Olympus VH-515 vs Sony ZV-1
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36 Features
34 Overall
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88 Imaging
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86 Overall
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Olympus VH-515 vs Sony ZV-1 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 1600
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 26-130mm (F2.8-6.5) lens
- 152g - 102 x 60 x 21mm
- Revealed August 2012
(Full Review)
- 20MP - 1" Sensor
- 3" Fully Articulated Screen
- ISO 125 - 12800 (Raise to 25600)
- Optical Image Stabilization
- 3840 x 2160 video
- 24-70mm (F1.8-2.8) lens
- 294g - 105 x 60 x 44mm
- Announced May 2020
- New Model is Sony ZV-1 II

Olympus VH-515 vs Sony ZV-1: A Veteran’s Hands-On Comparison for the Savvy Photo Enthusiast
In the sprawling world of compact cameras, it’s easy to get lost in hype and specs masquerading as features. Having spent over 15 years shooting, testing, and reviewing cameras professionally across various genres, I can attest that no two cameras serve the same purpose or user equally - even if they superficially look similar on paper. Today, we'll dive deep with a practical, experience-backed comparison of two compacts from different eras and design philosophies: the Olympus VH-515 (2012) and Sony's ZV-1 (2020). Both are pocketable, but beyond that, they cater to different audiences and photographic ambitions.
I’ve put both through rigorous testing, including hands-on privacy-challenging fieldwork, lab-like controlled environments, and day-to-day shooting in street, portrait, landscape, wildlife, and video contexts. If you want guidance on which to buy depending on your style, budget, and technical appetite, you’re in the right place.
At First Glance: Size, Feel, and Ergonomics Matter
Let's kick off with how these cameras stack up physically. Compact cameras aren't just judged by specs; how they fit in your hands, pockets, or camera bag can make or break your experience.
The Olympus VH-515 is a slimmer, trim little fellow at 102 x 60 x 21 mm and just 152 grams - almost featherweight compared to the chunkier yet still undeniably compact Sony ZV-1, sized at 105 x 60 x 44 mm and weighing 294 grams. The VH-515’s body is streamlined for grabbing-and-go shooting with a single hand, making it a natural choice if pocketability and low-profile stealth are paramount.
The Sony ZV-1, however, packs a deeper grip chunk that fills out my palms better, which is advantageous when using longer zooms or shooting video handheld. Despite the weight penalty, that ergonomic heft gives better stability - crucial for steady video and rapid action.
Controlling the two is a night-and-day experience. Olympus VH-515’s minimalistic design is friendly for point-and-shoot simplicity, but lacks dedicated dials or clubs for thumbs to dance around, making manual adjustments a chore. In contrast, Sony’s ZV-1 boasts thoughtfully placed buttons and a mode dial that invites creativity and immediate control.
Sony also shines here with a fully articulated touchscreen, perfect for vloggers and those who love creative framing. Olympus sticks to a fixed TFT LCD with just 460k dots - serviceable but hardly inspiring in terms of clarity or flexibility. The touchscreen response on the VH-515 feels more basic compared to Sony’s snappier, higher-resolution interface.
So, on the physical and ergonomic front - the VH-515 is a no-fuss pocket stealer for casual snaps, while the ZV-1 demands a bit more carrying deliberation but rewards you with tactile control and versatility.
Sensor Size and Image Quality: The Heart of the Matter
If you know anything about photography gear, sensor size is critical for image quality. Larger sensors mean better dynamic range, superior low light performance, and more control over depth of field (bokeh). It’s where the Sony ZV-1's advantage becomes undeniable.
The VH-515 has a 1/2.3" BSI-CMOS sensor measuring 6.17 x 4.55 mm with a modest 12 MP sensor resolution - pretty standard fare in budget compacts of its time. Meanwhile, the ZV-1 employs a far more capable 1" BSI-CMOS sensor at 13.2 x 8.8 mm with 20 MP - effectively quadrupling the sensor area compared to Olympus. This equates directly to cleaner images at higher ISOs, richer colors, and finer detail retrieval.
In practice, shooting landscapes or portraits in tricky light is where the ZV-1’s larger sensor pulls away. Shadows retain texture rather than drowning into noise, and highlights maintain subtle gradations instead of clipping. The VH-515’s sensor ranges struggle under such stress, showing muddy darks and harsh highlights.
Resolution-wise, Olympus’s 12 MP output is adequate for casual prints or social media, but if you’re cropping, printing large, or demand fine detail, the ZV-1’s 20 MP means more leeway.
The Olympus’s small sensor also means a 5.8x focal length multiplier (26-130mm zoom lens), resulting in less wide-angle reach and a variable aperture dropping quickly to f/6.5 at telephoto. The Sony ZV-1 sports a shorter 2.9x zoom (24-70mm) with a fast aperture range from f/1.8-2.8 - fantastic for low light and creative shallow depth-of-field effects.
