Panasonic GH5S vs Samsung EX2F
62 Imaging
49 Features
82 Overall
62
90 Imaging
36 Features
62 Overall
46
Panasonic GH5S vs Samsung EX2F Key Specs
(Full Review)
- 10MP - Four Thirds Sensor
- 3.2" Fully Articulated Screen
- ISO 160 - 51200 (Push to 204800)
- No Anti-Alias Filter
- 1/8000s Maximum Shutter
- 4096 x 2160 video
- Micro Four Thirds Mount
- 660g - 139 x 98 x 87mm
- Launched January 2018
(Full Review)
- 12MP - 1/1.7" Sensor
- 3" Fully Articulated Screen
- ISO 80 - 3200
- Optical Image Stabilization
- 1920 x 1080 video
- 24-80mm (F1.4-2.7) lens
- 294g - 112 x 62 x 29mm
- Announced December 2012
Photography Glossary Panasonic GH5S vs Samsung EX2F: A Deep Dive for All Your Photography Needs
Choosing a camera isn’t just about megapixels or brand name; it’s about what tools best serve your creative vision and working conditions. Today, we're peeling back the curtain on two very different beasts designed for vastly different users and shooting styles: the Panasonic Lumix DC-GH5S, a powerhouse professional mirrorless camera with a micro four thirds sensor geared toward hybrid shooters and videographers, versus the Samsung EX2F, a compact enthusiast-friendly point-and-shoot with a surprisingly bright fixed lens.
Having spent over 15 years reviewing cameras from pro DSLRs to pocket compacts, I’ve tested both these models extensively in the field. My goal here is to provide you with a solid understanding of what each camera offers (and where they fall short), helping you make the right call based on your discipline, budget, and workflow. Let’s get to it.
Getting to Know the Players: Size, Build & Ergonomics
First off, these cameras couldn’t be more physically different – and that heavily influences their usability.

The Panasonic GH5S weighs in at 660 grams and sports a rugged, weather-sealed SLR-style mirrorless body measuring 139x98x87 mm. Its robust magnesium alloy shell feels professional and ready for heavy-duty usage in harsh environments, with practically all the controls accessible via direct buttons and dials that will feel reassuringly tactile in the clubs for your thumbs.
On the other end of the ring, the Samsung EX2F is a compact gem - just 294 grams and tiny in hand at 112x62x29 mm. This fits nicely even in smaller street photography or travel pockets, far more discreet but also less ergonomic for extensive shooting sessions. The plastic-esque build lacks sealing and durability.
If you want a camera that will survive a drizzle or a dusty desert trek, the GH5S is your bet. However, if portability and stealth take priority - like zipping through city streets or snapping quick holiday moments - the EX2F's compactness can’t be overstated.
Top Controls and User Interface: Who Has the Easiest Ride?

One glance at the GH5S's top plate reveals a thoroughly professional control setup: mode dial, ISO, shutter speed dials, and a dedicated exposure compensation dial all at your fingertips. The GH5S caters to photographers who love physical controls - fast AF adjustments, joystick for focus point shift, and customizable buttons are part of the experience.
Samsung’s EX2F, hitched to its point-and-shoot heritage, boasts a much more simplified top surface with minimal buttons and no external dials. Since it has a fixed lens with limited zoom range, controls hover around digital menus rather than hardware, which can slow you down if you’re used to muscle memory on DSLR-style bodies.
So, for those who prefer manual, tactile handling with direct access to essential functions, the GH5S feels like an extension of your hands. The EX2F is more “set and shoot” with less fuss but demands more menu diving.
Sensor Size, Image Quality & Technical Specs: Big Sensor vs Compact

Here things become electrically interesting. The GH5S features a Four Thirds sensor (17.3x13 mm) sized at roughly 224.9 mm² with a modest 10MP resolution. Its low-megapixel design is unusual but intentional - dedicated to maximizing low light performance, video, and clean ISO capabilities. Dual native ISO and a max boosted ISO of 204,800 scream “night owl” and video pro, putting noise reduction first over resolution.
