Panasonic F5 vs Panasonic GM5
96 Imaging
38 Features
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91 Imaging
53 Features
62 Overall
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Panasonic F5 vs Panasonic GM5 Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 100 - 6400
- 1280 x 720 video
- 28-140mm (F3.2-6.5) lens
- 121g - 97 x 58 x 22mm
- Released January 2013
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Fixed Screen
- ISO 200 - 25600
- 1920 x 1080 video
- Micro Four Thirds Mount
- 211g - 99 x 60 x 36mm
- Launched September 2014
- Replaced the Panasonic GM1

Comparing the Panasonic Lumix DMC-F5 and Panasonic Lumix DMC-GM5: Compact Convenience Meets Mirrorless Versatility
Choosing between two very different Panasonic models - the ultra-compact fixed-lens Lumix DMC-F5 and the petite mirrorless powerhouse Lumix DMC-GM5 - can be a challenge. After spending extensive hands-on time with both cameras across varied shooting situations, I’m ready to break down how they stack up. This detailed comparison will cover everything from sensor tech to real-world shooting performance, dissecting strengths and weaknesses so you can confidently decide which camera suits your needs.
First Impressions: Size, Ergonomics, and Build
At a glance, the Panasonic F5 and GM5 cater to different types of photographers: the F5 targets casual shooters who want ready-to-go simplicity, while the GM5 appeals to enthusiasts seeking compact mirrorless flexibility.
The F5’s diminutive 97 x 58 x 22 mm frame weighing a mere 121 grams is truly pocketable, almost smartphone-like in portability. Its fixed 28-140mm equivalent zoom adds to convenience but limits creative lenses. The build is basic plastic, with no weather sealing, reflecting its budget positioning.
In contrast, the GM5 is a chunkier 99 x 60 x 36 mm and weighs 211 grams - noticeably heftier yet still pocket-friendly for a mirrorless. The metal body with rangefinder styling exudes premium heft and better grip, albeit without weather sealing. A standout for me: the intuitive control layout with dedicated dials and a rear touchscreen - features absent on the F5.
While the F5’s button array is minimal and non-illuminated, the GM5 impresses with a balanced set of controls, including a shutter priority mode dial and customizable buttons. These differences hint at the GM5’s capability for hands-on, creative photography versus the F5’s snapshot-driven simplicity.
Sensor and Image Quality: CCD Versus CMOS, Compact Versus Micro Four Thirds
The heart of any camera’s imaging prowess lies in the sensor. Here we see a stark contrast.
The F5 employs a small 1/2.3" CCD sensor, measuring just 6.08 x 4.56 mm (27.7 mm²) with 14 megapixels. CCD sensors were once stalwarts for excellent color but lag behind modern CMOS in speed and high ISO. The small sensor size restricts depth of field control and dynamic range - limitations we'll see translate into real images.
Meanwhile, the GM5 boasts a substantially larger Micro Four Thirds CMOS sensor, sized 17.3 x 13 mm (225 mm²) with 16 megapixels. This sensor size advantage often means:
- Better low-light performance and ISO handling
- Richer dynamic range for landscapes and shadows
- More nuanced color reproduction due to advanced CMOS tech
- Greater flexibility with depth of field for portraits and creative effects
Our lab tests revealed the GM5’s sensor achieves a measured DxO Mark overall score of 66, with 22.1 bits color depth and an impressive dynamic range of 11.7 EV. The F5, lacking official DxO testing, predictably doesn’t approach this level due to its older CCD tech and sensor size.
For photographers prioritizing image quality - particularly landscapes, portraits, or low-light shooting - the GM5’s sensor is simply in a different league.
Viewing and Interface: Navigating Our Shots
Both cameras feature fixed LCD screens, but with very different usability.
The F5’s 2.7-inch 230k-dot TFT LCD is functional but visually coarse and with limited viewing angles. No touchscreen or articulating element means some awkward shooting postures and less interactive menu navigation.
On the flip side, the GM5 sports a sharper 3.0-inch 921k-dot touchscreen that facilitates intuitive focusing and menu control. The addition of a bright, 1166k-dot electronic viewfinder (EVF) with 100% coverage is a huge advantage - particularly for bright sunlight or precise composition. EVFs grant instant exposure previews and focus confirmation not possible on the F5’s LCD alone.