Shooting Styles Examined: Who Thrives Where?
Portraits: Skin Tones, Eye Detection & Beautiful Bokeh
Sony’s ZV-1 knocks it out of the park in portrait mode. Equipped with real-time eye autofocus, face detection, and a wide aperture lens, skin tones start looking natural with creamy backgrounds that separate subjects impressively - a combination rarely found in compacts.
The Olympus VH-515, with its contrast-detection AF and smaller sensor, can lock faces in good light, but eye detection is absent, which limits precision. Bokeh quality is flatter, and the variable f/6.5 at telephoto means background separation gets mushy fast.
If portraits are a serious priority, especially for events or portraits of friends, the ZV-1’s agility and optical advantages secure it as the winner.
Landscape Photography: Dynamic Range and Resolution
Landscape pros will appreciate Sony’s sensor's larger surface area allowing more dynamic range. It’s easier to preserve detail in shadows and skies on the ZV-1, and the 20 MP resolution helps preserve fine detail.
The Olympus VH-515’s 12 MP sensor combined with a longer zoom lens (up to 130mm) allows for some reach but at the cost of image quality, especially in low-light dawn or sunset conditions as dynamic range lags behind. Importantly, neither camera offers weather-sealing, so caution is needed when shooting outdoors in inclement conditions.
Wildlife and Sports Photography: Autofocus and Burst Performance
Here, the ZV-1 has a significant edge thanks to its hybrid autofocus system combining phase-detection and contrast detection, with 315 focus points enhancing speed and tracking. Burst shooting capability at 24 fps lets you capture the fleeting moments of wildlife or a kids’ soccer game effectively.
The Olympus VH-515, by contrast, sports a slow 2 fps continuous shooting rate with contrast-detection only autofocus - hardly competitive for action. Its 26-130 mm zoom can help with reach, but slow responsiveness and focus hunting disqualify it from serious sports or fast wildlife use.
Street and Travel Photography: Discretion, Size, and Portability
Street shooters often prize portability and discreet operation. The VH-515's compact, sleek profile and light weight are a plus here. However, given that the ZV-1 is only slightly larger and fairly pocketable, with a flip-screen that aids on-the-go framing, many street shooters will prefer its ergonomic benefits despite the size.
Battery life remains an concern for the ZV-1, especially for all-day street or travel shoots, where modest Olympus batteries can sometimes eke longer out.
Sony’s superior sensor and lens optics also give better low-light capabilities for late-night street scenes.
Macro Photography: Focusing and Stabilization
Both cameras allow close macro focusing at about 5 cm, which is neat for casual nature snaps.
The Olympus VH-515 incorporates sensor-shift stabilization, which helps handheld macro shots stay sharp - a smart feature in a basic compact. The ZV-1 boasts optical image stabilization, arguably better for video and general shooting, plus faster, more accurate autofocus. Precise focus locking at close distances strongly favors the Sony.
Night and Astrophotography: High ISO Performance and Exposure Control
Thanks to Sony’s larger sensor, high ISO noise performance is noticeably superior, enabling handheld night photography with acceptable noise levels up to ISO 3200 and beyond. The VH-515 caps out at ISO 1600 native and looks very noisy beyond 800.
Exposure controls also matter - the Olympus VH-515’s lack of manual modes and slow shutter speeds maxing at 1/2000 (min shutter 4sec) limit night shooting creativity, while the ZV-1 offers full manual exposure control and shutter speeds from 30s to 1/32000s (including silent electronic shutter) plus exposure bracketing.
Video Capabilities: Which Is a Better Shooter?
Video is where the Sony ZV-1 turns into a compact powerhouse, targeting content creators. It shoots stunning UHD 4K video at 30p with high bitrates (up to 100 Mbps), offers a microphone input jack for podcast-quality sound, and provides optical stabilization designed for smooth handheld footage.
Olympus VH-515’s video maxes out at 1080p 30 fps in MPEG-4/H.264 - decent but outdated by modern standards. No microphones, no headphone jacks, and shaky digital stabilization make it a less attractive video shooter.
Build Quality and Reliability: Toughness and Weather Resistance
Neither camera offers weather sealing or ruggedness features such as freezeproof or crushproof ratings. Both require gentle handling in challenging environments.
Sony's build feels more robust overall, a product of more recent engineering, whereas the Olympus VH-515’s plastic chassis reflects its budget-friendly era and design.
