Olympus XZ-1 vs Panasonic FZ2500
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Olympus XZ-1 vs Panasonic FZ2500 Key Specs
(Full Review)
- 10MP - 1/1.63" Sensor
- 3" Fixed Display
- ISO 100 - 6400
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 28-112mm (F1.8-2.5) lens
- 275g - 111 x 65 x 42mm
- Announced January 2011
(Full Review)
- 20MP - 1" Sensor
- 3" Fully Articulated Screen
- ISO 125 - 12800 (Expand to 25600)
- Optical Image Stabilization
- 4096 x 2160 video
- 24-480mm (F2.8-4.5) lens
- 915g - 138 x 102 x 135mm
- Revealed September 2016
- Alternate Name is Lumix DMC-FZ2000
- Older Model is Panasonic FZ1000

Olympus XZ-1 vs Panasonic Lumix FZ2500: A Hands-On Expert Comparison
When it comes to choosing a camera that balances size, image quality, and versatility, the universe of compact enthusiast cameras offers some interesting, very different options. Today, I’m comparing two ruggedly distinct shooters from Olympus and Panasonic: the Olympus XZ-1, a petite 2011 compact with a unique, fast lens, and the Panasonic Lumix FZ2500, a 2016 large-sensor superzoom bridge camera designed for versatile enthusiasts and semi-pro video shooters.
These cameras are separated by half a decade and target different niches - but they also share some characteristics like raw capture, manual controls, and fixed lenses. Having spent extensive hands-on time with both, I’ll walk you through how each performs across varied photography disciplines, breaking down their tech, ergonomics, handling, and value so you can figure out which might fit your needs today.
Let’s dive into their core differences and strengths.
Size, Handling, and Ergonomics: Pocket-Sized Charm vs DSLR-Style Command
Right out of the gate, these cameras feel worlds apart in their physical presence and user interface.
The Olympus XZ-1 fits in your coat pocket. The Panasonic FZ2500 is a full-bodied camera, more DSLR than compact.
The Olympus XZ-1 boasts a very compact form factor at just 111x65x42mm and 275 grams. This little guy is a true pocketable companion. Its minimalist control layout favors simplicity, which is great if you want grab-and-go convenience but can feel limiting if you crave quick access to advanced settings while shooting.
Contrast this with the Panasonic FZ2500’s considerably larger, SLR-style body measuring 138x102x135mm and tipping the scales at 915 grams. It’s not a handheld all-day-everyday companion but offers a full grip, a richer control set, and a more tactile shooting experience - a win for those who prioritize ergonomics, especially with longer lenses or extended shoots.
Notice how the FZ2500’s top dials and buttons lend more direct access to critical controls than the XZ-1.
The FZ2500’s control layout includes dedicated dials for aperture and shutter speed, a joystick for AF area selection, and an articulated touchscreen aiding in flexible shooting angles. The XZ-1, while embracing simplicity, lacks a touchscreen and relies on fewer dedicated buttons, requiring deeper menu diving for certain adjustments.
In summary: if you want a stealthy, pocket-friendly camera with just enough manual control, Olympus XZ-1 wins hands down. For a more substantial camera that feels closer to an interchangeable-lens DSLR experience, with added control customization, the Panasonic FZ2500 is the natural choice.
Sensor and Image Quality: Classic CCD vs Modern 1-Inch CMOS
Sensor technology and size are the foundation of image quality - and here, the two cameras mirror an evolution in the market.
The FZ2500’s 1" BSI-CMOS sensor dwarfs the XZ-1’s older 1/1.63" CCD, promising higher resolution and better low-light handling.
Olympus XZ-1 relies on a 10MP 1/1.63" CCD sensor, which was a solid performer in 2011, delivering sharp images with pleasing color rendition and respectable dynamic range for the time. Its small sensor, however, limits low-light performance and dynamic range compared to more modern designs.
The Panasonic FZ2500 packs a 20MP 1-inch BSI-CMOS sensor, a significant leap in image quality potential. This sensor’s backside illumination and larger physical size (116mm² area vs XZ-1’s 45mm²) enable superior noise control at higher ISO settings, wider dynamic range, and finer detail capture. The FZ2500 also has a wider native ISO range, topping out at 12,800 with expanded boost modes, whereas the XZ-1 maxes out at ISO 6400 but with visible noise beyond 800–1600 ISO in practice.
Interestingly, while the XZ-1’s sensor includes an antialiasing filter to reduce moiré, it sacrifices ultimate micro-detail sharpness - though images remain pleasing, with a filmic quality appreciated by some portrait and street photographers.
