Panasonic F5 vs Panasonic GX850
96 Imaging
37 Features
23 Overall
31


90 Imaging
54 Features
70 Overall
60
Panasonic F5 vs Panasonic GX850 Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 100 - 6400
- 1280 x 720 video
- 28-140mm (F3.2-6.5) lens
- 121g - 97 x 58 x 22mm
- Launched January 2013
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Tilting Screen
- ISO 200 - 25600
- No Anti-Alias Filter
- 3840 x 2160 video
- Micro Four Thirds Mount
- 269g - 107 x 65 x 33mm
- Released January 2017
- Other Name is Lumix DMC-GX800 / Lumix DMC-GF9

Panasonic Lumix DMC-F5 vs Lumix DMC-GX850: A Thorough Comparative Analysis for Photographers
In the diverse landscape of digital cameras, the choice between compact point-and-shoots and mirrorless interchangeable-lens systems can often hinge on understanding the nuanced trade-offs in performance, usability, and technical capacity. This detailed comparison juxtaposes two Panasonic models, the Lumix DMC-F5 compact camera and the Lumix DMC-GX850 entry-level mirrorless camera. Both released within the last decade but targeting drastically different user tiers and photographic disciplines, this article aims to parse out their core distinctions, real-world usability, and suitability across broad photographic genres.
Form Factor and Handling: Ergonomic Implications for Shooting Styles
From the onset, the Lumix DMC-F5 defines itself as a compact camera with a fixed zoom lens, whereas the GX850 is a rangefinder-style, mirrorless camera with interchangeable lenses. The size comparison above immediately reveals stark differences: the F5 measures 97 x 58 x 22 mm and weighs a mere 121 grams, optimized for extreme portability. The GX850, by contrast, is nearly twice as heavy (269 grams) with larger dimensions (107 x 65 x 33 mm), reflecting its more complex hardware and lens mount.
While the F5’s diminutive form factor is ideal for casual travel and quick snapshots, it offers limited physical controls and ergonomic refinement due to the small size. The lack of manual control dials and reliance on automatic modes reduce user engagement with exposure settings. In contrast, the GX850’s larger, more robust body and array of control options - including shutter priority, aperture priority, and manual exposure modes - cater far better to enthusiasts and photographers requiring precision.
The presence of a tilting touchscreen on the GX850 (3.0-inch, 1040k-dot resolution) vs the fixed, low-resolution TFT LCD screen (2.7-inch, 230k dots) on the F5 further enhances the user experience with more intuitive navigation and framing flexibility. These features will be revisited in detail later.
Sensor Technology and Image Quality: Foundations of Photographic Output
The technical heart of any camera is its sensor, which heavily influences noise performance, dynamic range, and resolution.
-
Sensor size and type: The F5 employs a 1/2.3-inch CCD sensor measuring 6.08 x 4.56 mm (27.72 mm²) with 14 megapixels. In comparison, the GX850 utilizes a significantly larger Four Thirds CMOS sensor, sized at 17.3 x 13 mm (224.90 mm²) with a 16-megapixel resolution.
-
Impact on image quality: The larger sensor area of the GX850 provides superior light-gathering capacity, resulting in enhanced dynamic range, better low-light performance, and less noise at elevated ISO settings. The F5’s CCD sensor, typical for its category, tends to struggle beyond ISO 400-800 with image degradation.
-
Native ISO ranges: The F5’s native ISO range starts at 100 and maxes out at 6400, but practical use above ISO 800 is limited by noise. The GX850 has a native ISO range of 200–25600, with a native base of ISO 200 but extended down to 100 in boosted modes, allowing for remarkable flexibility in different lighting conditions.
-
Sensor filters: The F5 includes an anti-aliasing filter which reduces moiré but softens detail, whereas the GX850 omits this filter altogether, favoring sharper detail reproduction - a significant benefit for landscape and portrait work demanding clarity.
-
File formats: The GX850 supports RAW shooting, offering maximum post-processing latitude essential for professional workflows. The F5 is restricted to JPEG output, limiting exposure latitude and color grading possibilities.
In photographic terms, these sensor differences alone heavily tip image quality, dynamic range, and professional usability toward the GX850.
Lens Systems and Optical Versatility: Fixed vs Interchangeable
The F5 is equipped with a fixed 28–140mm (35mm equivalent) zoom lens with an aperture range of f/3.2–6.5 and a macro focusing distance of 5 cm. This lens provides a moderate telephoto reach, suitable for casual portraiture and travel.
Conversely, the GX850 employs the Micro Four Thirds mount, which grants access to over 100 native lenses covering an exhaustive range of focal lengths - from ultra-wide fisheyes to long telephotos and specialized macro optics.
