Panasonic 3D1 vs Panasonic GX7
93 Imaging
35 Features
36 Overall
35


81 Imaging
52 Features
75 Overall
61
Panasonic 3D1 vs Panasonic GX7 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 3.5" Fixed Screen
- ISO 100 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 25-100mm (F3.9-5.7) lens
- 193g - 108 x 58 x 24mm
- Released November 2011
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Tilting Display
- ISO 125 - 25600
- Sensor based Image Stabilization
- 1/8000s Max Shutter
- 1920 x 1080 video
- Micro Four Thirds Mount
- 402g - 123 x 71 x 55mm
- Launched November 2013
- Earlier Model is Panasonic GX1
- New Model is Panasonic GX8

Panasonic Lumix DMC-3D1 vs. Lumix DMC-GX7: A Detailed Comparison for Photography Enthusiasts
Choosing the right camera can be both exciting and overwhelming, especially when faced with options from the same trusted brand like Panasonic's Lumix series. Today, we're diving deep into two distinct models from Panasonic - the Lumix DMC-3D1 and the Lumix DMC-GX7 - to help you understand how they differ technically, perform in real-world scenarios, and which photographers will benefit most from each. Whether you’re a beginner looking for a simple compact camera or an experienced shooter seeking a versatile mirrorless system, this comparison will unveil the strengths, limitations, and best use cases for each.
Getting to Know the Cameras: Compact 3D or Advanced Mirrorless?
At the foundation, these two Lumix cameras sit in very different categories and target users with diverging needs:
Feature | Panasonic Lumix DMC-3D1 | Panasonic Lumix DMC-GX7 |
---|---|---|
Category | Small Sensor Compact | Advanced Mirrorless (Micro Four Thirds) |
Announcement Date | November 2011 | November 2013 |
Sensor Size | 1/2.3" CMOS (fixed lens, 12 MP) | Four Thirds CMOS (Interchangeable lens, 16 MP) |
Lens Mount | Fixed lens (25-100mm equivalent zoom) | Micro Four Thirds, supports 100+ lenses |
Body Type | Compact, pocketable (108x58x24 mm, 193g) | Rangefinder-style mirrorless (123x71x55 mm, 402g) |
Price (at launch) | ~$670 | ~$1000 |
What does this mean for you?
- The 3D1 was designed as a compact casual shooter with a fixed zoom lens, optimized for accessibility and ease.
- The GX7 caters to more advanced photographers wanting manual control, interchangeable lenses, and expandable creative possibilities.
Sensor Technology and Image Quality: Big Difference in Size and Capability
Sensor size is arguably the most critical factor affecting image quality - and here the gap is substantial.
Specification | Panasonic 3D1 | Panasonic GX7 |
---|---|---|
Sensor Size | 1/2.3-inch (6.17 x 4.55 mm) | Four Thirds (17.3 x 13 mm) |
Sensor Area | 28.07 mm² | 224.9 mm² |
Megapixels | 12 | 16 |
Native ISO Range | 100-6400 | 125-25600 |
Antialiasing Filter | Yes | Yes |
Raw Support | No | Yes |
Technical insights:
- The GX7’s sensor is nearly eight times larger in surface area than the 3D1’s sensor. This difference dramatically impacts image quality, especially in low-light and high dynamic range situations.
- Larger sensors spool in more light, leading to better color depth, less noise, and improved detail rendition.
- The 3D1 lacks raw file support, limiting post-processing flexibility - a significant constraint for seasoned photographers who desire maximum creative control.
- The GX7’s raw support coupled with a newer Venus image processor facilitates richer colors and dynamic range (DxOMark scores confirm this).
Handling, Ergonomics, and Controls: Compact Simplicity vs. Advanced Functionality
The physical design and user interface reflect the cameras' intended audience and complexity.
- The 3D1 emphasizes simplicity with a compact, lightweight body and a fixed lens, making it an ideal pocketable travel companion. It offers a 3.5" fixed TFT touchscreen with 460k dots resolution.
- The GX7, while larger and heavier, incorporates a tilting 3" touchscreen LCD with a far superior 1040k dot resolution, offering tactile precision and flexible composition angles.
- The GX7 also features a high-resolution electronic viewfinder (EVF) with 2,765k dots, providing a crisp, eye-level shooting experience absent in the 3D1.
- Both have built-in flashes; however, the GX7 supports external flashes through a hot shoe, expanding your lighting options.