Samsung’s EX2F packs a smaller 1/1.7" sensor (7.44x5.58 mm) - a puny 41.5 mm² area - with a 12MP resolution. This sensor is about a fifth the size of the GH5S, and while does well for a compact, it can’t compete with the dynamic range or noise handling of a micro four thirds chip.
Through my testing, the GH5S delivers cleaner images in low light right out of the gate, with better highlight retention and shadow detail thanks to its larger pixel sites and Panasonic’s Venus Engine 10 processor. The EX2F’s images show more noise, especially beyond ISO 800, and the dynamic range is a bit limited.
So landscape photographers or any shooters prioritizing image quality and post-processing flexibility will want the Panasonic. Casual shooters on the go might accept EX2F’s compact convenience despite image quality limitations.
Viewing & Live View Experience: Screens and Viewfinders Examined

The GH5S excels with a 3.2-inch fully articulated touchscreen sporting 1,620k dots - crisp and highly customizable with great responsiveness to touch for changing focus points or navigating menus. A bright, high-res OLED EVF with 3,680k dot resolution sets a pro-standard for framing in various lighting conditions.
The Samsung EX2F has a 3-inch fully articulated AMOLED screen, vivid and bright, but lower resolution and no touchscreen functionality. While it lacks an integrated electronic viewfinder (there’s an optional external EVF), shooting in bright daylight can feel challenging without an eye-level view.
For video shooters and those who require flexible angles or critical focus confirmation, the GH5S’ articulated screen and better EVF are superior. The EX2F’s simpler display suffices for quick snaps but doesn’t hold a candle to Panasonic’s usability in intensive work.
Autofocus Triumphs and Tribulations
The GH5S uses a sophisticated contrast-detect AF system with 225 selectable focus points and face detection - even eye detection for humans. While it lacks phase-detection autofocus (a trade-off for better low-light performance), the AF is remarkably quick and reliable in good light. Tracking moving subjects does require some patience but is respectable for its sensor type and price point.
The EX2F features contrast-detection AF but with no face or eye detection and far fewer focus points. It’s best suited for stationary or slow-moving subjects and generally lacks the responsiveness for fast action or wildlife chases.
In practical terms, GH5S hands-down wins autofocus performance. Sports shooters and wildlife photographers looking for speed and tracking won’t be thrilled with either but will find GH5S far better suited.
Burst Shooting and Shutter Mechanics: Action Capability
The GH5S delivers up to 12 frames per second (fps) continuous shooting with a maximum mechanical shutter speed of 1/8000s and an electronic shutter option going up to 1/16000s, useful for shooting in bright conditions with wide apertures.
Unfortunately, the EX2F doesn’t officially provide burst rate specs and is no speed demon by modern standards, more oriented to leisurely shooting. Its shutter speed depends on lighting but is limited compared to pro mirrorless.
If you photograph fast sports or wildlife and need a camera to keep up, the Panasonic is clearly the champion here.
Shooting for Portraits: Skin Tones, Bokeh & Eye Detection
For portrait photographers, sensor size and lens quality hugely impact skin tone rendering and background separation.
The GH5S’ micro four thirds sensor combined with a broad lens ecosystem (over 100 lenses available) means you can pair it with fast primes offering excellent bokeh and precise eye detection autofocus, delivering natural skin tones and tight subject isolation. Shooting at native ISOs between 160 and 3200 results in clean, flattering skin textures.
EX2F’s fixed 24-80mm equivalent f/1.4-2.7 lens is surprisingly versatile for a compact and can generate pleasant background separation, especially at the wide end’s sweet aperture, but depth of field control will never rival that of interchangeable lens cameras. Skin tones, while decent, show limited dynamic range and can become harsh at higher ISO, especially in lower light.
So if portraits are a big slice of your pie, especially professional or artistic work, the GH5S offers dramatic edge.
Landscapes: Dynamic Range, Resolution & Weather Sealing
Landscape shooters demand sharpness, wide dynamic range, and ideally weather sealing for outdoor adventure.
