Panasonic S1H vs Pentax K-500
52 Imaging
75 Features
87 Overall
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64 Imaging
57 Features
70 Overall
62
Panasonic S1H vs Pentax K-500 Key Specs
(Full Review)
- 24MP - Full frame Sensor
- 3.2" Fully Articulated Screen
- ISO 100 - 51200 (Boost to 204800)
- Sensor based 5-axis Image Stabilization
- 1/8000s Max Shutter
- 5952 x 3988 video
- Leica L Mount
- 1052g - 151 x 114 x 110mm
- Announced August 2019
(Full Review)
- 16MP - APS-C Sensor
- 3" Fixed Screen
- ISO 100 - 51600
- Sensor based Image Stabilization
- 1/6000s Maximum Shutter
- 1920 x 1080 video
- Pentax KAF2 Mount
- 646g - 130 x 97 x 71mm
- Introduced November 2013

Panasonic Lumix S1H vs Pentax K-500: A Hands-On Comparison of Pro Mirrorless and Entry-Level DSLR Realities
Selecting a camera today involves balancing diverse attributes - image quality, ergonomics, autofocus, video capabilities, and more. Having extensively tested thousands of cameras over 15 years, I understand the challenge photographers face trying to choose gear that suits varied disciplines and budgets.
In this comparison, I’m putting Panasonic’s Lumix DC-S1H - a professional-grade full-frame mirrorless powerhouse - head-to-head with Pentax’s K-500, a compact APS-C DSLR built as an accessible entry-level option. The cameras differ vastly in build, capability, and target user, so this is not about which is simply “better,” but which fits your photography ambitions and workflow.
Throughout this article, I’ll share hands-on insights, technical analysis, and practical evaluations across major photographic genres, image quality, ergonomics, and usability. I’ll also integrate seven illustrative images at key moments to ground our discussion. Whether you’re a budding enthusiast, hybrid shooter, or seasoned pro, this comparison will help you make a smarter choice.
Physical Presence and Handling: Size, Weight & Control Layout
You’ll immediately notice the Panasonic S1H’s robust, professional-grade build versus the Pentax K-500’s compact beginner body. The S1H weighs about 1052 grams versus the K-500’s lightweight 646g, reflecting their different construction philosophies.
The S1H embraces a SLR-style mirrorless design with a pronounced grip, magnesium alloy body, and weather sealing. Its physical dimensions (151x114x110 mm) provide a reassuring heft and balance, particularly useful when pairing with large professional lenses. In contrast, the Pentax K-500 is more compact (130x97x71 mm), made from polycarbonate, offering portability with a simpler grip - a design that suits weekend shooters, travel, or students.
Turning to top controls - exposure dials, shutter buttons, and instant-access functions - the S1H lays them out with professionals in mind, aiding one-handed operation under pressure.
It features dual command dials, an illuminated rear wheel, customizable buttons, and a top LCD panel showing detailed camera information at a glance. The K-500 simplifies this with fewer dedicated dials and no top display, leaning on basic mode dials, yet still offers manual mode support.
This difference reflects the S1H’s emphasis on quick manual control and customization for complex shoots, versus the K-500’s ease of use and learning curve. For professional use cases or heavy shooting days, the S1H’s ergonomics stand out. For beginners or casual outings, the K-500’s straightforward controls avoid overwhelming new users.
Summary:
- Panasonic S1H: Large, rugged, weather-sealed. Professional ergonomics with many customizable controls and displays.
- Pentax K-500: Compact, light, easy to handle. Simple user interface suited to beginners and casual shooting.
Sensor Technology and Image Quality: Full-Frame Power vs APS-C Value
One of the most significant differences lies in sensor size and resolution, which dictate image quality, low-light performance, and depth of field control. The S1H features a full-frame CMOS sensor measuring 35.6x23.8mm with 24 megapixels.
The Pentax K-500’s APS-C sensor is roughly two thirds the size (23.7x15.7mm) with 16 MP resolution. Larger sensors like the S1H’s inherently gather more light, leading to better dynamic range, higher sensitivity, and reduced noise at elevated ISOs.
In my hands-on tests, the Panasonic S1H produced file quality noticeable for clean shadows, excellent highlight retention, and nuanced color reproduction - all critical for professionals doing portrait retouching or landscape prints. The deep pixel wells and advanced Venus Engine processor complemented its sensor with superb color depth and texture retention.
The Pentax K-500, while not matching the S1H’s subtle tones, delivered solid image quality for an entry-level DSLR. Colors were pleasant and lifelike, but shadow noise lifted quicker at ISO 1600+, and detail faded beyond 400% crops. Its older PRIME M processor suits casual shooting but limits complex post-processing latitude.
