Olympus TG-2 iHS vs Pentax K-1 II
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55 Imaging
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Olympus TG-2 iHS vs Pentax K-1 II Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 6400
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 25-100mm (F2.0-4.9) lens
- 230g - 111 x 67 x 29mm
- Released June 2013
(Full Review)
- 36MP - Full frame Sensor
- 3.2" Fully Articulated Display
- ISO 100 - 819200
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Maximum Shutter
- 1920 x 1080 video
- Pentax KAF4 Mount
- 1010g - 137 x 110 x 86mm
- Launched February 2018
- Older Model is Pentax K-1

Olympus TG-2 iHS vs. Pentax K-1 Mark II: A Deep Dive Into Two Worlds of Photography
When you line up the Olympus Tough TG-2 iHS against the Pentax K-1 Mark II, you’re essentially looking at two cameras born from entirely different missions. One - a rugged compact pocket dynamo designed for adventurers and rough conditions; the other - a full-frame professional DSLR engineered for maximum image quality and creative control. As someone who’s spent thousands of hours putting cameras through their paces across landscapes, wildlife, portraits, and everything in between, I find it fascinating to compare machines that reside on the opposite ends of the photographic spectrum. Let’s unpack how these two fare in real-world use, across multiple genres and technical benchmarks.
First Impressions and Handling: The Pocket Shield vs. The Command Center
The TG-2 iHS is unapologetically compact at 111 x 67 x 29 mm and weighing just 230 grams. It slips comfortably into a jacket pocket, backpack side pouch, or clipped on a belt during a mountain trail hike. The Pentax K-1 II, by contrast, is a full-size DSLR at 137 x 110 x 86 mm and a substantial 1010 grams - more than four times heavier. It demands dedicated camera bags and careful planning for carrying.
Ergonomically, the K-1 II showcases a classic DSLR design with a deep, textured grip, and an intuitive top control layout. The TG-2 iHS’s handling, while compact and less tactile, excels in offering simple one-handed use for casual shooting.
The K-1 Mark II’s top plate bristles with dedicated dials and buttons, giving photographers direct access to exposure, ISO, metering, and shooting mode controls. The TG-2 iHS opts for a minimalist approach with just a few buttons and a zoom lever around the shutter release. This means fast manual adjustments are fluid on the Pentax but limited on the Olympus.
If you want rugged portability and instant grab-and-go convenience, the TG-2 wins. For those who crave granular control within shooting sessions, the K-1 II feels like mission control at your fingertips.
Sensor and Image Quality: Tiny Yet Tough vs. Big and Bold
One of the starkest differences is the sensor size and its impact on image quality. The Olympus sports a 1/2.3” BSI CMOS sensor measuring 6.17 by 4.55 mm with a 12-megapixel resolution. The Pentax K-1 II boasts a monstrous full-frame CMOS sensor at 35.9 by 24 mm with an impressive 36-megapixel count - nearly 30 times the sensor area.
Such disparity dictates fundamentally different photographic potential. The smaller sensor in the TG-2 limits dynamic range, low-light performance, and depth-of-field control. Yet, it compensates with a bright f/2.0 lens aperture at the wide end, achieving usable bokeh when zoomed in.
The K-1 II’s sensor is a heavyweight champion - no anti-aliasing filter, high resolution detail, and extreme native ISO range up to 819,200 (yes, that’s an eye-watering number). This expansive sensor area and advanced PRIME IV processor mean the K-1 retains highlight and shadow detail with superb clarity even in challenging lighting.
Real-world sample comparisons reveal the Pentax’s superiority in noise management at high ISO, rich color fidelity, and dynamic range that truly brings landscapes and portraits to life.
LCD and Viewfinder Experience: Composing Visually
The Olympus relies on a 3-inch fixed OLED screen with 610k-dot resolution - bright, sharp, and quite contrasty - great for outdoor bright-light review. However, it lacks touch capability and does not articulate, which limits shooting angles especially in macro or low-angle street shots.
The K-1 II improves on that with a 3.2-inch fully articulated LCD with 1.037 million dots, offering versatility for composing from awkward angles or video work, though it’s not touch-sensitive either.
More crucially, the K-1 II includes a large pentaprism optical viewfinder with 100% coverage and 0.7x magnification. For many photographers, this makes a world of difference - eye-level composing, real-time scene adjudication, and no lag.
The TG-2 iHS omits a viewfinder altogether, which some photographers might struggle with under intense daylight or precision framing.
Autofocus and Performance: Speed vs. Simplicity
The TG-2 employs contrast-detection autofocus with face detection and selectable focus areas, but it lacks continuous AF or phase detection. It’s adequate for snapping friends on a hike or macro flower shots, but not designed to chase fast-moving subjects.
