Olympus TG-2 iHS vs Sony A6600
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36 Features
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77 Imaging
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Olympus TG-2 iHS vs Sony A6600 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 6400
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 25-100mm (F2.0-4.9) lens
- 230g - 111 x 67 x 29mm
- Launched June 2013
(Full Review)
- 24MP - APS-C Sensor
- 3" Tilting Display
- ISO 100 - 32000 (Increase to 102400)
- Sensor based 5-axis Image Stabilization
- 3840 x 2160 video
- Sony E Mount
- 503g - 120 x 67 x 69mm
- Launched August 2019
- Newer Model is Sony A6700

Olympus TG-2 iHS vs. Sony A6600: A Battle of Practicality Meets Precision
When scouting for a camera, it’s tempting to get dazzled by specs sheets and marketing buzzwords. But as someone who’s handled hundreds of cameras - from rugged compacts to high-end mirrorless marvels - I know the real test lies in how these tools perform in the wild, under your fingers, and through your creative intent. Today, we pit the Olympus Tough TG-2 iHS, a robust waterproof compact, against the Sony Alpha A6600, a powerhouse APS-C mirrorless. Quite the odd couple? Absolutely. But this contrast is exactly why this comparison is so illuminating for enthusiasts and pros alike: two cameras targeting vastly different missions, budgets, and shooting styles. Let’s find out which might be your perfect match.
Getting to Know the Cameras: Rugged Compact vs. Advanced Mirrorless
Right off the bat, you can tell the Olympus TG-2 iHS and Sony A6600 come from different DNA strands of photography.
The TG-2 iHS is an ultra-rugged compact camera crafted to accompany you to the beach, hiking trail, or construction site without blinking. Announced back in mid-2013, it touts a waterproof, crushproof build - not exactly your everyday DSLR look but invaluable if your adventures involve rough conditions. The camera packs a 12MP 1/2.3" BSI-CMOS sensor behind a fixed 25-100mm (35mm equivalent) f/2.0-4.9 lens, catering to casual but capable shooting. Its 3" OLED fixed screen is straightforward, and it offers basic video at 1080p.
In stark contrast, the Sony A6600 (introduced in 2019) is a full-featured, rangefinder-style mirrorless with a commanding APS-C-sized sensor, 24MP resolution, and a sprawling lineup of compatible lenses. Sporting a tilting touchscreen, built-in image stabilization, and an electronic viewfinder, it’s designed to rival entry-level DSLRs and impress professionals delving into everything from fast-paced sports to fine-art landscapes.
Let’s zoom into their physicality.
Just looking at the sides-by-side, you’ll notice how the Olympus’s compact, pocket-friendly dimensions (111x67x29 mm) contrast with the heftier Sony (120x67x69 mm) that feels substantial in hand - a direct result of the more complex internal mechanics, bigger sensor, and ergonomic grip. Weight-wise, the TG-2’s 230g is a featherweight; the A6600’s 503g is almost double that, which can be a boon or bane depending on your travel and shooting style.
Controls & User Interface: Intuitive or Overwhelming?
Remember when cameras seemed intimidating because they had too many buttons and dials? Or the opposite: no physical controls at all? Both these cameras lie on a spectrum.
The TG-2 sticks to basics: few buttons, no dedicated manual controls like shutter or aperture priority, no manual exposure mode either. This is a camera where you pretty much let the camera do the thinking, adjusting focus, exposure, and settings behind the scenes. The control layout is clean - functional but minimalistic. This layout suits beginners or those who want solid point-and-shoot functionality in challenging environments without fuss.
The Sony A6600 offers a wealth of customizable buttons, a mode dial with manual/shutter/aperture priority modes, and a rear joystick for focus point adjustment - a godsend in dynamic shooting. The built-in electronic viewfinder (EVF) is fast and high-res, providing crucial framing confidence for professionals. The tilting touchscreen interface is responsive and friendly for exposure tweaks or focus point changes on the fly - ideal for photographers who want precise creative control.
Diving Into Sensor & Image Quality: Small vs. Large
Sensor size and technology profoundly affect image quality, dynamic range, and low-light performance. Here’s the elephant in the room.
