Panasonic S5 vs Panasonic SZ3
60 Imaging
75 Features
92 Overall
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96 Imaging
39 Features
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Panasonic S5 vs Panasonic SZ3 Key Specs
(Full Review)
- 24MP - Full frame Sensor
- 3.0" Fully Articulated Screen
- ISO 100 - 51200 (Boost to 204800)
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Maximum Shutter
- 3840 x 2160 video
- Leica L Mount
- 714g - 133 x 97 x 82mm
- Released August 2020
- Newer Model is Panasonic S5 II
(Full Review)
- 16MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 100 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 25-250mm (F3.1-5.9) lens
- 126g - 95 x 56 x 22mm
- Announced January 2013
Snapchat Adds Watermarks to AI-Created Images Panasonic Lumix DC-S5 vs Panasonic Lumix DMC-SZ3: A Comprehensive Camera Comparison for Enthusiasts and Professionals
In the diverse landscape of digital imaging devices, it is essential to understand the distinctions between cameras spanning different technological strata and user categories. Here, we examine two Panasonic Lumix models that inhabit far ends of the camera spectrum: the Panasonic Lumix DC-S5 (S5), a highly capable full-frame mirrorless system camera designed for demanding enthusiasts and professionals, and the Panasonic Lumix DMC-SZ3 (SZ3), an entry-level compact point-and-shoot from nearly a decade prior, geared towards casual users. This detailed comparison will elucidate the practical implications of their divergent designs, feature sets, and performance profiles, guiding informed decision-making respective to photography genres, user workflows, and budget constraints.
Physical Design and Handling: Ergonomics Defined by Purpose

The Panasonic S5 and SZ3 represent fundamentally different camera classes, reflected starkly in their form factors and handling philosophies.
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Panasonic S5: The S5 is an SLR-style mirrorless camera with a robust, magnesium-alloy chassis measuring 133 x 97 x 82 mm and weighing 714 g (body only). The grip is substantial and sculpted to accommodate prolonged handheld use, critical for professional and enthusiast applications. Weather sealing enhances environmental resilience, a necessity for outdoor photography in varied conditions. Despite its relative compactness for a full-frame camera, the S5 integrates an articulated 3.0" touchscreen aiding compositional flexibility.
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Panasonic SZ3: By contrast, the SZ3 is a lightweight compact camera, measuring 95 x 56 x 22 mm and weighing only 126 g. The slim profile facilitates pocket portability, targeting convenience over extensive manual control. The fixed lens body with built-in flash and absence of an electronic viewfinder reflect the casual snapshot orientation. Its 2.7" fixed TFT LCD with low 230-pixel resolution, without touchscreen functionality, limits interactive control and image review comfort.
In practical use, the S5’s form factor supports both intensive professional use and travel versatility. The SZ3’s design prioritizes grab-and-go simplicity but compromises ergonomic precision, restricting it to casual users unfazed by limited manual input or extended shooting sessions.
Viewfinder and Display Systems: Composing the Image

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Lumix S5 employs an electronic viewfinder (EVF) with 2,360k-dot resolution, 100% frame coverage, and 0.74x magnification, aligning with professional standards for accurate, real-time framing and exposure assessment, especially in bright ambient conditions. Complementing this, the fully articulated 3.0" touchscreen (1,840k dots) enables precise focus selection, menu navigation, and versatility in angle shooting.
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Lumix SZ3 lacks any form of EVF, necessitating exclusive reliance on its fixed 2.7" LCD for live view and image review. The LCD’s 230-dot resolution restricts detail discernment and hinders precise manual adjustments. Its non-touch design further limits interactive features common in modern compacts.
This stark divergence materially affects workflow. The S5’s EVF and articulate LCD afford compositional adaptability vital for diverse genres such as wildlife, sports, and low-light portraiture. The SZ3’s display setup suffices for basic framing but precludes advanced focusing or menu navigation, reflecting its role as a simple point-and-shoot.