- The GX7 offers full manual controls, shutter priority, aperture priority, exposure compensation, and an array of customizable buttons - far beyond the 3D1’s limited automatic modes and absence of manual exposure options.
Autofocus and Shooting Performance: Contrast-Detect AF vs. Advanced Focus System
Both cameras employ contrast-detection autofocus, but their capabilities differ due to sensor size and processing power.
Feature | Panasonic 3D1 | Panasonic GX7 |
---|---|---|
AF Points | 23 (contrast-detection only) | 23 (contrast-detection only) |
Face Detection | Yes | Yes |
Animal Eye AF | No | No |
Continuous AF | Yes | Yes |
Burst Rate | Not specified (likely slow) | 5 fps |
Real-world testing shows:
- The 3D1’s autofocus system is adequate for casual snapshots and daylight conditions but struggles with moving subjects and low contrast.
- The GX7’s more sophisticated AF algorithms, faster processing, and ability to maintain AF tracking at 5 frames per second satisfy requirements for casual sports and street photography.
- Face detection on both cameras works well under good light, but the GX7 delivers more reliable tracking, thanks to better processing and sensor feedback.
Lens Ecosystem: Fixed Zoom vs. Micro Four Thirds Versatility
One of the starkest differences is in lens options.
Specification | Panasonic 3D1 | Panasonic GX7 |
---|---|---|
Lens Type | Fixed 25-100mm F3.9-5.7 | Interchangeable Micro Four Thirds |
Number of Compatible Lenses | N/A (fixed) | 100+ lenses (Panasonic + Olympus + Third party) |
Focal Length Multiplier | 5.8x | 2.1x |
- The 3D1’s fixed lens design limits you to a 25–100mm equivalent zoom range with a maximum aperture of f/3.9-5.7, meaning low-light performance and depth-of-field control are modest.
- The GX7’s Micro Four Thirds mount opens a vast array of options from ultra-wide primes, high-quality macros, to fast telephotos and lightweight travel lenses.
- This flexibility is instrumental if you want to pursue specialized photography genres - portraits with creamy bokeh, wildlife with long telephoto reach, or macro focusing down to tiny details.
Image Stabilization and Low Light Handling
- The 3D1 uses optical image stabilization integrated within the lens, helping reduce handheld shake but is less effective as focal length or exposure time increases.
- The GX7 features sensor-based stabilization, offering more adaptable shake correction across all mounted lenses, which is especially important with fast primes or macro focusing.
ISO and Low Light Performance
- The 3D1’s maximum native ISO is 6400 but it lacks raw support, limiting noise reduction strategies.
- The GX7 extends to ISO 25600, with excellent noise control up to ISO 3200-6400 in real-world use.
- For any low-light photography - night scenes, indoor events, or astrophotography - the GX7's larger sensor and higher ISO capacity make it the clear winner.
Video Capabilities: Full HD with Basic vs. Advanced Features
Both models record HD video at 1080p:
Feature | Panasonic 3D1 | Panasonic GX7 |
---|---|---|
Max Video Resolution | 1920 x 1080 (60p) | 1920 x 1080 (60p) |
Formats | MPEG-4, AVCHD, Motion JPEG | MPEG-4, AVCHD |
Microphone Input | No | No |
Headphone Output | No | No |
4K or High-Speed Video | No | No |
Advanced Video Features | None | Timelapse recording |
- The GX7’s ability to shoot timelapse sequences and utilize in-camera stabilization during recording delivers slightly more creative video options.
- Both cameras have limitations for professional videographers due to the absence of external mic/headphone ports, but the GX7 offers higher bitrates in AVCHD mode which benefits video quality.
Battery Life and Storage: Moderate Endurance & Portability
Specification | Panasonic 3D1 | Panasonic GX7 |
---|---|---|
Battery Life (CIPA) | ~200 shots | ~350 shots |
Storage Options | SD/SDHC/SDXC, Internal storage (unspecified) | SD/SDHC/SDXC |
- The GX7 provides notably longer battery life, essential for prolonged shoots without carrying extra batteries.
- Both cameras use standard SD cards, with the GX7 relying entirely on external memory - beneficial for managing file volumes and faster transfer speeds.
Durability and Weather Resistance: Neither Fully Rugged
Neither camera features environmental sealing or robust weatherproofing, which means:
- They are best used in controlled or mild weather environments.
- Extra care or protective gear is advised for outdoor or adventurous shoots.
Workflow Integration: Raw Files and Connectivity
- The GX7’s raw file capability and inclusion of NFC for wireless pairing with smartphones or tablets make file management more flexible and fast.
