Olympus XZ-2 iHS vs Sony NEX-C3
85 Imaging
37 Features
67 Overall
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91 Imaging
56 Features
57 Overall
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Olympus XZ-2 iHS vs Sony NEX-C3 Key Specs
(Full Review)
- 12MP - 1/1.7" Sensor
- 3" Tilting Screen
- ISO 100 - 12800
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 28-112mm (F1.8-2.5) lens
- 346g - 113 x 65 x 48mm
- Announced December 2012
(Full Review)
- 16MP - APS-C Sensor
- 3" Tilting Screen
- ISO 100 - 12800
- 1280 x 720 video
- Sony E Mount
- 225g - 110 x 60 x 33mm
- Introduced August 2011
- Earlier Model is Sony NEX-3
- Successor is Sony NEX-F3

Olympus XZ-2 iHS vs Sony NEX-C3: A Deep Dive Into Two Distinct Camera Experiences
In the realm of digital photography, the choice between compact cameras and mirrorless systems is often dictated by a user’s priorities: convenience or image quality, portability or expandability, simplicity or creative control. Today, we delve into a detailed comparison of two cameras from seemingly different worlds but similar vintage - the Olympus XZ-2 iHS, a premium small-sensor compact launched in late 2012, and the Sony NEX-C3, a 2011 entry-level mirrorless camera boasting an APS-C sensor and interchangeable lenses. Having spent extensive hands-on hours with both, not only in the studio but in varied real-world scenarios, I’ll unpack what these cameras bring to the table, where each truly shines, and which photographers will benefit most from each.
Throughout this comparison, expect a pragmatic focus - not just specs, but how the cameras perform in key photographic disciplines from portraiture through wildlife and video, along with technical evaluation grounded in my experience and industry-standard metrics. Let’s begin by establishing a foundation in their physicality and design philosophies.
Size, Handling, and Ergonomics: Portability Meets Control
One immediate difference you’ll notice is their form factors. The Olympus XZ-2 iHS is a compact camera with a fixed lens, designed for portability while offering manual controls. In contrast, the Sony NEX-C3 is a mirrorless body with an interchangeable lens mount, giving it the flexibility of a system camera in a still relatively compact package.
Looking at their dimensions and weight - for those who prioritize pocketability - the XZ-2 iHS measures 113×65×48 mm and weighs 346 grams, while the NEX-C3 is slightly smaller footprint-wise (110×60×33 mm) and significantly lighter at 225 grams without a lens attached. The slimmer profile of the NEX-C3 is offset by the inevitable bulk of lenses, but for street photographers or travelers unwilling to sacrifice image quality, the lightweight NEX system is compelling.
Both cameras feature tilting LCDs useful for shooting at low or elevated angles. The XZ-2’s screen is a 3-inch touchscreen with a resolution of 920k dots, a boon for intuitive focusing and navigating menus. The NEX-C3’s 3-inch display also has 920k dots but lacks touchscreen capability, relying on physical buttons and dials instead.
Assuming you’re comfortable with manual settings, Olympus’s design leans heavily into direct control - a rear dial, shutter-speed and aperture priority modes, and a bright fixed lens boasting an F1.8–2.5 aperture. Sony’s mirrorless design emphasizes flexibility - shutter speeds up to 1/4000 s, continuous shooting of 6 fps for action, and the large APS-C sensor inside enabling shallower depth of field potential. But ergonomically, the grip on the NEX-C3 is modest, designed for smaller hands, and lacks a viewfinder - framing is entirely reliant on the LCD screen.
In summary, if you want a pocketable camera with manual control conveniently at your fingertips, the XZ-2 iHS feels more purpose-built for that. The NEX-C3, while compact, anticipates a stable grip combined with choice of lenses and some compromise in portability once you pick a glass.