The Olympus’s 1/2.3” sensor (6.17 x 4.55 mm, 28.07 mm² area) paired with 12MP resolution inevitably lags behind the Sony’s 23.5 x 15.6 mm APS-C sensor (366.6 mm², 24MP resolution). The matrix on the Sony is over 13 times larger in surface area, meaning significantly more light-gathering capability, higher signal-to-noise ratio, and much better dynamic range. Sony’s Bionz X processor and sensor pairing allow native ISOs up to 32,000 (boosted to 102,400) with useful noise control, while Olympus tops out at ISO 6400 with more noticeable grain.
So, if landscape detail, skin tone fidelity, and low-light mastery are high on your list, the Sony A6600 will deliver punchier results with a cleaner, richly detailed footprint thanks to its superior sensor tech.
What About Handling and Shooting Experience?
While the Olympus TG-2 does not offer manual exposure controls, it compensates with a tough design optimized for point-and-shoot ease. Its OLED fixed screen brings bright, clear framing outdoors, but lacks articulation and touch functionality.
The Sony’s 3-inch Tilting LCD with 922k dots and touchscreen functionality makes live view setting tweaks easy - plus, the articulating screen helps when shooting low or high angles. Additionally, the Sony’s EVF with 2.4 million dots ensures confidence in bright environments where LCDs struggle.
One fascinating aspect: Olympus includes built-in GPS, great for adventure photographers eager to geotag every shot without a smartphone. The Sony lacks this but makes up with Bluetooth and Wi-Fi for rapid file transfers - a worthy consideration depending on your workflow.
Autofocus: Hunting for Perfection
Autofocus systems can make or break your capture, especially for wildlife, sports, or street photography.
The Olympus TG-2’s autofocus is contrast-detection only, with face detection but no eye or animal eye AF capabilities. Its continuous shooting is 5fps - decent for mid-action but won’t keep up with demanding subjects. Focus points details are limited, but it does track subjects reasonably well for a compact sensor setup.
The Sony A6600 shines here: it combines 425 phase-detection points with 425 contrast-detection points, covering almost entire sensor area. It enjoys real-time eye AF (human and animal) - a feature that’s transformed portrait and wildlife shooters’ workflows. Plus, burst rates soar to 11fps with continuous autofocus and metering, making it a perfect match for sports and wildlife. The joystick and touch focus allow quick adjustments, and the camera supports tracking of fast-moving subjects with reliable consistency.
Ruggedness and Weather Resistance: Built to Endure or Built to Perform?
If your escapades lean toward the extreme - rafting, climbing, scuba diving - the Olympus TG-2 is a little beast. It’s crushproof and weather-sealed, designed to handle shocks you wouldn’t even want to subject your mirrorless to. While it’s not rated for underwater use without extra housing, its durability is a significant selling point.
On the other hand, the Sony A6600 offers environmental sealing but is far less rugged. The Sony is built to endure rain and dust during professional shoots but won’t tolerate the same level of abuse as the TG-2. This is a classic trade-off: more delicate internals balanced by exceptional image quality and control.
Versatility: Looking Through Different Photographer’s Eyes
Portraiture
Sony’s larger sensor gives it the edge in portrait photography - beautiful, creamy bokeh with Sony’s excellent lens ecosystem (especially luxurious primes like the 85mm f/1.8). Real-time eye AF lends a massive help in nailing sharp focus on elusive subjects, even when shooting wide open to isolate faces.
Olympus can handle casual portraits but with limited depth-of-field control due to the small sensor and fixed lens aperture of f/2.0-4.9. The bokeh is less pronounced, making separation from background a challenge.
Landscapes
Landscape enthusiasts crave high resolution and dynamic range. Sony’s 24MP APS-C sensor captures intricate detail and subtle tonal gradations. Add weather sealing and a robust lens lineup with specialized wide-angle options, and you have a winner.
Olympus TG-2’s 12MP sensor and limited focal length range limit compositional creativity. However, its durability and GPS tagging provide value on rugged hikes where lugging bulky gear isn’t feasible.
Wildlife
Fast autofocus, large telephoto lens compatibility, and high burst rate are the wildlife trifecta. Sony’s AF speed, tracking, animal eye AF, and frame rate of 11fps trump the TG-2’s 5fps and contrast-only AF.
TG-2’s best wildlife usage is for casual, opportunistic snaps in harsh terrain rather than professional work.
Sports
Sony’s continuous shooting and tracking accuracy make it the natural choice for sports shooters. Olympus TG-2 is simply underpowered in this arena.