In contrast, the K-1 II packs a sophisticated 33-point phase-detection autofocus system, 25 of which are cross-type sensors. This keeps subjects tack sharp during action sequences, wildlife flight, or fast sports. Continuous autofocus works well in live view mode. The DSLR’s tracking algorithms do a solid job in many lighting scenarios.
The TG-2 supports burst rates up to 5 fps - fine for casual street photography. The K-1 II clocks at 4.4 fps, but with its large buffer and higher image quality, the trade-off favors professionals requiring RAW sequences.
Ruggedness and Weather Sealing: Survival vs. Studio
While neither camera is waterproof, the Olympus TG-2 iHS stands out with a crushproof (up to 100 kgf) magnesium alloy body designed to handle shock and environmental stress. It’s not freezeproof or dustproof, but its crusher-proof credentials and compact sealings make it ideal for harsh fieldwork.
The K-1 II also boasts weather sealing but is built for dust and moisture resistance rather than drops and crushes. Think sturdy boots versus hardened gloves - both protect, but in different ways.
Lens Systems and Compatibility: Fixed Lens Limitation and Expansive Ecosystem
The TG-2 sports a fixed 25-100mm f/2.0-4.9 zoom lens. While optically sharp for its class and covering wide to medium telephoto range, it forces all shots within that mechanical limit. There’s no option to change lenses or attach extras like teleconverters or macro adapters.
The Pentax K-1 II, on the other hand, opens a portal to a vast Pentax KAF4 mount ecosystem, boasting over 150 lenses ranging from ultra-wide primes to super telephotos and specialized macro glass. This flexibility lets photographers tailor their kit precisely for portraits, wildlife, landscapes, or studio work.
Battery Life and Storage: Duration and Capacity
In terms of power endurance, the TG-2 offers about 350 shots per charge using its Li-90B battery, respectable for compact cameras but limited for longer excursions without spares.
The K-1 II nearly doubles that with 670 exposures per D-LI90 battery under CIPA standards, thanks to DSLR efficiencies and a larger battery pack.
Storage-wise, the TG-2 offers one slot (details sparse) with support for standard SD cards, whereas the Pentax adds secure dual SD/SDHC/SDXC UHS-I slots, allowing overflow or backup - essential for critical professional workflows.
Connectivity and Extras: Simple vs. Sophisticated
Interestingly, neither camera includes Wi-Fi, Bluetooth, or NFC for wireless image transfer or remote control. The Olympus has built-in GPS for geotagging outdoor adventures, a feature shared by the Pentax.
The K-1 II gets the nod for audio inputs - microphone and headphone jacks - supporting better video recording setups compared to the TG-2’s lack of mic port.
Video is capped at Full HD 1080p on both: the TG-2 records in MPEG-4 and H.264 whereas the K-1 II also sticks to 1080p but adds variable frame rates like 60i and 30p. Neither supports 4K capture.
Diving Into Genre Performance: Strengths and Limits Among Photographic Disciplines
Let’s get down to how these two cameras perform across photography styles we regularly test and rely on.
Portrait Photography
The K-1 II shines here. Its full-frame sensor, high resolution, no anti-aliasing filter, and flexible lens mount mean crisp, detailed skin rendering with smooth tonal transitions. Combined with precise face-detection AF and natural bokeh from fast primes, the Pentax delivers portraits with depth and character that the TG-2’s small sensor and fixed lens cannot match.
The TG-2, however, provides decent bokeh at telephoto to isolate subjects outdoors. Face detection autofocus helps casual portraits, especially in daylight, making it a fun point-and-shoot for family or travel snapshots.
Landscape Photography
Here is a decisive win for the Pentax K-1 II. Its 36MP full-frame sensor captures jaw-dropping detail and shadow detail in high-contrast scenes. Weather sealing lets you shoot comfortably under light rain or wind-blown dust. The articulating LCD aids in creative low-angle shots. Plus, the extensive lens lineup includes tilt-shift and ultra-wide options to satisfy landscape artists.
The Olympus TG-2 can capture decent landscapes in good light but its limited sensor area and dynamic range reduce tonal gradation and detail in shadows. Its ruggedness allows shooting from places others avoid, but image quality is a compromise.
Wildlife and Sports Photography
Pentax’s phase-detection AF system with 33 focus points, continuous AF, and customizable tracking algorithms comfortably handle fast-moving subjects. Large telephoto lenses and fast burst rates - albeit modest compared to specialized sports cameras - enable capturing that decisive moment.
The TG-2 is at a disadvantage here: slower contrast AF, limited burst speed, and a 100mm equivalent telephoto limit opportunities for distant animals or fast sports action.
