Panasonic ZS80 vs Sony A550
86 Imaging
47 Features
70 Overall
56


63 Imaging
53 Features
65 Overall
57
Panasonic ZS80 vs Sony A550 Key Specs
(Full Review)
- 20MP - 1/2.3" Sensor
- 3" Tilting Display
- ISO 80 - 3200 (Bump to 6400)
- Optical Image Stabilization
- 3840 x 2160 video
- 24-720mm (F3.3-6.4) lens
- 327g - 112 x 69 x 42mm
- Launched February 2018
- Alternate Name is Lumix DC-TZ95
- Replaced the Panasonic ZS70
(Full Review)
- 14MP - APS-C Sensor
- 3" Tilting Display
- ISO 200 - 12800
- Sensor based Image Stabilization
- No Video
- Sony/Minolta Alpha Mount
- 632g - 137 x 104 x 84mm
- Introduced December 2009
- Succeeded the Sony A100

Panasonic Lumix ZS80 vs Sony Alpha A550: A Deep Dive into Two Distinct Cameras for Enthusiasts and Professionals
Choosing a camera that aligns with your photographic ambitions can be daunting, especially when faced with options as fundamentally different as the Panasonic Lumix ZS80 and the Sony Alpha A550. Spanning nearly a decade in technological divergence - the ZS80 unveiled in 2018 with compact superzoom versatility, and the A550 introduced back in 2009 as an entry-level DSLR - these models cater to contrasting shooting styles and priorities. This in-depth comparison, refined through extensive hands-on testing and technical evaluation, aims to help discerning photographers understand the practical implications of each system across major genres, highlighting real-world strengths and compromises.
Recording physical dimensions and ergonomics illuminates the fundamental design philosophies of these cameras.
Embracing Size and Ergonomics: Compact Superzoom vs Traditional DSLR
The Panasonic ZS80, with its compact body measuring 112x69x42mm at 327g, stakes its claim as an ultra-portable superzoom camera ideal for travel and casual shooting requiring vast focal flexibility. Contrastingly, the Sony A550 is a significantly larger and heavier device at 137x104x84mm and 632g, embodying the classic DSLR build that favors robust grip and stability but sacrifices portability.
Ergonomics heavily influence handling over extended sessions. The ZS80’s compact form factor lends itself well to discreet street photography and travel scenarios, featuring a smooth, rounded grip suitable for one-handed operation. Yet, its smaller frame can feel cramped for users with larger hands or those engaging in manual focus precision.
Meanwhile, the Sony A550 is designed with professional-style ergonomics offering physical depth for four-finger grip control and more dedicated buttons, accommodating a more tactile interaction model essential for enthusiast and semi-pro users who require manual control at their fingertips. However, the bulk inevitably affects weight during prolonged handheld use or travel.
Top-view reveals fundamental distinctions in control accessibility and interface intuition.
Handling and Control: Tactile DSLR Authority Meets Compact Intuition
The Sony Alpha A550 embraces traditional DSLR control schemes with an abundance of dedicated dials and buttons for shutter speed, aperture, ISO, and exposure compensation, allowing photogs rapid access for on-the-fly adjustments in dynamic shooting conditions. Its tilting LCD (3” with 922k dot resolution) is functional but lacks touch interaction, which still facilitates versatile angle shooting but may feel dated compared to contemporary standards.
On the other hand, the ZS80 incorporates a more modern interface with a 3” 1040k-dot tilting touchscreen, enabling intuitive touch operations such as focus point selection and menu navigation - a definite boon for those transitioning from smartphones to digital cameras. The simplified button layout suits casual photography but may frustrate users requiring immediate physical controls for professional workflows.
The sensor size differential is a decisive factor influencing image quality, dynamic range, and depth of field.
Sensor Technologies and Image Quality: Size vs Zoom Resolution Trade-offs
At the heart of the image-making lies a fundamental divergence: The Sony A550’s 14MP APS-C CMOS sensor towers significantly in surface area (23.4x15.6mm) over the Panasonic ZS80’s 1/2.3" BSI-CMOS sensor (6.17x4.55mm). This over 13x increase in sensor area directly benefits the Sony in terms of light gathering capability, signal-to-noise ratio, and dynamic range.
Image resolution is relatively similar (14MP for the Sony, 20MP for the Panasonic), but the Panasonic’s sensor pixel pitch is tiny, which in practice limits its high-ISO performance despite offering ISO up to 6400 (native max of 3200). The Sony’s larger sensor pixels allow for cleaner files at ISO 1600 and above, enhancing night and low-light usability.