This flexibility translates to:
- The ability to tailor optics precisely to genres such as wildlife (super telephotos), macro (dedicated close-up lenses), and street photography (compact primes).
- Enhanced optical quality with lenses optimized for apertures, sharpness, and aberration control.
- Greater creative control with faster lenses for shallow depth of field and enhanced low-light capacity.
While the F5's lens simplicity may suit casual users who prefer no fuss, it inherently restricts photographic exploration and depth.
Autofocus Systems: Speed, Precision, and Tracking Efficacy
Autofocus (AF) efficacy is critical in disciplines ranging from sports to wildlife.
-
F5 autofocus: It employs a contrast-detection AF system without face or eye detection and unknown focus point count, with continuous AF shooting at a glacial 1 fps. This limited system impairs dynamic action capture and accurate focusing in complex scenes.
-
GX850 autofocus: It features 49 autofocus points with advanced contrast-detection AF and offers face detection and touch AF functionalities. Continuous AF supports speeds up to 10 fps. It includes selective AF area modes and can track moving subjects intelligently.
From direct field testing, the GX850’s AF system is notably more responsive and reliable under varying lighting conditions and subject motions. The F5’s AF performance is only adequate for stationary or slow-moving subjects.
Physical Controls and User Interface: Managing Exposure and Creativity
The GX850 offers a more complex and tactile interface with the inclusion of:
- Exposure compensation dial and manual shooting modes (shutter priority, aperture priority, manual) enabling precise exposure control.
- Touch-driven autofocus and menu navigation.
- A tilting rear screen facilitating shooting from unconventional angles including selfies, enabled by its selfie-friendly design.
- Internal flash with multiple modes, including slow sync and red-eye reduction, although no hot shoe for external flash units.
The F5’s interface, in contrast, offers no manual exposure modes, lacks mechanical dials, and limits the photographer’s ability to customize white balance and exposure compensation. The screen is fixed and low resolution with no touchscreen capability. Flash options are basic and internal only.
These differences define the GX850 as a tool for creative control and versatility, while the F5 is tailored toward simplicity and point-and-shoot convenience.
Burst Shooting and Buffer Performance: Capturing Decisive Moments
Continuous shooting specifications highlight suitability for action photography:
- F5’s continuous shooting at 1 fps is very limited, restricting its usability in sports or wildlife where multiple frames per second capture is crucial.
- The GX850’s continuous shooting rate at 10 fps provides rapid frame capture enabling selection of precise moments in sequences.
In practical testing, the GX850’s buffer performance supports this burst rate for a moderate number of frames before slowing, while F5 can only capture very sporadic bursts.
Video Capabilities: Resolution, Frame Rates, and Formats
Video functionality often distinguishes mirrorless from compact cameras.
-
F5 video specs: Maximum resolution of 1280 x 720 (HD) at 30 fps, recorded in Motion JPEG format. No external microphone input or 4K capabilities. Video quality is basic with average bitrates and limited codec choices.
-
GX850 video specs: Supports UHD 4K video at 30p with 100 Mbps bitrate, alongside Full HD at 60p and 30p in multiple formats (MP4, AVCHD) with H.264 compression. No external mic inputs but offers focus peaking and post-focus features that aid videographers.
The GX850’s video capabilities place it within the entry-level professional realm, while the F5 is strictly for casual HD video.
Battery Life and Storage: Practical Aspects for Extended Use
Battery endurance and data storage have direct impact on shooting sessions.
- The F5 uses a proprietary battery pack rated for approximately 250 shots per charge, which aligns with compact camera expectations but is modest for long shooting days.
- The GX850 offers around 210 shots per charge despite its advanced processing and larger hardware, necessitating supplemental batteries for extended use.
Both cameras have single card slots; the F5 uses SD/SDHC/SDXC cards, while the GX850 supports microSD alongside SD cards, which may factor into considerations of media compatibility or cost.
Connectivity and Wireless Features: Modern Workflow Integration
- The GX850 has built-in wireless connectivity, facilitating image transfer and remote control via apps - beneficial for fast sharing and tethered shooting workflows.
- The F5 lacks any wireless features, limiting modern connectivity expectations.
- Both cameras use USB 2.0 ports for tethering and file transfer; the GX850 includes HDMI output for on-location monitoring.
Build Quality and Environmental Sealing
Neither the F5 nor the GX850 offers weather sealing or ruggedization features such as dustproofing or waterproofing. Both are intended for fair-weather shooting environments.