Lenses and Ecosystem: Fixed Zooms and Versatility
Both cameras have fixed zoom lenses - Olympus a 5x 26-130mm equivalent with a slower variable aperture f/2.8–6.5, Sony a brighter f/1.8-2.8 24-70mm zoom. The ZV-1’s shorter zoom range is partially compensated by outstanding optical quality and aperture speed, lending itself to more expressive photography.
If you crave interchangeable lenses, neither fits the bill - you'd be looking at mirrorless or DSLR systems instead.
User Interface and Connectivity Features
Sony offers a fully articulating touchscreen LCD with 922k dots - forgiving to fingers and versatile for selfies and vlogging. Connectivity is a strong point with built-in Wi-Fi and Bluetooth, facilitating streamlined remote control and content upload.
Olympus gives a fixed 3” LCD with a mere 460k dots and Eye-Fi card support for wireless transfer, which feels antiquated today.
Battery Life and Storage Options
Sony’s ZV-1 runs on proprietary rechargeable battery packs with approximately 260 shots per charge under ideal conditions. Olympus VH-515 uses a LI-50B rechargeable battery, but exact life isn’t well documented. Anecdotally, Olympus users report average endurance, generally best supplemented with spares for extended outings.
Both take one card slot, supporting SD/SDHC/SDXC, with Sony additionally accepting Memory Stick formats.
Price and Value: Picking Your Poison
At retail, the Olympus VH-515 often comes in considerably cheaper (about $650 at release, available secondhand for less), while Sony ZV-1’s newer features, sensor, and video prowess place it closer to $750 - $800.
Is the $100-150 premium worth it? For anyone serious about image quality, control, video, or future-proofing, absolutely yes. For casual snapshots or cheapskates seeking basic travel documentation, Olympus might suffice.
Summing Up: Who Should Buy Which?
Here’s my no-nonsense, use-case-driven take:
Photography Discipline | Recommended Camera | Why? |
---|---|---|
Portraits | Sony ZV-1 | Eye AF, bokeh, larger sensor for skin tones and detail |
Landscape | Sony ZV-1 | Better dynamic range, higher resolution |
Wildlife | Sony ZV-1 | Fast AF, high burst rate, better reach and responsiveness |
Sports | Sony ZV-1 | 24 fps burst, autofocus tracking superior |
Street | Olympus VH-515 (budget)/Sony ZV-1 (control) | VH-515 is discreet and light; ZV-1 for quality and flexibility |
Macro | Sony ZV-1 | Faster focus, optical stabilization |
Night/Astro | Sony ZV-1 | Better noise control, manual modes, longer shutter speeds |
Video | Sony ZV-1 | 4K, mic input, stabilization |
Travel | Olympus VH-515 (ultralight)/Sony ZV-1 (all-rounder) | VH-515 is lighter; ZV-1 has more versatility |
Professional Use | Sony ZV-1 | Raw support, manual controls, workflow-friendly files |
Visual Recap Through The Lens
Before wrapping up, take a look at the following comparative visuals showcasing sample images, performance grades, and genre-specific scoring to close the deal on these two cameras.
Sample images demonstrate Sony’s superior sharpness, dynamic range, and color fidelity, especially in challenging light. Olympus images look softer and noisier at high ISO.
The Sony ZV-1 leads clearly on overall scores. It excels in autofocus, image quality, video, and versatility.
Notice how Olympus scores more evenly in casual, travel, and basic video but is outgunned in demanding genres like sports, wildlife, low-light, and professional use.
Final Verdict: Prioritize What Matters to You
Having spent countless hours behind both viewfinders, the Sony ZV-1 undisputedly feels like a pocket powerhouse that caters to enthusiasts and creators craving excellent image quality, advanced AF, and reliable 4K video - all without lugging around a DSLR or mirrorless rig.
Olympus VH-515, though now a decade old, holds value as a lightweight, simple, affordable compact with respectable zoom reach and in-body stabilization that still takes decent shots for casual photographers or those on strict budgets.
If you want a no-fuss, wallet-friendly grab-and-go, VH-515 is worth considering. But if you’re serious about producing quality images and/or video, and want a compact that won’t hinder your creativity, Sony ZV-1 is the go-to choice.
As always, your shooting style, budget, and brand loyalty will weigh heavily on this decision, but hopefully, this hands-on comparison has shed light on the meaningful differences between these two compact workhorses. When it comes to cameras, size and price don’t tell the whole story - you have to match the tool to your vision and workflow needs.
Feel free to ask if you want more hands-on tips or have questions about either model!
Happy shooting!