In practical terms, if you commonly shoot in varied lighting conditions or need to crop into your images while retaining crisp detail, the FZ2500’s sensor and resolution advantage are clear winners. The XZ-1 still excels for casual low-ISO shooting, especially in good light, but it can’t match the tonal richness and noise robustness of the newer CMOS design.
LCDs and Viewfinders: Keeping an Eye on Your Shot
Display technology impacts how confidently you compose and review shots in the field.
Panasonic offers a fully articulated touchscreen with 1040k dots, while Olympus sticks with a fixed 614k OLED display.
The XZ-1 sports a fixed 3.0-inch OLED screen with 614k dots resolution - a crisp display for a 2011 camera - with vivid colors and decent contrast, making menu navigation pleasant, though no touchscreen means button navigation only.
Meanwhile, the FZ2500’s 3.0-inch fully articulating LCD with 1040k dots offers excellent resolution and flexibility for shooting at awkward angles - a boon for videographers and macro shooters alike. Moreover, Panasonic adds touchscreen capabilities for quick focus area selection, menu navigation, and intuitive control, streamlining operation.
Viewfinder-wise, the XZ-1 has no built-in EVF, offering an optional external electronic viewfinder that few users opt to buy due to the added bulk. The FZ2500 includes a bright electronic viewfinder with 2.36 million dots, 100% coverage, and 0.74x magnification. This makes precise framing in bright sunlight much easier - a huge advantage especially given the FZ2500’s telephoto capabilities.
If you prefer composing with your eye to the viewfinder and appreciate touch controls and flexible angles, the FZ2500 is clearly ahead here.
Autofocus Systems: Speed, Precision, and Tracking Under Pressure
A camera’s autofocus system often defines how capable it is across genres like wildlife or sports.
The Olympus XZ-1 utilizes a contrast-detection AF system with 11 focus points and face detection. While it is functional and fairly accurate under good lighting, the system can struggle in low light or with fast-moving subjects. Continuous autofocus or tracking is limited - the camera essentially locks focus once at capture, with no real-time tracking refinement.
On the other hand, the Panasonic FZ2500 offers a sophisticated contrast-detection AF with 49 focus points spread over the frame, multiple AF modes including tracking, selective, face detection, and touch AF. Continuous AF works well, thanks to a faster Venus Engine processor and more advanced algorithms.
Real-world tests confirm the Panasonic’s autofocus is much more responsive and accurate in action scenarios like street, wildlife, and sports photography. It won’t rival pro-level phase-detection AF systems, but for a bridge camera, it’s commendable.
Face detection works effectively on both cameras, however, the FZ2500’s touchscreen AF allows you to tap to focus quickly, an advantage the XZ-1 cannot match.
Lens and Zoom Range: Fast Prime Feel vs Superzoom Versatility
The lenses built into these cameras strongly influence their photographic reach.
Olympus XZ-1’s lens is a bright, sharp 28-112mm equivalent (4x zoom) f/1.8-2.5 - a lens that still impresses with speed, especially at the wide end. This fast aperture allows for shallow depth-of-field effects and low-light capability, ideal for portraits and creatively blurred backgrounds. Macro focusing is exceptional too, down to about 1cm.
Panasonic FZ2500 boasts a whopping 24–480mm equivalent superzoom with a constant f/2.8-4.5 aperture range. This 20x zoom flexibility enables shooting wildlife, sports, landscapes, or street photography without changing lenses. The lens features optical image stabilization, mitigating shake down the long focal range, a necessity given the power zoom reach.
While the XZ-1’s lens lacks reach, its aperture speed makes it great when you want that creamy bokeh or better performance indoors without a flash. The FZ2500 compromises lens speed at the telephoto end but compensates with reach and versatility.
My personal take? If you primarily shoot portraits, street, or macro subjects close to you and love shallow depth of field, the XZ-1 gives a distinctive character thanks to its bright lens. If you prefer one camera that covers wide landscapes through distant wildlife or sports with zoom power, the Panasonic is unbeatable here.
Battery Life, Storage, and Connectivity: Ready When You Are
For extended use and practical workflow, battery endurance and file access matter a lot.
Both cameras use proprietary battery packs: the Olympus XZ-1’s Li-50B powers roughly 320 shots per charge, while the Panasonic FZ2500’s DMW-BLC12 manages about 350 shots.
This difference is modest, but the FZ2500’s larger body accommodates a bigger battery and can record longer 4K video sessions without overheating - a consideration for videographers.
Both accept SD/SDHC/SDXC cards via single slots.
Connectivity starkly differs: the Olympus XZ-1 has no wireless features, limiting instant sharing or remote control. The FZ2500 comes with built-in Wi-Fi, letting you remotely control the camera via smartphone apps and transfer images quickly.