Sensor Technology and Image Quality: Small Sensor vs. APS-C
Underneath the surface lies the critical difference: sensor size and resolution. The Olympus XZ-2 iHS uses a 1/1.7-inch CMOS sensor roughly 7.44×5.58 mm in dimension, rendering 12 megapixels. Meanwhile, the Sony NEX-C3 sports a much larger APS-C sensor sized 23.4×15.6 mm, with a resolution of 16 megapixels.
This disparity significantly influences image fidelity, dynamic range, noise performance, and depth-of-field control. The larger sensor area of the NEX-C3 (over 365 mm² vs. just over 40 mm² for the Olympus) means it can gather more light per pixel, translating to cleaner images, superior tonal gradation, and better low-light performance.
Measured on DxOMark:
- Olympus XZ-2 iHS: Overall score 49, color depth 20.4 bits, dynamic range 11.3 EV, low-light ISO score of 216.
- Sony NEX-C3: Outstanding for its class with overall score 73, color depth 22.7 bits, dynamic range 12.2 EV, and exceptional low-light ISO of 1083.
These scores underscore the advantage of the Sony's APS-C sensor - allowing more creative latitude especially in challenging light or when post-processing RAW files. Noise performance is crucial for night and astrophotography, where the Olympus struggles beyond ISO 800, while the NEX-C3 retains usable detail higher up the scale.
The smaller sensor of the Olympus confines it to moderate print sizes and digital crop if needed, but its fast lens partially compensates for low-light challenges. Its fixed 28–112 mm (35mm equivalent) lens with a wide aperture of f/1.8 at the wide end enables creamy bokeh and decent subject isolation - rare for compacts.
Autofocus, Face Detection, and Real-World Speed
Autofocus (AF) systems make or break shooting experience, especially in dynamic situations.
The Olympus XZ-2 iHS employs contrast-detection AF with 35 focus points and includes face detection and tracking. It is limited by lacking phase-detection pixels, meaning AF speed is good but not lightning-fast, and continuous AF is not supported - limiting its usability in fast action or moving subjects.
Sony’s NEX-C3 also uses contrast-detection AF with 25 focus points but benefits from faster processing and offers continuous AF mode. While its tracking AF is less capable compared to modern mirrorless systems, it holds focus better during video recording and quick sequences. Its broader lens selection, including fast primes, further enhances autofocus precision.
Neither camera supports animal eye detection, which is understandable given their era. Still, the Olympus’s face-detection AF can work well in portrait scenarios for precise focus on eyes, while the Sony’s multi-area AF allows greater compositional flexibility.
Build Quality and Weather Resistance: Durability Considerations
Neither the Olympus XZ-2 iHS nor the Sony NEX-C3 have official weather-sealing or ruggedized construction, which limits their reliability in severe conditions. The Olympus has a metal chassis that feels solid and premium in hand, while the Sony is a mostly polycarbonate body with a minimalist, rangefinder-style design.
If you frequently shoot outdoors in unpredictable weather - think landscape or wildlife in the field - neither offers protective sealing, and you’ll need to plan for weatherproof bags or housings. Yet, for street or travel use in moderate environments, both withstand everyday use gracefully.
Lens Ecosystem and Compatibility: Fixed vs. Interchangeable
A large factor favoring the Sony NEX-C3 is the Sony E-mount lens system. I tested the NEX-C3 with a range of lenses - from affordable zooms to sharp primes - which drastically extends its versatility across genres. The E-mount now boasts hundreds of lenses years later, including third-party options from Sigma and Tamron. The 1.5x crop factor makes math easy: a 50mm prime behaves like a 75mm equivalent, perfect for portraits. Plus, macro, wide-angle, and telephoto lenses enhance its flexibility.
In contrast, the Olympus XZ-2 iHS has a fixed zoom lens covering 28–112mm equivalent with an impressively fast aperture (F1.8-2.5). This is great for travel or street photography, where speed and convenience trump swapping lenses. The macro focus range down to 1cm is especially noteworthy, letting you shoot extreme close-ups with ease. However, if your ambitions grow, you'll find yourself limited in reach or wide perspectives.
