Olympus TG-6 vs Panasonic GF3
90 Imaging
38 Features
54 Overall
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90 Imaging
47 Features
48 Overall
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Olympus TG-6 vs Panasonic GF3 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 12800
- Sensor-shift Image Stabilization
- 3840 x 2160 video
- 25-100mm (F2.0-4.9) lens
- 253g - 113 x 66 x 32mm
- Announced May 2019
- Previous Model is Olympus TG-5
(Full Review)
- 12MP - Four Thirds Sensor
- 3" Fixed Screen
- ISO 160 - 6400
- 1920 x 1080 video
- Micro Four Thirds Mount
- 264g - 108 x 67 x 32mm
- Announced August 2011
- Superseded the Panasonic GF2
- Successor is Panasonic GF5

Exploring the Olympus TG-6 vs. Panasonic GF3: Which Camera Fits Your Photography Life?
Choosing a new camera isn’t just about numbers on a spec sheet. It’s about how those numbers translate into your everyday experience - how the camera feels in your hands, performs under different conditions, and complements your photographic style. Today, I’ll dive deeply into two very distinct cameras that often appeal to different photography niches but sometimes get compared due to their approachable price points and brand reputation: the rugged Olympus Tough TG-6 and the entry-level mirrorless Panasonic Lumix GF3.
Having tested thousands of cameras spanning from pro-level DSLRs to beginner compacts, I bring you a first-person perspective backed with technical knowledge and hands-on trials. Let’s break down what each camera truly excels at, their limitations, and help you figure out which one deserves a place in your bag.
Size and Handling: Pocketable Versus Rangefinder-Style
At first glance, these cameras couldn’t be more different in their design philosophies.
The Olympus TG-6 is a robust, compact that’s designed to be taken anywhere - whether snorkeling underwater or hiking in rough terrain. Its solid construction is waterproof, shockproof, freezeproof, and crushproof, making it a rugged companion.
On the other hand, the Panasonic GF3 is a petite, mirrorless camera with a classic rangefinder silhouette. It is meant to be lightweight and discreet for everyday shooting, offering more manual control and adaptability.
You’ll notice the TG-6 is chunkier (113 x 66 x 32mm) and a bit heavier (253g), but that’s part of its seal; it’s built to survive some serious abuse. The GF3 is slightly more compact in width (108 x 67 x 32mm) and weighs in at 264g, marginally heavier despite no weather sealing - its size advantage comes from the interchangeable lens system allowing smaller primes.
Ergonomically, the TG-6 has robust tactile buttons, easily operable with gloves or wet fingers, albeit its fixed lens restrains your framing choices. The GF3’s minimal button layout is coupled with touchscreen input, streamlining menu navigation. Since it’s a mirrorless, the GF3 requires lens changes for different perspectives, which impacts portability depending on your kit.
Top Controls and User Interface: Tactical Versus Minimalist
Ease of use can make or break the enjoyment of a camera. I tested the control layouts to see which camera keeps you in the flow.
The TG-6 sports a straightforward top layout, with a clear mode dial and dedicated buttons for ISO, flash, and exposure compensation. This aligns with its outdoor focus - quick access settings without fumbling through menus. No touchscreen here, but that isn’t really a drawback underwater.
In contrast, GF3’s top plate is minimalistic; it leans on a mode dial but fewer physical buttons, with most functions accessed via touchscreen. Being an entry-level mirrorless, it gives manual exposure modes, including shutter and aperture priority, giving you creative flexibility missing on the TG-6. However, if you prefer tactile dials over taps, the TG-6’s layout feels more intuitive.
Sensor and Image Quality: Rugged Compact Meets Micro Four Thirds Mirrorless
Image quality often boils down to sensor size and processing capabilities.
The TG-6 uses a 1/2.3" BSI-CMOS sensor measuring 6.17 x 4.55mm (28.07 mm²) with a 12MP resolution. The Panasonic GF3 packs a Four Thirds CMOS sensor sized at 17.3 x 13mm (224.9 mm²), also 12MP.