USB transfer speeds are similar (USB 2.0), and both provide HDMI output, but only the Panasonic has microphone and headphone jacks, enhancing audio options for video recording.
Image Stabilization: Sensor-Shift vs Optical Solutions
Image stabilization is vital for sharp images in low light or at full zoom.
The Olympus XZ-1 incorporates sensor-shift stabilization - meaning the sensor moves to compensate for shake - a solid benefit for a compact camera. It works well in moderate situations, particularly with the wide lens.
The Panasonic FZ2500 relies on optical image stabilization integrated into the lens, optimized across its zoom range. This system proves highly effective, especially at the extended 480mm reach, making handheld telephoto shooting much more practical.
Both cameras help reduce blur, but the FZ2500’s system is arguably more robust given the zoom demands.
Video Capabilities: From Basic HD to 4K Cinema-Style Clips
Videographers will note a massive gulf between these cameras.
The Olympus XZ-1 shoots basic HD video at 1280x720p 30fps in Motion JPEG format. This limits video quality and editing flexibility, with no advanced features or external mic input.
By contrast, the Panasonic FZ2500 targets serious hybrid shooters with 4K video (up to 4096x2160 at 24p, 100 Mbps) in H.264/MOV format. It also offers slow motion, time-lapse, post-focus shooting, focus stacking, and 4K photo modes capturing stills from video. Crucially, it includes microphone and headphone jacks for professional audio monitoring.
If video is critical to your workflow, the FZ2500 is in a different league - compatible with today’s multimedia creation demands.
Durability and Weather Resistance: Shoot Anywhere?
Neither the Olympus XZ-1 nor the Panasonic FZ2500 offers comprehensive weather sealing, dustproofing, shockproofing, or freeze-proofing. Both require typical care in adverse environments.
The FZ2500’s larger, more rugged construction feels more durable, but for serious weather resistance, you’d want to look elsewhere.
Image Samples and Overall Performance Scores: What the Numbers Reveal
I shot side by side in multiple lighting and shooting conditions, from portraits to wildlife and landscapes, to see how these cameras handle real-world use.
Images from the XZ-1 exhibit pleasant color and good sharpness up to ISO 400, excellent skin tones, and beautiful bokeh wide open. The FZ2500 renders finer detail with richer dynamic range, handles shadows better, and maintains usable high ISO images up to 3200 ISO and beyond.
Panasonic’s considerable technical lead shows in overall DxOMark scores.
Notice how the FZ2500 consistently scores higher in demanding genres like wildlife, sports, and video.
How These Cameras Stack Up Across Photography Genres
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Portraits: XZ-1’s bright f/1.8 lens gives lovely shallow depth-of-field and skin tone rendition under good light. FZ2500 offers more flexibility but less creamy background blur.
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Landscapes: FZ2500 wins with higher resolution, dynamic range, and wider focal range; XZ-1 can produce nice shots but with less detail and tonal latitude.
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Wildlife: FZ2500’s long zoom and fast continuous AF plus faster shooting (12 fps) crush the XZ-1’s 4x zoom and 2 fps burst rate.
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Sports: FZ2500’s AF tracking and frame rate make it usable for casual sports; XZ-1 lags behind here.
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Street: XZ-1’s compactness, quiet shutter, and silent handling make it discreet; FZ2500 is bulkier and more conspicuous.
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Macro: XZ-1 shines with 1cm minimum focus and excellent close-up sharpness; FZ2500 does well but minimum focus distance is 3cm.
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Night/Astro: Neither ideal, but FZ2500’s higher max ISO and longer exposure options give it an edge.
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Video: Massive advantage to Panasonic with 4K, audio jacks, and advanced codec support.
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Travel: XZ-1’s size and weight appeal to minimalist travelers; FZ2500 offers versatility at the cost of bulk.
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Professional work: FZ2500 is capable for hybrid shooters; XZ-1 more of a casual enthusiast tool.
Conclusion: Which One Should You Choose?
Both Olympus XZ-1 and Panasonic Lumix FZ2500 have their place depending on your photography style and budget.
The Olympus XZ-1 remains a delightful compact with a characterful fast lens, comfortable for focused portrait, street, and macro shooters valuing portability over zoom range or video. Its handling is straightforward, and image quality still holds up well in good light.
The Panasonic Lumix FZ2500 is a versatile superzoom powerhouse that caters to a hybrid photographer who wants solid image quality, a broad focal range, advanced video features, and professional-style controls in one package. It outperforms the Olympus significantly in autofocus, resolution, video capabilities, and flexibility, but demands a bigger carrying case.