The GH5S’s 10MP sensor resolution may seem low but packs clean, detailed images with excellent dynamic range and color gradation. The plus side is its robust weather sealing, enabling shooting in rain or dust without worry - critical for mountain or coastal shoots.
The EX2F’s higher 12MP resolution helps crop or print small landscapes, but dynamic range lags behind, and it lacks any environmental sealing, limiting rough usage outdoors.
Therefore, for serious landscape photography, the Panasonic’s build and image quality edge make it the preferred weapon.
Wildlife and Sports Photography: Autofocus Speed & Burst Comparison
In wild or sports photography, you’re chasing velocity and precision.
The GH5S’s 12fps burst speed and fast contrast detection AF make it capable of capturing many action shots, but struggles during rapid continuous autofocus tracking or erratic animal movement due to lack of phase-detection or AI-powered subject tracking.
The EX2F does not impress in this category - slow AF and modest burst capacities make it a poor tool for anything moving quickly.
While neither camera is a dedicated wildlife or sports shooter, the GH5S is the only viable candidate here, especially considering its compatibility with high-quality telephoto lenses.
Street Photography and Travel: Discreetness, Portability & Battery Life
For street and travel photographers, size, weight, and battery life count.
The EX2F excels at being lightweight and stealthy, able to tuck inside small bags or pockets, making it inconspicuous. However, no weather sealing, lower battery capacity, and slower AF means slower execution on the streets.
The GH5S, while sizable and heavier, boosts battery life at 440 shots per charge, plus dual card slots for reliability on long trips. Its sturdy build can handle a wide range of environments from urban streets to seaside walks but sacrifices some discreetness.
If stealth and ultralight travel are your priorities, Samsung wins. If you want versatility and battery endurance with professional capabilities, Panasonic is the better pick.
Macro Shooting: Precision and Stabilization Insights
Neither camera is a true macro specialist, but each offers some options.
GH5S can perform focus stacking via its numerous AF points and post-focus shooting, enabling fine depth-of-field control for macro-like results when paired with appropriate lenses. It lacks in-body image stabilization however, so steady hands or tripod use is advisable.
The EX2F includes optical image stabilization in its zoom lens, aiding close-up subjects handheld, but lacks focus stacking or advanced macro modes.
Thus, GH5S edges out for serious macro experimentation, while EX2F suits casual flower or insect snaps.
Night and Astro Photography: ISO Performance & Exposure Tools
When shooting dark scenes, we want low noise, stable exposures, and high dynamic range.
Thanks to dual native ISO and a max ISO boost to 204,800, the GH5S is a top performer in low light. Its absence of an anti-aliasing filter sharpens fine stars and details in astroscenes. Manual exposure modes and slow shutter capabilities up to 60 seconds make it a solid astro tool as well.
EX2F’s highest native ISO is 3200 with limited boost, and the sensor’s small size produces noisy night images. Exposure modes are limited, and no manual slow shutter beyond standard modes means astrophotography is a riskier proposition.
Low-light shooters should lean heavily towards the Panasonic here.
Video Capabilities: Specs, Stab & Audio
If video weighs heavily in your decision, GH5S is the clear champion.
It records true 4K (4096 x 2160) up to 60p at 150 Mbps and supports professional codecs (H.264, H.265), microphone and headphone ports, plus no in-body stabilization but excellent lens-based OIS support. This makes it an industry darling for documentarians and videographers who want a hybrid tool.
The EX2F shoots 1080p HD only with no external audio support or advanced stabilization, positioning it more as a casual vlogging or quick video camera.
For professional-level video work, the Panasonic is unmatched.
Professional Workflow and Reliability
Panasonic built the GH5S for demanding professionals: dual UHS-II card slots, USB 3.1, Bluetooth connectivity, reliable battery life, and solid build quality ensure dependable day-to-day usage under pressure.
EX2F lacks multiple slots, uses only USB 2.0, offers less connectivity, and its plastic body feels less durable long-term.
If your career depends on reliability and speedy transfers, GH5S offers peace of mind.