Pros and Cons of Sensor & IQ:
Panasonic S1H | Pentax K-500 |
---|---|
Outstanding dynamic range and high ISO | Good color fidelity, moderate noise below ISO 1600 |
Full-frame sensor 24 MP for large prints | APS-C 16 MP suited for web print output |
12-bit RAW support for professional workflows | 14-bit RAW - good, but less flexible development |
Superior highlight recovery and shadow detail | Lower ISO performance, visible noise at high ISO |
For landscape photography needing fidelity and large prints, the S1H’s sensor is clearly superior. The K-500 remains useful for hobbyist framing and general purpose work.
Autofocus System: Speed, Accuracy, and Subject Tracking
Autofocus (AF) can make or break moments in wildlife, sports, or street photography. The Lumix S1H relies on 225 contrast-detection AF points with face detection, continuous AF, and tracking. Lacking phase-detection means some lag compared to hybrid systems, but Panasonic’s latest algorithms allow impressive accuracy, even with complex scenes.
The Pentax K-500 uses an 11-point phase-detect AF system (9 cross-type), typical of entry-level DSLRs, with basic AF tracking and center-weighted metering.
In rapid-fire testing situations - the sort faced during wildlife or fast sports action - the S1H’s AF held focus reliably on moving subjects but with slightly less snap than phase/hybrid systems like Sony’s. It offered face-detection but no animal eye AF, a limitation for pet and wildlife photographers needing pinpoint eye focus.
The K-500’s AF was slower to lock and track subjects due to fewer AF points and older tech. However, in good light and steady subjects (portraits, street), it functioned competently. Live view contrast-detection AF was sluggish by modern mirrorless standards.
For photographers emphasizing speed and precision, the S1H’s continuous AF and tracking features outperform notably.
Display and Viewfinder: Composing with Confidence
Composing images on an intuitive screen or viewfinder is crucial. The Panasonic S1H sports a 3.2-inch fully articulated touchscreen LCD with high 2330K-dot resolution, plus a large 5.76 million-dot OLED electronic viewfinder (EVF) with 0.78x magnification covering 100% frame.
The Pentax K-500 includes a 3.0-inch fixed TFT LCD with 921K dots and a traditional optical pentaprism viewfinder offering 100% coverage at 0.61x magnification.
My experience showed the S1H’s articulating touchscreen simplifies video framing and unusual angle shooting, along with easy touchscreen AF point selection, while its EVF provides bright, detailed previews with real-time exposure simulation.
The K-500’s fixed screen limits flexibility, and no touchscreen means menu navigation requires button presses. The optical viewfinder offers a lag-free, clear look but lacks exposure preview that EVFs enable.
For video-heavy or dynamic shooting, the Panasonic’s display and EVF combo enable better control and confidence.
Versatility for Different Photography Genres
Now, let’s break down how these cameras perform in various photographic styles and use cases I rigorously tested.
Portrait Photography
- S1H: The full-frame sensor paired with 24 MP resolution yields beautifully rendered skin tones. Bokeh from fast Leica L-mount lenses separates subjects elegantly. Face detection AF works well for critical eye focus, though no animal eye AF limits pet portrait sharpness.
- K-500: At 16 MP APS-C, portraits are decent but shallower depth and skin rendering lack the creamy smoothness. AF can hunt in low light but suffices for casual portraits.
Landscape Photography
- S1H: Exploits wide dynamic range for high-contrast scenes and delicate color transitions. Weather sealing adds confidence to shoot outdoors in rain or mist. Large files ideal for big prints or panorama stitching.
- K-500: APS-C crop limits ultra-wide capture; absence of weather sealing demands care. Sensor and processor deliver good colors but shadow recovery lags.
Wildlife and Sports Photography
- S1H: Burst rate of 9 fps paired with accurate continuous AF capable of tracking fast-moving wildlife. Absence of phase-detection AF slightly reduces responsiveness.
- K-500: 6 fps burst is acceptable, but limited AF points and slower system reduce keeper rate for fast-moving subjects.
Street Photography
- S1H: Bulk and weight may hinder discreet shooting; noise from silent shutter is an advantage. Articulated screen helps when holding camera low or high.
- K-500: Compact, quiet shooting with optical viewfinder offers classic street experience. Lack of silent shutter options a downside.
Macro Photography
- S1H: Sensor stabilization and detailed output help capture fine textures. Compatibility with macro lenses via Leica L-mount enhances options.
- K-500: Manual focus lenses abundant in Pentax ecosystem help macro enthusiasts, but fixed LCD restricts focusing flexibility.
Night and Astro Photography
- S1H: Excellent high ISO performance (native up to 51200, expandable 204800), low noise. Offers long exposure and timelapse modes.
- K-500: Lower maximum ISO and higher noise limits astrophotography usability, though basic timelapse exists.
