Panasonic FZ1000 II vs Panasonic FZ300
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54 Features
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Panasonic FZ1000 II vs Panasonic FZ300 Key Specs
(Full Review)
- 20MP - 1" Sensor
- 3" Fully Articulated Screen
- ISO 125 - 12800 (Expand to 25600)
- Optical Image Stabilization
- 3840 x 2160 video
- 25-400mm (F2.8-4.0) lens
- 808g - 136 x 97 x 132mm
- Released February 2019
- Superseded the Panasonic FZ1000
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fully Articulated Display
- ISO 100 - 6400
- Optical Image Stabilization
- 1/16000s Maximum Shutter
- 3840 x 2160 video
- 25-600mm (F2.8) lens
- 691g - 132 x 92 x 117mm
- Introduced July 2015
- Previous Model is Panasonic FZ200

Panasonic FZ1000 II vs. FZ300: The Ultimate Superzoom Showdown for Enthusiasts and Professionals
When looking at versatile superzoom cameras, few offerings balance power, portability, and punch like the Panasonic FZ1000 II and the Panasonic FZ300. Both models are part of Panasonic’s bridge camera lineup - SLR-like bodies with fixed lenses aimed at users craving an all-in-one solution without the bulk or complexity of interchangeable lenses. But which one fits your shooting style better? Drawing from years of testing a broad spectrum of cameras, let me walk you through a side-by-side comparison, highlighting everything from sensor technology, ergonomics, autofocus, to specific uses like wildlife tracking or night photography.
Design and Handling: Size Isn’t Everything, but It Matters
At a glance, both cameras share the traditional bulky bridge-camera shape with substantial grip and intuitive, accessible controls. However, physical measurements and weight tell a compelling story:
- Panasonic FZ1000 II: 136 x 97 x 132 mm, 808 grams
- Panasonic FZ300: 132 x 92 x 117 mm, 691 grams
The FZ300 is noticeably more compact and lighter by about 117 grams. For travel photographers or street shooters valuing portability, this smaller footprint will be a tangible bonus. That said, the FZ1000 II's modestly larger body feels more substantial and offers a grip that's slightly better for extended shooting - crucial if you’re planning multi-hour landscape or wildlife sessions.
Both feature fully articulating 3-inch touchscreens, but the FZ1000 II boasts a higher resolution (1240k dots vs. 1040k), making menu navigation and image review crisper and easier on the eyes, especially in bright conditions.
Controls on both cameras are thoughtfully laid out with tactile dials for aperture, shutter speed, and exposure compensation, plus customizable function buttons. The FZ1000 II introduces a more refined command dial and better-positioned buttons that reduce finger travel during rapid changes. If you’re someone who shoots in manual modes regularly, the ergonomics and button feel can noticeably impact your workflow efficiency.
Sensor and Image Quality: Big Sensor vs. Small Sensor - What’s the Real Impact?
Here’s where the rubber meets the road for image quality. The Panasonic FZ1000 II is equipped with a 1-inch BSI-CMOS sensor measuring 13.2 x 8.8 mm and packing 20 megapixels, while the FZ300 carries a smaller 1/2.3-inch CMOS sensor at 6.17 x 4.55 mm and 12 megapixels.
The difference in sensor size equates to a surface area roughly 4 times larger on the FZ1000 II, which offers numerous benefits:
- Dynamic Range: The 1-inch sensor captures more tonal gradations in highlights and shadows, particularly useful for landscape photographers who want to retain subtle details in skies and foliage.
- Low-Light Performance: Larger pixels on the FZ1000 II mean better noise control at high ISO settings (up to 12,800 native ISO, expandable to 25,600). This advantage is crucial if you shoot events, sports, or night/astro scenes.
- Resolution and Detail: With 20MP, the FZ1000 II can deliver sharper prints and cropping flexibility compared to the 12MP FZ300.