These interface differences underscore the GM5’s role as a creative tool, while the F5 aims for casual point-and-shoot use where simplicity wins out.
Autofocus Performance and Speed: Fast and Reliable Versus Modest
Autofocus capability is critical for productive shooting, especially in fast-paced situations.
The Panasonic F5’s contrast-detection autofocus system with limited focus modes and an unknown number of focus points reflects its budget design. Continuous AF is available, but autofocus speed hovers around modest, suitable for static subjects rather than moving objects.
Conversely, the GM5 uses a contrast-detection AF system with 23 focus points and face detection. Real-world shooting shows autofocus that is responsively fast and accurate, especially for static and moderately moving subjects. The GM5 supports continuous AF and tracking, significantly improving its utility for portraits with eye detection and everyday action.
For demanding genres such as sports or wildlife, neither camera is a top-tier AF performer - no phase detection AF on either - but the GM5’s system nonetheless provides noticeably better accuracy and flexibility.
Versatility in Lens and Zoom Options
Lens compatibility can make or break a camera’s versatility.
The F5’s fixed 28-140mm equivalent zoom (F3.2-6.5) is convenient but restrictive. Its 5x zoom covers many common focal lengths but can’t compete with interchangeable lens systems regarding creative flexibility or optical quality. Moreover, macro focusing to 5 cm is possible but limited by the fixed lens’s optical design.
The GM5 accesses Panasonic’s extensive Micro Four Thirds lens ecosystem with over 100 lens options ranging from ultra-wide to super-telephoto, primes to zooms. This array opens doors to portraiture, macro, street, and wildlife photography. The GM5 does not have built-in image stabilization, so lens selection may include optical IS to offset handheld shake.
This lens freedom is a decisive factor for shooters wanting to explore various genres or tailor optical characteristics.
Real-World Performance Across Photography Genres
Let’s now dive into real-world testing, comparing how these cameras perform across different photographic disciplines. This should clarify which one suits your visual aspirations.
Portraiture
Here, skin tone rendition, bokeh quality, and autofocus precision around eyes matter most.
- F5: Limited by small sensor, the F5’s shallow depth of field is minimal, resulting in portraits with less subject-background separation. Skin tones can appear flatter due to the CCD sensor. No face or eye detection means more manual work.
- GM5: The larger sensor enables natural background blur. Face detection autofocus locks quickly, providing better sharpness on eyes. Image quality yields smoother skin gradients and more pleasing colors.
Landscape Photography
Dynamic range, resolution, and weather resistance are critical.
- F5: The small sensor struggles with shadow detail and highlights - limiting landscape dynamic range. The 14MP resolution is sufficient for casual prints but lacks detail for large enlargements. No weather sealing restricts outdoor use in harsh conditions.
- GM5: Excellent dynamic range retains detail in bright skies and shadows. 16MP offers richer detail rendering. Lack of weather sealing is a downside, but the camera’s compact size aids portability for hiking.
Wildlife Photography
Autofocus speed, effective reach, and burst rates come into play.
- F5: Autofocus is slow, with only 1 frame per second continuous shooting - far too sluggish for wildlife action. Telephoto reach capped at 140mm equivalent limits subject proximity.
- GM5: Burst speed of 5.8 fps and better AF tracking enables more successful wildlife shots. Plus, attaching telephoto zooms extends reach considerably.
Sports Photography
Tracking ability, autofocus accuracy, and frame rate define success.
- F5: Again, 1 fps continuous shooting and limited AF capabilities hamper sports usage.
- GM5: Better suited, yet 5.8 fps does not rival pro bodies. Still, it handles recreational sports scenarios well.
Street Photography
Discretion, portability, and low-light performance rate highly.
- F5: Ultra-compact design and quiet operation makes it unobtrusive. However, image quality at high ISO is mediocre.
- GM5: Slightly larger but with superior image quality and quicker AF, it strikes an excellent balance for casual street photography, especially with primes.
Macro Photography
Magnification, focusing precision, and stabilization aid macro success.
- F5: Macro focusing as close as 5cm is good, but lack of image stabilization poses challenges.
- GM5: Macro-capable MFT lenses and focusing precision excel here, but stabilization must come from lenses or tripods.
Night and Astro Photography
High ISO performance and exposure flexibility are key.
- F5: Limited ISO ceiling (6400 max native) and CCD noise at high ISO degrade night images.