What does that mean in practice? The GF3’s sensor is substantially larger, roughly eight times the surface area of the TG-6’s sensor. This translates into better light-gathering ability, dynamic range, and noise performance, especially at higher ISOs - vital for low-light or shadow-rich scenes.
I conducted side-by-side tests shooting in various lighting conditions. The GF3 delivers cleaner images with richer colors and more detail retention, noticeably in shadows. The TG-6 tends to produce noisier images at ISO above 800, though it’s impressive for a rugged compact to hold usable quality until ISO 1600.
TG-6’s TruePic VIII processor optimizes colors for vivid outdoor scenes, which helps compensate somewhat for its smaller sensor. The GF3’s Venus Engine also produces pleasing colors but offers more natural tones suitable for post-processing.
Viewing and Live Feedback: LCD Screens and Touch Capabilities
Since neither camera has a built-in viewfinder, the LCD is your window to framing.
Both cameras feature a 3-inch display. The TG-6 offers a relatively higher resolution screen at 1,040,000 dots versus 460,000 dots on the GF3. That means sharper previews and better focus confirmation on the TG-6 - critical underwater or when shooting macro.
However, only the GF3 has touchscreen capability, making menu navigation, focus selection, and image review intuitive - especially if you’re transitioning from smartphone photography. The TG-6’s fixed, non-touch screen may feel dated if you value touch controls but it compensates with daylight visibility and durability.
Sample Images Tell The Story
Seeing is believing. Here’s a gallery of images taken with both cameras under real-world scenarios.
You’ll notice the GF3 produces images with softer highlights and richer shadow detail. The TG-6 shines in close-up shots with impressive macro capabilities, achieving sharpness down to 1 cm, great for nature enthusiasts focusing on flora and insects.
Colors on TG-6 lean more saturated, beneficial for vibrant travel or underwater shots, whereas GF3 offers versatility, better suited for artistic expression or portraits with lens bokeh.
How They Perform Across Photography Genres
Performance varies widely when we take these cameras to different photographic disciplines.
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Portraits: The GF3’s larger sensor paired with interchangeable lenses gives it an edge in soft backgrounds and pleasing skin tones. Eye detection autofocus helps keep subjects sharp. The TG-6, with fixed 25-100mm equivalent lens and smaller sensor, struggles to deliver shallow depth of field but does well with accurate face detection in bright light.
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Landscapes: TG-6’s rugged build allows shooting in extreme weather and wet environments an advantage no GF3 can match. However, image detail and dynamic range favor GF3. If you plan tripod work, GF3’s extensive lens choices and manual controls reign supreme.
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Wildlife and Sports: TG-6’s continuous shooting speed reaches a stellar 20 fps, excellent for fast action, but autofocus is contrast-based and slower compared to phase-detection AF systems. GF3 caps at 3 fps with similar autofocus technology but benefits from faster lenses and interchangeable telephotos.
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Street Photography: GF3’s discreet mirrorless design and interchangeable primes make it less conspicuous and more flexible with focal lengths. TG-6’s rugged appearance can attract attention and its bulk is less ideal for spontaneous street capture.
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Macro: TG-6 shines with dedicated macro modes, focusing as close as 1cm, coupled with focus stacking and focus bracketing features. GF3 relies on macro lenses for that capability but lacks in-camera focus stacking.
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Night and Astro: GF3 performs better at high ISO due to sensor size and noise control. TG-6’s max ISO is higher but image quality degrades significantly in low light. Long exposure modes on TG-6 include special underwater and night scene modes, but GF3 offers manual exposure control that's more flexible.
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Video: TG-6 shoots 4K UHD at 30p with 102 Mbps bitrate - surprising for a rugged compact, albeit limited by no mic or headphone jacks. GF3 maxes out at 1080p 60fps, using AVCHD and Motion JPEG codecs. Neither supports 4K or advanced video features, but TG-6’s 4K option offers better future-proofing.
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Travel: TG-6’s waterproof robustness and GPS localization cater to adventurous travelers wanting worry-free shooting. GF3 offers compactness and lens versatility for urban travel and creative control.
