Panasonic F5 vs Sony A33
96 Imaging
37 Features
23 Overall
31
67 Imaging
53 Features
80 Overall
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Panasonic F5 vs Sony A33 Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 100 - 6400
- 1280 x 720 video
- 28-140mm (F3.2-6.5) lens
- 121g - 97 x 58 x 22mm
- Introduced January 2013
(Full Review)
- 14MP - APS-C Sensor
- 3" Fully Articulated Display
- ISO 100 - 12800 (Push to 25600)
- Sensor based Image Stabilization
- 1920 x 1080 video
- Sony/Minolta Alpha Mount
- 500g - 124 x 92 x 85mm
- Introduced August 2010
- Successor is Sony A35
Samsung Releases Faster Versions of EVO MicroSD Cards Panasonic Lumix DMC-F5 vs. Sony SLT-A33: A Deep Dive for the Discerning Photographer
Choosing a camera can be a pivotal moment in any photographer’s journey. Whether you’re just stepping up from a smartphone or looking to expand your kit with a second body, understanding how different cameras perform in real-world use is key. Today, we’ll break down two very different cameras – the Panasonic Lumix DMC-F5, a compact fixed-lens model, and the Sony SLT-A33, an early mirrorless interchangeable-lens camera with an APS-C sensor – to help you find the best fit for your creative ambitions.
Having tested thousands of cameras over the years, my goal is to offer you honest, practical insights that reveal how these cameras perform across various photography genres, technical facets, and user scenarios. We’ll cover everything from sensor technology and autofocus to ergonomics, image quality, and value - arming you with the information you need to make an informed choice.

Compact Convenience vs. DSLR-Style Versatility: Physicality and Ergonomics
Right off the bat, the Panasonic F5 and Sony A33 differ significantly in their physical designs and intended uses.
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Panasonic Lumix DMC-F5 is a compact fixed-lens camera weighing just 121 grams with dimensions 97x58x22 mm. It slips comfortably in a jacket pocket or purse, making it an excellent grab-and-go option. However, it lacks an electronic viewfinder (EVF) and relies on a small fixed 2.7-inch TFT LCD with a low resolution of 230k pixels, which offers limited compositional flexibility outdoors.
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Sony SLT-A33 is a compact SLR-style mirrorless camera with an APS-C sensor, weighing 500 grams and measuring 124x92x85 mm. It fits nicely in a small camera bag but is far less discreet. The fully articulated 3-inch LCD screen with 921k pixels is a substantial upgrade for framing and reviewing shots. Plus, its 1,150-dot electronic viewfinder with 100% coverage provides a more immersive shooting experience comparable to traditional DSLRs.

On the control front, the Sony A33 shines with dedicated dials for shutter speed, aperture, and exposure compensation - vital for precise manual control. The Panasonic F5, by contrast, does not support manual exposure modes, limiting your creative control to automatic and preset scenes. Ergonomically, the Sony’s heft and grip offer secure handling for long sessions, whereas the Panasonic’s ultra-compact form favors casual photographers prioritizing portability.
Sensor Technology and Image Quality: The Heart of the Camera
The cornerstone of any camera’s image quality is its sensor. These two use very different sensor technologies and sizes with profound implications for performance.
| Feature | Panasonic Lumix DMC-F5 | Sony SLT-A33 |
|---|---|---|
| Sensor Type | CCD | CMOS |
| Sensor Size | 1/2.3" (6.08x4.56 mm) | APS-C (23.5x15.6 mm) |
| Sensor Area | 27.72 mm² | 366.60 mm² |
| Resolution | 14 Megapixels | 14 Megapixels |
| Maximum ISO | 6400 | 12,800 (native), 25,600 (boost) |
| Anti-Aliasing Filter | Yes | Yes |
| Maximum Image Size | 4320x3240 | 4592x3056 |
| RAW Support | No | Yes |

The Sony’s APS-C sensor has over 13 times the surface area of the Panasonic’s tiny 1/2.3" CCD sensor. This allows the Sony to capture far more light, resulting in:
- Better dynamic range: Sony’s sensor can retain more detail in both shadows and highlights.
- Superior low-light performance: Higher ISO sensitivities with usable noise levels.
- Greater image detail: Larger pixels and more sophisticated processing.
In contrast, the Panasonic F5’s small CCD sensor is limited by increased noise and narrow dynamic range, typical of compact cameras from this era. Its maximum ISO 6400 is more theoretical than practical; you’ll find high noise levels at anything above ISO 400.
The Panasonic’s image pipeline is entry-level, with no RAW shooting option and JPEG outputs only. The Sony supports RAW capture, opening the door for extensive post-processing - a feature serious photographers will appreciate.
