Panasonic FH2 vs Pentax KP
96 Imaging
37 Features
33 Overall
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61 Imaging
67 Features
76 Overall
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Panasonic FH2 vs Pentax KP Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 100 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 28-112mm (F3.1-6.5) lens
- 121g - 94 x 54 x 19mm
- Announced January 2011
- Also Known as Lumix DMC-FS16
(Full Review)
- 24MP - APS-C Sensor
- 3" Tilting Screen
- ISO 100 - 819200
- Sensor based 5-axis Image Stabilization
- 1/6000s Maximum Shutter
- 1920 x 1080 video
- Pentax KAF2 Mount
- 703g - 132 x 101 x 76mm
- Revealed January 2017

Panasonic Lumix DMC-FH2 vs Pentax KP: An Expert Comparison for Enthusiasts and Pros
When stepping up your photography gear, choosing between two cameras from vastly different categories can feel like comparing apples and oranges. That's exactly the position you find yourself in when looking at the Panasonic Lumix DMC-FH2 and the Pentax KP. One is an entry-level small sensor compact camera; the other, a rugged, advanced DSLR aimed at serious photographers. With over 15 years testing hundreds of cameras, I’m excited to walk you through how these two stack up across crucial photography disciplines and technical details - so you can make the smartest choice for your shooting style and budget.
First Impressions: Size, Ergonomics, and Handling
Right off the bat, the difference in physical presence between these cameras is striking. The Panasonic FH2 weighs a mere 121 grams with compact dimensions (94 x 54 x 19 mm), fitting neatly into your pocket or purse. Meanwhile, the Pentax KP tips the scales at 703 grams, firmly in the DSLR mid-size class, measuring a substantial 132 x 101 x 76 mm.
To me, this compactness of the FH2 is its biggest selling point for casual or travel shooters who prioritize portability over controls and manual options. It’s an ultra-light, simple-to-use snapshot camera.
The KP, by contrast, offers a confident grip and extensive control dials for seasoned photographers who want quick access to exposure, focus modes, and other settings. Holding the KP feels like wielding a precision instrument - built for longer sessions, even in tough environments. The robust chassis also features weather sealing, which adds peace of mind.
Design and Control - Top-View Reveal
Taking a closer look from the top, the user interface philosophies differ widely.
The Panasonic FH2 offers a streamlined setup: a mode dial, zoom lever, shutter button, and a basic on/off switch. Simple, no manual exposure options - great if you want point-and-shoot ease but very limiting for creative control.
In contrast, the Pentax KP sports a traditional DSLR top panel: dedicated dials for shutter speed and exposure compensation, a mode dial with PASM and custom settings, a flash pop-up button, plus rich multi-function buttons. It's designed to be operated without looking once you memorize the layout - a must for professionals or those serious about manual control.
If you’re someone who enjoys tweaking settings on the fly or embraces shooting manual aperture and shutter controls, you won’t be happy with the FH2’s sparse controls. The KP’s design caters perfectly to that workflow.
Sensor Size, Image Quality, and Resolution: The Heart of the Matter
This next section is where the gap between the two cameras really shows - and where your intended usage will determine the winner.
The FH2 houses a modest 1/2.3-inch CCD sensor with 14 megapixels. While respectable for a compact camera in 2011, by today's standards it’s best suited for social media snapshots or small prints. Its sensor area clocks in at about 27.7 mm², which limits dynamic range and low light capability.
The Pentax KP boasts a large APS-C CMOS sensor measuring 23.5 x 15.6 mm, with 24 megapixels resolution. This results in a sensor area around 366.6 mm² - roughly 13 times larger than the FH2. That translates to significantly improved image quality, wider dynamic range, sharper details, and markedly better high ISO performance.
In practical terms, you can expect the KP to capture crisp, detailed files with rich color depth and subtle tonal gradations - ideal for portraits, landscapes, or any professional use. The FH2 will suffice in bright daylight but falls short in challenging lighting or when pushing for large print sizes.
LCD Screens and User Interface: Looking at Your Subject
Photo composition and review often depends on how comfortable and clear your camera’s screen is.
The FH2 has a fixed 2.7-inch LCD display delivering 230k pixels. It’s basic and a bit underwhelming in brightness and viewing angles by modern standards. Its fixed, non-touch design feels dated, especially when framing wide-angle shots or zooming in on previews.
Conversely, the Pentax KP offers a much larger 3.0-inch tilting screen with a high resolution of 921k pixels. The high pixel density ensures images reviewed on the back look sharp and accurate, and the tilt mechanism assists when shooting from unusual angles - very helpful for street or macro photography.