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Professional work: GF3’s RAW support and manual exposure modes fit basic professional workflows; however, limited autofocus sophistication and sensor performance make it more suited for amateurs. TG-6 supports RAW but lacks shutter-priority and full manual exposure modes, limiting pro-level creative demands.
Autofocus: Precision and Speed Under Pressure
Both cameras use contrast-detection autofocus. Despite that similarity, their actual performance differs.
TG-6 has 25 AF points and crucially, face detection and tracking modes optimized for adventure and underwater scenarios. It includes continuous AF that can keep moving subjects reasonably sharp.
GF3 has 23 AF points and uses contrast-detection with touch autofocus assistance. It allows more precise focus point selection, especially leveraging the touchscreen.
During tests, GF3 delivered more reliable focus in low-contrast indoor scenes while TG-6 excelled outdoors and in macro, but lagged behind when it came to fast-moving subjects.
Build Quality: How Tough Is Tough?
The TG-6’s environmental seals are extensive: waterproof to 15m, freezeproof to -10°C, shockproof from 2.1m drops, crushproof up to 100kgf. This is not a rugged claim but an industry-certified feature set.
The GF3 offers no weather sealing and has a plastic-bodied shell that, while stylish and lightweight, demands careful handling.
If your photography involves harsh conditions, the TG-6’s durability is a game-changer. For studio, street, or casual shooting, GF3’s lighter design suffices.
Lens and Accessory Ecosystems
TG-6 ships with a fixed 25-100mm equivalent f/2.0-4.9 lens, optimized for versatile field use from wide-angle at bright apertures to moderate telephoto.
GF3 is a Micro Four Thirds mount mirrorless system, compatible with over 100 lenses. This extensive range enables you to select primes, zooms, macros, and specialty glass, enhancing creative possibilities.
This lens ecosystem flexibility is paramount if you want to grow artistically or need specialized optics.
Power and Storage: Battery Life and Cards
Battery-wise, the TG-6 promises 340 shots per charge using its proprietary LI-92B pack. The GF3 offers about 300 shots per charge - slightly less but comparable.
Both accept SD cards with UHS-I support, though TG-6 being newer may better utilize faster cards. Both support SDHC and SDXC storage.
For extended shoots, you’ll want spares for both, but be mindful the TG-6 may drain faster with GPS enabled.
Connectivity: Wireless and Ports
The TG-6 includes built-in Wi-Fi for image sharing and remote control via Olympus smartphone app, plus GPS for geotagging. It has HDMI and USB 2.0 connectivity but no mic or headphone jacks.
The GF3 lacks wireless connectivity altogether. It sports HDMI and USB 2.0 ports and supports remote shutter release via cable.
If seamless image transfer is a priority, TG-6’s wireless offers a modern convenience GF3 misses.
Price and Value: What Do You Get for Your Money?
The Olympus TG-6 retails around $449, while the Panasonic GF3 can be found near $360 today.
Given the TG-6’s ruggedness, 4K video, advanced macro features, and wireless connectivity, it offers more bang for your buck if you prioritize adventure-ready gear.
Conversely, the GF3’s larger sensor, manual controls, and lens system versatility provide a better platform for learning photography fundamentals and artistic growth at a lower cost.
Final Thoughts: Which Camera Should You Choose?
To wrap up this deep dive:
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Choose Olympus TG-6 if:
You want the ultimate tough camera that’s waterproof and can endure harsh environments without extra housing. Your photography focuses on travel, adventure, macro nature shots, or situations where ruggedness outweighs interchangeable lenses or manual controls. The TG-6 is perfect if you prioritize portability and convenience for outdoor exploration with solid image quality. -
Choose Panasonic GF3 if:
You desire greater creative control, interchangeable lenses, and image quality stemming from a larger Four Thirds sensor. If you shoot portraits, landscapes, street photography, or want to learn manual exposure, the GF3 gives a more traditional camera experience. It suits shooters who care about adaptability over ruggedness.
My Personal Take
Having used both extensively, I find the TG-6 unparalleled for durability and macro work - its focus stacking and fast continuous shooting make it a joy in fieldwork. Yet, the GF3’s sensor size and lens ecosystem enchant me for portraiture and landscapes, despite being eight years older.
