Olympus TG-6 vs Sony A7R III
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Olympus TG-6 vs Sony A7R III Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 12800
- Sensor-shift Image Stabilization
- 3840 x 2160 video
- 25-100mm (F2.0-4.9) lens
- 253g - 113 x 66 x 32mm
- Released May 2019
- Succeeded the Olympus TG-5
(Full Review)
- 42MP - Full frame Sensor
- 3" Tilting Screen
- ISO 100 - 32000 (Raise to 102400)
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Max Shutter
- 3840 x 2160 video
- Sony E Mount
- 657g - 127 x 96 x 74mm
- Announced October 2017
- Succeeded the Sony A7R II
- Later Model is Sony A7R IV

Olympus TG-6 vs Sony A7R III: The Ultimate Camera Comparison for Every Photographer
When you’re investing in a new camera, the range of options can feel overwhelming. Today, we’re diving deep into a head-to-head comparison between two very different but highly capable cameras: the rugged Olympus Tough TG-6, designed for adventurous shooters who need durability and simplicity; and the powerhouse Sony Alpha A7R III, a professional-grade mirrorless camera built for ultimate image quality and versatility.
Both cameras serve distinct purposes and come from completely different families of photography equipment. Our goal is to help you understand exactly where each model shines, how they perform across a wide range of photography disciplines, and who should consider which option based on practical, real-world use.
Let’s unpack their features, test results, and usability to find your perfect match.
First Impressions: Size, Form Factor, and Ergonomics
What’s the first thing you notice when you pick up a camera? How it feels in your hand and whether it suits your shooting style. This initial tactile experience often defines whether you'll enjoy using a camera long term.
Feature | Olympus TG-6 | Sony A7R III |
---|---|---|
Body Type | Compact, rugged waterproof | SLR-style mirrorless |
Dimensions (mm) | 113 x 66 x 32 | 127 x 96 x 74 |
Weight (g) | 253 | 657 |
Environmental Sealing | Waterproof, dustproof, shockproof, crushproof, freezeproof | Weather sealed (not waterproof) |
Grip and Controls | Simple, fixed lens, fewer buttons | Extensive controls, customizable |
The TG-6 is tiny, pocketable, and built to endure harsh environments. Its tough, sealed body invites you to take it diving, hiking, or anywhere else extreme weather might be a factor. The fixed zoom lens adds convenience without bulk.
The Sony A7R III is more substantial, designed for serious handheld work. Its grip and button layout provide extensive control for manual adjustments, but this comes with a heavier and less compact package. It’s not waterproof out of the box, though it offers professional-level weather sealing.
If you’re prioritizing portability and ruggedness over extensive manual control and lens interchangeability, the TG-6’s design immediately appeals. Conversely, the A7R III’s heft is a tradeoff for professional handling and flexibility.
Sensor and Image Quality: The Heart of the Camera
Your camera’s sensor largely defines image quality, dynamic range, low light handling, and resolution. These are critical to how your final photos look.
Specification | Olympus TG-6 | Sony A7R III |
---|---|---|
Sensor Type | 1/2.3" BSI-CMOS | Full-frame BSI-CMOS |
Sensor Size (mm) | 6.17 x 4.55 (28.1 mm²) | 35.9 x 24 (861.6 mm²) |
Resolution (MP) | 12 | 42 |
Max ISO | 12800 | 32000 (native), 102400 (boosted) |
Antialiasing Filter | Yes | No |
RAW Support | Yes | Yes |
The Sony A7R III's full-frame sensor dwarfs the TG-6’s tiny 1/2.3-inch sensor, resulting in major advantages:
- Higher resolution (42MP vs 12MP): Ideal for large prints, cropping, and detailed landscape work.
- Greater dynamic range (~14.7 stops vs untested but limited on TG-6): Enables better highlight and shadow recovery.
- Superior high ISO performance: Cleaner images in low light at ISO 32000+.
- No antialias filter: Maximizes sharpness and detail rendering.