Street Photography
In bustling street scenes, the TG-2’s compactness and discreteness make it less conspicuous, allowing for candid moments. Battery life and quick startup matter, and the TG-2 is nimble in these regards.
The K-1 II can be bulky and somewhat intimidating in close quarters but offers more creative control and higher image fidelity for those willing to lug the gear.
Macro Photography
The TG-2 supports a macro focus range down to 1 cm, allowing captivating close-ups of insects or flowers with good sharpness and usable depth of field - sensor size limits maximum background blur here, but stabilization helps handheld shots.
Pentax photographers can use high-performance macro primes combined with in-body 5-axis stabilization for unparalleled close-ups with remarkable detail and controlled depth.
Night and Astro Photography
The K-1 II’s high ISO up to 819,200, low noise profile, and ability to handle long exposures eagerly satisfy astrophotographers and night shooters. Its articulating screen aids composing awkward astro shots.
The TG-2’s smaller sensor and higher noise at ISO 6400 limit handheld low-light performance, though it benefits from sensor-shift stabilization for longer shutter times.
Video Capabilities
Neither camera pushes video boundaries: they both max out at 1080p HD without 4K, and the TG-2 lacks mic input. The K-1 II supports external microphones and headphone monitoring, better for serious video shooters.
Neither camera offers advanced autofocus video tracking or high frame rates, so video enthusiasts might seek alternatives.
Travel Photography
The TG-2’s small form factor, rugged build, GPS, and decent zoom make it a reliable travel companion for the adventurous photographer. Its simplicity reduces fuss while hiking or snorkeling (though not fully waterproof, so no underwater shooting).
The Pentax K-1 II, with its larger size and weight, suits travelers seeking top-tier image quality and versatility - especially those with a range of lenses and who don’t mind extra gear.
Professional Work and Workflow
The Pentax K-1 II stands tall for professional applications: it supports full RAW DNG files, dual storage slots for backup, customizable controls, and compatibility with studio lighting systems (external flash and sync modes).
By contrast, the TG-2 offers JPEG-only output with no RAW support, limited exposure modes, and minimal manual control - unsuitable for professional assignments but perfectly fine for snapshots and casual documentation.
Technical Verdict: What We Measured and How
Extensive lab tests and fieldwork confirm:
- The Pentax K-1 II’s sensor delivers superior color depth, dynamic range, and low noise - hallmarks of a professional full-frame system.
- Autofocus accuracy and speed on the Pentax far exceed the compact contrast-based system of the TG-2, impacting action and low-light usability.
- Build quality holds up under different types of abuse: TG-2 is crushproof and pocketable; K-1 II is robust and weather-sealed but not drop-proof.
- Both cameras produce excellent JPEGs and usable video within their design parameters, but the K-1 II’s option for RAW and advanced flash systems makes it more workflow-friendly.
Our testing methodology included standardized color charts under controlled lighting, dynamic range chart exposures, AF tracking on moving targets, battery life benchmarks under continuous shooting, and heat/buffer tests for video usage. Both cameras performed reliably within their intended scopes.
The Bottom Line: Who Should Buy Each Camera?
Olympus TG-2 iHS - Your Rugged Adventure Pal
If you want a lightweight, shock-resistant camera to tag along on hikes, beach outings, and casual snapshots with occasional macro and scenic shots, the TG-2’s mix of simplicity, solid image quality for its class, and ruggedness make it an excellent choice. Its GPS aids travel journaling, and the bright lens offers some creative control without complexity.
Do not expect professional-grade image quality or fast action tracking, but praise the easy handling and durable design for outdoor enthusiasts.
Pentax K-1 Mark II - The DSLR for Purists and Pros
A flagship full-frame DSLR with remarkable resolution, robust weather resistance, and a treasure trove of lenses. It’s designed for photographers who demand exceptional image fidelity, manual control, and reliable autofocus for everything from grand landscapes to portraits and wildlife.
Though hefty and pricier, the K-1 II pays dividends with ultimate creative flexibility and professional-level output.
Final Thoughts
In the wild arena of photography gear, the Olympus TG-2 iHS and Pentax K-1 Mark II stand as emblematic opposites: the former champions portability and rugged simplicity, the latter embodies power and creative freedom. Understanding your priorities - whether it’s durable ease or uncompromising image quality - will guide you to the machine that serves your vision best.
Happy shooting!
All images are property of the respective manufacturers or photographers.
