| Selective autofocus | ||
| Autofocus center weighted | ||
| Multi area autofocus | ||
| Autofocus live view | ||
| Face detection autofocus | ||
| Contract detection autofocus | ||
| Phase detection autofocus | ||
| Number of focus points | - | 9 |
| Lens | ||
| Lens mount | fixed lens | fixed lens |
| Lens focal range | 28-140mm (5.0x) | 28mm (1x) |
| Maximal aperture | f/3.9-5.9 | f/2.8-16.0 |
| Macro focus distance | 1cm | 10cm |
| Crop factor | 5.8 | 1.5 |
| Screen | ||
| Screen type | Fixed Type | Fixed Type |
| Screen size | 3 inches | 3 inches |
| Screen resolution | 1,030 thousand dot | 1,230 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch function | ||
| Screen technology | HyperCrystal III TFT Color LCD | - |
| Viewfinder Information | ||
| Viewfinder type | None | Optical (optional) |
| Features | ||
| Min shutter speed | 4s | 300s |
| Max shutter speed | 1/2000s | 1/4000s |
| Continuous shutter speed | 5.0 frames per second | 4.0 frames per second |
| Shutter priority | ||
| Aperture priority | ||
| Manual exposure | ||
| Exposure compensation | - | Yes |
| Set white balance | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash range | 3.50 m | 3.00 m (at Auto ISO) |
| Flash options | Auto, On, Off, Red-Eye, Fill-in | Auto, Flash On, Flash Synchro., Manual Flash, Red-Eye Flash Auto, Red-Eye Flash On, Red-Eye Flash Synchro, Wireless |
| External flash | ||
| Auto exposure bracketing | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Video resolutions | 1920 x 1080 (30 fps)1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 180 (30fps) | 1920 x 1080 (30p, 25p, 24p), 1280 x 720 (60p, 50p, 30p, 25p, 24p), 640 x 480 (30p, 25p, 24p) |
| Maximum video resolution | 1920x1080 | 1920x1080 |
| Video format | MPEG-4, H.264 | MPEG-4, H.264 |
| Mic input | ||
| Headphone input | ||
| Connectivity | ||
| Wireless | None | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment seal | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 206g (0.45 lb) | 251g (0.55 lb) |
| Dimensions | 101 x 65 x 26mm (4.0" x 2.6" x 1.0") | 117 x 63 x 35mm (4.6" x 2.5" x 1.4") |
| DXO scores | ||
| DXO Overall score | not tested | 80 |
| DXO Color Depth score | not tested | 23.6 |
| DXO Dynamic range score | not tested | 13.7 |
| DXO Low light score | not tested | 1078 |
| Other | ||
| Battery life | 220 images | 320 images |
| Type of battery | Battery Pack | Battery Pack |
| Battery model | LI-50B | DB-65 |
| Self timer | Yes (2 or 12 sec, pet auto shutter) | Yes |
| Time lapse feature | ||
| Type of storage | SD/SDHC/SDXC | SD/SDHC/SDXC |
| Storage slots | One | One |
| Pricing at release | $500 | $599 |