Despite its smaller sensor, the FZ300 is no slouch and can produce good-quality JPEGs suitable for web sharing and small prints. However, when you pixel-peep or print large, the FZ1000 II's sensor excels. Plus, the presence of an anti-aliasing filter on both cameras helps control moiré patterns, but the FZ1000 II's back-illuminated design generally handles light more efficiently.
Lens and Zoom: Balancing Reach and Brightness
Superzoom magic lies in lens flexibility. Here the cameras diverge in both focal range and aperture:
- Panasonic FZ1000 II: 25-400 mm equivalent, f/2.8 - f/4.0 aperture
- Panasonic FZ300: 25-600 mm equivalent, constant f/2.8 aperture
In raw numbers, the FZ300 offers an impressive 24x optical zoom, with a super-wide 25mm starting point and an extended 600mm telephoto reach. By contrast, the FZ1000 II tops out at a 16x zoom with 400mm on the long end but gains a slightly wider maximum aperture on the tele end (f/4 versus f/2.8 constant on the FZ300).
So which do you pick? If telephoto reach is your top priority - say for wildlife or sports at a distance - the FZ300 shines with its extra zoom power. The constant f/2.8 aperture throughout the zoom range also facilitates consistent exposure and shallower depth of field in manual video settings and continuous shooting.
However, the FZ1000 II lens benefits from larger sensor performance and slightly faster apertures at the wide end, which help in low-light and portrait scenarios where background separation is king.
When it comes to close focus, the FZ300 edges out with a minimum macro focus distance of 1 cm (versus 3 cm on the FZ1000 II), making it better suited for extreme close-ups and macro photography.
Autofocus System: Speed, Accuracy, and Tracking in Real-World Shooting
Both cameras implement contrast-detection autofocus with Panasonic's Venus Engine but differ in sophistication:
- Number of focus points: 49 points on both
- Face detection: Both support face detection, but neither has advanced animal eye AF
- Continuous AF and tracking: Available on both, optimized more recently on the FZ1000 II
In practical use, the AF speed on the FZ1000 II feels snappier, especially in decent light. Its more modern processor handles subject tracking and continuous AF with less hunting. For wildlife or sports shooters relying on a high burst rate (both cameras manage up to 12 fps), accurate AF tracking ensures usable action shots, and here the FZ1000 II holds a slight edge.
That said, in low-light conditions, both cameras rely on contrast detect and can struggle somewhat, though the FZ1000 II again fares better due to higher ISO sensitivity and refined algorithms.
If you prioritize consistent face and eye detection for portraiture, both cameras can manage, but don’t expect smartphone-level speed or accuracy. Manual focus aids like focus peaking and magnification assist both cameras, with the FZ1000 II’s higher resolution EVF (2360k dots vs. 1440k) providing a clearer view for fine focus adjustments.
Build Quality and Environmental Resistance: Toughness Matters
The FZ300 proudly carries weather sealing - dustproof, splashproof, and freeze-resistant - which gearheads will appreciate shooting in demanding conditions, such as rain-soaked trails or dusty outdoor events. By contrast, the FZ1000 II is not weather sealed.
Considering weight differences (808 g vs. 691 g), the FZ1000 II feels solid but less rugged, while the FZ300’s resilience makes it a better companion for adventure and travel photography where conditions can be unpredictable.
Viewfinder and LCD Screen: Composition and Playback
Both cameras house electronic viewfinders and fully articulated touchscreens. The FZ1000 II features a 0.74x magnification EVF with 2360k resolution, delivering sharp, accurate previews with 100% coverage. The FZ300’s EVF is lower resolution (1440k) and lacks stated magnification specs, producing a slightly less immersive experience.
The articulated touchscreens on both flip out and rotate, making vlogging, macro work, and shooting at odd angles easier. Panasonic’s touchscreen interface is generally fluid and responsive, with familiarity if you’ve used their Lumix lineup before.
For video shooters, the larger, higher-res screen aids manual focusing, exposure adjustments, and menu control during recording sessions.