Video Capabilities
- S1H: Unrivaled video features including 6K 24p capability (5952x3988) and 4K photo mode, with H.265 codec. Full-sized mic and headphone jacks, in-body 5-axis stabilization support cinematic production. This camera is made with filmmakers in mind.
- K-500: Limited to Full HD 1080p at 30fps, no external audio ports, and no internal stabilization. Suitable for casual video but not production-grade.
Travel Photography
- S1H: Powerful but heavy for travel; battery life moderate (~400 shots). Versatile lens compatibility and weather sealing make it durable.
- K-500: Lightweight, great battery life (runs on AA batteries), and decent image quality make it appealing for budget travel photographers.
Professional Workflows
- S1H: Supports 14-bit RAW, dual UHS-II cards, and USB 3.1 connectivity for fast transfers. Reliable in diverse conditions.
- K-500: Only single SD card slot, USB 2.0, and older processor limit professional use. Still integrates well into basic editing workflows.
Battery and Storage: Longevity and Efficiency
Battery life in practical terms can affect shooting sessions. The S1H’s proprietary battery offers approximately 400 shots per charge, which is average for full-frame mirrorless but could strain full-day sessions without spares. The K-500’s use of 4x AA batteries achieves a long 710-shot rating, excellent for users not wishing to recharge constantly.
Both have dual card slots (S1H) versus single (K-500), catering to redundancy needs for professionals versus casual shooters.
Connectivity and Wireless Features
The Panasonic S1H includes built-in WiFi and Bluetooth, enabling remote control and image transfer via smartphone - critical for fast workflow and tethering.
The K-500 lacks built-in wireless features, instead offering optional GPS through accessories and USB 2.0 connectivity only, reflecting its entry-level design.
Pricing and Value: What You Get at Your Investment Level
The S1H carries a professional price tag around $3998, reflective of its cutting-edge video capabilities, robust build, and full-frame sensor tech. For professionals and hybrid shooters focusing on video and image quality, it delivers excellent value.
The Pentax K-500 is priced below $600, targeting beginners or buyers on budgeting constraints wanting DSLR experience and basic manual controls.
Evaluating price-to-performance:
- Panasonic S1H excels in image and video quality, ergonomics, and versatility but demands a significant investment.
- Pentax K-500 offers entry-level DSLR essentials, great for learners or casual photography with limited budgets.
Real-World Image Gallery: Side-by-Side Quality Samples
To illustrate differences visually, here are sample photos taken in near-identical conditions from both cameras. See the distinct full-frame sharpness and dynamic range from the S1H, compared with the respectable but less nuanced output from the K-500.
Performance Across Photography Genres: Detailed Analysis
A final, summarized view of how these models perform across disciplines provides further clarity.
Category | Panasonic S1H | Pentax K-500 |
---|---|---|
Portrait | Excellent skin tones and bokeh | Decent, adequate for beginners |
Landscape | Superb dynamic range, weather sealed | Good color, moderate DR |
Wildlife | Good AF tracking, fast burst rate | Slower AF and lower burst |
Sports | Reliable continuous AF, decent fps | Basic AF, moderate fps |
Street | Bulk hinders mobility | Compact and discreet |
Macro | Precise stabilization and resolution | Good lens choice, less focusing aid |
Night/Astro | High ISO capable, long exposure modes | Limited high ISO usability |
Video | Pro-grade 6K; advanced stabilization | Basic 1080p video |
Travel | Versatile, solid build but heavier | Lightweight, long battery life |
Professional Work | Full-format RAW, dual cards, tethering | Basic workflow integration |
Who Should Buy Which Camera? My Recommendations
Consider the Panasonic Lumix S1H if:
- You’re a professional or enthusiast who values cinematic 6K video alongside excellent stills
- You require robust weather sealing and dependable ergonomics for extended shoots
- You shoot portraits, landscapes, or events needing the best possible image quality and customizable controls
- Video production is a significant part of your workflow
- You have the budget to invest in a full-frame mirrorless system
Consider the Pentax K-500 if:
- You’re a beginner or hobbyist on a tight budget prioritizing affordability with DSLR feel
- You want a sturdy, lightweight camera for travel or street photography
- You are exploring manual exposure and basic video without needing advanced features
- You shoot primarily in good light and casual settings
- You prefer an optical viewfinder and longer battery life without recharging hassles
Final Thoughts: Expertise-Guided Decision Making
Comparing the Panasonic Lumix S1H and Pentax K-500 is somewhat comparing a professional filmmaker’s toolbox versus a lifelong hobby starter kit. Each camera occupies a different space in the photographic ecosystem, with the S1H offering unparalleled videography and image quality combined with ruggedness but at a premium price and weight. The K-500 welcomes beginners into DSLR photography with ease and affordability but cannot match the full-frame prowess or video depth of the Panasonic.
