Panasonic S1R vs Panasonic ZS50
54 Imaging
78 Features
84 Overall
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Panasonic S1R vs Panasonic ZS50 Key Specs
(Full Review)
- 47MP - Full frame Sensor
- 3.2" Tilting Display
- ISO 100 - 25600 (Push to 51200)
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Max Shutter
- 3840 x 2160 video
- Leica L Mount
- 1020g - 149 x 110 x 97mm
- Released February 2019
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 80 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 24-720mm (F3.3-6.4) lens
- 243g - 111 x 65 x 34mm
- Launched January 2015
- Additionally Known as Lumix DMC-TZ70
- Earlier Model is Panasonic ZS45
- New Model is Panasonic ZS60

Panasonic Lumix DC-S1R vs. DMC-ZS50: An In-Depth Comparison for Enthusiasts and Professionals
Selecting the ideal camera depends fundamentally on intended photographic use, technical preferences, and budget constraints. Panasonic’s Lumix lineup spans from pro-grade mirrorless systems to portable superzoom compacts. This comprehensive comparison dissects two strikingly different offerings: the Panasonic Lumix DC-S1R (S1R), a high-resolution full-frame mirrorless, and the Panasonic Lumix DMC-ZS50 (ZS50), a compact travel-friendly superzoom. By scrutinizing these cameras across all relevant parameters and photography disciplines, this analysis aims to equip enthusiasts and professionals with critical insights for an informed purchase.
Form Factor and Ergonomics: Command vs. Convenience
The Panasonic S1R embraces a substantial DSLR-style mirrorless body designed for professional handling. With dimensions of 149 × 110 × 97 mm and a hefty 1020g body weight, it assures a robust grip and operability. The tilting 3.2" touchscreen (2100k dots), along with an illuminated control layout and rear joystick, caters to rapid setting changes - a crucial advantage during intensive shooting sessions. Dual UHS-II SD card slots further reinforce professional workflows requiring redundancy or instant backups.
In contrast, the ZS50 is a compact bridge camera weighing just 243g and sized at 111 × 65 × 34 mm. It features a fixed 3" LCD (1040k dots) without touch capability, prioritizing portability over tactile control richness. Single card slot limits workflow flexibility. The ZS50’s ergonomics suit occasional snapshots and travel convenience, but will be restrictive for prolonged, precision-driven shoots.
Sensor Technology: The Heart of Image Quality Differences
The Lumix S1R employs a 47.3-megapixel full-frame (36 × 24 mm) CMOS sensor without an optical low-pass (anti-aliasing) filter. This sensor offers an expansive 864 mm² capture area, delivering exceptional resolution and dynamic range - DxOMark rates it a near-perfect 100 overall score, with 26.4 bits color depth and 14.1 stops dynamic range. Its base ISO starts at 100 with extended lows down to ISO 50 and a max native ISO of 25600, boding well for low-light and high-contrast scenarios.
Conversely, the ZS50 contains a 12.1-megapixel 1/2.3-inch sensor (6.17 × 4.55 mm), a much smaller 28.07 mm² area, affected by size-related noise and detail limitations. DxOMark’s score for this sensor stands at 44 - a stark contrast - with color depth of 20 bits and a reduced dynamic range of 11.2 stops. The smaller sensor struggles at high ISOs, with a nominal max native ISO of 6400 and limited low-light capability.
These differences translate into tangible image quality disparities, especially in fine detail resolution, noise performance, and color fidelity.
Autofocus Systems: Precision vs. Simplicity
The S1R incorporates an advanced 225-point contrast-detect autofocus system with face detection and touch AF capabilities, optimized for accuracy over sheer speed. Despite lacking hybrid phase detection, Panasonic’s Venus Engine processor handles AF with sophisticated algorithms, offering continuous AF, tracking, and selective point AF modes. Focus bracketing and stacking capabilities provide additional creative versatility, critical for macro and landscape photography.
The ZS50 uses a simpler contrast-based AF with just 23 focus points. Though it provides face detection, it lacks animal eye AF or any advanced tracking modes. The smaller sensor and slower AF speed create a lag in tracking fast-moving subjects, impairing efficacy for wildlife or sports. It does, however, sustain a respectable 10 fps burst capability given its class, useful for casual action shots.
Lens Ecosystem and Zoom Flexibility
A fundamental distinction is lens interchangeability. The S1R mounts Leica L-mount lenses, giving access to over 30 native lenses ranging from ultra-wide primes to fast telephotos, with continually expanding third-party support. This ecosystem supports high-performance optics with large apertures and exceptional image stabilization, unlocking professional-level creative control and image quality.