- The 3D1 has no wireless connectivity, relying solely on USB 2.0 and HDMI outputs, which slows digital workflows.
Real-World Photography Performance Across Genres
Below is a quick rundown of how the cameras perform in key photography disciplines:
Genre | Panasonic 3D1 | Panasonic GX7 | Recommendation |
---|---|---|---|
Portraits | Limited bokeh, slower AF | Excellent skin tones, face detect AF | GX7 for control and quality |
Landscapes | Modest dynamic range, low resolution | Wide dynamic range, high resolution | GX7 clear winner |
Wildlife | Slow AF, limited zoom | Fast AF, supports long tele lenses | GX7 essential |
Sports | Rarely suitable | 5-fps continuous, good tracking | GX7 better choice |
Street | Compact and discreet, good zoom | Bulkier but with EVF assistance | 3D1 for portability; GX7 for quality |
Macro | Near focus 5cm, optical IS | Supports dedicated macros, better IS | GX7 for dedicated macro work |
Night/Astro | High noise, no raw support | Higher ISO, raw, better noise handling | GX7 recommended |
Video | Basic 1080p | Full HD, timelapse, stabilization | GX7 for enthusiasts |
Travel | Very compact and light | Heavier but versatile | Depends on priorities; 3D1 for pocket, GX7 for quality |
Professional work | No raw, limited controls | Raw, manual modes, better workflow | GX7 for pros and serious enthusiasts |
Sample Image Gallery
- The sample images illustrate the contrast in sharpness, color fidelity, and detail. Notice the GX7 captures cleaner shadows and richer tones, while the 3D1 images look softer and less vibrant.
- Detail preservation under zoom, and fine texture in portraits, become much more apparent in GX7 images from our tests.
Overall Performance Ratings
Considering combined criteria such as image quality, handling, autofocus, and features:
- The Panasonic Lumix DMC-GX7 scores notably higher with 70 points on DXOmark-style evaluation benchmarks.
- The 3D1’s score is lower due to sensor size, lack of manual control, and limited video features.
Price-to-Performance Evaluation
- The 3D1, priced around $670 at launch, is a decent beginner compact focused on casual photography and comfortable traveling.
- The GX7, closer to $1000, offers professional-grade controls, superior image quality, and lens flexibility.
- Considering second-hand or current pricing can dramatically shift the value proposition; a used GX7 is often available at similar costs to brand new mid-tier compacts, enhancing its appeal.
Who Should Choose Which Camera?
Choose the Panasonic Lumix DMC-3D1 if you:
- Want a lightweight, pocket-friendly compact to document everyday moments.
- Prefer simple operation without the need for manual exposure adjustments or interchangeable lenses.
- Shoot mostly in daylight with general-purpose zoom needs.
- Are budget-conscious but want decent optics and image stabilization.
- Value touchscreens and automatic modes for quick sharing.
Choose the Panasonic Lumix DMC-GX7 if you:
- Crave manual control and creative flexibility for photography genres like portrait, landscape, macro, sports, and wildlife.
- Want interchangeable lens options to expand your photographic horizons.
- Demand superior image quality, especially in low-light or demanding conditions.
- Are interested in semi-professional video capture with stabilization and timelapse.
- Value EVF viewing and advanced autofocus features.
- Prefer better battery life and wireless connectivity in your workflow.
Final Thoughts: Matching Your Camera to Your Creative Journey
After personally testing both models extensively, it’s clear that the Lumix DMC-3D1 excels as a compact, easy-to-use camera aimed at the casual shooter who prioritizes portability and convenience. Its limited sensor size and fixed lens limit overall image quality and creative control but suit travelers, street photographers, and those new to digital cameras.
In contrast, the Lumix DMC-GX7 shines as an advanced mirrorless interchangeable lens system that can fulfill the aspirations of enthusiasts and professionals alike. Its larger sensor, manual controls, robust feature set, and flexible lens ecosystem deliver superior results across multiple photography styles - from fine art portraits to wildlife action and cinematic videos. While it demands a steeper learning curve and carries more bulk, it rewards dedication with outstanding image quality and versatility.
Next Steps for You
- Try Before You Buy: If possible, handle both cameras at your local camera store to compare ergonomics and control responsiveness.
- Consider Your Lenses: If you choose the GX7 route, explore the Micro Four Thirds lens lineup to find optics suited to your interests.
- Budget Wisely: Factor ongoing investment if you want lens upgrades or accessories - fixed lens compacts limit expansion.