Battery Life, Storage, and Connectivity
Battery life is comparable but favors the Sony NEX-C3 slightly with rated 400 shots per charge vs. 340 on the Olympus. In practice, mirrorless cameras often drain batteries faster with heavy LCD use, but extended spare batteries are easy to find. The Olympus uses the Li-90B battery model, while Sony relies on its NPFW50 pack.
Storage options diverge a bit: Olympus supports SD/SDHC/SDXC cards, while Sony uniquely accepts both SD and Memory Stick formats, offering versatility but potential hassle buying compatible media.
Wireless connectivity on both includes Eye-Fi compatibility for wireless image transfer, but neither offers Bluetooth or NFC, reflecting their vintage.
Both have HDMI and USB 2.0 ports, with the Olympus featuring a microphone input that can aid video shooters.
Handling Different Photography Genres
Now, let’s translate these specs into meaningful hands-on impressions across photographic genres.
Portrait Photography
The Olympus’s fast fixed lens gives smooth bokeh and good skin tone rendition straight from JPEGs, aided by in-camera image stabilization reducing camera shake at slower shutter speeds. Face detection locks focus well, although limited by contrast AF speed.
The Sony’s larger sensor excels at background blur and detail. It produces superior dynamic range preserving highlight and shadow detail, important for natural-looking skin. Additionally, plentiful high-quality E-mount primes make it simple to achieve that classic professional portrait look.
Landscape Photography
Here, the Sony NEX-C3 dominates with its bigger APS-C sensor delivering richer colors and higher resolution (4912×3264 vs. 3968×2976 pixels). The dynamic range advantage is evident in preserving sky and shadow details for HDR-worthy shots. However, the Olympus is lighter and more travel-friendly in this discipline.
Neither offers weather sealing, and the Olympus’s shorter focal length range restricts ultra-wide options, while the Sony can leverage ultra-wide-angle E-mount lenses.
Wildlife Photography
The Olympus struggles for speed in autofocus and frame rate, with no continuous AF or real burst mode, diminishing its effectiveness tracking unpredictable animals. Its modest 4x zoom capped at 112mm equivalent limits reach.
The Sony fares better with 6 fps burst shooting and more responsive AF modes. Lens availability includes telephoto zooms and superzoom options making it more viable as a wildlife secondary kit, albeit lacking advanced tracking capabilities of today’s systems.
Sports Photography
Similar to wildlife, the Olympus’s autofocus system and continuous shooting limitations reduce its suitability for fast-moving sports. Sony’s faster shutter speed ceiling (1/4000 s) and burst mode give it a better edge, although it falls short of pro-grade sports cameras.
Street Photography
The Olympus’s pocketable, stealthy silent shooting option (via electronic shutter) and compactness make it an excellent companion for discreet street photography. Its lens aperture allows low-light shooting without high ISO.
The NEX-C3 is slightly larger and visibly a mirrorless camera but still small compared to DSLRs. The lack of silent shutter and a built-in viewfinder might be a drawback in some street contexts.
Macro Photography
Olympus’s macro capability to focus as close as 1cm is exceptional, supported by image stabilization reducing blur at high magnifications. The fixed lens provides a versatile macro solution out of the box.
Sony’s macro depends heavily on lens choice; with the right E-mount macro lens, you’ll get superior detail courtesy of the larger sensor but at higher cost and weight.
Night and Astrophotography
The Sony’s APS-C sensor low-light and high ISO performance are clearly superior. I captured more detailed low-noise nightscapes with the NEX-C3, whereas the Olympus showed noise earlier. Both require tripods for long exposures, as neither sports built-in bulb modes optimized for astrophotography.
Video Capabilities
Olympus offers Full HD 1080p video at 30fps with H.264 compression and an external microphone input - giving it an advantage for serious casual videographers.
Sony tops out at 1280×720 (720p) and lacks a mic port, limiting audio quality. Neither camera supports 4K video or advanced cinematic profiles, understandable given their release dates.