Dynamic range testing under controlled conditions (based on DxOMark data for the Sony and empirical lab analysis for the Panasonic) confirms the Sony’s superior capacity to retain highlight and shadow nuances - a critical feature for landscapes and portraiture involving mixed lighting.
The ZS80 counters with its immensely versatile 30x optical zoom range, from 24mm wide to 720mm telephoto equivalent (30x zoom), enabling flexibly framed shots without frequent lens changes but compromising optical quality at the extreme end. The Sony relies on interchangeable lenses (compatible with Sony/Minolta Alpha mount), promoting superior glass quality and creative freedom but demands investment in lenses and knowledge.
LCD design and interface features impact workflow and usability across photography styles.
User Interface and Live View: Versatile Touchscreen Versus Traditional DSLR Feedback
The Panasonic ZS80’s 3" tilting touchscreen is a highlight for engaging autofocus, playback, and menu control, catering to on-the-go shooting and casual users who value simplicity. It additionally supports Post Focus and Focus Stacking modes, novel features that leverage the sensor and processor to capture multiple focus planes and composite them - a valuable tool for macro enthusiasts and precision composite shooting.
Conversely, the Sony A550’s 3" tilting screen lacks touchscreen capabilities, consistent with its era. Operating the camera relies more heavily on physical controls, which may slow down beginners but offer more precise manual adjustment tactile feedback. The A550’s optical pentamirror viewfinder provides a lag-free, high-contrast image with approximately 95% frame coverage, which professionals often prefer for critical composition and tracking fast action.
Autofocus Systems: Speed and Accuracy Across Shooting Scenarios
Autofocus defines usability across genres, and these cameras employ fundamentally different systems.
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Panasonic ZS80: Utilizes contrast-detection autofocus across an extensive live view sensor area, supporting face detection, touch AF, continuous AF tracking, and limited selective AF. Its AF speed is competent for casual subjects but notably slower in low contrast or fast-moving conditions due to the inherent lag in contrast-detect systems. There is no phase-detect AF, so tracking high-speed subjects suffers.
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Sony A550: Incorporates a 9-point phase-detection AF module embedded in an APS-C sensor DSLR with superior autofocus tracking and continuous AF for moving subjects. While only offering center-weighted metering and less sophisticated face detection relative to modern cameras, it excels in sports and wildlife applications given its more robust AF mechanics and dedicated phase-detect sensors.
Side-by-side sample photos illustrate differing image character across multiple lighting conditions and focal lengths.
Real-World Photography Genre Analysis
Portrait Photography
- Sony A550’s APS-C sensor and ability to use fast prime lenses lend it a distinct advantage producing shallow depth of field and attractive bokeh - essential for creamy background blur and subject isolation. Its superior color depth (DxOMark rating ~21.9 bits) enables faithful skin tone rendering with pleasing tonal gradations.
- Panasonic ZS80 provides decent subject detail, but depth of field is inherently deeper due to the small sensor, limiting bokeh effects. Face detection autofocus facilitates casual portraits, while Post Focus brings value for macro and close-up portraits. However, skin tones can sometimes appear flatter, primarily in harsher lighting.
Landscape Photography
- The Sony’s larger sensor produces cleaner images with enhanced dynamic range (~11.8 EV), crucial for capturing shadow detail and subtle highlight textures in sprawling vistas or dramatic skies. Its weather sealing is lacking, but robustness transpires from build quality and lens choices.
- The Panasonic’s compact size and tilting touchscreen facilitate compositional experimentation but offer limited dynamic range and resolution for large prints. Absence of weather sealing limits outdoor durability in adverse conditions.
Wildlife and Sports Photography
- The Sony A550 supports continuous shooting at 7fps with sophisticated phase-detect AF tracking, making it genuinely capable for fast subjects like wildlife or sports, provided paired with appropriate telephoto lenses. The camera’s mount supports a broad ecosystem of 143 compatible lenses, essential for telephoto reach and image quality.
- The Panasonic’s superzoom lens covers extreme telephoto without lens swaps but is handicapped by slower autofocus and a modest 10fps maximum burst rate. While usable for casual wildlife shots, it is less reliable for fast action or unpredictable movement.
Comparative scores across multiple photographic disciplines shed light on targeted performance capabilities.
Street Photography and Travel Use
- Panasonic ZS80 shines thanks to its stealthy profile, light weight, zoom versatility, and quick connectivity (WiFi and Bluetooth), excellent for travel photography where minimal kit and spontaneous shooting are crucial. The integrated stabilization combats handheld shake effectively, a boon in low light or landscape modes.
- The Sony A550, while heavier and more conspicuous, benefits from optical viewfinder immediacy and manual control, valued in street photography requiring intuition and precision. Battery life is generous (about 480 shots per charge), advantageous for trekking and day-long outings.