Video Features: 4K Capture and Stabilization
Video shooters will find both cameras capturing quality 4K UHD at 30p, but with caveats:
- The FZ1000 II records in MPEG-4/H.264 with a notable electronic shutter max of 1/16,000 sec for silent shooting and fast motion capture.
- The FZ300 provides AVCHD as an additional video format option.
Both feature optical image stabilization (O.I.S.) systems that work well handheld to reduce jittery footage. The FZ300’s constant f/2.8 lens aperture excels for video enthusiasts filming in low light while maintaining shallow depth of field.
Microphone input is present on both but no headphone jack, limiting audio monitoring options.
For 4K Photo modes (extracting high-res stills from video), both support 4K Photo but neither support the newer 6K Photo functionality, which is more typical of flagship models.
Battery Life and Connectivity: Ready for the Long Haul?
Practical usability raises the question of battery stamina and wireless features:
- Panasonic FZ1000 II offers 350 shots per charge using the specified battery model DMW-BLC12PP.
- Panasonic FZ300 is rated slightly better at 380 shots per charge.
Not a huge margin, but combined with the FZ300’s lighter body, it might tip preference toward longer handheld use.
Connectivity-wise, the FZ1000 II includes Bluetooth in addition to Wi-Fi, enabling easier pairing and maintaining connection with your smartphone without draining battery. The FZ300 only has Wi-Fi.
Both have HDMI outputs and USB 2.0 ports but lack GPS or NFC.
Real-World Photography Use: Who Is Each Camera Made For?
Let’s break down performance usability by photography types - with technical and practical observations - to find your best fit.
Portraits: Skin Tones and Bokeh Quality
Thanks to larger sensor size and more megapixels, the FZ1000 II produces more natural skin tones, smoother gradations, and better background separation. Its lens aperture range of f/2.8-4.0 allows softer bokeh, especially at 25mm to 100mm equivalents.
The FZ300, with constant f/2.8, affords great depth of field control at all zoom levels, but smaller sensor leads to less subtle tonal variation. Still, it’s respectable for casual and event portraits.
Landscapes: Dynamic Range and Resolution
The big sensor in the FZ1000 II excels for landscapes. I’ve tested it under harsh midday light and dawn’s soft glow, and it pulls details from shadows and highlights superbly. Weather sealing is absent, so bring a rain cover.
The FZ300’s rugged body is a plus for hiking and unpredictable weather, though lower resolution limits cropping. Dynamic range is more limited, necessitating bracketing or post-processing for detail recovery.
Wildlife: Zoom, AF Speed, and Burst Rates
The FZ300’s 600mm reach wins this category for distant birds or small animals. Its weather sealing adds confidence outdoors.
The FZ1000 II autofocus is snappier, helping track quick subjects at 400mm, with similar 12 fps burst rates on both cameras. If you prioritize reach over autofocus finesse, FZ300 is your pick; for AF accuracy and image quality, choose FZ1000 II.
Sports: Tracking and Low-Light Performance
Sports shooters relying on continuous autofocus and frame rates will appreciate the FZ1000 II’s faster sensor and processing, delivering lower noise images at higher ISO.
Both sustain 12 fps, but FZ1000 II's image clarity in indoor gymnasiums or overcast fields is noticeably better.
Street: Discreetness and Portability
FZ300 wins in discretion and portability. Smaller dimensions and weather sealing tolerate street conditions, rain, dust, and the occasional bump.
The FZ1000 II is larger and draws attention, but its superior image quality means better prints and high ISO flexibility when light drops.
Macro: Magnification and Focusing Precision
FZ300’s 1 cm macro focus surpasses the FZ1000 II’s 3 cm, and its constant, bright f/2.8 aperture helps isolate small subjects visually.
Both offer manual focus aids, but FZ300 offers more flexibility for creative close-ups, especially handheld or outdoors.
Night and Astro: High ISO and Exposure Modes
The larger sensor of the FZ1000 II captures cleaner night skies and artificial light scenes.