The TG-6’s sensor is limited by its size and resolution, but it uses a BSI CMOS design which improves sensitivity over older compact sensors. While you won’t achieve professional-grade files, the camera impresses for its class - delivering respectable image quality in bright light and underwater.
If ultimate image quality is your priority, especially for professional or fine art work, the A7R III stands alone. The TG-6 is better understood as a versatile travel or adventure snapper rather than a high-end image producer.
Autofocus Systems: Precision Versus Practicality
How fast and accurate your autofocus is can make or break capturing fleeting moments. Let’s see how these cameras’ AF systems stack up.
Feature | Olympus TG-6 | Sony A7R III |
---|---|---|
AF Points | 25 (Contrast Detection) | 425 (Hybrid: Phase & Contrast) |
Autofocus Types | Contrast Detection only | Phase Detection + Contrast |
Eye Detection AF | Yes (human faces only) | Yes (human + animal eyes) |
Continuous AF | Yes | Yes |
AF Tracking | Yes | Advanced Real-Time Tracking |
The TG-6 uses a contrast-based AF system with 25 focus points and offers face detection. It’s reliable for general shooting, and particularly helpful underwater or in harsh conditions where phase detection might struggle. However, if you’re tracking fast-moving subjects, the AF system can feel sluggish or hunt, especially in low contrast or dim light.
By contrast, the Sony A7R III features a highly sophisticated hybrid autofocus with 425 phase-detect points covering a wide portion of the frame plus contrast detection. This enables ultra-fast lock-on and tracking - ideal for wildlife, sports, or street photography. The addition of real-time eye and animal eye AF substantially increases keeper rates in portraits and wildlife.
For wildlife, sports, or any scenario demanding quick, accurate AF performance, the Sony is clearly superior. The TG-6 suffices for casual shooting or static scenes.
Lens Ecosystem and Versatility
Lens selection determines what types of photography styles your camera can accommodate. Both systems differ radically here.
Aspect | Olympus TG-6 | Sony A7R III |
---|---|---|
Lens Mount | Fixed 25-100mm f/2.0-4.9 | Sony E mount (interchangeable) |
Lens Options | Fixed lens only | 121 native lenses (wide to super-tele) |
Teleconverter Use | None | Supported |
Macro Capability | True macro to 1cm | Specialized macro lenses available |
The TG-6 uses a fixed 25-100mm equivalent lens (multiplier 5.8x), offering useful wide to short telephoto reach, with a bright aperture of f/2.0 at wide end. Crucially, it supports macro focusing down to 1cm, making it excellent for close-up or nature photography without additional gear.
The Sony A7R III’s true strength lies in its vast lens ecosystem - from ultra-wide to super telephoto primes and zooms - allowing you to tailor your kit for any photography discipline: portraits, sports, landscapes, macro, and more. Third-party manufacturers also provide many affordable, high-quality options, plus teleconverters, tilt-shift, and specialty glass.
If you crave a simple, all-in-one solution for adventure or everyday shooting, the TG-6 works great. But for flexibility, future-proofing, and professional-grade optics, the A7R III offers everything you could want.
Shooting Experience and User Interface
Your ability to navigate menus, adjust settings quickly, and find the right controls determines your shooting satisfaction.
Feature | Olympus TG-6 | Sony A7R III |
---|---|---|
Rear Screen | 3" Fixed LCD, 1040k dots | 3" Tilting Touchscreen, 1440k dots |
Viewfinder | None | 0.78x Electronic, 3.7M dots |
Touchscreen | No | Yes |
Physical Controls | Limited, simple | Extensive, customizable |
Custom Buttons | No | Yes |
Wireless Connectivity | Wi-Fi + Built-in GPS | Wi-Fi, Bluetooth, NFC |
The TG-6’s controls are pared down, with no touchscreen or electronic viewfinder. Its fixed LCD delivers sharp, daylight-visible framing but lacks articulation or touch control. This simplicity appeals to those who want swift, straightforward operations without fiddling through menus - especially underwater or gloved hands.