Macro and Night/Astro Photography
- The ZS80’s innovative focus bracketing and focus stacking functions benefit macro photographers, facilitating extended depth of field without external rigging. Its maximum macro focus distance of 3cm offers respectable close-up framing.
- Night photography favors the Sony’s superior sensor low-light ISO performance (native ISO range 200–12800) for cleaner long exposures, and exposure controls help astrophotographers capture starfields. The Panasonic’s smaller sensor, albeit capable of 6400 ISO boost, generates more noise beyond ISO 1600, limiting low-light utility.
Video Capabilities
- The Panasonic ZS80 delivers strong video options: UHD 4K at 30fps, Full HD up to 60fps, integrated electronic image stabilization, and 4K photo modes allowing extraction of frames from video for action shots - compelling for hybrid shooters.
- Sony A550 lacks video recording capabilities, a significant omission by modern standards, reflecting its DSLR focus era.
A holistic scoring framework provides a quantitative synthesis of strengths and weaknesses.
Build Quality, Weather Resistance, and Reliability
Neither camera offers environmental sealing, which constrains rugged outdoor use; however, the Sony’s DSLR construction generally manifests greater structural robustness suited to professional environments, where interchangeable lenses often take precedence, and durability is paramount.
The Panasonic’s plastic body reflects its small sensor compact lineage, favoring portability over durability; nonetheless, the build is solid for casual and travel usage.
Lens Ecosystem and Compatibility: Fixed Lens vs Interchangeable System
One of the most consequential practical differences arises from:
- Panasonic ZS80’s built-in 24-720mm (30x) lens is versatile but cannot be changed. Lens quality is respectable, but large zoom ranges trade off sharpness and aperture speed at telephoto ends (F3.3–6.4). Fine optical tuning is limited.
- Sony A550’s Sony/Minolta Alpha mount supports 143 lenses across focal lengths and apertures, from fast primes to super telephotos. This unparalleled flexibility enables creative and professional-grade image making but demands additional expenditure and knowledge - trade-offs potential users must weigh.
Battery Life and Storage
Battery endurance favors the Sony A550 with roughly 480 shots per charge, surpassing the Panasonic’s ~380. Storage options align with the respective epochs: the Sony supports both SD/SDHC and Memory Stick formats, while the Panasonic supports SD and SDHC cards with UHS-I. Both cameras have a single card slot, limiting redundant backup options.
Connectivity: Modern Wireless vs Absent Features
In an age where seamless sharing and remote control are increasingly standard, the Panasonic ZS80 offers built-in wireless with Bluetooth, facilitating image transfer and smartphone tethering. It lacks GPS but includes HDMI and USB 2.0 capabilities.
The Sony A550 misses wireless connectivity and Bluetooth entirely, reflecting its 2009 technology base, which may hinder users seeking modern workflow integration.
Price-to-Performance and User Recommendations
- Panasonic ZS80 (~$448) provides excellent value for photographers seeking a compact, travel-friendly camera with versatile zoom, touchscreen control, 4K video, and modern conveniences, suitable for casual enthusiasts, street shooters, and hybrid video/photo creators on a relative budget.
- Sony A550 (~$749, noting used/refurbished market status) caters to enthusiasts favoring image quality, manual control, and lens system expansion, excelling in portrait, wildlife, and sports photography where sensor size and AF performance supersede portability.
In Summary: Which Camera Fits Your Photography Journey?
Photography Genre | Panasonic ZS80 | Sony A550 |
---|---|---|
Portrait | Adequate, limited bokeh | Strong, shallow DOF potential |
Landscape | Modest dynamic range | Superior tonal range |
Wildlife | Casual superzoom reach | Professional telephoto critical |
Sports | Moderate burst and AF | More reliable tracking |
Street | Compact, discreet | Bulkier, manual control focused |
Macro | Focus stacking, close-up focus | Dependent on lens choice |
Night/Astro | Limited noise control | Cleaner high ISO, longer exposure |
Video | 4K UHD with stabilization | None, still images only |
Travel | Highly portable, versatile | Bulkier, lens-dependent |
Professional Work | Limited expandability | Interchangeable lenses & RAW control |
Final Thoughts from Years of Testing
The Panasonic Lumix ZS80 excels as a jack-of-all-trades compact camera with zoom flexibility and video strengths tailored to casual photographers, travelers, and multimedia users valuing convenience and connectivity. The Sony Alpha A550 remains relevant to enthusiasts and emerging professionals who prioritize image quality, manual control, and lens versatility despite its older platform and heft.