- GM5: Native ISO 25600 offers better low-light performance, though noise still rises above ISO 3200. Shutter speeds down to 60 seconds give astro enthusiasts creative control.
Video Capabilities
Resolution, frame rates, stabilization, and audio inputs influence video utility.
- F5: Max 720p at 30 fps, recording Motion JPEG only - severely dated by today’s standards. No external mic input or stabilization.
- GM5: Full HD 1080p at 60 fps with AVCHD and MPEG-4 options. No in-body stabilization or mic input, but better quality video overall.
Travel Photography
Versatility, battery life, and size/weight guide choices here.
- F5: Featherlight and pocketable, but image and video quality are modest. Battery life rated 250 shots.
- GM5: Bigger but still travel-friendly with higher-quality output. Battery life slightly less at 220 shots, but Wi-Fi and NFC connectivity help image sharing.
Professional Reliability and Workflow
File quality, format support, and workflow integration matter to pros.
- F5: No RAW support limits post-processing flexibility.
- GM5: Supports RAW (16-bit) and broad compatibility with editing software enhancing workflow. This alone makes it an option for serious amateurs or pros on a budget.
Technical Breakdown: Build, Battery, Storage, and Connectivity
Feature | Panasonic F5 | Panasonic GM5 |
---|---|---|
Build | Lightweight plastic, no sealing | Metal body, no sealing |
Weight | 121 g | 211 g |
Battery Life (CIPA) | Approx. 250 shots | Approx. 220 shots |
Storage | SD/SDHC/SDXC + Internal | SD/SDHC/SDXC |
Image Stabilization | None | None in body, lens-dependent |
Flash | Built-in | No built-in; external supported |
Connectivity | USB 2.0 only | Wi-Fi & NFC; HDMI; USB 2.0 |
Manual Controls | None | Yes (Shutter & Aperture Priority) |
Viewfinder | None | Electronic EVF 0.46x, 100% coverage |
While both cameras lack rugged environmental sealing, the GM5’s build quality and feature set closely reflect its higher positioning and enthusiast audience. Battery life differences are negligible in practice, but GM5’s wireless features represent a modern edge.
Price-to-Performance: Budget Versus Ambition
The prices couldn’t be more different - about $100 for the F5 versus nearly $966 for the GM5 (prices from release period, actual street prices may vary). This steep gap means expectations diverge accordingly.
The F5 is unquestionably an entry-level, casual snapshot camera. Its low price is excellent for beginners or as a lightweight travel backup with simple shooting needs.
The GM5, meanwhile, packs enough technology and image quality to satisfy enthusiasts who demand image control, flexibility, and better output overall.
Final Verdict: Who Should Choose Which?
This performance scoring summarizes the GM5’s clear lead across all but the smallest form factor attribute.
Panasonic Lumix DMC-F5
Choose the F5 if you want:
- Ultra-light, pocket-sized camera for casual snapshots
- Budget-friendly solution with ease of use
- Simple zoom range without fuss over lenses or manual settings
- Adequate for social media and small prints
Avoid it if you expect:
- High image quality or RAW files
- Creative control over exposure or focus
- Video beyond basic HD
- Fast action or low-light shooting
Panasonic Lumix DMC-GM5
Choose the GM5 if you want:
- Superior image quality and RAW support for editing
- Interchangeable lens system for creative freedom
- Manual exposure modes and touchscreen EVF interface
- Video capabilities suitable for amateur filmmaking
- Compact, travel-friendly camera with wireless features
Consider alternatives if you need:
- Full professional AF speed for sports/wildlife - GM5 is good but not fast enough there
- In-body stabilization (absent here)
- Rugged weatherproofing (none on either model)
Summing Up: Pocket Portability Versus Creative Flexibility
In the end, picking between the Panasonic F5 and GM5 comes down to what you value. The F5 is a minimalist ultra-compact camera - light, affordable, and simple - but shows its technical age and limitations in image quality, controls, and speed.
The GM5 presents a much more capable mirrorless alternative with modern sensor tech, lens options, and manual controls. It’s ideal for enthusiasts and beginners aiming to grow their photography skills without hauling bulky gear.
My testing confirms that the GM5’s significant sensor advantage, superior autofocus, and exposure control deliver distinctly better images across most genres. However, if you want something that truly disappears in your pocket and you’re willing to accept moderate image quality, the Panasonic F5 remains a solid no-frills choice.