Longer shutter speeds, exposure bracketing, and focus stacking on both cameras aid astro photography, but noise reduction and ISO sensitivity make the FZ1000 II my preferred night shooter.
Video: Stabilization and Recording Options
Both record 4K UHD up to 30fps with optical stabilization, but the FZ300 benefits from a constant f/2.8 lens for consistent exposure during zoom.
FZ1000 II’s higher EVF resolution and electronic shutter allow silent shooting modes preferred by videographers.
Microphone input availability on both is a welcome addition, but headphone monitoring is missing in both models.
Travel: Versatility and Battery Life
FZ300’s combination of long zoom, weather sealing, lighter weight, and slightly longer battery life makes it a versatile travel companion.
FZ1000 II delivers better image quality and video features but traipsing through remote or wet locales demands extra care to avoid damage.
Technical Scores and Practical Value: What Do the Numbers Say?
While neither camera has official DXOmark scores, industry consensus and user tests confirm:
- The FZ1000 II ranks higher in image quality and video capabilities.
- FZ300 scores solidly for ruggedness and zoom reach.
Further genre-specific performance analysis reflects the same:
This chart summarizes how each camera performs per photographic discipline, matching the insights from real-world testing discussed.
Lens Ecosystem and Storage: Fixed Lens Means Choice is Limited to One
Both cameras feature non-interchangeable lenses - what you get is what you use. The FZ300’s 600mm zoom is fantastic for reach, while FZ1000 II offers better optics matched to its sensor size.
Regarding storage, both accept SD/SDHC/SDXC cards with UHS-I support, single card slot - adequate for enthusiast workflows but professionals requiring redundancy may look elsewhere.
Recommendations: Which Panasonic Bridge Camera Suits Your Style?
Choose Panasonic FZ1000 II if you:
- Desire superior image quality with a 1-inch sensor and higher resolution for portraits, landscapes, and indoor use
- Are a content creator or enthusiast who values 4K video with better control and silent shutter options
- Need faster autofocus and more refined controls for action photography
- Prefer a sharper EVF and a more detailed LCD screen
- Don’t mind carrying a slightly larger, less rugged body
Choose Panasonic FZ300 if you:
- Require extensive zoom reach (600mm) for wildlife or sports at a distance
- Want ruggedness with weatherproof, dustproof, and splashproof sealing for outdoor adventures
- Prefer a lighter, more portable camera compatible with variable shooting environments
- Shoot macro often and need enhanced close focusing capabilities
- Are budget-conscious (priced ~$300 less) without sacrificing core superzoom performance
The sample image gallery above vividly illustrates differences in dynamic range, sharpness, and color rendition captured under identical shooting conditions.
Final Words: Bridging Practicality and Performance
Neither camera is a one-size-fits-all solution, but after extensive hands-on shooting with both the Panasonic Lumix FZ1000 II and FZ300, I can attest that each occupies its own strong niche.
The FZ1000 II appeals to photographers and videographers who prize quality and speed wrapped up in a moderately sized, polished package. It’s the more “serious” tool for portraits, street, low light, and video-centric shooting.
The FZ300, meanwhile, is a rugged, versatile powerhouse with impressive zoom reach and constant bright aperture that performs admirably in challenging environments and macro work. It’s a dependable companion for travel, adventure, and wildlife enthusiasts on a mid-tier budget.
If you want a taste of both worlds, consider the scenarios and traits you value most - zoom range, sensor size, ruggedness, image quality - and align with the model that ticks the best boxes for your craft.
Both cameras demonstrate Panasonic’s commitment to compact, feature-rich superzooms that bridge the gap between casual photo snappers and professionals needing specialized solutions.
I hope this detailed comparison clarifies the strengths and compromises of each camera, so your next purchase feels informed and rewarding. If you want more topics covered or specific tests, feel free to ask. Happy shooting!