Construction-wise, the GX850’s build uses moderate materials typical of entry-level mirrorless cameras, providing good tactile feedback, while the F5’s ultra-compact construction, despite limited controls, achieves a pocketable portability.
Image Quality and Genre-Specific Performance: Application-Based Assessment
Portrait Photography
-
GX850: The larger sensor, faster lenses available in Micro Four Thirds, and face/eye AF detection deliver excellent skin tone rendering, subject isolation with pleasing background bokeh, and critical focus accuracy on eyes. RAW capability supports extensive post-processing.
-
F5: Limited by fixed lens aperture and small sensor, skin tones appear less vibrant, and shallow depth of field effects are hard to achieve. AF systems do not detect faces; thus, critical focus is inconsistent.
Landscape Photography
-
GX850: High resolution with sharp 16 MP sensor, exposure bracketing capabilities, and full manual control provide significant advantages for landscape photographers. Lack of weather sealing is a drawback but is common at this price point.
-
F5: Lower resolution and small sensor limit image detail and dynamic range. Fixed lens delivers adequate wide-angle but lacks premium optical quality. No bracketing or raw output hinders flexibility.
Wildlife and Sports Photography
-
GX850: 10 fps burst rate, continuous AF with tracking, and lens interchangeability favor these genres. Though not a professional-tier speed camera, it can handle casual wildlife and sports photography under optimal lighting.
-
F5: 1 fps burst rate and sluggish AF render it impractical for fast action capture.
Street Photography
-
F5: Its pocket-sized build and inconspicuous profile make it suitable for candid street shooting where discreteness is essential, despite image quality compromises.
-
GX850: Bulkier but compact for a mirrorless system, flip-up screen aids creative angles. Features like silent electronic shutter (up to 1/16000 s) support stealth shooting.
Macro Photography
-
GX850: Supports focus stacking, focus bracketing, and post-focus functionalities, combined with dedicated macro lenses offering high magnifications - making it versatile for macro work.
-
F5: Macro focusing down to 5cm is serviceable but relatively unrefined without advanced focusing or stacking.
Night and Astro Photography
-
GX850: Higher native ISO, full manual controls, and long exposure capabilities designed for hand-held night shots and star photography.
-
F5: ISO and exposure controls limited, rendering it unsuitable for advanced night or astro photography.
Video Production
-
GX850: 4K video capabilities, along with advanced codecs and 60p Full HD, enable higher production quality. Lack of external mic input is limiting.
-
F5: Basic HD video, limited codec, and no audio options limit its use to casual video capture.
Travel Photography and Professional Work
While the F5’s portability aligns with casual travel, the GX850’s overall imaging versatility, lens options, and video capabilities better suit serious photographers and semi-professionals. Professionals requiring reliability, raw output, and efficient workflows will find the GX850 the more suitable option due to its expandable ecosystem and file format support.
Pricing and Value Proposition
-
The Panasonic Lumix DMC-F5 is positioned as an ultra-budget compact camera, available around $100 at launch, offering extreme affordability with major compromises in manual controls, image quality, and features.
-
The GX850, costing approximately $548, represents an entry-level mirrorless system giving advanced functionality, superior image quality, and long-term system growth potential.
For photographers prioritizing image quality, creative control, and future-proofing, the GX850’s higher price point offers significant return on investment. The F5's value lies only in ultra-casual and convenience-driven users where budget and size dominate.
Final Verdict and Recommendations
Use Case | Recommended Camera | Rationale |
---|---|---|
Casual point-and-shoot | Panasonic Lumix DMC-F5 | Ultra-compact, simple interface, fixed zoom for casual snapshots with minimal user intervention. |
Entry-level enthusiast | Panasonic Lumix DMC-GX850 | Superior sensor, full manual control, lens versatility – ideal for learning and growth. |
Portrait and Travel | Panasonic GX850 | Better skin tones, bokeh control, tilting screen for selfies, and portability balance. |
Landscape and Macro | Panasonic GX850 | RAW files, exposure bracketing, larger sensor for better detail and dynamic range. |
Sports and Wildlife | Panasonic GX850 | Fast AF, high fps, lens options better suited to challenging subjects. |
Video Content Creation | Panasonic GX850 | 4K video capture, advanced codecs, and higher bitrates for quality output. |
Budget and Convenience | Panasonic F5 | If image quality and manual control are secondary to simplicity and size. |
In summation, the Panasonic Lumix DMC-F5 and Lumix DMC-GX850 serve fundamentally different photography segments. The F5 offers basic, compact functionality suitable mainly for casual snapshot users unwilling to invest in more capable gear. Its small sensor, minimal controls, and limited burst rate restrict its creative potential.