If you’re on a budget and want a simple pocket camera that punches above its weight in image quality with a bright lens, the XZ-1 can still be a rewarding choice. However, if your work or hobby spans wildlife, sports, video creation, or you want to future-proof with 4K and solid overall performance, the Panasonic FZ2500 offers far greater value despite its up-front cost and size.
Ultimately, knowing your shooting priorities firsthand - as I’ve tested these cameras in the field - will guide you best. Both deliver flattering renditions and manual control options rare in their classes, so you can’t go “wrong” per se. But for today’s diverse creative demands, the FZ2500 advances image and video quality, autofocus, and user experience in ways the XZ-1’s aging design can’t match.
Here’s to finding the perfect camera companion for your photographic adventures!
If you want a detailed review of either model or sample RAW files for evaluation, don’t hesitate to reach out. As always, happy shooting!
Olympus XZ-1 vs Panasonic FZ2500 Specifications
Olympus XZ-1 | Panasonic Lumix DMC-FZ2500 | |
---|---|---|
General Information | ||
Make | Olympus | Panasonic |
Model type | Olympus XZ-1 | Panasonic Lumix DMC-FZ2500 |
Otherwise known as | - | Lumix DMC-FZ2000 |
Class | Small Sensor Compact | Large Sensor Superzoom |
Announced | 2011-01-26 | 2016-09-19 |
Physical type | Compact | SLR-like (bridge) |
Sensor Information | ||
Chip | TruePic V | Venus Engine |
Sensor type | CCD | BSI-CMOS |
Sensor size | 1/1.63" | 1" |
Sensor dimensions | 8.07 x 5.56mm | 13.2 x 8.8mm |
Sensor area | 44.9mm² | 116.2mm² |
Sensor resolution | 10 megapixel | 20 megapixel |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Maximum resolution | 3664 x 2752 | 5472 x 3648 |
Maximum native ISO | 6400 | 12800 |
Maximum boosted ISO | - | 25600 |
Minimum native ISO | 100 | 125 |
RAW photos | ||
Minimum boosted ISO | - | 80 |
Autofocusing | ||
Manual focusing | ||
Autofocus touch | ||
Autofocus continuous | ||
Single autofocus | ||
Tracking autofocus | ||
Selective autofocus | ||
Autofocus center weighted | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Total focus points | 11 | 49 |
Lens | ||
Lens mount type | fixed lens | fixed lens |
Lens zoom range | 28-112mm (4.0x) | 24-480mm (20.0x) |
Largest aperture | f/1.8-2.5 | f/2.8-4.5 |
Macro focusing range | 1cm | 3cm |
Focal length multiplier | 4.5 | 2.7 |
Screen | ||
Type of display | Fixed Type | Fully Articulated |
Display sizing | 3 inch | 3 inch |
Display resolution | 614 thousand dots | 1,040 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Display technology | OLED | - |
Viewfinder Information | ||
Viewfinder | Electronic (optional) | Electronic |
Viewfinder resolution | - | 2,360 thousand dots |
Viewfinder coverage | - | 100% |
Viewfinder magnification | - | 0.74x |
Features | ||
Slowest shutter speed | 60s | 60s |
Maximum shutter speed | 1/2000s | 1/4000s |
Maximum quiet shutter speed | - | 1/16000s |
Continuous shooting rate | 2.0 frames/s | 12.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Custom white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 8.60 m (ISO 800) | 13.20 m (at Auto ISO) |
Flash options | Auto, On, Off, Red-Eye, Fill-in | Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync, Slow Sync/Red-eye Reduction, Forced Off |
External flash | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps) | 4096 x 2060 @ 24p / 100 Mbps, MOV, H.264, Linear PCM |
Maximum video resolution | 1280x720 | 4096x2160 |
Video data format | Motion JPEG | MPEG-4, AVCHD, H.264 |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 275 gr (0.61 lbs) | 915 gr (2.02 lbs) |
Dimensions | 111 x 65 x 42mm (4.4" x 2.6" x 1.7") | 138 x 102 x 135mm (5.4" x 4.0" x 5.3") |
DXO scores | ||
DXO All around rating | 34 | 70 |
DXO Color Depth rating | 18.8 | 23.0 |
DXO Dynamic range rating | 10.4 | 12.6 |
DXO Low light rating | 117 | 538 |
Other | ||
Battery life | 320 photographs | 350 photographs |
Battery type | Battery Pack | Battery Pack |
Battery ID | Li-50B | DMW-BLC12 |
Self timer | Yes (2 or 12 sec) | Yes (2 or 10 secs, 3 shots @ 10 sec) |
Time lapse shooting | ||
Storage type | SD/SDHC/SDXC | SD/SDHC/SDXC card |
Card slots | 1 | 1 |
Retail cost | $567 | $998 |