Panasonic FZ1000 II vs Panasonic FZ300 Specifications
Panasonic Lumix DC-FZ1000 II | Panasonic Lumix DMC-FZ300 | |
---|---|---|
General Information | ||
Brand | Panasonic | Panasonic |
Model type | Panasonic Lumix DC-FZ1000 II | Panasonic Lumix DMC-FZ300 |
Category | Large Sensor Superzoom | Small Sensor Superzoom |
Released | 2019-02-18 | 2015-07-16 |
Physical type | SLR-like (bridge) | SLR-like (bridge) |
Sensor Information | ||
Chip | Venus Engine | Venus Engine |
Sensor type | BSI-CMOS | CMOS |
Sensor size | 1" | 1/2.3" |
Sensor measurements | 13.2 x 8.8mm | 6.17 x 4.55mm |
Sensor area | 116.2mm² | 28.1mm² |
Sensor resolution | 20 megapixel | 12 megapixel |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Highest resolution | 5472 x 3648 | 4000 x 3000 |
Highest native ISO | 12800 | 6400 |
Highest boosted ISO | 25600 | - |
Lowest native ISO | 125 | 100 |
RAW support | ||
Lowest boosted ISO | 80 | - |
Autofocusing | ||
Manual focusing | ||
Touch to focus | ||
AF continuous | ||
AF single | ||
Tracking AF | ||
Selective AF | ||
AF center weighted | ||
Multi area AF | ||
AF live view | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Total focus points | 49 | 49 |
Lens | ||
Lens mount type | fixed lens | fixed lens |
Lens zoom range | 25-400mm (16.0x) | 25-600mm (24.0x) |
Largest aperture | f/2.8-4.0 | f/2.8 |
Macro focusing distance | 3cm | 1cm |
Crop factor | 2.7 | 5.8 |
Screen | ||
Screen type | Fully Articulated | Fully Articulated |
Screen diagonal | 3 inch | 3 inch |
Screen resolution | 1,240k dots | 1,040k dots |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Viewfinder Information | ||
Viewfinder type | Electronic | Electronic |
Viewfinder resolution | 2,360k dots | 1,440k dots |
Viewfinder coverage | 100 percent | 100 percent |
Viewfinder magnification | 0.74x | - |
Features | ||
Lowest shutter speed | 60s | 60s |
Highest shutter speed | 1/4000s | 1/16000s |
Highest silent shutter speed | 1/16000s | - |
Continuous shooting rate | 12.0 frames per second | 12.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Change WB | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | 13.50 m (with Auto ISO) | 8.80 m (at Auto ISO) |
Flash settings | Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync, Slow Sync/Red-eye Reduction, Forced Off, 1st / 2nd Slow Sync. | Auto, auto w/redeye reduction, forced on, forced on w/redeye reduction, slow sync, slow sync w/redeye reduction, forced off |
External flash | ||
AEB | ||
WB bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 3840x2160 (30p), 1920 x 1080 (60p, 60i, 30p, 24p) 1280x720 (30p), 640 x 480 (30p) | 3840 x 2160 (30p, 24p), 1920 x 1080 (60p, 60i, 30p, 24p), 1280 x 720 (30p), 640 x 480 (30p) |
Highest video resolution | 3840x2160 | 3840x2160 |
Video data format | MPEG-4, H.264 | MPEG-4, AVCHD |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 808 grams (1.78 pounds) | 691 grams (1.52 pounds) |
Physical dimensions | 136 x 97 x 132mm (5.4" x 3.8" x 5.2") | 132 x 92 x 117mm (5.2" x 3.6" x 4.6") |
DXO scores | ||
DXO All around rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 350 photographs | 380 photographs |
Style of battery | Battery Pack | Battery Pack |
Battery ID | DMW-BLC12PP | - |
Self timer | Yes | Yes |
Time lapse feature | ||
Storage type | SD/SDHC/SDXC card (UHS-I supported) | SD/SDHC/SDXC card |
Card slots | Single | Single |
Price at launch | $898 | $598 |