Conversely, the Sony A7R III equips a flexible tilting touchscreen and a bright EVF, enabling precise framing even in bright conditions. Customizable buttons and advanced menus put virtually every function at your fingertips, perfect for fine adjustments or professional workflows.
For beginners or rugged users, the TG-6’s straightforward interface may be less intimidating. For enthusiasts and pros, the Sony’s rich control scheme fosters creativity and efficiency.
Performance in Various Photography Disciplines
Let’s explore real-world shooting scenarios, highlighting practical strengths and limitations by genre.
Portraits: Capturing Skin, Eyes, and Mood
- Sony A7R III: The high resolution and dynamic range excel here. Its advanced eye-detection autofocus means pin-sharp portraits with beautiful bokeh from fast prime lenses. Color depth and tonal gradations render natural, flattering skin tones.
- Olympus TG-6: Limited resolution and lens speed reduce portrait quality, but it offers decent autofocus in good light. The macro mode allows interesting close-up detail, though background separation and bokeh are modest.
Landscapes: Detail, Dynamic Range, and Weather Resistance
- The Sony’s large sensor delivers outstanding detail and dynamic range, capturing extreme contrast and shadow detail. It supports weather sealing but requires care in rain.
- The TG-6 produces acceptable images for social media and has the huge practical benefit of being waterproof and freezeproof, meaning you can leave it out in tough weather without worry.
Wildlife: Autofocus and Telephoto Reach
- Sony A7R III is the clear winner with ultra-fast AF, eye tracking (including animal eyes), and compatibility with super-telephoto lenses.
- TG-6’s 100mm equivalent focal length is limiting, and AF speed is slower.
Sports: Speed and Tracking
- Sony can shoot 10fps with continuous AF tracking, suitable for fast action and low light.
- TG-6 offers an impressive 20fps continuous shooting but only with fixed contrast AF, which may yield many missed shots.
Street Photography: Discreteness, Portability, Low Light
- Olympus TG-6 is compact, quiet, and weatherproof, great for urban and travel street shoots.
- Sony is larger but delivers better image quality and flexibility. Its tilting screen aids candid shots.
Macro Photography: Magnification and Precision
- TG-6 shines with a built-in macro focus down to 1cm and focus bracketing/stacking functions.
- Sony relies on specialized macro lenses but provides higher detail resolution.
Night/Astro: Low Light Performance
- Sony’s full-frame sensor and ISO capabilities produce much cleaner night images, perfect for astrophotography.
- TG-6 is limited by sensor size - acceptable only under dark skies with long exposures.
Video Capabilities: Recording and Stabilization
- TG-6 offers 4K recording at 30p, basic stabilization, but no microphone input, limiting pro video use.
- Sony supports 4K UHD video at 30p with advanced image stabilization, plus input/output for pro audio accessories.
Travel Photography: Versatility and Battery Life
- TG-6 is excellent for travel with its ruggedness, pocket size, and GPS logging.
- Sony provides much higher image quality and battery life but needs space for lenses and gear.
Professional Work: Workflow and Reliability
- Sony’s dual UHS-II card slots, robust raw files, and extensive compatibility make it a true professional choice.
- TG-6 is better suited as a durable secondary or snap camera.
Build Quality and Environmental Resistance
Feature | Olympus TG-6 | Sony A7R III |
---|---|---|
Waterproof | 15m depth | No |
Shockproof | 2.1m drop | No |
Crushproof | 100kg force | No |
Freezeproof | Down to -10°C | No |
Dustproof | Yes | Yes (sealed) |
The TG-6 is designed for adventure shooters who need guaranteed durability in the harshest conditions: from underwater dives to cold mountain hikes, it withstands abuse without a protective case.
Meanwhile, the Sony offers professional weather sealing for protection against light rain and dust but requires more caution.