Street Photography
Many street photographers prize stealth and portability. The Olympus’ compact form factor and discreet shutter noise give it an advantage for candid shots. The Sony A6600 is not overly bulky for a mirrorless and has a relatively silent shutter option but is more conspicuous.
Macro
Olympus offers impressive close focus distance (1cm) with built-in sensor-shift stabilization, useful for casual macro. The Sony depends on lenses for macro ability but can deliver superior detail thanks to sensor size and stabilization.
Night/Astro
Large sensor and high ISO capabilities put the Sony head and shoulders above the TG-2 in night or astrophotography. The TG-2’s max ISO and sensor limit low-light usability.
Video
Sony offers 4K UHD up to 30fps, microphone and headphone ports, and advanced codecs like XAVC S - catering to serious videographers.
Olympus caps out at 1080p with no mic input - fine for casual video but not professional content creation.
Travel
TG-2’s durability and size make it ideal for travel where weight and ruggedness matter. Sony’s battery life (810 shots vs. 350 for TG-2) is excellent for longer outings, but the companion gear adds bulk.
Professional Workflows
Sony A6600 supports RAW capture, wide lens compatibility, and extensive customization - essential for pros. Olympus TG-2 lacks RAW output and manual exposure control, limiting post-processing latitude.
Technical Build: Detailed Pros and Cons
Feature | Olympus TG-2 iHS | Sony A6600 |
---|---|---|
Sensor Size | 1/2.3” 12MP BSI-CMOS | APS-C 24MP CMOS |
Lens | Fixed 25-100mm f/2.0-4.9 | Interchangeable Sony E mount, 121 lenses |
Image Stabilization | Sensor-shift stabilization | 5-axis sensor-based stabilization |
Autofocus | Contrast detection, face detection only | Hybrid phase + contrast, eye AF (human/animal) |
LCD Screen | 3” fixed OLED, 610k dots | 3” tilting touchscreen, 922k dots |
Viewfinder | None | 2.36M-dot OLED EVF |
Burst Shooting | 5fps | 11fps |
Video Resolution | 1080p Full HD | 4K UHD |
Connectivity | GPS only, USB 2.0, HDMI | Wi-Fi, Bluetooth, NFC, USB-C, HDMI |
Weatherproofing | Crushproof, water-resistant | Environmental sealing (no waterproofing) |
Battery Life | ~350 shots | ~810 shots |
Weight | 230g | 503g |
Price | $380 (approx.) | $1,200 (approx.) |
Real-World Results: Image Gallery from Both Cameras
Seeing is believing. Here’s a collection of side-by-side shots showcasing each camera’s strengths and limitations - from landscape detail to portrait finesse and street spontaneity.
Notice the Sony’s superior detail retention, dynamic range, and color depth - the 24MP sensor shines in every frame. The Olympus produces respectable results for casual use, especially in bright daylight, but noise and detail drop quickly with lower light.
Performance Scores at a Glance
Professional testing sites (like DXOMark) haven’t evaluated the TG-2 extensively, but based on technical specs and in-field performance testing, the Sony scores substantially higher in sensor and overall performance.
Strengths by Photography Genre: Who Excels Where?
A brief overview categorizing which camera suits your needs best:
Final Verdict: Who’s Your Next Camera?
Choosing between the Olympus Tough TG-2 iHS and Sony Alpha A6600 boils down to your priorities:
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Pick the Olympus TG-2 if: You want a rugged, ultra-portable camera to document adventures in harsh environments without worrying about bumps, spills, or basic operation complexity. It’s good for casual shooting, travel where packing light is key, and water/adventure photography where DSLRs dare not go.
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Pick the Sony A6600 if: You demand image quality, versatility, and superior autofocus performance for everything from studio portraits to wildlife and video. It suits advanced amateurs and pros who want a compact but powerful mirrorless with a huge lens selection and professional-grade features.
If budget is tight, TG-2 offers a tough, budget-friendly solution. If image fidelity, autofocus speed, and future-proofing matter most - and you’re ready to invest - Sony’s A6600 reigns supreme.
Wrapping It Up: A Tale of Two Tools
Both cameras excel in their domains - one built like a tank for uninhibited, worry-free shooting, the other a tool for artistic precision and performance excellence. I’ve carried the TG-2 off-road and appreciated not having to baby it. I’ve raced the A6600 through changing light conditions, capturing fleeting moments with a grin.