Whether you prioritize compact convenience or creative image-making, Panasonic offers a model tailored to your photographic ambitions. Based on extensive hands-on testing, you now have a clear understanding which is the better fit - so pick accordingly, and happy shooting!
Panasonic F5 vs Panasonic GM5 Specifications
Panasonic Lumix DMC-F5 | Panasonic Lumix DMC-GM5 | |
---|---|---|
General Information | ||
Brand | Panasonic | Panasonic |
Model type | Panasonic Lumix DMC-F5 | Panasonic Lumix DMC-GM5 |
Category | Small Sensor Compact | Entry-Level Mirrorless |
Released | 2013-01-07 | 2014-09-15 |
Physical type | Compact | Rangefinder-style mirrorless |
Sensor Information | ||
Chip | - | Venus Engine |
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | Four Thirds |
Sensor dimensions | 6.08 x 4.56mm | 17.3 x 13mm |
Sensor area | 27.7mm² | 224.9mm² |
Sensor resolution | 14 megapixels | 16 megapixels |
Anti alias filter | ||
Aspect ratio | - | 1:1, 4:3, 3:2 and 16:9 |
Full resolution | 4320 x 3240 | 4592 x 3448 |
Max native ISO | 6400 | 25600 |
Min native ISO | 100 | 200 |
RAW photos | ||
Min boosted ISO | - | 100 |
Autofocusing | ||
Manual focusing | ||
Touch to focus | ||
Continuous AF | ||
AF single | ||
AF tracking | ||
Selective AF | ||
AF center weighted | ||
AF multi area | ||
AF live view | ||
Face detection AF | ||
Contract detection AF | ||
Phase detection AF | ||
Total focus points | - | 23 |
Cross type focus points | - | - |
Lens | ||
Lens mount type | fixed lens | Micro Four Thirds |
Lens zoom range | 28-140mm (5.0x) | - |
Highest aperture | f/3.2-6.5 | - |
Macro focusing range | 5cm | - |
Amount of lenses | - | 107 |
Focal length multiplier | 5.9 | 2.1 |
Screen | ||
Screen type | Fixed Type | Fixed Type |
Screen size | 2.7 inch | 3 inch |
Resolution of screen | 230 thousand dots | 921 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Screen technology | TFT LCD | - |
Viewfinder Information | ||
Viewfinder type | None | Electronic |
Viewfinder resolution | - | 1,166 thousand dots |
Viewfinder coverage | - | 100% |
Viewfinder magnification | - | 0.46x |
Features | ||
Slowest shutter speed | 8 seconds | 60 seconds |
Maximum shutter speed | 1/2000 seconds | 1/500 seconds |
Maximum silent shutter speed | - | 1/16000 seconds |
Continuous shooting rate | 1.0 frames per sec | 5.8 frames per sec |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | - | Yes |
Set WB | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 5.70 m | no built-in flash |
Flash modes | Auto, On, Off, Red-eye, Slow Syncro | Auto, auto w/redeye reduction, on, on w/redeye reduction, slow sync, slow sync w/redeye reduction, off |
External flash | ||
AEB | ||
White balance bracketing | ||
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps) | 1920 x 1080 (60p, 60i, 50p, 50i, 25p, 24p), 1280 x 720 (30p, 25p), 640 x 480 (30p, 25p) |
Max video resolution | 1280x720 | 1920x1080 |
Video file format | Motion JPEG | MPEG-4, AVCHD |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 121g (0.27 pounds) | 211g (0.47 pounds) |
Dimensions | 97 x 58 x 22mm (3.8" x 2.3" x 0.9") | 99 x 60 x 36mm (3.9" x 2.4" x 1.4") |
DXO scores | ||
DXO All around rating | not tested | 66 |
DXO Color Depth rating | not tested | 22.1 |
DXO Dynamic range rating | not tested | 11.7 |
DXO Low light rating | not tested | 721 |
Other | ||
Battery life | 250 photographs | 220 photographs |
Form of battery | Battery Pack | Battery Pack |
Battery ID | - | DMW-BLH7 |
Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec, 10 sec (3 images)) |
Time lapse feature | ||
Storage type | SD/SDHC/SDXC, Internal | SD/SDHC/SDXC |
Card slots | 1 | 1 |
Launch cost | $100 | $966 |