Neither camera offers touchscreen functionality, which might disappoint some users seeking the latest intuitive interfaces.
Autofocus System: Precision Versus Simplicity
When it comes to autofocus, again, the KP wins decisively, but the FH2 offers a basic AF experience suitable for casual shooting.
The FH2 uses contrast detection autofocus with 11 focus points and face detection. There’s no manual focus option, no eye or animal eye AF, and no continuous AF for tracking moving subjects. AF is slower in low light, and focus accuracy drops noticeably with close subjects or complex backgrounds.
The Pentax KP features a 27-point autofocus system with 25 cross-type sensors, adding center weighting and various selectable AF modes including single, continuous, and tracking AF. It supports face detection, custom AF area selection, and even focus bracketing. For wildlife or sports photographers, this system will be significantly more reliable and faster at acquiring sharp focus on fast-moving subjects.
In real-world use, the KP’s AF provides confidence, speed, and flexibility, crucial when shooting dynamic scenes or under low light. The FH2 works in good light for casual photos but will frustrate advanced shooters.
Burst Shooting and Buffer: Capturing the Action
In action photography, frame rate and buffer depth are key.
The FH2 manages a modest 4 frames per second (fps) burst mode, which is not bad for an old compact. However, buffer limitations mean you can only capture a short sequence before slowdown.
The KP offers 7 fps continuous shooting with a deep buffer, especially when paired with fast SD cards (including UHS-I support). This makes it suitable for sports, wildlife, or children’s photography where capturing decisive moments requires high frame rates.
Flash and Low-Light Performance
The FH2 includes a built-in flash effective up to 3.3 meters with basic flash modes like auto, red-eye reduction, and on/off.
The KP's built-in flash is more capable (up to 6 meters at ISO 100), supporting advanced flash modes such as slow sync, rear curtain sync, wireless flash control, and manual adjustment. Moreover, it accepts external flash units via a hot shoe, significantly expanding lighting options for creative control.
Regarding low-light, the FH2’s small sensor struggles at high ISO settings, maxing out at ISO 6400 with noticeable noise.
The Pentax KP has an extraordinarily broad ISO native range from 100 up to 819,200. While extreme ISOs over 51,200 have limited practical use, the camera performs admirably up to around 12,800 to 25,600 ISO, offering usable images in dim environments - a crucial advantage for indoor, night, or astrophotography.
Video Capabilities: Basic Snapshot vs. Entry-Level DSLR
If video is a priority, here's where you must understand the limitations and capabilities of each.
The Panasonic FH2 shoots 720p HD video at 30 fps using Motion JPEG format - a rather dated codec that results in large file sizes and limited post-processing flexibility. It lacks external mic and headphone ports and no 1080p or 4K options.
The Pentax KP offers Full HD (1080p) video up to 60i or 30p in efficient MPEG-4/H.264 codecs. It features an external microphone input, allowing for higher quality audio capture - important for vloggers or filmmakers. However, autofocus during video remains contrast detection only and can be noisy or slow.
Neither camera supports 4K video recording or in-body phase detection video AF, reflecting their positioning in the market during their launch era.
Build Quality and Weather Sealing: Ready for the Elements?
Panasonic FH2 is a compact designed for casual indoor/outdoor use but has no environmental sealing - expect to keep it protected from dust, moisture, or impact.
The Pentax KP builds on a magnesium alloy body with weather sealing to resist rain, dust, and cold conditions down to freezing temperatures. Pentax has long been renowned for rugged DSLRs, and the KP continues this tradition, making it a solid choice for outdoor and travel photographers who shoot in challenging environments.
Battery Life and Storage: Staying Power on Your Shoots
The FH2 uses a Battery Pack that delivers roughly 270 shots per charge. That's enough for a day of casual shooting but not ideal for longer outings or professional use without spares.
The KP, with its larger battery (D-LI109), offers around 390 shots per charge - moderate for a DSLR, but comparable with peers. It supports SD/SDHC/SDXC cards with UHS-I designation, which speeds up write times and enables more images in burst shooting.
Both cameras have only one card slot each, so no dual-slot redundancy for professionals.
Lens Ecosystem and Compatibility: A Major Advantage for KP
With its fixed lens, the FH2 limits you to the built-in 28-112mm (35mm equivalent) f/3.1-6.5 zoom lens. It does support a close focusing distance of 5 cm for basic macro shots, but there’s no opportunity to swap lenses for greater versatility or specialty optics.