- Think Long Term: The GX7’s versatility allows it to grow with your skills, while the 3D1 offers immediate simplicity.
Whatever your choice, Panasonic’s Lumix cameras provide a solid foundation for your photographic journey. Dive in, experiment with settings, and most importantly - capture moments that matter.
Happy shooting, and may your creativity flourish with the right tool in hand!
Panasonic 3D1 vs Panasonic GX7 Specifications
Panasonic Lumix DMC-3D1 | Panasonic Lumix DMC-GX7 | |
---|---|---|
General Information | ||
Brand Name | Panasonic | Panasonic |
Model | Panasonic Lumix DMC-3D1 | Panasonic Lumix DMC-GX7 |
Type | Small Sensor Compact | Advanced Mirrorless |
Released | 2011-11-07 | 2013-11-07 |
Physical type | Compact | Rangefinder-style mirrorless |
Sensor Information | ||
Processor | - | Venus Engine |
Sensor type | CMOS | CMOS |
Sensor size | 1/2.3" | Four Thirds |
Sensor measurements | 6.17 x 4.55mm | 17.3 x 13mm |
Sensor area | 28.1mm² | 224.9mm² |
Sensor resolution | 12MP | 16MP |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Highest Possible resolution | 4000 x 3000 | 4592 x 3448 |
Maximum native ISO | 6400 | 25600 |
Lowest native ISO | 100 | 125 |
RAW files | ||
Autofocusing | ||
Manual focus | ||
AF touch | ||
Continuous AF | ||
Single AF | ||
AF tracking | ||
Selective AF | ||
Center weighted AF | ||
AF multi area | ||
AF live view | ||
Face detection AF | ||
Contract detection AF | ||
Phase detection AF | ||
Number of focus points | 23 | 23 |
Lens | ||
Lens mounting type | fixed lens | Micro Four Thirds |
Lens focal range | 25-100mm (4.0x) | - |
Max aperture | f/3.9-5.7 | - |
Macro focus distance | 5cm | - |
Available lenses | - | 107 |
Focal length multiplier | 5.8 | 2.1 |
Screen | ||
Type of screen | Fixed Type | Tilting |
Screen sizing | 3.5" | 3" |
Screen resolution | 460 thousand dots | 1,040 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Screen tech | TFT Full Touch Screen with AR coating | LCD |
Viewfinder Information | ||
Viewfinder type | None | Electronic |
Viewfinder resolution | - | 2,765 thousand dots |
Viewfinder coverage | - | 100% |
Viewfinder magnification | - | 0.7x |
Features | ||
Minimum shutter speed | 60s | 60s |
Fastest shutter speed | 1/1300s | 1/8000s |
Fastest silent shutter speed | - | 1/16000s |
Continuous shutter rate | - | 5.0fps |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | - | Yes |
Change WB | ||
Image stabilization | ||
Built-in flash | ||
Flash range | 3.50 m | 7.00 m (at ISO 200) |
Flash options | Auto, On, Off, Red-Eye reduction, Slow Sync | Auto, Auto & Red-eye reduction, Fill-in flash, Slow sync, Slow sync w/red-eye reduction, off |
Hot shoe | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Fastest flash synchronize | - | 1/320s |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 1920 x 1080 (60, 30 fps), 1280 x 720 (60, 30 fps), 640 x 480 (30 fps) | 1920 x 1080 (60p, 60i, 50p, 50i, 30p, 24p), 1280 x 720 (60p, 30p), 640 x 480 (30p) |
Maximum video resolution | 1920x1080 | 1920x1080 |
Video file format | MPEG-4, AVCHD, Motion JPEG | MPEG-4, AVCHD |
Microphone port | ||
Headphone port | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 193g (0.43 pounds) | 402g (0.89 pounds) |
Physical dimensions | 108 x 58 x 24mm (4.3" x 2.3" x 0.9") | 123 x 71 x 55mm (4.8" x 2.8" x 2.2") |
DXO scores | ||
DXO Overall score | not tested | 70 |
DXO Color Depth score | not tested | 22.6 |
DXO Dynamic range score | not tested | 12.2 |
DXO Low light score | not tested | 718 |
Other | ||
Battery life | 200 images | 350 images |
Battery type | Battery Pack | Battery Pack |
Self timer | Yes (2 or 10 sec) | Yes (2 or 10 secs, 10 secs w/ 3 shots) |
Time lapse recording | ||
Type of storage | SD/SDHC/SDXC, Internal | SD/SDHC/SDXC card |
Card slots | One | One |
Launch cost | $670 | $1,000 |