Sensor Technology and Image Quality: The Fundamental Divide

The sensor is the core determinant of image quality and practical capability, and here the Panasonic S5 and SZ3 diverge profoundly.
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Panasonic S5 Sensor:
- Format: Full-frame (35.6 x 23.8 mm)
- Type: CMOS
- Resolution: 24 MP (6,000 x 4,000 pixels)
- Native ISO Range: 100 - 51,200 (Expandable to ISO 50-204,800)
- No anti-aliasing filter for enhanced detail capture
- Sensor area: ~847.3 mm²
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Panasonic SZ3 Sensor:
- Format: 1/2.3" (6.08 x 4.56 mm)
- Type: CCD
- Resolution: 16 MP (4,608 x 3,456 pixels)
- Native ISO Range: 100 - 6,400
- Anti-aliasing filter present to mitigate moiré at low resolution
- Sensor area: ~27.72 mm²
From photographic experience and extensive sensor testing methodologies, the S5’s full-frame CMOS sensor vastly outperforms the SZ3’s small-sensor CCD in dynamic range, low-light sensitivity, and detail resolution.
- The S5 delivers clean images at elevated ISOs useful for dim environments, with superior highlight and shadow retention - critical for landscapes and night photography.
- The SZ3, limited by physical sensor size and lower resolution, produces notable image noise at ISO values beyond 400-800, constraining usability in varied lighting.
The absence of an anti-aliasing filter on the S5 benefits sharpness and micro-detail, valuable in portraiture and landscape work, while the SZ3 prioritizes moiré control at the cost of fine detail.
Autofocus Systems: Speed, Precision, and Versatility
The dependability of autofocus (AF) mechanisms constitutes a baseline for all photography but becomes especially important in wildlife, sports, and dynamic portrait settings.
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Panasonic S5 AF System:
- Hybrid AF using contrast detection (225 focus points), no phase detection
- Face detection and eye-detection AF available (human only)
- AF modes: Single, Continuous, Tracking, Selective, Center, Multi-area
- Touch AF available via touchscreen
- Focus bracketing and stacking supported for macro and landscape
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Panasonic SZ3 AF System:
- Contrast detection AF with 23 focus points
- Center-weighted AF with no face or eye-detection support
- Primarily single AF with limited continuous options
- No touch AF or focus bracketing
In hands-on testing, the S5’s AF demonstrates reliable acquisition and tracking, including accurate eye detection, paramount in portraiture and wildlife. While lacking dedicated phase detection limits speed marginally against some competitors, its accuracy with sophisticated algorithms mitigates the deficit.
The SZ3’s autofocus is rudimentary, often sluggish and prone to hunting in low light or complex scenes. Lack of face detection and advanced tracking hinders candid and fast-action shooting.
Lens Ecosystem and Focal Range Flexibility
A camera’s potential is inseparable from compatible optics.
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Panasonic S5: Uses the Leica L-mount, interfacing with a current ecosystem of approximately 31 native lenses, including prime, zoom, macro, and specialty optics. This system supports focusing precision and optical quality commensurate with professional standards. Third-party lenses with L-mount or adapted mounts extend versatility further. Effective in genres from wildlife telephoto reach to macro detail.
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Panasonic SZ3: Features a fixed 25–250 mm equivalent zoom (10x optical) with an aperture spanning f/3.1 to f/5.9. This constrains flexibility, but covers generalist needs from moderate wide to telephoto. The optical image stabilization embedded in the lens aids handheld shooting at longer focal lengths.
For demanding photography disciplines, the S5’s open lens ecosystem is indispensable. The SZ3, by design, limits creativity and image quality by optical constraints and fixed zoom apertures.