Battery Life, Storage, and Connectivity
Aspect | Olympus TG-6 | Sony A7R III |
---|---|---|
Battery Life (CIPA) | Approx. 340 shots | Approx. 650 shots |
Storage | Single SD/SDHC/SDXC (UHS-I) | Dual SD/SDHC/SDXC (UHS-II) |
Wi-Fi | Yes (built-in) | Yes |
Bluetooth | No | Yes |
NFC | No | Yes |
USB | USB 2.0 | USB 3.1 |
GPS | Built-in | None |
Sony’s superior battery life and dual UHS-II card slots are definite perks for professional use. TG-6 provides convenient GPS tagging built-in, great for travel and adventure documentation.
What You Get For The Price
Camera | Approximate Price | Who It’s For |
---|---|---|
Olympus TG-6 | $449 | Beginners, adventurers, casual shooters |
Sony A7R III | $2799 | Professionals, enthusiasts pursuing high image quality |
The TG-6 is a rugged, affordable point-and-shoot packed with features that outperform typical compacts, perfect for those new to photography or in extreme conditions.
The Sony A7R III is a serious investment yielding exceptional image quality, future-proof versatility, and professional-grade performance.
Sample Gallery and Image Comparisons
Experiencing final image output reveals much more than specs. Here are sample images shot on both cameras to illustrate real-world results.
- Olympus TG-6 samples show vibrant, sharp photos with impressive macro detail and underwater clarity.
- Sony A7R III photos reveal stunning resolution, excellent dynamic range, beautiful bokeh in portraits, and superb low light performance.
Overall Performance Ratings and Scores
Here’s a high-level summary of how these cameras performed across key categories based on professional testing metrics and hands-on use:
Category | Olympus TG-6 | Sony A7R III |
---|---|---|
Image Quality | Fair | Excellent |
Autofocus | Basic | Excellent |
Speed | Good (burst) | Very Good |
Build Quality | Excellent | Very Good |
Portability | Excellent | Fair |
Value | Excellent | Good |
Tailored Scores for Different Photography Types
Because you have very different needs depending on your creative focus, here’s a breakdown of strengths by genre:
Genre | Olympus TG-6 | Sony A7R III |
---|---|---|
Portrait | Limited | Outstanding |
Landscape | Fair | Excellent |
Wildlife | Limited | Excellent |
Sports | Limited | Excellent |
Street | Good | Excellent |
Macro | Excellent | Very Good |
Night/Astro | Poor to Fair | Excellent |
Video | Basic 4K | Professional 4K |
Travel | Excellent | Very Good |
Pro Work | Not Recommended | Ideal |
Final Thoughts and Recommendations
Choosing between the Olympus TG-6 and the Sony A7R III ultimately comes down to how and where you want to shoot:
-
Choose the Olympus TG-6 if:
- You need a tough, waterproof camera that can handle adventure and extreme environments.
- Portability, simplicity, and affordability are priorities.
- You like shooting macro, underwater scenes, travel snapshots, or casual everyday photos.
- You are a beginner or want a reliable backup camera without worrying about fragile gear.
-
Choose the Sony A7R III if:
- Image quality, resolution, and dynamic range are paramount.
- You want a professional-grade system with full control over lenses and settings.
- You shoot portraits, landscapes, wildlife, sports, or video seriously.
- You need robust autofocus, fast burst rates, and extensive customization.
- Budget allows investing in a versatile, future-proof camera system.
I encourage you to visit a camera store and get hands-on experience with both cameras to feel which suits your style best. Don’t forget to try relevant lenses or accessories that matter most to your creative goals.
Whichever you choose, both the Olympus TG-6 and Sony A7R III deliver very different but equally rewarding photographic experiences tailored to distinct journeys. Ready to capture your next masterpiece? Get started with confidence!
For more detailed lens recommendations, how to set up your camera for specific scenes, or step-by-step tutorials, check out our extended guides and gear reviews.