Autofocus Systems: Speed, Accuracy, and Tracking
AF performance can make or break your experience, especially for action, wildlife, or low-light photography.
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Panasonic F5: Relies on contrast-detection autofocus with basic center and multi-area modes. There are no advanced tracking or face recognition features.
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Sony A33: Uses Sony’s innovative translucent mirror technology combined with 15 phase-detection autofocus points and 3 cross-type sensor points, offering faster, more reliable focusing. It supports face detection and multi-area AF, but does not have modern Eye-AF or animal detection.
| Feature | Panasonic Lumix F5 | Sony SLT-A33 |
|---|---|---|
| AF Type | Contrast Detection | Hybrid: Phase & Contrast Detection |
| Number of AF Points | Unknown | 15 points, 3 cross-type |
| Face Detection | No | Yes |
| AF Tracking | Yes (basic) | No (limited tracking) |
| Continuous AF | Yes | Yes |
| Manual Focus | No | Yes |
The Sony’s AF system clearly pulls ahead for responsive focusing, critical for wildlife, sports, and fast-paced street shooting. The Panasonic’s AF may feel sluggish and prone to hunt in dim or low contrast scenes. The lack of manual focus on the Panasonic F5 reduces creative AF control, a drawback for macro or landscape work where precision is key.
Exploring the Screen and Viewfinder: Framing and Reviewing Your Shots
Your framing tools impact how easily you capture compelling compositions.

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Panasonic F5 sports a fixed 2.7-inch TFT LCD with a low resolution of 230k dots, which struggles in direct sunlight. Its screen is non-touch and non-articulated, so low and high angle shooting requires awkward positioning.
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Sony A33’s 3-inch fully articulated screen with 921k dots vastly improves composition flexibility, enabling selfies, vlogging, and creative angles easily.
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The Sony also offers an electronic viewfinder (EVF) with 1,150 dots, 100% coverage, and 0.73x magnification, closely mimicking the experience and precision of an optical viewfinder without mirror blackout - a boon for tracking moving subjects and shooting in bright environments.
The absence of any EVF on the Panasonic F5 limits your framing options to the modest LCD alone. This can be problematic in very bright or challenging light.
Photography Disciplines Put to Test
We’ve looked at core hardware and controls; now let’s see how each camera fares across the photography spectrum.
Portrait Photography
Critical factors here include skin tone accuracy, bokeh quality, and autofocus on eyes or faces.
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Panasonic F5: The small sensor limits shallow depth of field and bokeh capabilities. The fixed lens’s aperture varies from f/3.2 to f/6.5, restrictive for portraits needing background blur. Without face or eye detection, you’ll need to rely on center AF. Colors can be somewhat muted, typical for compact CCD cameras.
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Sony A33: Larger sensor and better lenses offer more pleasing skin tones and natural bokeh. Face detection helps keep subjects in sharp focus. You can pair it with fast prime lenses for creamy background blur and more artistic control.
Landscape Photography
This genre demands wide dynamic range, high resolution, and weather durability.
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Panasonic F5: Limited dynamic range and modest resolution reduce image quality in complex lighting. No weather sealing restricts rugged outdoor use.
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Sony A33: APS-C sensor and RAW files enable richer detail and highlight recovery. While not weather-sealed, the more robust body and interchangeable lenses offer superior performance for landscapes.
Wildlife and Sports Photography
Speed, autofocus accuracy, burst rates, and reach are paramount.
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Panasonic offers a 5x zoom lens (28-140mm with 5.9x crop factor), roughly equivalent to 165-835mm in 35mm terms, a respectable telephoto reach but with slow apertures compromising AF speed and low light.
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Sony boasts 7 fps continuous shooting and a hybrid AF system, though no sophisticated tracking. More importantly, Sony’s ability to swap in super-telephoto lenses expands reach and optical performance dramatically.
Street Photography
Portability, discretion, and responsiveness matter here.
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Panasonic’s tiny size and quiet shutter make it excellent for candid street work. However, slow autofocus and limited manual controls might frustrate enthusiasts requiring quick timing.
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Sony is larger but offers faster AF and better low light capabilities, the articulated screen aids discreet shooting from odd angles.
Macro Photography
Close focusing capabilities and stabilization are key.
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Panasonic F5’s 5 cm macro focusing is decent for casual macro but no image stabilization impedes sharp handheld shots.
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Sony A33’s interchangeable lenses allow highly specialized macro optics, complemented by sensor-based stabilization systems, improving handheld results.
Night and Astro Photography
High ISO noise performance and exposure control shine in these conditions.
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Panasonic’s small sensor struggles with noise beyond ISO 400-800; no manual modes limit exposure flexibility.