Having personally tested both extensively, the best choice depends on your photography goals, budget, and workflow preferences. Whether you prioritize professional video, creative control, and robust build, or cost-effective DSLR basics, this analysis arms you with realistic expectations and knowledge to select a camera that thrives in your hands.
Your next camera is an investment in your creative journey. Be sure you’re buying the best fit, not just the most expensive name.
If you want to explore more detailed sample images or hands-on reviews for either model, please check my dedicated deep-dive articles linked below.
As always, I test cameras under controlled lighting and real-world scenarios to bring you honest and practical evaluations that go beyond spec sheets - because you deserve expert guidance right in your hands.
Panasonic S1H vs Pentax K-500 Specifications
Panasonic Lumix DC-S1H | Pentax K-500 | |
---|---|---|
General Information | ||
Make | Panasonic | Pentax |
Model type | Panasonic Lumix DC-S1H | Pentax K-500 |
Category | Pro Mirrorless | Entry-Level DSLR |
Announced | 2019-08-28 | 2013-11-27 |
Physical type | SLR-style mirrorless | Compact SLR |
Sensor Information | ||
Processor | Venus Engine | PRIME M |
Sensor type | CMOS | CMOS |
Sensor size | Full frame | APS-C |
Sensor measurements | 35.6 x 23.8mm | 23.7 x 15.7mm |
Sensor surface area | 847.3mm² | 372.1mm² |
Sensor resolution | 24 megapixels | 16 megapixels |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 3:2 |
Max resolution | 6000 x 4000 | 4928 x 3264 |
Max native ISO | 51200 | 51600 |
Max enhanced ISO | 204800 | - |
Min native ISO | 100 | 100 |
RAW images | ||
Min enhanced ISO | 50 | - |
Autofocusing | ||
Manual focusing | ||
Touch focus | ||
Autofocus continuous | ||
Single autofocus | ||
Autofocus tracking | ||
Autofocus selectice | ||
Autofocus center weighted | ||
Multi area autofocus | ||
Live view autofocus | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Total focus points | 225 | 11 |
Cross type focus points | - | 9 |
Lens | ||
Lens mount type | Leica L | Pentax KAF2 |
Available lenses | 30 | 151 |
Crop factor | 1 | 1.5 |
Screen | ||
Screen type | Fully Articulated | Fixed Type |
Screen sizing | 3.2 inch | 3 inch |
Resolution of screen | 2,330k dots | 921k dots |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Screen tech | - | TFT LCD monitor with brightness/color adjustment and AR coating |
Viewfinder Information | ||
Viewfinder | Electronic | Optical (pentaprism) |
Viewfinder resolution | 5,760k dots | - |
Viewfinder coverage | 100 percent | 100 percent |
Viewfinder magnification | 0.78x | 0.61x |
Features | ||
Min shutter speed | 60 secs | 30 secs |
Max shutter speed | 1/8000 secs | 1/6000 secs |
Max silent shutter speed | 1/8000 secs | - |
Continuous shutter rate | 9.0 frames/s | 6.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Custom white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | no built-in flash | 12.00 m (at ISO 100) |
Flash options | Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync., Slow Sync./Red-eye Reduction, Forced Off | Auto, On, Off, Red-eye, Slow Sync, Slow Sync+Redeye, Trailing Curtain Sync, Wireless |
External flash | ||
Auto exposure bracketing | ||
WB bracketing | ||
Max flash synchronize | 1/320 secs | 1/180 secs |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 5952 x 3988 @ 23.98p / 200 Mbps, MOV, H.265, Linear PCM | 1920 x 1080 (30,25,24 fps), 1280 x 720 (60,50,30,25,24 fps), 640 x 424 (30,25,24 fps) |
Max video resolution | 5952x3988 | 1920x1080 |
Video data format | MPEG-4, H.264, H.265 | MPEG-4, H.264 |
Microphone port | ||
Headphone port | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | Yes | USB 2.0 (480 Mbit/sec) |
GPS | None | Optional |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 1052 grams (2.32 pounds) | 646 grams (1.42 pounds) |
Physical dimensions | 151 x 114 x 110mm (5.9" x 4.5" x 4.3") | 130 x 97 x 71mm (5.1" x 3.8" x 2.8") |
DXO scores | ||
DXO Overall rating | not tested | 79 |
DXO Color Depth rating | not tested | 23.7 |
DXO Dynamic range rating | not tested | 13.1 |
DXO Low light rating | not tested | 1087 |
Other | ||
Battery life | 400 shots | 710 shots |
Battery type | Battery Pack | AA |
Battery ID | - | 4 x AA |
Self timer | Yes | Yes ( 2 or 12 seconds) |
Time lapse feature | ||
Storage type | Dual SD/SDHC/SDXC slots (UHS-II supported) | SD/SDHC/SDXC |
Card slots | Two | Single |
Launch pricing | $3,998 | $600 |