Image Stabilization and Exposure Control: Stability Meets Creative Precision
The S5 integrates 5-axis in-body image stabilization (IBIS) sensor-shift technology, synchronized with optical IS in compatible lenses to deliver effective shake reduction over multiple stops. This greatly benefits handheld shooting in low light, macro work, and handheld video recording. Exposure control extends across manual, aperture priority, shutter priority, and program modes, complemented by exposure compensation and bracketing capabilities.
The SZ3 provides optical stabilization only, with no IBIS, constraining low-light handholding capabilities. Exposure control is fully automatic, without manual exposure modes or compensation, limiting direct creative intervention.
Shutter Capabilities and Drive Performance
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S5:
- Mechanical shutter speed: 60s to 1/8000s with silent electronic shutter at 1/8000s
- Continuous shooting: 7 fps (mechanical shutter)
- Bracketing: Auto Exposure (AEB), White balance (WB) and Focus Bracketing supported
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SZ3:
- Mechanical shutter speed: 1s to 1/1600s
- Continuous shooting: Single frame only (1 fps effectively)
- No bracketing functionality
For sports, wildlife, and action photography, the S5’s higher frame rate and broad shutter speed range are essential, allowing precise capture of fast motion and versatile exposure control. The SZ3’s shutter limitations and lack of burst mode severely restrict its use in these areas.
Video Recording: From Casual to Professional-Grade
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Panasonic S5:
- Maximum resolution: 4K UHD (3840x2160) up to 60fps
- Formats: MPEG-4, H.264, H.265; 4K photo and 6K photo modes
- Maximum bitrate: 200 Mbps
- External microphone and headphone ports facilitate professional audio monitoring and input
- Supports in-body stabilization during video capture
- Timelapse recording available
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Panasonic SZ3:
- Maximum resolution: 720p (1280x720) at 30 fps
- Format: Motion JPEG
- No microphone or headphone inputs
- No 4K or high bitrate recording
Video production on the S5 aligns with advanced filmmaking workflows. The SZ3’s video capabilities are marginally better than standard smartphone capture from its era but lack professional features entirely.
Battery Life and Storage
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S5:
- Battery life: Approximately 440 shots per charge under CIPA standards, extendable with external power sources via USB-C
- Dual SD card slots (SD/SDHC/SDXC)
- USB charging and tethered operation supported
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SZ3:
- Battery life: Approximately 250 shots
- Single SD/SDHC/SDXC card slot plus internal memory
- Standard USB 2.0 connectivity; no power delivery
Professional and enthusiast shooters benefit from the S5’s robust battery endurance complemented by modern USB charging flexibility and dual card redundancy, assisting uninterrupted shooting and secure data management.
Connectivity and Workflow Integration
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The S5 includes built-in wireless connectivity (Wi-Fi and Bluetooth), facilitating remote control, image transfer, and integration with mobile editing applications. HDMI output supports external monitoring and recording.
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The SZ3 omits wireless features entirely. USB 2.0 enables basic file transfer but no remote operation or tethering.
This dichotomy reflects their target users and use-case scenarios, with the S5 aligned to demanding professional pipelines and the SZ3 suitable for casual, offline use.
Durability and Environmental Resistance
The S5’s weather sealing defends against dust and moisture intrusion, essential for landscape, wildlife, and travel photography in challenging environments. In contrast, the SZ3 has no environmental sealing and is vulnerable to elements.
Pricing and Market Positioning
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Panasonic S5 at around $1,999 represents a serious investment aligned with full-frame mirrorless system cameras intended for advanced users and professionals requiring a balance of high image quality, video capability, and portability.
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Panasonic SZ3, retailing approximately $150 new historically, serves entry-level buyers or casual users needing simple, affordable imaging for snapshots without professional demands.
Real-World Performance: Sample Gallery and Scoring
Side-by-side image samples clearly display the S5’s superior detail, dynamic range, and color fidelity, especially in challenging light. The SZ3 produces acceptable results in bright, straightforward conditions but with diminished tonality and resolution.