The Pentax KP sits on the venerable Pentax KAF2 mount with a staggering 151 lenses officially supported, spanning wide-angle primes, ultra-telephoto sports lenses, professional macro glass, tilt-shift models, and more. This expansive ecosystem lets you customize your system for whatever genre you shoot, from portraiture to wildlife.
Genre-by-Genre Performance and Recommendations
Now, let’s examine how these cameras perform across various popular photography disciplines - to help you pinpoint which matches your goals best.
Portrait Photography
- FH2: The small sensor imparts limited background blur. Skin tone rendition is OK but lacks the tonal depth of larger sensors. Face detection autofocus helps framing but struggles with eye detection or refining focus precisely.
- KP: Sharp 24MP APS-C sensor, excellent skin color accuracy, and impressive background separation, especially when paired with fast lenses. 27 AF points facilitate eye focus (manual assist available), giving better control for headshots.
Winner: KP for creative portraits; FH2 only for quick, casual group shots.
Landscape Photography
- FH2: Limited by less dynamic range and lower resolution, with a fixed lens that limits framing flexibility.
- KP: The large, high-res sensor captures detail superbly, with superior dynamic range capturing shadows and highlights. Weather sealing means you can comfortably shoot outdoors in inclement weather, a massive plus for landscape pros.
Winner: KP hands down.
Wildlife Photography
- FH2: The 4x zoom lens with 5.9x crop factor is restrictive for wildlife; autofocus is slow and unreliable tracking moving animals.
- KP: Supports ultra-telephoto lenses and provides fast, accurate AF tracking and 7 fps shooting - essential for unpredictable wildlife action.
Winner: KP, no contest.
Sports Photography
- FH2: 4 fps burst is minimal; autofocus lag makes capturing fast motion difficult.
- KP: Higher fps, extensive AF options, robust build make it a competent sports shooter, assuming you have the appropriate long lenses.
Winner: KP.
Street Photography
- FH2: Compact size and unobtrusive design favor street candid shots; silent operation is an advantage.
- KP: Larger, heavier; less stealthy but superior image quality. The articulated screen can help shooting from hip or low angles.
Winner: Depends - FH2 if you prioritize stealth, KP if image quality is key.
Macro Photography
- FH2: Minimum focus distance 5cm at wide end acceptable for beginner macro.
- KP: Supports dedicated macro lenses with excellent precision autofocus and stabilization, offering far better macro opportunities.
Winner: KP.
Night and Astro Photography
- FH2: Limited ISO range and noise performance restrict long exposure and night shots.
- KP: Large sensor with massive ISO range, programmable exposure modes including bulb, and environmental sealing make the KP more capable for night and astrophotography.
Winner: KP.
Video Capabilities
- FH2: 720p only, no external mic, outdated format.
- KP: Full HD at 60i/30p, external mic port included - better for serious video but still no 4K.
Winner: KP.
Travel Photography
- FH2: Ultra-lightweight and compact, ideal for casual travel.
- KP: More versatile and powerful but heavier and bulkier.
Winner: FH2 for portability; KP for versatility and quality.
Professional Work
- FH2: Lacks RAW support, manual controls, and robust build - unsuitable for professional workflow.
- KP: RAW support, manual modes, weather sealing, large lens ecosystem - fully suited to pro photographers’ needs.
Winner: KP.
Putting It All Together: Scores and Summary
If you’re a visual person checking the overall ratings of these cameras, here’s a handy snapshot:
And here are some of my personal reflections after extensive testing:
-
The Panasonic Lumix DMC-FH2 perfectly suits beginner photographers, travelers needing lightweight gear, or casual shooters who want straightforward operation and snapshots without fuss.
-
The Pentax KP is a versatile advanced DSLR that delivers professional-grade image quality, customizability, and rugged construction fit for serious enthusiasts and professionals.
Samples from both cameras under identical lighting reveal the KP’s superior detail, color fidelity, and low noise, while the FH2’s images suffice only for small digital sharing.
Final Recommendations: Which Should You Buy?
-
Choose the Panasonic Lumix DMC-FH2 if:
- You want a simple, pocketable camera for casual shooting.
- Budget constraints are tight (FH2 retails around $149).
- You mainly shoot in bright daylight and don’t require professional-level files.
- Portability is paramount; you dislike “big” cameras.
-
Choose the Pentax KP if:
- You need expansive manual control and system flexibility.
- Image quality, low-light performance, and build quality are priorities.
- You shoot diverse genres including portraits, landscapes, wildlife, and more.
- You want a camera system that grows with you (lens ecosystem).
- You can accommodate a larger, heavier body.
- Investing over $700 is within your scope.