The ZS50 possesses a built-in 24-720 mm equivalent zoom lens (30x) with an aperture range of f/3.3–6.4 - impressive for travel versatility. This integrated lens architecture eliminates the need for additional purchases and lens swaps, ideal for casual shooters or those prioritizing compactness. However, the slower aperture limits depth-of-field control and low-light utility.
Portrait Photography: Skin Tone Rendering and Bokeh
The S1R’s large sensor and high resolution enable impressive skin tone reproducibility and fine detail capture, vital for naturalistic portraiture. The ability to pair it with Leica L-mount fast primes (e.g., f/1.4 or f/1.8) ensures delicate subject isolation and smooth bokeh characteristics. The camera’s face and eye detection AF improve sharpness critical in portraits, although absence of animal eye AF marginally restrains pet portraits.
The ZS50’s smaller sensor and fixed zoom lens restrict bokeh creativity. The maximum aperture of f/3.3 at wide angle, closing to f/6.4 telephoto, coupled with small sensor physics, results in greater depth of field and less subject separation. Skin tones are acceptable under good lighting but tend to desaturate and lose subtlety under challenging conditions.
Landscape Photography: Resolution, Dynamic Range, and Durability
Landscape photographers will appreciate the S1R’s pixel-dense sensor capable of capturing enormous detail - useful for large prints and extensive cropping. Its 14+ stops of dynamic range preserves shadow and highlight information in high-contrast scenes. Comprehensive weather sealing qualifies the S1R for rigorous outdoor use in rain or dust, enhancing reliability in unpredictable environments.
The ZS50, while compact, suffers from limited dynamic range and resolution (12 MP) for serious landscape work. Images require aggressive post-processing to recover shadow detail, and noise becomes apparent in challenging light. Lack of weather sealing discourages exposure to adverse conditions. Nonetheless, the ZS50’s long zoom benefits framing flexibility in nature travel snapshots.
Wildlife and Sports: Autofocus Tracking and Burst Speed
Rapid subject tracking is paramount for wildlife and sports. The S1R provides 9 fps continuous shooting with AF tracking, adequate for many situations, although some professional action shooters may prefer even faster frame rates available in sports-dedicated models. The contrast-detect AF system exhibits reliable focus hold in decent light but can struggle with fast erratic movement in dim conditions.
The ZS50 slightly edges frame rate with 10 fps burst, but tracking is comparatively pedestrian due to simplistic AF. Zoom reach is extensive, but autofocus lag and smaller sensor limit subject isolation and image quality at extreme focal lengths. For casual wildlife or sports shooting, the ZS50 offers convenience; however, professionals will find it lacking.
Street and Travel Photography: Discretion and Portability
In street environments, discretion and lightweight handling foster candid photography. The ZS50 excels here - its compact size and integrated zoom enable unobtrusive shooting, perfect for travel and everyday shooting. Its 243g weight and pocketable dimensions significantly reduce fatigue during excursions.
The S1R, although portable for a professional full-frame, remains relatively bulky and heavy (1020g), challenging long handheld street use. However, its tilting touchscreen and customizable controls facilitate quick exposure adjustments in dynamic scenes. Travel photographers valuing image quality over weight investment will find the S1R an excellent option.
Macro Photography: Magnification and Stabilization
The S1R supports focus stacking and focus bracketing, invaluable for macro precision and extending depth of field in close-up photography. With compatible Leica L-mount macro lenses and sensor-based 5-axis image stabilization, sharp handheld macro capture becomes feasible.
The ZS50’s minimum macro focus distance is 3 cm, allowing basic close-up capture. Its optical image stabilization aids in reducing blur; however, absence of focus bracketing limits depth control. The small sensor’s limited resolution confines fine detail rendition in macro subjects.
Night and Astrophotography: High ISO and Exposure Control
The Lumix S1R exhibits strong high ISO performance up to 25600, usable in low-light and astrophotography with manageable noise levels thanks to physics of larger, well-optimized pixels. Manual exposure modes, extensive bracketing, and long shutter speeds support nightscape creativity. However, pixel peeping at 47 MP reveals noise texture earlier; thus color noise reduction balancing is essential in post-processing.
The ZS50’s max ISO 6400 provides limited noise control at night, with small sensor noise rising rapidly beyond ISO 400. Lack of advanced exposure control and limited shutter speed range hamper astrophotography potential.