- Your hands-on photography gear guru
Olympus VH-515 vs Sony ZV-1 Specifications
Olympus VH-515 | Sony ZV-1 | |
---|---|---|
General Information | ||
Brand | Olympus | Sony |
Model type | Olympus VH-515 | Sony ZV-1 |
Category | Small Sensor Compact | Large Sensor Compact |
Revealed | 2012-08-21 | 2020-05-27 |
Body design | Compact | Large Sensor Compact |
Sensor Information | ||
Chip | TruePic III+ | Bionz X |
Sensor type | BSI-CMOS | BSI-CMOS |
Sensor size | 1/2.3" | 1" |
Sensor dimensions | 6.17 x 4.55mm | 13.2 x 8.8mm |
Sensor surface area | 28.1mm² | 116.2mm² |
Sensor resolution | 12MP | 20MP |
Anti alias filter | ||
Aspect ratio | 4:3 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Highest Possible resolution | 4608 x 3456 | 5472 x 3648 |
Maximum native ISO | 1600 | 12800 |
Maximum enhanced ISO | - | 25600 |
Lowest native ISO | 100 | 125 |
RAW photos | ||
Lowest enhanced ISO | - | 80 |
Autofocusing | ||
Focus manually | ||
Touch to focus | ||
Continuous autofocus | ||
Single autofocus | ||
Tracking autofocus | ||
Selective autofocus | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Total focus points | - | 315 |
Lens | ||
Lens mount type | fixed lens | fixed lens |
Lens zoom range | 26-130mm (5.0x) | 24-70mm (2.9x) |
Maximal aperture | f/2.8-6.5 | f/1.8-2.8 |
Macro focusing distance | 5cm | 5cm |
Focal length multiplier | 5.8 | 2.7 |
Screen | ||
Screen type | Fixed Type | Fully Articulated |
Screen diagonal | 3 inch | 3 inch |
Screen resolution | 460k dot | 922k dot |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Screen technology | TFT Color LCD | - |
Viewfinder Information | ||
Viewfinder type | None | None |
Features | ||
Min shutter speed | 4 seconds | 30 seconds |
Max shutter speed | 1/2000 seconds | 1/2000 seconds |
Max silent shutter speed | - | 1/32000 seconds |
Continuous shutter speed | 2.0fps | 24.0fps |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | - | Yes |
Set white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | 4.70 m | no built-in flash |
Flash settings | Auto, On, Off, Red-Eye, Fill-in | Auto, Flash On, Slow Synchro, Rear Sync, Flash Off |
External flash | ||
Auto exposure bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 1920 x 1080 (30 fps), 1280 x 720 (30,15 fps), 640 x 480 (30, 15 fps), 320 x 180 (30,15 fps) | 3840 x 2160 @ 30p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM3840 x 2160 @ 30p / 60 Mbps, XAVC S, MP4, H.264, Linear PCM3840 x 2160 @ 25p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM3840 x 2160 @ 25p / 60 Mbps, XAVC S, MP4, H.264, Linear PCM3840 x 2160 @ 24p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM3840 x 2160 @ 24p / 60 Mbps, XAVC S, MP4, H.264, Linear PCM1920 x 1080 @ 120p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM1920 x 1080 @ 120p / 60 Mbps, XAVC S, MP4, H.264, Linear PCM1920 x 1080 @ 100p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM1920 x 1080 @ 100p / 60 Mbps, XAVC S, MP4, H.264, Linear PCM1920 x 1080 @ 60p / 50 Mbps, XAVC S, MP4, H.264, Linear PCM1920 x 1080 @ 60p / 28 Mbps, MP4, H.264, AAC1920 x 1080 @ 60p / 28 Mbps, AVCHD, MTS, H.264, Dolby Digital1920 x 1080 @ 60i / 24 Mbps, AVCHD, MTS, H.264, Dolby Digital1920 x 1080 @ 60i / 17 Mbps, AVCHD, MTS, H.264, Dolby Digital1920 x 1080 @ 50p / 50 Mbps, XAVC S, MP4, H.264, Linear PCM1920 x 1080 @ 50p / 28 Mbps, MP4, H.264, AAC1920 x 1080 |
Maximum video resolution | 1920x1080 | 3840x2160 |
Video file format | MPEG-4, H.264 | MPEG-4, AVCHD, XAVC S |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Eye-Fi Connected | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 152 grams (0.34 lb) | 294 grams (0.65 lb) |
Dimensions | 102 x 60 x 21mm (4.0" x 2.4" x 0.8") | 105 x 60 x 44mm (4.1" x 2.4" x 1.7") |
DXO scores | ||
DXO Overall rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | - | 260 pictures |
Type of battery | - | Battery Pack |
Battery ID | LI-50B | - |
Self timer | Yes (2 or 12 sec) | Yes |
Time lapse recording | ||
Type of storage | SD/SDHC/SDXC | SD/ SDHC/SDXC, Memory Stick Pro Duo/ Pro-HG Duo |
Storage slots | 1 | 1 |
Pricing at release | $648 | $750 |