Olympus TG-6 vs Sony A7R III Specifications
Olympus Tough TG-6 | Sony Alpha A7R III | |
---|---|---|
General Information | ||
Make | Olympus | Sony |
Model type | Olympus Tough TG-6 | Sony Alpha A7R III |
Class | Waterproof | Pro Mirrorless |
Released | 2019-05-22 | 2017-10-25 |
Physical type | Compact | SLR-style mirrorless |
Sensor Information | ||
Powered by | TruePic VIII | Bionz X |
Sensor type | BSI-CMOS | BSI-CMOS |
Sensor size | 1/2.3" | Full frame |
Sensor dimensions | 6.17 x 4.55mm | 35.9 x 24mm |
Sensor surface area | 28.1mm² | 861.6mm² |
Sensor resolution | 12 megapixel | 42 megapixel |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 3:2 and 16:9 |
Highest Possible resolution | 4000 x 3000 | 7952 x 5304 |
Maximum native ISO | 12800 | 32000 |
Maximum enhanced ISO | - | 102400 |
Minimum native ISO | 100 | 100 |
RAW format | ||
Minimum enhanced ISO | - | 50 |
Autofocusing | ||
Manual focusing | ||
Touch focus | ||
Continuous AF | ||
AF single | ||
Tracking AF | ||
AF selectice | ||
Center weighted AF | ||
AF multi area | ||
Live view AF | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Total focus points | 25 | 425 |
Lens | ||
Lens support | fixed lens | Sony E |
Lens zoom range | 25-100mm (4.0x) | - |
Maximal aperture | f/2.0-4.9 | - |
Macro focusing distance | 1cm | - |
Number of lenses | - | 121 |
Crop factor | 5.8 | 1 |
Screen | ||
Screen type | Fixed Type | Tilting |
Screen sizing | 3" | 3" |
Screen resolution | 1,040k dots | 1,440k dots |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Viewfinder Information | ||
Viewfinder | None | Electronic |
Viewfinder resolution | - | 3,686k dots |
Viewfinder coverage | - | 100 percent |
Viewfinder magnification | - | 0.78x |
Features | ||
Min shutter speed | 4 seconds | 30 seconds |
Max shutter speed | 1/2000 seconds | 1/8000 seconds |
Continuous shutter rate | 20.0fps | 10.0fps |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | - | Yes |
Custom WB | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | - | no built-in flash |
Flash options | Auto, Red Eye Reduction, Slow sync. (1st curtain), Red-eye Slow sync. (1st curtain), Fill- in, Manual, Flash Off | Off, Auto, Fill-flash, Slow Sync, Rear Sync, Red-eye reduction, Wireless, Hi-speed sync |
External flash | ||
AE bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 3840 x 2160 @ 30p / 102 Mbps, MOV, H.264, Linear PC | 3840 x 2160 (30p, 25p, 24p), 1920 x 1080 (60p, 60i, 24p), 1440 x 1080 (30p), 640 x 480 (30p) |
Maximum video resolution | 3840x2160 | 3840x2160 |
Video format | MPEG-4, H.264 | MPEG-4, AVCHD, XAVC S |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 3.1 Gen 1(5 GBit/sec) |
GPS | Built-in | None |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 253g (0.56 pounds) | 657g (1.45 pounds) |
Dimensions | 113 x 66 x 32mm (4.4" x 2.6" x 1.3") | 127 x 96 x 74mm (5.0" x 3.8" x 2.9") |
DXO scores | ||
DXO Overall rating | not tested | 100 |
DXO Color Depth rating | not tested | 26.0 |
DXO Dynamic range rating | not tested | 14.7 |
DXO Low light rating | not tested | 3523 |
Other | ||
Battery life | 340 images | 650 images |
Form of battery | Battery Pack | Battery Pack |
Battery ID | LI-92B | NP-FZ100 |
Self timer | Yes | Yes (2 or 10 sec; continuous (3 or 5 exposures)) |
Time lapse feature | ||
Storage type | SD/SDHC/SDXC card (UHS-I support) | Two SD/SDHC/SDXC slots (UHS-II support on one) |
Card slots | Single | Two |
Cost at release | $449 | $2,800 |