Video Capabilities: Resolution, Frame Rate, and Stabilization
Video users will note the S1R’s ability to record 4K UHD at up to 60p (MOV H.264, 150 Mbps), affording crystal-clear footage with excellent detail. The camera includes both microphone and headphone ports for professional audio monitoring - a significant plus. Sensor-shift 5-axis stabilization benefits handheld shoots, enhancing footage smoothness.
In contrast, the ZS50 offers Full HD 1080p recording at 60 fps, with AVCHD and MPEG-4 codecs. Neither microphone nor headphone jacks are present, limiting audio control. Optical image stabilization mitigates handheld shake but doesn’t compete with sensor-shift systems or in-body stabilization.
Build Quality and Environmental Resistance
The S1R’s magnesium alloy construction incorporates weather sealing that resists dust and moisture, though explicitly it is not waterproof or freezeproof. This extensive sealing enhances durability, allowing use in demanding professional environments.
The ZS50 lacks environmental sealing, trading off ruggedness for ultra-compact design. Users must exercise caution in adverse weather, curtailing versatility for serious outdoor work.
User Interface and Connectivity
The S1R’s interface includes a high-resolution electronic viewfinder (5760k dots) with 0.78x magnification, granting a highly detailed composing experience. Its touchscreen live view autofocus and "Post Focus" function provide tactile and computational focus assistance, facilitating creative control. Wireless connectivity includes Wi-Fi and Bluetooth, allowing remote shooting and file transfer.
The ZS50’s electronic viewfinder (1166k dots) is markedly lower resolution with reduced magnification (0.46x), suitable for framing under bright conditions but less refined visually. Lacking touchscreen AF, user interaction is more traditional. It supports Wi-Fi and NFC, but omits Bluetooth, slightly limiting compatible accessories.
Battery Life and Storage Options
Battery life measures approximately 360 shots per charge for the S1R, somewhat modest for professional shooters, necessitating spare batteries for prolonged sessions. Its dual card slots accept UHS-II SD cards, facilitating extensive data storage and backup strategies.
The ZS50 delivers around 300 shots per battery, commendable for its class. Its single slot supports SD/SDHC/SDXC cards with onboard memory options, sufficient for casual use.
Price-to-Performance Ratio
The price gap is significant: the S1R retails around $3700, reflecting its professional-grade sensor, build, and system investment. For photographers requiring the utmost in image quality and creative flexibility, this investment can be justified.
Conversely, the ZS50’s approximate cost of $350 represents an entry-level superzoom option, primarily targeting hobbyists or travelers prioritizing convenience and reach without system complexity.
Genre-Specific Performance Breakdown
Photography Genre | Panasonic S1R | Panasonic ZS50 |
---|---|---|
Portrait | Excellent skin tones, face/eye AF, bokeh control | Limited bokeh, acceptable skin tone |
Landscape | Superior resolution, dynamic range, weather sealing | Good zoom framing, modest image quality |
Wildlife | Reliable AF, telephoto lens support (with lens) | Superzoom convenience, slower AF |
Sports | 9 fps burst, good tracking | 10 fps burst, limited tracking |
Street | Bulkier, customizable controls | Compact, discreet, lightweight |
Macro | Focus stacking/bracketing, stabilization | Basic close focus, limited control |
Night/Astro | High ISO capability, long exposures | Limited high ISO performance |
Video | 4K 60p, headphone/mic ports, advanced IS | Full HD 60p, no advanced audio ports |
Travel | Versatile, but heavier | Ultra-portable, all-in-one zoom |
Professional Work | Robust build, dual cards, comprehensive system | Not suited for professional use |
Final Recommendations
Choosing the Panasonic Lumix DC-S1R is advised if:
- You require uncompromising image quality, high resolution, and excellent color fidelity.
- You prioritize professional-grade build, weather resistance, and advanced AF capabilities.
- You shoot a wide variety of genres including portrait, landscape, macro, and professional video.
- You intend to invest in a versatile Leica L-mount lens system.
- You work in controlled or challenging environments needing solid durability and connectivity.
- Budget is flexible and professional-grade performance outweighs size and weight concerns.
Opt instead for the Panasonic Lumix DMC-ZS50 if:
- You prefer a highly compact, lightweight camera primarily for travel, casual, or street photography.
- You value a powerful zoom lens in a pocketable format with easy handling.
- Your budget is limited but you want better quality than typical smartphone cameras.
- You rarely require advanced manual controls or professional video features.
- Carrying and swapping lenses is undesirable or impractical.
- Occasional wildlife or action shots are desired over professional speed and precision.
Both cameras represent distinct solutions targeting different segments within the photography market. Understanding their core technological differences and real-world capabilities is essential. The S1R stands as a formidable tool for serious photographers committed to excellence and flexibility. The ZS50 remains an astute choice for travelers and hobbyists seeking all-in-one convenience without the complexity or expense.