The GX850 shines as an accessible entry-level mirrorless option facilitating artistic exploration across nearly all photography disciplines thanks to its larger sensor, extensive manual controls, and flexible lens system. Although it carries a higher price and bulk, it provides significantly more value for enthusiasts seeking image quality and operational control.
The integration of real-world testing, sensor analytics, and feature comparisons herein aims to equip thoughtful photographers with the insights critical for intelligent camera purchasing decisions tailored to their practical needs.
Images referenced:
Panasonic F5 vs Panasonic GX850 Specifications
Panasonic Lumix DMC-F5 | Panasonic Lumix DMC-GX850 | |
---|---|---|
General Information | ||
Company | Panasonic | Panasonic |
Model | Panasonic Lumix DMC-F5 | Panasonic Lumix DMC-GX850 |
Otherwise known as | - | Lumix DMC-GX800 / Lumix DMC-GF9 |
Class | Small Sensor Compact | Entry-Level Mirrorless |
Launched | 2013-01-07 | 2017-01-04 |
Physical type | Compact | Rangefinder-style mirrorless |
Sensor Information | ||
Processor | - | Venus Engine |
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | Four Thirds |
Sensor dimensions | 6.08 x 4.56mm | 17.3 x 13mm |
Sensor surface area | 27.7mm² | 224.9mm² |
Sensor resolution | 14 megapixel | 16 megapixel |
Anti aliasing filter | ||
Aspect ratio | - | 1:1, 4:3, 3:2 and 16:9 |
Maximum resolution | 4320 x 3240 | 4592 x 3448 |
Maximum native ISO | 6400 | 25600 |
Minimum native ISO | 100 | 200 |
RAW images | ||
Minimum boosted ISO | - | 100 |
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Autofocus continuous | ||
Single autofocus | ||
Tracking autofocus | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Live view autofocus | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Number of focus points | - | 49 |
Cross focus points | - | - |
Lens | ||
Lens mounting type | fixed lens | Micro Four Thirds |
Lens focal range | 28-140mm (5.0x) | - |
Highest aperture | f/3.2-6.5 | - |
Macro focus distance | 5cm | - |
Available lenses | - | 107 |
Focal length multiplier | 5.9 | 2.1 |
Screen | ||
Type of display | Fixed Type | Tilting |
Display sizing | 2.7 inch | 3 inch |
Display resolution | 230 thousand dots | 1,040 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Display technology | TFT LCD | - |
Viewfinder Information | ||
Viewfinder | None | None |
Features | ||
Lowest shutter speed | 8s | 60s |
Highest shutter speed | 1/2000s | 1/500s |
Highest quiet shutter speed | - | 1/16000s |
Continuous shooting rate | 1.0 frames per second | 10.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | - | Yes |
Set white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash range | 5.70 m | 4.00 m (at ISO 100) |
Flash modes | Auto, On, Off, Red-eye, Slow Syncro | Auto, auto w/redeye reduction, on, on w/redeye reduction, slow sync, slow sync w/redeye reduction |
External flash | ||
AEB | ||
White balance bracketing | ||
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps) | 3840 x 2160 @ 30p / 100 Mbps, MP4, H.264, AAC3840 x 2160 @ 24p / 100 Mbps, MP4, H.264, AAC1920 x 1080 @ 60p / 28 Mbps, MP4, H.264, AAC1920 x 1080 @ 60p / 28 Mbps, AVCHD, MTS, H.264, Dolby Digital1920 x 1080 @ 60i / 17 Mbps, AVCHD, MTS, H.264, Dolby Digital1920 x 1080 @ 30p / 20 Mbps, MP4, H.264 |
Maximum video resolution | 1280x720 | 3840x2160 |
Video format | Motion JPEG | MPEG-4, AVCHD |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 121 gr (0.27 pounds) | 269 gr (0.59 pounds) |
Physical dimensions | 97 x 58 x 22mm (3.8" x 2.3" x 0.9") | 107 x 65 x 33mm (4.2" x 2.6" x 1.3") |
DXO scores | ||
DXO All around score | not tested | 73 |
DXO Color Depth score | not tested | 23.2 |
DXO Dynamic range score | not tested | 13.3 |
DXO Low light score | not tested | 586 |
Other | ||
Battery life | 250 photographs | 210 photographs |
Battery type | Battery Pack | Battery Pack |
Self timer | Yes (2 or 10 sec) | Yes (2, 10 sec, 3 images/10 sec) |
Time lapse shooting | ||
Storage type | SD/SDHC/SDXC, Internal | microSD/SDHC/SDXC |
Card slots | One | One |
Retail pricing | $100 | $548 |