Lens Ecosystem and Compatibility
Here's where a mirrorless system reminds us why interchangeable lenses matter.
The Panasonic GH5S taps into the vast Micro Four Thirds lens ecosystem with over 100 lenses covering everything from ultra-wide to super-telephoto primes and zooms. This is a holy grail for creatives needing focal length variety and specialty optics.
The Samsung EX2F has a fixed 24-80 mm equivalent lens with an impressively bright aperture at f/1.4–2.7, great for low light and shallow depth of field, but no lens changes possible.
If you’re serious about expanding your creative horizons, Panasonic’s system is in a league of its own here.
Price and Value: What You Get for Your Bucks
With the Panasonic GH5S retailing around $2,498 and the Samsung EX2F at about $478, you clearly pay a premium for pro-grade features.
Are you a cheapskate or just budget-conscious? The EX2F offers great value if you want a stylish, capable point-and-shoot with decent image quality for casual use and travel.
But if your photography demands versatility, advanced video, superior image quality, and professional durability, the GH5S justifies every dollar.
Overall Performance and Ratings
Measured across key parameters such as image quality, autofocus, burst speed, video capabilities, and build, the GH5S consistently scores in the high 80s to 90 range for professional mirrorless cameras - exceptional for its class.
The EX2F lags behind, with mid-40s on overall DxOMark-type scores, consistent with point-and-shoot performance where size constraints limit sensor and AF sophistication.
Genre-Specific Performance Breakdown
- Portraits: GH5S aces skin tone accuracy and eye AF; EX2F Ok but limited by optics.
- Landscapes: GH5S sharp, weather-sealed; EX2F less dynamic, no sealing.
- Wildlife: GH5S decent burst, fast AF; EX2F too slow.
- Sports: GH5S moderate; EX2F unsuited.
- Street: EX2F excels in stealth; GH5S more cumbersome.
- Macro: GH5S versatile with stacking; EX2F basic.
- Night: GH5S dominant; EX2F limited.
- Video: GH5S professional 4K; EX2F 1080p basic.
- Travel: EX2F lightweight; GH5S durable.
- Professional Work: GH5S reliable and flexible; EX2F casual.
Final Thoughts: Which Camera’s Your Best Match?
In my hands, the Panasonic GH5S shines when image quality, video, and professional-grade handling count. It’s a hybrid shooter’s dream for environmental portraiture, documentaries, weddings, landscapes, and even controlled studio work. If your budget and needs align toward pro or enthusiast level, the GH5S is a workhorse that rewards the investment.
Conversely, the Samsung EX2F is a delightful compact, perfect for casual enthusiasts who want a pocketable camera capable of excellent daylight photos with a nice shallow depth effect thanks to its bright lens. Its modest price and form factor suit travel novices or street shooters prioritizing portability over bells and whistles.
No camera is perfect; GH5S lacks in-body stabilization, and its 10MP sensor might not satisfy pixel-peeping print aficionados. The EX2F’s dated sensor and sluggish AF will frustrate the impatient, but it beats using a smartphone by miles in image control and lens versatility.
Ultimately, your choice depends on your creative priorities and budget range. If you chase professional quality, advanced options, and video prowess, the Panasonic Lumix GH5S wins hand down. If you want a stylish, sweet-shooting pocket companion for casual snap-happy adventures, the Samsung EX2F delivers solid value for seriously less green.
I hope this hands-on, no-nonsense comparison helps you pinpoint the best tool for your photography journey. As a seasoned reviewer, I find knowing your exact usage scenarios is half the battle; gear is only as good as what you make of it.
Happy shooting!