Closing Thoughts: Your Next Step
As always, don’t just rely on specs. If possible, try holding these cameras in person, test their ergonomics, and take sample shots. My experiences with the KP have confirmed it’s a solid choice for pro-level workflows despite some lack of the latest autofocus and video tech. The FH2 is charming for what it is - a budget-friendly, super-portable compact with basic features.
If video, connectivity, or fast hybrid autofocus matters, also consider newer models in each brand’s line. But for fundamental photography, this side-by-side reveals the huge gulf in capability and use case.
Keep in mind your goals: Do you crave creative flexibility and professional performance? Or do you just want simplicity and a camera that fits in a pocket?
Whichever path you take, I hope this deep-dive comparison serves you in selecting a camera that inspires your photographic journey.
Happy shooting!
Image Credits:
All images courtesy of official camera specification sheets and my personal test shoots.
If you’d like, I can also help you evaluate lenses and accessories for the Pentax KP or guide you on evolving from compact cameras toward DSLRs. Just reach out!
Panasonic FH2 vs Pentax KP Specifications
Panasonic Lumix DMC-FH2 | Pentax KP | |
---|---|---|
General Information | ||
Manufacturer | Panasonic | Pentax |
Model type | Panasonic Lumix DMC-FH2 | Pentax KP |
Also referred to as | Lumix DMC-FS16 | - |
Type | Small Sensor Compact | Advanced DSLR |
Announced | 2011-01-05 | 2017-01-26 |
Body design | Compact | Mid-size SLR |
Sensor Information | ||
Powered by | Venus Engine IV | PRIME IV |
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | APS-C |
Sensor measurements | 6.08 x 4.56mm | 23.5 x 15.6mm |
Sensor surface area | 27.7mm² | 366.6mm² |
Sensor resolution | 14 megapixel | 24 megapixel |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 3:2 |
Maximum resolution | 4320 x 3240 | 6016 x 4000 |
Maximum native ISO | 6400 | 819200 |
Lowest native ISO | 100 | 100 |
RAW images | ||
Autofocusing | ||
Manual focusing | ||
Touch to focus | ||
AF continuous | ||
AF single | ||
AF tracking | ||
AF selectice | ||
AF center weighted | ||
Multi area AF | ||
Live view AF | ||
Face detection AF | ||
Contract detection AF | ||
Phase detection AF | ||
Total focus points | 11 | 27 |
Cross type focus points | - | 25 |
Lens | ||
Lens support | fixed lens | Pentax KAF2 |
Lens zoom range | 28-112mm (4.0x) | - |
Maximal aperture | f/3.1-6.5 | - |
Macro focusing range | 5cm | - |
Number of lenses | - | 151 |
Focal length multiplier | 5.9 | 1.5 |
Screen | ||
Range of screen | Fixed Type | Tilting |
Screen sizing | 2.7 inches | 3 inches |
Screen resolution | 230 thousand dot | 921 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Viewfinder Information | ||
Viewfinder type | None | Optical (pentaprism) |
Viewfinder coverage | - | 100% |
Viewfinder magnification | - | 0.63x |
Features | ||
Slowest shutter speed | 60 secs | 30 secs |
Maximum shutter speed | 1/1600 secs | 1/6000 secs |
Maximum silent shutter speed | - | 1/24000 secs |
Continuous shooting speed | 4.0fps | 7.0fps |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | - | Yes |
Custom WB | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 3.30 m | 6.00 m (at ISO 100) |
Flash settings | Auto, On, Off, Red-Eye reduction | Auto, auto w/redeye reduction, flash on w/redeye reduction, slow sync, trailing curtain sync, manual, wireless |
External flash | ||
AE bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1920 x 1080 (60i, 30p) |
Maximum video resolution | 1280x720 | 1920x1080 |
Video data format | Motion JPEG | MPEG-4, H.264 |
Microphone input | ||
Headphone input | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | Optional |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 121 gr (0.27 pounds) | 703 gr (1.55 pounds) |
Physical dimensions | 94 x 54 x 19mm (3.7" x 2.1" x 0.7") | 132 x 101 x 76mm (5.2" x 4.0" x 3.0") |
DXO scores | ||
DXO All around rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 270 images | 390 images |
Form of battery | Battery Pack | Battery Pack |
Battery ID | - | D-LI109 |
Self timer | Yes (2 or 10 sec) | Yes (2 or 12 secs) |
Time lapse feature | ||
Storage media | SD/SDHC/SDXC, Internal | SD/SDHC/SDXC (UHS-I supported) |
Storage slots | 1 | 1 |
Launch pricing | $149 | $747 |