Researching hands-on reviews, testing actual usage scenarios, and considering workflow compatibility further aid in selecting the system aligned best with your photographic ambitions.
Disclaimer: Specifications and performance notes are compiled from personal testing experiences, manufacturer data, and industry-standard metrics including DxOMark benchmarks, offering an authoritative frame of reference for camera evaluation. All images and data points illustrate comparative aspects discussed herein.
Panasonic S1R vs Panasonic ZS50 Specifications
Panasonic Lumix DC-S1R | Panasonic Lumix DMC-ZS50 | |
---|---|---|
General Information | ||
Brand | Panasonic | Panasonic |
Model | Panasonic Lumix DC-S1R | Panasonic Lumix DMC-ZS50 |
Also called as | - | Lumix DMC-TZ70 |
Category | Pro Mirrorless | Small Sensor Superzoom |
Released | 2019-02-01 | 2015-01-06 |
Physical type | SLR-style mirrorless | Compact |
Sensor Information | ||
Processor Chip | Venus Engine | - |
Sensor type | CMOS | CMOS |
Sensor size | Full frame | 1/2.3" |
Sensor dimensions | 36 x 24mm | 6.17 x 4.55mm |
Sensor area | 864.0mm² | 28.1mm² |
Sensor resolution | 47MP | 12MP |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Max resolution | 8000 x 6000 | 4000 x 3000 |
Max native ISO | 25600 | 6400 |
Max enhanced ISO | 51200 | - |
Lowest native ISO | 100 | 80 |
RAW data | ||
Lowest enhanced ISO | 50 | - |
Autofocusing | ||
Manual focus | ||
Touch to focus | ||
Autofocus continuous | ||
Autofocus single | ||
Autofocus tracking | ||
Selective autofocus | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Number of focus points | 225 | 23 |
Lens | ||
Lens mounting type | Leica L | fixed lens |
Lens focal range | - | 24-720mm (30.0x) |
Highest aperture | - | f/3.3-6.4 |
Macro focus distance | - | 3cm |
Total lenses | 30 | - |
Crop factor | 1 | 5.8 |
Screen | ||
Display type | Tilting | Fixed Type |
Display sizing | 3.2 inches | 3 inches |
Resolution of display | 2,100 thousand dots | 1,040 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Viewfinder Information | ||
Viewfinder type | Electronic | Electronic |
Viewfinder resolution | 5,760 thousand dots | 1,166 thousand dots |
Viewfinder coverage | 100% | 100% |
Viewfinder magnification | 0.78x | 0.46x |
Features | ||
Minimum shutter speed | 60s | 4s |
Fastest shutter speed | 1/8000s | 1/2000s |
Fastest quiet shutter speed | 1/16000s | - |
Continuous shutter rate | 9.0fps | 10.0fps |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Custom white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | no built-in flash | 6.40 m |
Flash settings | Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync, Slow Sync w/Red-eye Reduction, Forced Off | Auto, Auto/Red-eye Reduction, Forced On, Slow Sync./Red-eye Reduction, Forced Off |
External flash | ||
Auto exposure bracketing | ||
WB bracketing | ||
Fastest flash synchronize | 1/320s | - |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 3840 x 2160 @ 60p / 150 Mbps, MOV, H.264, Linear PCM | 1920 x 1080 (60p/60i/30p), 1280 x 720 (60p/30p), 640 x 480 (30p) |
Max video resolution | 3840x2160 | 1920x1080 |
Video format | MPEG-4, H.264 | MPEG-4, AVCHD |
Mic support | ||
Headphone support | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | Yes (can be charged with high-power laptop/tablet chargers or portable power banks) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 1020 gr (2.25 lb) | 243 gr (0.54 lb) |
Dimensions | 149 x 110 x 97mm (5.9" x 4.3" x 3.8") | 111 x 65 x 34mm (4.4" x 2.6" x 1.3") |
DXO scores | ||
DXO Overall score | 100 | 44 |
DXO Color Depth score | 26.4 | 20.0 |
DXO Dynamic range score | 14.1 | 11.2 |
DXO Low light score | 3525 | 138 |
Other | ||
Battery life | 360 photographs | 300 photographs |
Type of battery | Battery Pack | Battery Pack |
Self timer | Yes | Yes (2 or 10 sec) |
Time lapse recording | ||
Type of storage | - | SD/SDHC/SDXC, Internal |
Card slots | Two | 1 |
Pricing at release | $3,698 | $350 |