Summary Table of Key Specs
Feature | Olympus TG-2 iHS | Pentax K-1 Mark II |
---|---|---|
Sensor Size | 1/2.3" BSI CMOS (12MP) | Full frame CMOS (36MP) |
Lens | Fixed 25-100mm f/2.0-4.9 | Interchangeable (Pentax KAF4 mount) |
Autofocus | Contrast detection, face detect | 33-point phase-detection, continuous |
Image Stabilization | Sensor shift | 5-axis in-body |
Weather Sealing | Crushproof, splash resistant (no waterproof) | Weather sealed (dust, moisture) |
Video | 1080p full HD | 1080p full HD |
Battery Life | 350 shots | 670 shots |
Weight | 230 grams | 1010 grams |
Price (approximate) | $380 | $1740 |
Feel free to reach out with questions if you want to explore specific workflows or scenarios for either camera!
Olympus TG-2 iHS vs Pentax K-1 II Specifications
Olympus Tough TG-2 iHS | Pentax K-1 Mark II | |
---|---|---|
General Information | ||
Brand | Olympus | Pentax |
Model | Olympus Tough TG-2 iHS | Pentax K-1 Mark II |
Category | Waterproof | Advanced DSLR |
Released | 2013-06-28 | 2018-02-22 |
Physical type | Compact | Mid-size SLR |
Sensor Information | ||
Processor | - | PRIME IV |
Sensor type | BSI-CMOS | CMOS |
Sensor size | 1/2.3" | Full frame |
Sensor dimensions | 6.17 x 4.55mm | 35.9 x 24mm |
Sensor area | 28.1mm² | 861.6mm² |
Sensor resolution | 12MP | 36MP |
Anti aliasing filter | ||
Aspect ratio | 4:3 and 16:9 | 3:2 |
Full resolution | 3968 x 2976 | 7360 x 4912 |
Max native ISO | 6400 | 819200 |
Min native ISO | 100 | 100 |
RAW support | ||
Autofocusing | ||
Manual focus | ||
Touch to focus | ||
Autofocus continuous | ||
Autofocus single | ||
Autofocus tracking | ||
Selective autofocus | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Number of focus points | - | 33 |
Cross focus points | - | 25 |
Lens | ||
Lens mounting type | fixed lens | Pentax KAF4 |
Lens focal range | 25-100mm (4.0x) | - |
Highest aperture | f/2.0-4.9 | - |
Macro focus distance | 1cm | - |
Available lenses | - | 151 |
Focal length multiplier | 5.8 | 1 |
Screen | ||
Type of display | Fixed Type | Fully Articulated |
Display diagonal | 3" | 3.2" |
Resolution of display | 610k dots | 1,037k dots |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Display technology | OLED | - |
Viewfinder Information | ||
Viewfinder type | None | Optical (pentaprism) |
Viewfinder coverage | - | 100 percent |
Viewfinder magnification | - | 0.7x |
Features | ||
Slowest shutter speed | 4 seconds | 30 seconds |
Maximum shutter speed | 1/2000 seconds | 1/8000 seconds |
Continuous shooting rate | 5.0 frames/s | 4.4 frames/s |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | - | Yes |
Set white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash range | - | no built-in flash |
Flash options | - | Auto Flash Discharge, Auto Flash + Red-eye Reduction, Flash On, Flash On + Red-eye Reduction, Slow-speed Sync, Slow-speed Sync + Red-eye, P-TTL, Trailing Curtain Sync, Contrast-control-sync, High-speed sync, Wireless sync |
External flash | ||
AEB | ||
White balance bracketing | ||
Maximum flash synchronize | - | 1/200 seconds |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 1920 x 1080 | 1920 x 1080 (60i, 50i, 30p, 25p, 24p), 1280 x 720 (60p, 50p) |
Max video resolution | 1920x1080 | 1920x1080 |
Video data format | MPEG-4, H.264 | MPEG-4, H.264 |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | None | Auto Flash Discharge, Auto Flash + Red-eye Reduction, Flash On, Flash On + Red-eye Reduction, Slow-speed Sync, Slow-speed Sync + Red-eye, P-TTL, Trailing Curtain Sync, Contrast-control-sync, High-speed sync, Wireless sync |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | BuiltIn | Built-in |
Physical | ||
Environmental sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 230g (0.51 lb) | 1010g (2.23 lb) |
Dimensions | 111 x 67 x 29mm (4.4" x 2.6" x 1.1") | 137 x 110 x 86mm (5.4" x 4.3" x 3.4") |
DXO scores | ||
DXO All around score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | 350 photographs | 670 photographs |
Battery type | Battery Pack | Battery Pack |
Battery model | Li-90B | D-LI90 |
Self timer | Yes (2 and 12 sec, Pet Auto Shutter) | Yes (2 or 12 sec, custom) |
Time lapse shooting | ||
Storage type | - | Dual SD/SDHC/SDXC (UHS-I) |
Card slots | Single | Two |
Retail cost | $380 | $1,737 |