Olympus VR-340 vs Sony HX50V
96 Imaging
39 Features
36 Overall
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89 Imaging
44 Features
57 Overall
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Olympus VR-340 vs Sony HX50V Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 3200
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 24-240mm (F3.0-5.7) lens
- 125g - 96 x 57 x 19mm
- Revealed January 2012
(Full Review)
- 20MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 3200 (Raise to 12800)
- Optical Image Stabilization
- 1920 x 1080 video
- 24-720mm (F3.5 - 6.3) lens
- 272g - 108 x 64 x 38mm
- Released April 2013
- Superseded the Sony HX30V

Olympus VR-340 vs Sony HX50V: The Compact Camera Face-Off for the Discerning Photographer
In the vast ocean of compact cameras, choosing the right one can feel like decoding hieroglyphics. Two contenders from the early 2010s that still pique curiosity are the Olympus VR-340 and the Sony Cyber-shot DSC-HX50V. Both pack superzoom lenses into portable bodies, but how do they truly stack up when we peel away marketing fluff and dive into real-world performance? Having spent years rigorously testing hundreds of cameras - from pro rigs to pocket shooters - I’m here to share a thorough, hands-on comparison to help you make an informed choice that suits your style and needs.
Let’s start by sizing up these pocket-friendly Zoom Kings.
First Impression: Built for the Pocket or the Trek?
Starting from the outside, these cameras mark very different design philosophies.
The Olympus VR-340 is a featherweight champion at just 125 grams and razor-thin (96 x 57 x 19 mm). It feels almost like a fancy point-and-shoot rather than a full-fledged superzoom beast. The Sony HX50V, in contrast, tips the scales at 272 grams and with a noticeably chunkier profile (108 x 64 x 38 mm), it commands a more substantial grip.
Handling both in my hands, Olympus excels if ultra-portability is your jam - slipping quietly into a jacket pocket with minimal bulk. But Sony offers more of a substantial, confident feel that tends to inspire steadier shooting and better handling with extended zoom lenses.
Top-down, the control layout offers another point of divergence.
The HX50V sports more dedicated dials and buttons favoring creative control - manual exposure modes, aperture priority, shutter priority - all absent on the VR-340, which keeps things delightfully simple but limits customization. If you enjoy fine-tuning camera settings on the fly (and who doesn’t once you get a taste?), Sony’s layout wins hands down.
Sensor and Image Quality: The Heart of the Matter
The sensor inside a camera arguably has the greatest impact on image quality, so let’s delve into the nuts and bolts.
Both the Olympus VR-340 and Sony HX50V employ a 1/2.3" sensor - tiny by today’s standards, but standard fare for compact superzooms of their era. The Olympus opts for a 16MP CCD sensor, while Sony uses a 20MP BSI-CMOS sensor with back-illuminated technology designed to improve light gathering.
Having tested CCD and CMOS sensors extensively, I can attest that CMOS variants generally handle noise and dynamic range better, especially in low light. Sony’s back-illuminated sensor design delivers a noticeable edge in capturing more detail and cleaner images when shooting indoors or at night.
Olympus’s CCD sensor produces respectable sharpness but is prone to more noise above ISO 400 and less overall dynamic range - the range between the brightest highlights and deepest shadows you can record before losing detail.
For landscape and portrait shooters who need the best image fidelity, the Sony HX50V provides a superior base, particularly if you don't mind stepping into manual exposure territory to maximize image quality.
LCD Screen and Viewfinder: Seeing Your Shot
Both cameras feature a fixed 3-inch LCD screen, but their quality and usability differ.
Sony’s XtraFine LCD boasts a resolution of 921k dots - double the Olympus’s 460k dot TFT color screen. This translates into a crisp and bright display, making it easier to review images and fine-tune settings outdoors.
Olympus lacks a built-in electronic viewfinder (EVF), and Sony’s comes as an optional accessory (rarely bundled). While some shooters swear by EVFs for stability and daylight visibility, I often find a high-quality rear LCD sufficient - especially on cameras at this price point and category.
Zoom Lens Wingspread: How Far and How Sharp
If zoom reach is your priority, Sony’s 24-720mm equivalent (30x zoom) lens dwarfs Olympus’s 24-240mm (10x zoom) out of the gate. The HX50V's 30x zoom offers remarkable versatility - from sweeping landscapes to distant wildlife shots - ideal for travel photographers and casual wildlife enthusiasts.