Travel Photography
Both cameras serve travel well for different reasons. The Olympus XZ-2 iHS combines a compact body with a fast zoom lens and image stabilization, perfect for weight-conscious travelers wanting varied focal lengths without lens fuss.
Sony NEX-C3 gives flexibility through interchangeable lenses, better image quality, and battery life, but carrying lenses adds complexity and size.
Professional Use and Workflow
The Sony’s superior sensor delivers higher quality RAW files better suited for print and professional editing workflows. The availability of many specialized lenses, superior dynamic range, and ISO performance extends its usability in professional contexts.
Olympus is more of an enthusiast/pocket DSLR alternative, packing features into a compact system but with compromises in continuous shooting and sensor size that might deter professionals needing top image quality and speed.
User Interface and Controls
Both cameras feature tilting 3” LCDs at 920k resolution. The Olympus’s touchscreen interface is more intuitive for focus and menu navigation, which I found helpful when shooting in the field without diving deep into menus.
The Sony’s physical controls include a mode dial and customizable buttons, favoring users who prefer tactile feedback and manual exposure control.
Neither camera includes an electronic viewfinder, which may limit shooting comfort in bright sunlight.
Sample Images and Real-World Testing
To objectively assess their output, I shot a variety of test scenes from vibrant street portraits to wide landscapes and low-light interiors.
Notably:
- The NEX-C3’s images exhibit richer color depth and smoother gradient transitions.
- The Olympus JPEGs show punchy contrast and pleasing in-camera color science.
- Noise is more pronounced in Olympus files at ISO above 800.
- Sharpness is respectable on both but NEX-C3 advantages manifest in larger prints or crops.
- Video footage from Olympus is sharper with crisper sound due to microphone input.
Overall Performance Ratings
Reflecting on all attributes through professional benchmarks and my hands-on testing:
- Olympus XZ-2 iHS scores strong on portability, lens speed, and user-friendly touchscreen; moderate on image quality and speed.
- Sony NEX-C3 excels in sensor performance, autofocus versatility, and lens ecosystem.
Genre-Specific Scores and Recommendations
Breaking down into specific photographic disciplines:
- Portrait: Sony leads due to sensor and lens flexibility.
- Landscape: Sony again, thanks to dynamic range.
- Wildlife & Sports: Sony favored for speed and lens reach.
- Street: Olympus ideal for unobtrusive, quick shooting.
- Macro: Olympus shines with built-in macro focus.
- Night/Astro: Sony superior for noise control.
- Video: Olympus better with 1080p and audio input.
- Travel: Depends - Olympus for light packing, Sony for image quality.
- Professional: Sony recommended; Olympus for enthusiasts.
Verdict: Who Should Buy Which Camera?
Choose Olympus XZ-2 iHS if:
- You want a premium compact camera with a fast lens for travel, street, and casual macro photography.
- Portability, tactile manual controls, and image stabilization in a pocketable device are priorities.
- You occasionally shoot video and value microphone input.
- You prefer touchscreen interface for quicker control.
Choose Sony NEX-C3 if:
- You need higher image quality, better low-light capabilities, and wider dynamic range.
- You want the expandability of an interchangeable lens system.
- You shoot portraits, landscapes, wildlife, or sports requiring fast autofocus and burst shooting.
- You plan to integrate your workflow professionally with RAW files and versatile lenses.
Final Thoughts
While these cameras hail from different categories and slightly different eras, each delivers compelling value within its niche. The Olympus XZ-2 iHS is a thoughtfully designed advanced compact perfect for enthusiasts seeking powerful manual control in a handy form factor. The Sony NEX-C3 opens the APS-C doorway with solid performance and expandability, proving that even budget-conscious photographers can access serious sensor technology alongside system flexibility.
Choosing between them boils down to your photography style and priorities: convenience and fixed-lens compactness, or sensor and lens versatility within a lightweight mirrorless system.
From thousands of cameras I have tested, these two represent remarkable tools for their price points and eras - with unique strengths that still hold utility in 2024 for niche users. Feel confident picking a camera that fits your workflow, creative ambitions, and budget, knowing both Olympus and Sony delivered worthy alternatives.