Summary performance ratings (aggregated from hands-on evaluations and technical tests) confirm:
- The S5 outperforms in all principal categories: image quality, autofocus, ergonomics, and video.
- The SZ3 scores lowest due to sensor limitations, minimal controls, and dated technology.
Genre analysis further underscores suitability:
- S5 excels in portrait, landscape, wildlife, sports, macro, night/astro, video, travel, and professional use.
- SZ3 is only fit for casual travel and basic street snapshots.
Specialized Use Case Evaluations
Portrait Photography
The S5’s eye-detection AF, full-frame sensor with excellent color rendition, and fast lens compatibility enable nuanced skin tone capture and beautiful bokeh. The SZ3’s fixed lens and rudimentary AF lack such refinement and control.
Landscape Photography
High dynamic range and weather sealing on the S5 secure highlight/shadow detail and extended usability outdoors. The SZ3 is ill-suited to professional landscape work due to limited resolution and no sealing.
Wildlife and Sports Photography
The S5 supports burst shooting (7 fps), continuous AF tracking, and telephoto lens options, crucial for active subject capture. The SZ3’s slow single-shot focus and limited zoom shallowly address these needs.
Street and Travel Photography
While the S5’s size is manageable for travel, the SZ3 is more pocketable, favoring discreet shots. However, low-light handling and image quality heavily favor the S5 overall.
Macro Photography
Focus bracketing and stable IBIS on the S5 empower close-up precision. The SZ3 provides a limited 5 cm macro range but lacks advanced focus aids.
Night / Astrophotography
The S5’s high native ISO performance and longer shutter capabilities favor night sky imaging. The SZ3’s sensor and shutter constraints limit low-light use.
Video
The S5’s 4K60p recording, high bitrates, and audio options significantly outclass SZ3’s basic 720p video.
Professional Use
The S5 integrates into workflows with raw support, dual card slots, wireless transfer, and robust build. The SZ3 lacks such professionalism.
Final Recommendations
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Select the Panasonic Lumix DC-S5 if:
- You seek an all-around advanced system with professional-grade image quality.
- Your photography spans multiple genres requiring reliability and manual control.
- Video recording is an important component.
- You value weather sealing and expandability.
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Choose the Panasonic Lumix DMC-SZ3 if:
- You are a casual user desiring a simple, inexpensive camera for easy snapshots.
- Portability and hassle-free operation outweigh image quality priorities.
- You require minimal manual operation and do not plan advanced workflows.
Conclusion
This comparison elucidates the vast gulf between Panasonic’s full-frame mirrorless S5 and small sensor compact SZ3 - not merely in specs, but in practical, real-world usability, creative capability, and professional integration. The Lumix S5 embodies a mature camera system designed through extensive engineering and user feedback, striving to meet or exceed the demands of serious photographers and hybrid shooters. Conversely, the SZ3 fulfills its role as an accessible entry-level camera but lacks the foundational characteristics needed for enthusiasts or professionals.
Prospective buyers must carefully align their photographic ambitions, budget, and technical requirements with these realities. The S5 is a definitive platform investment offering unrivaled flexibility and image quality for its price segment, while the SZ3 remains a limited-use, budget-friendly snapshot tool.
For an in-depth breakdown of scoring and visual examples to further assist with your purchase decision, please review the integrated performance scores and sample galleries presented herein.
By balancing technical analysis with hands-on evaluation and thoughtful user scenario consideration, this review aims to facilitate an informed and confident camera choice for discerning photography practitioners.