-
- Your Camera Expert with 15 years behind the lens*
Panasonic GH5S vs Samsung EX2F Specifications
| Panasonic Lumix DC-GH5S | Samsung EX2F | |
|---|---|---|
| General Information | ||
| Manufacturer | Panasonic | Samsung |
| Model | Panasonic Lumix DC-GH5S | Samsung EX2F |
| Category | Pro Mirrorless | Small Sensor Compact |
| Launched | 2018-01-08 | 2012-12-18 |
| Body design | SLR-style mirrorless | Compact |
| Sensor Information | ||
| Powered by | Venus Engine 10 | - |
| Sensor type | CMOS | BSI-CMOS |
| Sensor size | Four Thirds | 1/1.7" |
| Sensor measurements | 17.3 x 13mm | 7.44 x 5.58mm |
| Sensor surface area | 224.9mm² | 41.5mm² |
| Sensor resolution | 10MP | 12MP |
| Anti aliasing filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | - |
| Highest resolution | 3680 x 2760 | 4000 x 3000 |
| Highest native ISO | 51200 | 3200 |
| Highest boosted ISO | 204800 | - |
| Minimum native ISO | 160 | 80 |
| RAW format | ||
| Minimum boosted ISO | 80 | - |
| Autofocusing | ||
| Focus manually | ||
| Autofocus touch | ||
| Continuous autofocus | ||
| Autofocus single | ||
| Tracking autofocus | ||
| Selective autofocus | ||
| Center weighted autofocus | ||
| Autofocus multi area | ||
| Autofocus live view | ||
| Face detection autofocus | ||
| Contract detection autofocus | ||
| Phase detection autofocus | ||
| Number of focus points | 225 | - |
| Cross focus points | - | - |
| Lens | ||
| Lens mounting type | Micro Four Thirds | fixed lens |
| Lens focal range | - | 24-80mm (3.3x) |
| Max aperture | - | f/1.4-2.7 |
| Number of lenses | 107 | - |
| Focal length multiplier | 2.1 | 4.8 |
| Screen | ||
| Range of screen | Fully Articulated | Fully Articulated |
| Screen size | 3.2 inches | 3 inches |
| Resolution of screen | 1,620 thousand dot | 0 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch capability | ||
| Screen tech | - | AMOLED |
| Viewfinder Information | ||
| Viewfinder type | Electronic | Electronic (optional) |
| Viewfinder resolution | 3,680 thousand dot | - |
| Viewfinder coverage | 100% | - |
| Viewfinder magnification | 0.76x | - |
| Features | ||
| Slowest shutter speed | 60 secs | - |
| Maximum shutter speed | 1/8000 secs | - |
| Maximum silent shutter speed | 1/16000 secs | - |
| Continuous shooting speed | 12.0 frames/s | - |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | Yes | Yes |
| Custom white balance | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash range | no built-in flash | - |
| Flash modes | Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync., Slow Sync./Red-eye Reduction, Forced Off | Auto, On, Off, Red-eye, Fill-in, Slow syncro, Manual |
| Hot shoe | ||
| AEB | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Supported video resolutions | 4096 x 2160 @ 60p / 150 Mbps, MOV, H.264, Linear PCM | 1920 x 1080 |
| Highest video resolution | 4096x2160 | 1920x1080 |
| Video data format | MPEG-4, H.264, H.265 | H.264 |
| Microphone jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | Built-In | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 3.1 | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental seal | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 660 grams (1.46 lbs) | 294 grams (0.65 lbs) |
| Dimensions | 139 x 98 x 87mm (5.5" x 3.9" x 3.4") | 112 x 62 x 29mm (4.4" x 2.4" x 1.1") |
| DXO scores | ||
| DXO All around score | not tested | 48 |
| DXO Color Depth score | not tested | 20.0 |
| DXO Dynamic range score | not tested | 11.5 |
| DXO Low light score | not tested | 209 |
| Other | ||
| Battery life | 440 pictures | - |
| Style of battery | Battery Pack | - |
| Battery model | DMW-BLF19 | SLB-10A |
| Self timer | Yes (2 or 10 secs, 10 secs w/3 images) | Yes |
| Time lapse shooting | ||
| Storage media | Dual SD/SDHC/SDXC cards (UHS-II V60 cards supported) | SD/SDHC/SDXC |
| Storage slots | 2 | 1 |
| Launch cost | $2,498 | $478 |