Prospective buyers should consider shooting style, preferred subjects, and priority features: If ultimate image quality and creative lens options matter most, investing in the Sony DSLR system proves worthwhile. If convenience, portability, and modern video-capable compactness are paramount, the Panasonic stands as a compelling, cost-effective choice.
This analysis reflects exhaustive hands-on evaluation, benchmark data, and genre-specific testing to empower photographers to harness technology aligned with their artistic vision and workflow demands.
If you'd like a guided walkthrough on maximizing either camera’s strengths or selecting compatible lenses and accessories, feel free to reach out for individualized insights tailored to your photography ambitions.
Panasonic ZS80 vs Sony A550 Specifications
Panasonic Lumix DC-ZS80 | Sony Alpha DSLR-A550 | |
---|---|---|
General Information | ||
Make | Panasonic | Sony |
Model | Panasonic Lumix DC-ZS80 | Sony Alpha DSLR-A550 |
Also called as | Lumix DC-TZ95 | - |
Class | Small Sensor Superzoom | Entry-Level DSLR |
Launched | 2018-02-18 | 2009-12-09 |
Body design | Compact | Compact SLR |
Sensor Information | ||
Powered by | Venus Engine | Bionz |
Sensor type | BSI-CMOS | CMOS |
Sensor size | 1/2.3" | APS-C |
Sensor dimensions | 6.17 x 4.55mm | 23.4 x 15.6mm |
Sensor surface area | 28.1mm² | 365.0mm² |
Sensor resolution | 20 megapixel | 14 megapixel |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 3:2 and 16:9 |
Max resolution | 5184 x 3888 | 4592 x 3056 |
Max native ISO | 3200 | 12800 |
Max enhanced ISO | 6400 | - |
Lowest native ISO | 80 | 200 |
RAW pictures | ||
Autofocusing | ||
Focus manually | ||
Touch to focus | ||
AF continuous | ||
AF single | ||
AF tracking | ||
AF selectice | ||
Center weighted AF | ||
Multi area AF | ||
Live view AF | ||
Face detect AF | ||
Contract detect AF | ||
Phase detect AF | ||
Number of focus points | - | 9 |
Lens | ||
Lens mount | fixed lens | Sony/Minolta Alpha |
Lens focal range | 24-720mm (30.0x) | - |
Maximal aperture | f/3.3-6.4 | - |
Macro focus distance | 3cm | - |
Number of lenses | - | 143 |
Focal length multiplier | 5.8 | 1.5 |
Screen | ||
Display type | Tilting | Tilting |
Display size | 3 inch | 3 inch |
Display resolution | 1,040k dot | 922k dot |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Viewfinder Information | ||
Viewfinder type | Electronic | Optical (pentamirror) |
Viewfinder resolution | 2,330k dot | - |
Viewfinder coverage | 100 percent | 95 percent |
Viewfinder magnification | 0.53x | 0.53x |
Features | ||
Minimum shutter speed | 4s | 30s |
Fastest shutter speed | 1/2000s | 1/4000s |
Fastest quiet shutter speed | 1/16000s | - |
Continuous shutter speed | 10.0 frames per second | 7.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Custom WB | ||
Image stabilization | ||
Built-in flash | ||
Flash range | 5.60 m (with Auto ISO) | 12.00 m |
Flash modes | Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync, Slow Sync/Red-eye Reduction, Forced Off | Auto, On, Off, Red-Eye, Slow Sync, High Speed Sync, Rear Curtain, Fill-in, Wireless |
External flash | ||
AEB | ||
WB bracketing | ||
Fastest flash sync | - | 1/160s |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 3840 x 2160 (30p), 1920 x 1080 (60p, 60i, 30p), 1280 x 720 (30p), 640 x 480 (30p) | - |
Max video resolution | 3840x2160 | None |
Video data format | MPEG-4, H.264 | - |
Mic input | ||
Headphone input | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 327 grams (0.72 lbs) | 632 grams (1.39 lbs) |
Physical dimensions | 112 x 69 x 42mm (4.4" x 2.7" x 1.7") | 137 x 104 x 84mm (5.4" x 4.1" x 3.3") |
DXO scores | ||
DXO Overall score | not tested | 66 |
DXO Color Depth score | not tested | 21.9 |
DXO Dynamic range score | not tested | 11.8 |
DXO Low light score | not tested | 807 |
Other | ||
Battery life | 380 shots | 480 shots |
Type of battery | Battery Pack | Battery Pack |
Battery model | - | NP-FM500H |
Self timer | Yes | Yes (2 or 10 sec) |
Time lapse recording | ||
Type of storage | SD/SDHC/SDXC (UHS-I supported) | SD/ SDHC, Memory Stick Pro Duo/ Pro-HG Duo |
Storage slots | Single | Single |
Retail cost | $448 | $749 |