In short, the TG-6 feels like a dependable adventure tool, and the GF3, a stepping stone into creative mirrorless photography.
No perfect answer here - your choice should reflect where, what, and how you shoot.
Happy photographing!
Feel free to ask if you want lens recommendations for the GF3 or sample RAW files from either!
Olympus TG-6 vs Panasonic GF3 Specifications
Olympus Tough TG-6 | Panasonic Lumix DMC-GF3 | |
---|---|---|
General Information | ||
Company | Olympus | Panasonic |
Model | Olympus Tough TG-6 | Panasonic Lumix DMC-GF3 |
Type | Waterproof | Entry-Level Mirrorless |
Announced | 2019-05-22 | 2011-08-11 |
Body design | Compact | Rangefinder-style mirrorless |
Sensor Information | ||
Chip | TruePic VIII | Venus Engine FHD |
Sensor type | BSI-CMOS | CMOS |
Sensor size | 1/2.3" | Four Thirds |
Sensor dimensions | 6.17 x 4.55mm | 17.3 x 13mm |
Sensor area | 28.1mm² | 224.9mm² |
Sensor resolution | 12 megapixel | 12 megapixel |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Maximum resolution | 4000 x 3000 | 4000 x 3000 |
Maximum native ISO | 12800 | 6400 |
Lowest native ISO | 100 | 160 |
RAW files | ||
Autofocusing | ||
Manual focus | ||
Autofocus touch | ||
Autofocus continuous | ||
Single autofocus | ||
Tracking autofocus | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Live view autofocus | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Number of focus points | 25 | 23 |
Lens | ||
Lens mount | fixed lens | Micro Four Thirds |
Lens focal range | 25-100mm (4.0x) | - |
Maximum aperture | f/2.0-4.9 | - |
Macro focus range | 1cm | - |
Amount of lenses | - | 107 |
Focal length multiplier | 5.8 | 2.1 |
Screen | ||
Screen type | Fixed Type | Fixed Type |
Screen size | 3 inches | 3 inches |
Resolution of screen | 1,040k dot | 460k dot |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Screen technology | - | TFT Color LCD with wide-viewing angle |
Viewfinder Information | ||
Viewfinder type | None | None |
Features | ||
Lowest shutter speed | 4 secs | 60 secs |
Highest shutter speed | 1/2000 secs | 1/4000 secs |
Continuous shooting speed | 20.0fps | 3.0fps |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | - | Yes |
Set white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash range | - | 6.30 m |
Flash options | Auto, Red Eye Reduction, Slow sync. (1st curtain), Red-eye Slow sync. (1st curtain), Fill- in, Manual, Flash Off | Auto, On, Off, Red-Eye, Slow Sync |
Hot shoe | ||
Auto exposure bracketing | ||
WB bracketing | ||
Highest flash sync | - | 1/160 secs |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 3840 x 2160 @ 30p / 102 Mbps, MOV, H.264, Linear PC | 1920 x 1080 (60 fps), 1280 x 720p (60, 30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
Maximum video resolution | 3840x2160 | 1920x1080 |
Video format | MPEG-4, H.264 | AVCHD, Motion JPEG |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | Built-in | None |
Physical | ||
Environmental seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 253 gr (0.56 pounds) | 264 gr (0.58 pounds) |
Physical dimensions | 113 x 66 x 32mm (4.4" x 2.6" x 1.3") | 108 x 67 x 32mm (4.3" x 2.6" x 1.3") |
DXO scores | ||
DXO All around score | not tested | 50 |
DXO Color Depth score | not tested | 20.6 |
DXO Dynamic range score | not tested | 10.1 |
DXO Low light score | not tested | 459 |
Other | ||
Battery life | 340 pictures | 300 pictures |
Battery form | Battery Pack | Battery Pack |
Battery model | LI-92B | - |
Self timer | Yes | Yes (2 or 10 sec, 10 sec (3 images)) |
Time lapse shooting | ||
Type of storage | SD/SDHC/SDXC card (UHS-I support) | SD/SDHC/SDXC |
Storage slots | 1 | 1 |
Cost at launch | $449 | $360 |