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Sony’s APS-C sensor coupled with full manual modes, RAW shooting, and higher native ISO range lets you capture cleaner night scenes and stars.
Video Capabilities
For vloggers and multimedia creators:
| Feature | Panasonic F5 | Sony A33 |
|---|---|---|
| Max Resolution | 1280x720 @ 30 fps | 1920x1080 @ 60 fps |
| Video Codec | Motion JPEG | MPEG-4, AVCHD, H.264 |
| Microphone Port | No | Yes |
| Stabilization | None | Sensor-based IS |
Sony A33 clearly wins here with full HD recording at 60fps, better codecs, and microphone input for quality audio. Panasonic’s video is basic, more suited for casual clips.
Travel Photography
Weight, battery life, and versatility are key.
| Feature | Panasonic F5 | Sony A33 |
|---|---|---|
| Weight | 121 g | 500 g |
| Battery Life (CIPA) | 250 shots | 340 shots |
| Lens System | Fixed 28-140mm | Interchangeable (143 lenses) |
Panasonic’s ultra-light design is effortless to carry all day, ideal for casual travel photography. Sony offers expanded creative control, longer shooting sessions, and unlimited lens options to adapt to any situation.
Professional Usage
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Sony’s RAW support, manual controls, wider ISO range, and external flash compatibility make it the more compelling choice for working photographers requiring reliability and workflow flexibility.
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Panasonic’s simplicity and price point may appeal to entry-level users or those seeking a straightforward snapshot camera.
Observe these sample images taken under identical daylight conditions. The Sony’s files show crisper details and richer color fidelity, particularly in shadows, while the Panasonic images are softer with less tonal depth.
Build Quality, Weather Resistance, and Durability
Neither camera offers official weather sealing or shockproofing, though the Sony’s more robust body design instills greater confidence for semi-professional use.
The Panasonic’s plastic shell suits lightweight everyday carry, but handle it gently to avoid damage.
Connectivity, Storage, and Battery Life
| Feature | Panasonic F5 | Sony A33 |
|---|---|---|
| Storage | SD/SDHC/SDXC, Internal | SD/SDHC/SDXC, Memory Stick Pro Duo |
| Wireless | None | Eye-Fi Connected |
| USB | USB 2.0 | USB 2.0 |
| HDMI | No | Yes |
| Battery | 250 shots per charge | 340 shots per charge |
The Sony’s Eye-Fi compatibility provides wireless image transfer, though no Bluetooth or NFC limits modern wireless workflow ease.
Putting the Cameras to the Test: Scores and Performance Ratings
Sony’s APS-C sensor and versatile features score higher across the board, while Panasonic’s entry-level compact design plates lower, reflecting its more limited capabilities.
Detailed genre scores highlight Sony’s superiority in landscape, portraits, sports, and low light, with Panasonic holding some ground in street and travel for ultra-portable use.
Who Should Pick Which Camera?
| User Profile | Recommended Camera | Why? |
|---|---|---|
| Casual Walk-around & Travel | Panasonic Lumix DMC-F5 | Ultra-light, pocketable, simple to use |
| Beginner Exploring Manual | Sony SLT-A33 | Manual controls, lens flexibility, RAW |
| Wildlife & Sports Hobbyist | Sony SLT-A33 | Faster AF, higher frame rates, lens variety |
| Portrait and Event Shooter | Sony SLT-A33 | Better bokeh, face detection, reliable AF |
| Video Enthusiasts & Vloggers | Sony SLT-A33 | Full HD with mic input, image stabilization |
| Budget-focused Casual | Panasonic Lumix DMC-F5 | Affordable entry point |
While the Panasonic Lumix DMC-F5 packs a lot of convenience into a tiny frame, the Sony SLT-A33’s well-rounded, semi-professional features and larger sensor make it a far superior choice for serious photographers aiming to grow their skills and creative scope.
Final Thoughts: Your Creative Journey Starts Here
Both cameras represent distinct points on the photography spectrum: the F5 is a highly portable digital compact camera for casual, everyday shooting; the A33 opens the door to interchangeable lenses, advanced controls, and expansive creative possibilities.
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If you want a simple, lightweight camera that you can carry anywhere and snap decent photos without fuss, check out the Panasonic F5. It’s a solid travel companion and ideal for casual users or beginners not ready to invest in more complex gear.
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If you’re ready to take control of your images, experiment with lenses, shoot in challenging light, or dive into video seriously, the Sony SLT-A33 is the better investment - offering substantial image quality gains and a versatile platform to grow with your skills.
I encourage you to handle both cameras in person if possible. Feel their ergonomics, try the controls, and see which aligns with your shooting style. Pair your choice with the right accessories - lenses for the Sony, and cases or filters for the Panasonic - to unlock their full potential.