If you have questions about specific shooting scenarios or want lens recommendations for the NEX-C3, feel free to reach out - I am happy to share insights from extensive testing experience.
Olympus XZ-2 iHS vs Sony NEX-C3 Specifications
Olympus XZ-2 iHS | Sony Alpha NEX-C3 | |
---|---|---|
General Information | ||
Brand Name | Olympus | Sony |
Model type | Olympus XZ-2 iHS | Sony Alpha NEX-C3 |
Category | Small Sensor Compact | Entry-Level Mirrorless |
Announced | 2012-12-18 | 2011-08-22 |
Body design | Compact | Rangefinder-style mirrorless |
Sensor Information | ||
Powered by | - | Bionz |
Sensor type | CMOS | CMOS |
Sensor size | 1/1.7" | APS-C |
Sensor dimensions | 7.44 x 5.58mm | 23.4 x 15.6mm |
Sensor area | 41.5mm² | 365.0mm² |
Sensor resolution | 12MP | 16MP |
Anti alias filter | ||
Aspect ratio | 4:3 | 3:2 and 16:9 |
Full resolution | 3968 x 2976 | 4912 x 3264 |
Max native ISO | 12800 | 12800 |
Minimum native ISO | 100 | 100 |
RAW data | ||
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Autofocus continuous | ||
Single autofocus | ||
Tracking autofocus | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Live view autofocus | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Total focus points | 35 | 25 |
Lens | ||
Lens mount type | fixed lens | Sony E |
Lens zoom range | 28-112mm (4.0x) | - |
Max aperture | f/1.8-2.5 | - |
Macro focusing range | 1cm | - |
Number of lenses | - | 121 |
Focal length multiplier | 4.8 | 1.5 |
Screen | ||
Screen type | Tilting | Tilting |
Screen size | 3 inches | 3 inches |
Resolution of screen | 920k dot | 920k dot |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Screen technology | - | TFT Xtra Fine LCD |
Viewfinder Information | ||
Viewfinder | Electronic (optional) | None |
Features | ||
Lowest shutter speed | 60 secs | 30 secs |
Highest shutter speed | 1/2000 secs | 1/4000 secs |
Continuous shooting speed | - | 6.0fps |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Change white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | 8.60 m (ISO 800) | no built-in flash |
Flash modes | Auto, On, Off, Red-Eye, Fill-in, Wireless | Auto, On, Off, Red-Eye, Slow Sync, Rear Curtain, Fill-in |
Hot shoe | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Highest flash sync | - | 1/160 secs |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 1920 x 1080 (30 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) | 1280 x 720 (30 fps), 640 x 480 (30 fps) |
Max video resolution | 1920x1080 | 1280x720 |
Video file format | MPEG-4, H.264 | MPEG-4 |
Mic input | ||
Headphone input | ||
Connectivity | ||
Wireless | Eye-Fi Connected | Eye-Fi Connected |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 346 gr (0.76 pounds) | 225 gr (0.50 pounds) |
Physical dimensions | 113 x 65 x 48mm (4.4" x 2.6" x 1.9") | 110 x 60 x 33mm (4.3" x 2.4" x 1.3") |
DXO scores | ||
DXO All around rating | 49 | 73 |
DXO Color Depth rating | 20.4 | 22.7 |
DXO Dynamic range rating | 11.3 | 12.2 |
DXO Low light rating | 216 | 1083 |
Other | ||
Battery life | 340 photographs | 400 photographs |
Battery format | Battery Pack | Battery Pack |
Battery ID | Li-90B | NPFW50 |
Self timer | Yes (2 or 12 sec) | Yes (2 or 10 sec, 10 sec 3 or 5 images) |
Time lapse recording | ||
Type of storage | SD/SDHC/SDXC | SD/ SDHC/SDXC, Memory Stick Pro Duo/ Pro-HG Duo |
Storage slots | Single | Single |
Launch price | $450 | $343 |