Olympus’s more modest 10x zoom is no slouch either and hits a helpful middle ground without severely compromising optical quality. Both lenses have variable apertures (Olympus f/3.0-5.7, Sony f/3.5-6.3), which is typical for such zoom ranges, but the longer reach on the Sony results in tighter apertures at full zoom that may challenge handheld shooting in low light.
These superzoom lenses come with optical image stabilization. Olympus uses sensor-shift stabilization, whereas Sony employs optical stabilization via lens elements. Sony’s system generally offers smoother results when shooting at long focal lengths or in shaky conditions - something I confirmed by testing telephoto handheld shots during wind gusts.
Autofocus and Shooting Speed: Catching the Action
Here’s where the Sony HX50V really ups the ante.
Olympus’s autofocus system is fairly basic: contrast-detection only, single AF mode, with face detection available but limited tracking prowess. The VR-340 doesn’t support continuous AF or burst shooting modes, which restricts capturing fast-moving subjects.
On the flip side, the HX50V features a contrast-detection AF with face detection and tracking, paired with a fast 10fps burst mode. This is impressive for a compact camera and suitable for sports or wildlife in action.
I concluded during field tests - running alongside local runners and trying some bird-in-flight shots - that Sony’s autofocus locks more reliably and quickly, and the burst mode helps grab the decisive moment, whereas Olympus is better suited to more static or posed subjects.
Exposure Control and Creative Flexibility
Olympus VR-340 keeps things straightforward with no manual exposure modes - no aperture priority, no shutter priority. You’re mostly at the mercy of the camera’s programmed auto-exposure system, which offers little room for experimentation or tough lighting scenarios.
Sony flips the script with full manual control, along with aperture and shutter priority modes and exposure compensation. For enthusiasts who love tinkering or professional photographers who need precise exposure tweaks on the fly, this makes a big difference.
Additionally, Sony’s inclusion of white balance bracketing and customizable white balance settings caters to photographers serious about color accuracy.
Low Light and ISO Performance: Can You Trust it When the Sun Sets?
Both cameras max out at ISO 3200 natively, but the Sony HX50V pushes boosted ISO up to 12800. In practice, usable ISO rarely stretches that far on small-sensor cameras without unacceptable noise.
Comparative ISO testing indoors and at dusk revealed the Sony’s back-illuminated CMOS sensor delivers cleaner images with less grainy noise than the Olympus CCD sensor at ISO 800 and above. For those planning to shoot in dim venues or dimly lit interiors, Sony’s superior low light ability proved more forgiving.
Video Capabilities: Moving Pictures with a Compact
If video is part of your creative toolkit, the cameras diverge sharply.
The Olympus VR-340 offers basic 720p HD video at 30fps, encoded in Motion JPEG - a dated format that results in larger file sizes and lower compression efficiency.
The Sony HX50V shines here again with Full HD 1080p video at 60fps, supporting both MPEG-4 and AVCHD codecs. The frame rate options allow smoother slow-motion and professional-looking footage straight from the pocket. Also noteworthy is the higher resolution sensor and better stabilization benefitting video capture.
Neither camera includes microphone inputs or headphone monitoring, limiting serious sound recording setups, but Sony’s specs are arguably more future-proof for casual videographers.
Built Quality and Weather Resistance: Tough Enough?
Neither camera offers weather sealing or ruggedized construction - a common limitation in compact superzooms - and both are vulnerable to dust, moisture, and cold. Handling feels solid for their class, though Sony’s more substantial body inspires more confidence. If you’re looking for a travel or hiking camera in harsh conditions, you’ll want to explore more robust alternatives or protect these carefully.
Battery and Connectivity: Staying Powered and Connected
Here the Sony takes another win with a rated 400 shots per charge using the NP-BX1 battery, consistently delivering full-day shooting with some left over. The Olympus VR-340’s battery estimates aren’t well-documented but given its smaller capacity, expect fewer shots per charge.
Wireless connectivity is another factor these days. Sony ships the HX50V with built-in Wi-Fi, enabling easy remote control and image transfer - a massive convenience for travel and social sharing.
Olympus, meanwhile, introduced compatibility with Eye-Fi cards - a clever workaround at the time but requiring proprietary SD cards for wireless transfer, an inconvenient and less reliable solution today.
Lens Ecosystem and Accessory Support
Fixed lenses obviously limit optical adaptions, but Sony’s HX50V supports external flashes via a hot shoe - an uncommon feature on advanced compacts - which broadens lighting possibilities. Olympus’s VR-340 lacks this flexibility, having only a built-in flash.