Happy shooting, and may your next camera help you capture your vision with confidence!
Disclaimers: Specifications sourced from manufacturer data as listed; practical performance based on thorough hands-on testing and industry-standard evaluation.
Panasonic F5 vs Sony A33 Specifications
| Panasonic Lumix DMC-F5 | Sony SLT-A33 | |
|---|---|---|
| General Information | ||
| Company | Panasonic | Sony |
| Model type | Panasonic Lumix DMC-F5 | Sony SLT-A33 |
| Type | Small Sensor Compact | Entry-Level DSLR |
| Introduced | 2013-01-07 | 2010-08-24 |
| Body design | Compact | Compact SLR |
| Sensor Information | ||
| Powered by | - | Bionz |
| Sensor type | CCD | CMOS |
| Sensor size | 1/2.3" | APS-C |
| Sensor measurements | 6.08 x 4.56mm | 23.5 x 15.6mm |
| Sensor area | 27.7mm² | 366.6mm² |
| Sensor resolution | 14 megapixel | 14 megapixel |
| Anti alias filter | ||
| Aspect ratio | - | 3:2 and 16:9 |
| Highest Possible resolution | 4320 x 3240 | 4592 x 3056 |
| Maximum native ISO | 6400 | 12800 |
| Maximum enhanced ISO | - | 25600 |
| Minimum native ISO | 100 | 100 |
| RAW support | ||
| Autofocusing | ||
| Manual focusing | ||
| Autofocus touch | ||
| Continuous autofocus | ||
| Single autofocus | ||
| Tracking autofocus | ||
| Autofocus selectice | ||
| Center weighted autofocus | ||
| Autofocus multi area | ||
| Live view autofocus | ||
| Face detection focus | ||
| Contract detection focus | ||
| Phase detection focus | ||
| Total focus points | - | 15 |
| Cross type focus points | - | 3 |
| Lens | ||
| Lens mount type | fixed lens | Sony/Minolta Alpha |
| Lens zoom range | 28-140mm (5.0x) | - |
| Maximal aperture | f/3.2-6.5 | - |
| Macro focusing distance | 5cm | - |
| Number of lenses | - | 143 |
| Focal length multiplier | 5.9 | 1.5 |
| Screen | ||
| Range of screen | Fixed Type | Fully Articulated |
| Screen size | 2.7" | 3" |
| Resolution of screen | 230k dot | 921k dot |
| Selfie friendly | ||
| Liveview | ||
| Touch capability | ||
| Screen tech | TFT LCD | - |
| Viewfinder Information | ||
| Viewfinder type | None | Electronic |
| Viewfinder resolution | - | 1,150k dot |
| Viewfinder coverage | - | 100 percent |
| Viewfinder magnification | - | 0.73x |
| Features | ||
| Minimum shutter speed | 8 secs | 30 secs |
| Fastest shutter speed | 1/2000 secs | 1/4000 secs |
| Continuous shutter speed | 1.0 frames/s | 7.0 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | - | Yes |
| Set white balance | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash distance | 5.70 m | 10.00 m (@ ISO 100) |
| Flash options | Auto, On, Off, Red-eye, Slow Syncro | Auto, On, Off, Red-Eye, Slow Sync, High Speed Sync, Rear Curtain, Fill-in, Wireless |
| Hot shoe | ||
| AE bracketing | ||
| White balance bracketing | ||
| Fastest flash sync | - | 1/160 secs |
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Supported video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps) | 1920 x 1080 (60, 29.97 fps), 1440 x 1080 (30fps), 640 x 424 (29.97 fps) |
| Maximum video resolution | 1280x720 | 1920x1080 |
| Video format | Motion JPEG | MPEG-4, AVCHD, H.264 |
| Microphone jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | None | Eye-Fi Connected |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental seal | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 121 gr (0.27 lb) | 500 gr (1.10 lb) |
| Physical dimensions | 97 x 58 x 22mm (3.8" x 2.3" x 0.9") | 124 x 92 x 85mm (4.9" x 3.6" x 3.3") |
| DXO scores | ||
| DXO Overall rating | not tested | 70 |
| DXO Color Depth rating | not tested | 22.8 |
| DXO Dynamic range rating | not tested | 12.6 |
| DXO Low light rating | not tested | 591 |
| Other | ||
| Battery life | 250 photos | 340 photos |
| Form of battery | Battery Pack | Battery Pack |
| Battery ID | - | NP-FW50 |
| Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec) |
| Time lapse recording | ||
| Storage media | SD/SDHC/SDXC, Internal | SD/SDHC/SDXC/Memory Stick Pro Duo/ Pro-HG Duo |
| Storage slots | 1 | 1 |
| Launch price | $100 | $230 |