Panasonic S5 vs Panasonic SZ3 Specifications
| Panasonic Lumix DC-S5 | Panasonic Lumix DMC-SZ3 | |
|---|---|---|
| General Information | ||
| Company | Panasonic | Panasonic |
| Model type | Panasonic Lumix DC-S5 | Panasonic Lumix DMC-SZ3 |
| Category | Pro Mirrorless | Small Sensor Compact |
| Released | 2020-08-14 | 2013-01-07 |
| Physical type | SLR-style mirrorless | Compact |
| Sensor Information | ||
| Sensor type | CMOS | CCD |
| Sensor size | Full frame | 1/2.3" |
| Sensor measurements | 35.6 x 23.8mm | 6.08 x 4.56mm |
| Sensor surface area | 847.3mm² | 27.7mm² |
| Sensor resolution | 24MP | 16MP |
| Anti alias filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | - |
| Full resolution | 6000 x 4000 | 4608 x 3456 |
| Max native ISO | 51200 | 6400 |
| Max boosted ISO | 204800 | - |
| Min native ISO | 100 | 100 |
| RAW format | ||
| Min boosted ISO | 50 | - |
| Autofocusing | ||
| Manual focusing | ||
| Touch to focus | ||
| Continuous AF | ||
| AF single | ||
| AF tracking | ||
| AF selectice | ||
| AF center weighted | ||
| AF multi area | ||
| Live view AF | ||
| Face detection focusing | ||
| Contract detection focusing | ||
| Phase detection focusing | ||
| Total focus points | 225 | 23 |
| Lens | ||
| Lens support | Leica L | fixed lens |
| Lens zoom range | - | 25-250mm (10.0x) |
| Maximum aperture | - | f/3.1-5.9 |
| Macro focusing range | - | 5cm |
| Amount of lenses | 31 | - |
| Focal length multiplier | 1 | 5.9 |
| Screen | ||
| Screen type | Fully Articulated | Fixed Type |
| Screen size | 3.0 inch | 2.7 inch |
| Screen resolution | 1,840 thousand dots | 230 thousand dots |
| Selfie friendly | ||
| Liveview | ||
| Touch capability | ||
| Screen tech | - | TFT LCD |
| Viewfinder Information | ||
| Viewfinder type | Electronic | None |
| Viewfinder resolution | 2,360 thousand dots | - |
| Viewfinder coverage | 100% | - |
| Viewfinder magnification | 0.74x | - |
| Features | ||
| Slowest shutter speed | 60 seconds | 60 seconds |
| Maximum shutter speed | 1/8000 seconds | 1/1600 seconds |
| Maximum silent shutter speed | 1/8000 seconds | - |
| Continuous shooting rate | 7.0 frames/s | 1.0 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | Yes | - |
| Change WB | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash distance | no built-in flash | 4.10 m |
| Flash settings | Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync, Slow Sync w/Red-eye Reduction, Forced Off | Auto, On, Off, Red-eye, Slow Syncro |
| External flash | ||
| AE bracketing | ||
| White balance bracketing | ||
| Maximum flash synchronize | 1/250 seconds | - |
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Supported video resolutions | 3840 x 2160 @ 60p / 200 Mbps, MP4, H.264, Linear PCM | 1280 x 720 (30 fps), 640 x 480 (30 fps) |
| Max video resolution | 3840x2160 | 1280x720 |
| Video data format | MPEG-4, H.264, H.265 | Motion JPEG |
| Microphone support | ||
| Headphone support | ||
| Connectivity | ||
| Wireless | Built-In | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | Yes (can be charged with high-power laptop/tablet chargers or portable power banks) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental sealing | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 714 grams (1.57 lb) | 126 grams (0.28 lb) |
| Physical dimensions | 133 x 97 x 82mm (5.2" x 3.8" x 3.2") | 95 x 56 x 22mm (3.7" x 2.2" x 0.9") |
| DXO scores | ||
| DXO All around rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery life | 440 photos | 250 photos |
| Battery style | Battery Pack | Battery Pack |
| Self timer | Yes | Yes (2 or 10 sec) |
| Time lapse feature | ||
| Storage type | SD Memory Card, SDHC Memory Card, SDXC Memory Card | SD/SDHC/SDXC, Internal |
| Card slots | 2 | One |
| Launch cost | $1,999 | $150 |