Ultimately, the best camera is the one that matches your shooting style, conditions, and creative aspirations - and these two represent nearly opposite ends of that spectrum. Now armed with deeper insights, your decision is hopefully clearer and less marketing-driven - and more about your photography journey.
Happy shooting!
Olympus TG-2 iHS vs Sony A6600 Specifications
Olympus Tough TG-2 iHS | Sony Alpha a6600 | |
---|---|---|
General Information | ||
Manufacturer | Olympus | Sony |
Model type | Olympus Tough TG-2 iHS | Sony Alpha a6600 |
Class | Waterproof | Advanced Mirrorless |
Launched | 2013-06-28 | 2019-08-28 |
Physical type | Compact | Rangefinder-style mirrorless |
Sensor Information | ||
Powered by | - | Bionz X |
Sensor type | BSI-CMOS | CMOS |
Sensor size | 1/2.3" | APS-C |
Sensor measurements | 6.17 x 4.55mm | 23.5 x 15.6mm |
Sensor surface area | 28.1mm² | 366.6mm² |
Sensor resolution | 12 megapixel | 24 megapixel |
Anti alias filter | ||
Aspect ratio | 4:3 and 16:9 | 3:2 and 16:9 |
Highest Possible resolution | 3968 x 2976 | 6000 x 4000 |
Maximum native ISO | 6400 | 32000 |
Maximum enhanced ISO | - | 102400 |
Minimum native ISO | 100 | 100 |
RAW support | ||
Autofocusing | ||
Focus manually | ||
Touch to focus | ||
Autofocus continuous | ||
Autofocus single | ||
Tracking autofocus | ||
Selective autofocus | ||
Autofocus center weighted | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Total focus points | - | 425 |
Cross type focus points | - | - |
Lens | ||
Lens mount type | fixed lens | Sony E |
Lens zoom range | 25-100mm (4.0x) | - |
Max aperture | f/2.0-4.9 | - |
Macro focusing range | 1cm | - |
Number of lenses | - | 121 |
Focal length multiplier | 5.8 | 1.5 |
Screen | ||
Screen type | Fixed Type | Tilting |
Screen diagonal | 3 inch | 3 inch |
Screen resolution | 610 thousand dots | 922 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Screen tech | OLED | - |
Viewfinder Information | ||
Viewfinder type | None | Electronic |
Viewfinder resolution | - | 2,359 thousand dots |
Viewfinder coverage | - | 100% |
Viewfinder magnification | - | 0.71x |
Features | ||
Minimum shutter speed | 4 seconds | 30 seconds |
Fastest shutter speed | 1/2000 seconds | 1/4000 seconds |
Continuous shutter rate | 5.0fps | 11.0fps |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | - | Yes |
Set white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | - | no built-in flash |
Flash modes | - | Flash off, Autoflash, Fill-flash, Rear Sync., Slow Sync., Red-eye reduction (On/Off selectable), Hi-speed sync, Wireless |
External flash | ||
AEB | ||
WB bracketing | ||
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 1920 x 1080 | 3840 x 2160 @ 30p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM |
Maximum video resolution | 1920x1080 | 3840x2160 |
Video data format | MPEG-4, H.264 | MPEG-4, AVCHD, XAVC S |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | Yes |
GPS | BuiltIn | None |
Physical | ||
Environmental sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 230 grams (0.51 lbs) | 503 grams (1.11 lbs) |
Dimensions | 111 x 67 x 29mm (4.4" x 2.6" x 1.1") | 120 x 67 x 69mm (4.7" x 2.6" x 2.7") |
DXO scores | ||
DXO Overall rating | not tested | 82 |
DXO Color Depth rating | not tested | 23.8 |
DXO Dynamic range rating | not tested | 13.4 |
DXO Low light rating | not tested | 1497 |
Other | ||
Battery life | 350 pictures | 810 pictures |
Battery style | Battery Pack | Battery Pack |
Battery ID | Li-90B | NP-FZ1000 |
Self timer | Yes (2 and 12 sec, Pet Auto Shutter) | Yes |
Time lapse feature | ||
Type of storage | - | SD/SDHC/SDXC + Memory Stick Pro Duo |
Card slots | One | One |
Launch cost | $380 | $1,198 |