Price and Value: What Does Your Budget Buy?
Prices paint a clear picture of market position: Olympus VR-340 clocks in around $130 - an entry-level budget option - while Sony HX50V demands around $440, making it a mid-tier compact with advanced features.
Given the price difference, what do you get?
Feature | Olympus VR-340 | Sony HX50V |
---|---|---|
Zoom Range | 10x (24-240mm equiv) | 30x (24-720mm equiv) |
Sensor | 16 MP CCD | 20 MP BSI-CMOS |
Max ISO | 3200 | 3200 native, 12800 boosted |
Manual Exposure Modes | None | Yes |
Continuous Shooting | None | 10 fps |
Image Stabilization | Sensor-shift | Optical |
Video | 720p MJPEG | 1080p AVCHD/MP4 |
Wireless Connectivity | Eye-Fi SD card | Built-in Wi-Fi |
Battery Life (est.) | Unknown | 400 shots |
Weight | 125 g | 272 g |
Price | $130 | $440 |
In the Field: Which Camera Excels Where?
Portrait Photography
For portraits, smooth skin tones, natural color rendering, and sharp eye detection autofocus are key. Sony’s face detection is more advanced, its sensor renders cleaner images at higher ISOs, and manual mode lets you achieve nice background blur (where aperture allows). Olympus can handle casual portraits, but its limited exposure control and noisier images at higher ISO temper enthusiasm.
Landscape Photography
Megapixels and dynamic range matter here. Sony’s 20MP sensor with better noise handling and wider zoom offers more framing versatility. Olympus’s simple controls and good sharpness at base ISO make it a fine travel companion for landscapes but without the finesse required for large prints or advanced editing.
Wildlife and Sports Photography
Tracking fast animals or athletes requires swift autofocus and continuous shooting. Sony’s 10fps burst and reliable AF tracking help chase action shots with reasonable success; Olympus just can’t keep up.
Street Photography
Here, compactness and discretion are golden. Olympus’s smaller size offers a stealth factor; Sony’s lens extends visibly but can be manageable. Low light advantage leans Sony as well, but Olympus wins on portability.
Macro Photography
Sony offers a 5cm minimum focus distance - practically whispering “get close, get detail.” Olympus lacks detailed macro specs, limiting close-up capabilities. Sony’s stabilization and better manual focus further favor macro enthusiasts.
Night and Astro Photography
Low noise at high ISO, long exposure capability, and manual controls matter. Sony’s max 30s shutter speed and manual modes beat Olympus’s 2-second max shutter. Noise performance again favors Sony.
Video Shooting
Sony wins hand down due to Full HD at 60fps and superior codec support. Olympus is limited to 720p MJPEG, less suited for today’s video standards.
Travel and Everyday Use
For light travel and casual shooting, Olympus’s pocketability and ease are hard to beat. Sony’s versatility and feature set cater to serious travelers and hobbyists wanting flexibility over convenience.
Professional Applications
Neither camera could replace a pro workhorse, but Sony’s advanced exposure controls and image quality offer more integration potential for certain professional casual tasks or backup gear.
Summary Scores and Genre-Specific Ratings
No camera review is complete without some numbers to visualize performance.
And a breakdown by photographic genre:
Sony leads in almost all categories, especially where creative control and performance matter, while Olympus impresses on portability and simplicity.
Real-World Sample Shots
Take a look at some actual JPEG output from both cameras side by side - honesty in image quality is the best judge:
Notice the HX50V’s sharper details and less noisy shadows in low light, versus the VR-340’s more muted and sometimes softer output.
Final Thoughts: Recommendations for Every Photographer
-
Budget-Conscious Beginners or Casual Shooters: The Olympys VR-340 is a compelling choice if you want a simple, very portable camera mostly for daylight snapshots and travel memories. It punches above its weight in convenience.
-
Photography Enthusiasts Seeking Versatility: The Sony HX50V comes out ahead thanks to its longer zoom, superior sensor, manual controls, video capabilities, and overall image quality. A worthy upgrade for those wanting a compact with some serious chops.
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Travel and Adventure Photographers: Sony’s features justify its weight and size; those extended zoom reach and Wi-Fi connectivity lean strongly in its favor.
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Action and Wildlife Shooters on a Budget: The Sony’s autofocus speed and burst capture provide undeniable advantages for dynamic subjects.
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Video-Oriented Users: The HX50V’s Full HD 60fps and codecs make it a clear winner.
In Conclusion
The Olympus VR-340 and Sony HX50V showcase starkly different philosophies: the former a no-nonsense, ultra-light superzoom for easy carry and point-and-shoot simplicity, the latter a feature-packed, versatile compact camera targeting hobbyists craving control and performance.
While the Sony commands a higher price and a bigger footprint, the upgrades it brings - the better sensor, faster shooting, enhanced video, and zoom reach - make it a wise investment for creative types demanding more from their compact camera.
For photographers prioritizing pocketability and ease over advanced features, the Olympus still makes sense, especially considering its modest price.
Choosing between these cameras boils down to your photography goals, budget, and how much you value manual control versus simplicity. Either way, you can't go seriously wrong as both have their niche strengths, but from my extensive experience shooting with them, Sony's HX50V beats the Olympus VR-340 handily on most critical fronts.
Happy shooting, whichever you choose!
Olympus VR-340 vs Sony HX50V Specifications
Olympus VR-340 | Sony Cyber-shot DSC-HX50V | |
---|---|---|
General Information | ||
Company | Olympus | Sony |
Model | Olympus VR-340 | Sony Cyber-shot DSC-HX50V |
Type | Small Sensor Compact | Small Sensor Superzoom |
Revealed | 2012-01-10 | 2013-04-24 |
Physical type | Compact | Compact |
Sensor Information | ||
Sensor type | CCD | BSI-CMOS |
Sensor size | 1/2.3" | 1/2.3" |
Sensor dimensions | 6.17 x 4.55mm | 6.17 x 4.55mm |
Sensor surface area | 28.1mm² | 28.1mm² |
Sensor resolution | 16 megapixel | 20 megapixel |
Anti aliasing filter | ||
Aspect ratio | 4:3 and 16:9 | 4:3 and 16:9 |
Highest resolution | 4608 x 3456 | 5184 x 2920 |
Highest native ISO | 3200 | 3200 |
Highest boosted ISO | - | 12800 |
Min native ISO | 100 | 100 |
RAW images | ||
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Continuous autofocus | ||
Single autofocus | ||
Tracking autofocus | ||
Selective autofocus | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Cross focus points | - | - |
Lens | ||
Lens mount | fixed lens | fixed lens |
Lens focal range | 24-240mm (10.0x) | 24-720mm (30.0x) |
Maximal aperture | f/3.0-5.7 | f/3.5 - 6.3 |
Macro focus distance | - | 5cm |
Crop factor | 5.8 | 5.8 |
Screen | ||
Type of screen | Fixed Type | Fixed Type |
Screen size | 3" | 3" |
Screen resolution | 460k dots | 921k dots |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Screen technology | TFT Color LCD | XtraFine LCD display |
Viewfinder Information | ||
Viewfinder type | None | Electronic (optional) |
Features | ||
Slowest shutter speed | 4 seconds | 30 seconds |
Maximum shutter speed | 1/2000 seconds | 1/4000 seconds |
Continuous shooting rate | - | 10.0fps |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | - | Yes |
Change white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | 4.80 m | 5.60 m |
Flash options | Auto, On, Off, Red-Eye, Fill-in | Auto, On, Off, Slow Sync, Rear Sync, Advanced Flash |
Hot shoe | ||
AE bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 1280 x 720 (30,15 fps), 640 x 480 (30, 15 fps), 320 x 180 (30,15 fps) | 1920 x 1080 (60fps), 1440 x 1080 (30fps), 1280 x 720 (30fps), 640 x 480 (30fps) |
Highest video resolution | 1280x720 | 1920x1080 |
Video data format | Motion JPEG | MPEG-4, AVCHD |
Mic support | ||
Headphone support | ||
Connectivity | ||
Wireless | Eye-Fi Connected | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | BuiltIn |
Physical | ||
Environment sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 125 grams (0.28 lb) | 272 grams (0.60 lb) |
Dimensions | 96 x 57 x 19mm (3.8" x 2.2" x 0.7") | 108 x 64 x 38mm (4.3" x 2.5" x 1.5") |
DXO scores | ||
DXO All around score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | - | 400 photographs |
Form of battery | - | Battery Pack |
Battery model | LI-50B | NP-BX1 |
Self timer | Yes (2 or 12 sec) | Yes (2 or 10 sec) |
Time lapse feature | ||
Storage type | SD/SDHC/SDXC | SD/SDHC/SDXC/Memory Stick Duo/Memory Stick Pro Duo, Memory Stick Pro-HG Duo |
Card slots | Single | Single |
Pricing at launch | $130 | $439 |