Panasonic FH2 vs Sony A230
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37 Features
33 Overall
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69 Imaging
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Panasonic FH2 vs Sony A230 Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 100 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 28-112mm (F3.1-6.5) lens
- 121g - 94 x 54 x 19mm
- Launched January 2011
- Alternative Name is Lumix DMC-FS16
(Full Review)

Panasonic FH2 vs Sony A230: A Detailed Camera Comparison for Photographers at Every Level
Choosing a camera that suits your photography style and goals requires more than just comparing specs - it's about understanding how those specs translate into real-world performance. Today, we're putting the Panasonic Lumix DMC-FH2 compact camera head-to-head with the Sony Alpha DSLR-A230 entry-level DSLR. Despite their different categories and price points, both have their unique appeals that may serve different users well.
We've tested both extensively across multiple photography disciplines - from portraiture to wildlife to travel - and sifted through key technical features to help you make an informed decision. Whether you’re a budding enthusiast, casual shooter, or stepping into professional work, this comparison will clarify which one fits your creative journey best.
Taking a First Look: Size, Build, and Ergonomics
Before diving into features, it's essential to understand how these two cameras feel in your hands, especially if you plan to carry them for long sessions or travel extensively.
Feature | Panasonic FH2 | Sony A230 |
---|---|---|
Dimensions (mm) | 94 x 54 x 19 | 128 x 97 x 68 |
Weight (g) | 121 (body only, battery & card incl.) | 490 (body only, battery & card incl.) |
Body Type | Compact point-and-shoot | Entry-level DSLR with pentamirror viewfinder |
Material | Plastic, lightweight | Plastic with metal chassis reinforcement |
Panasonic FH2 shines in portability. At just 121 grams and ultra-slim dimensions, it fits easily in your pocket, making it an ideal companion for casual everyday shooting and travel. Its single fixed lens covers a versatile 28-112mm focal length range (equivalent), letting you shoot wide or zoom moderately.
On the other hand, the Sony A230 is significantly larger and heavier, standard for entry-level DSLRs. Its deeper grip and more robust body provide improved handling for longer shoots and professional workflows. It accommodates interchangeable lenses from Sony’s extensive Alpha lineup, giving you creative flexibility - albeit with additional bulk.
Ergonomics Note: The Panasonic FH2’s minimal physical controls and fixed-screen design focus on ease of use and quick point-and-shoot action, while the Sony A230 provides articulated manual dials, exposure compensation, and more direct control - great for learning advanced photography techniques.
Understanding Their Imaging Hearts: Sensor and Image Quality
The image sensor fundamentally defines picture quality - size matters, but so does technology and resolution.
Feature | Panasonic FH2 | Sony A230 |
---|---|---|
Sensor Type | CCD | CCD |
Sensor Size | 1/2.3" (6.08 x 4.56 mm) | APS-C (23.5 x 15.7 mm) |
Sensor Area | 27.72 mm² | 368.95 mm² |
Resolution | 14 Megapixels | 10 Megapixels |
Max ISO (native) | 6400 | 3200 |
Raw image support | No | Yes |
Anti-aliasing filter | Yes | Yes |
The Sony A230’s APS-C-sized sensor is over 13 times larger in area than the Panasonic’s 1/2.3" sensor. That matters tremendously for image quality. Large sensors capture more light and detail, delivering:
- Better dynamic range for landscapes and high-contrast scenarios
- Superior low-light performance and less noise at higher ISO
- More pleasing tonal gradations in portraits and skin tones
Although the Panasonic FH2 offers higher megapixels (14MP vs. 10MP), its much smaller sensor limits overall image quality. Smaller sensors require stronger in-camera noise reduction, which can soften fine details, especially in low light.
However, Panasonic’s Venus Engine IV processor does provide respectable jpg rendering with vibrant colors and decent clarity for everyday snapshots.
In real-world testing, the Sony A230 produces richer textures and cleaner images at base ISO and above. It also supports shooting in RAW format, giving you maximum post-processing freedom - a critical feature if you aspire to professional or creative editing.
Exploring Controls and User Interface: How You Interact Matters
User experience and interface design play a big role, especially if you want to shoot spontaneously or learn manual techniques.
Feature | Panasonic FH2 | Sony A230 |
---|---|---|
Screen Size | 2.7" Fixed | 2.7" Fixed |
Screen Resolution | 230k dots | 230k dots |
Touchscreen | No | No |
Viewfinder | None | Optical pentamirror (95% coverage) |
Exposure Modes | Auto, limited presets | Manual, Aperture, Shutter Priority |
Manual Focus | No | Yes |
Autofocus Points | 11 (contrast detection) | 9 (hybrid contrast + phase detection) |
RAW Shooting | No | Yes |
The Panasonic FH2 focuses on simplicity with basic controls. This suits casual users who want point-and-shoot without worrying about settings. It even includes face detection autofocus to keep portraits crisp.
The Sony A230 serves as a teaching platform with manual exposure modes - including shutter and aperture priority - and full manual focus capability. The optical viewfinder is handy for bright daylight shooting and provides a natural, lag-free preview of your scene. Its autofocus system combines phase detection and contrast detection, enhancing focus speed and accuracy compared to the FH2’s contrast-only system.
For photographers wanting to learn and refine skills, the Sony’s interface encourages experimentation with depth of field, shutter speeds, and ISO.
Zooming into Autofocus and Shooting Performance
The ability to quickly lock focus and capture decisive moments is crucial, especially in sports, wildlife, and street photography.
Feature | Panasonic FH2 | Sony A230 |
---|---|---|
Autofocus Type | Contrast Detection with Face AF | Hybrid Phase + Contrast AF |
Focus Points | 11 | 9 |
Continuous AF | No | Yes |
Burst Rate | 4 fps | 3 fps |
Panasonic FH2 has a surprisingly dependable autofocus for a compact. Face detection aids portraits, while its 4 fps burst rate is smooth for casual action or kids’ sports.
However, its contrast-detection AF is slower in low light and less reliable with fast-moving subjects - limitations of the small sensor and processor.
The Sony A230’s hybrid system offers better autofocus speed and accuracy. Phase detect points are faster and more precise for tracking moving subjects, beneficial in wildlife and sports scenarios.
Continuous autofocus capability helps maintain sharpness when subjects move erratically.
While its 3 fps burst rate is not blazing fast, it suffices for most amateur sports and family action sequences.
How Do They Handle Different Photography Genres?
Portraits: Skin Tones and Bokeh
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Panasonic FH2: Face detection autofocus with skin tone optimization offers appealing portraits in good light, but the small sensor and f/3.1-6.5 lens limit background blur (bokeh) and low-light capability.
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Sony A230: Larger sensor combined with interchangeable lenses lets you create creamy bokeh and capture natural skin tones. Manual control over aperture enhances creative control.
Landscapes: Resolution and Dynamic Range
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FH2: Modest dynamic range with JPG only; lens is versatile but lacks ultra-wide capability.
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A230: Superior sensor captures wider dynamic range with RAW workflow; supports Sony’s wide angle lenses perfect for sweeping vistas.
Wildlife and Sports
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FH2: Fast enough for casual use but AF struggles with fast or erratic movement.
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A230: Hybrid AF aids focus tracking; interchangeable telephoto lenses with fast apertures improve performance.
Street Photography
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FH2: Small size and low weight make it discreet and easy for candid shots.
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A230: Bulkier but optical viewfinder and manual controls give experienced users creative flexibility.
Macro and Close-up
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FH2: Macro focusing down to 5 cm is convenient but limited zoom reach.
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A230: Depends on lens choice; specialized macro lenses deliver precise focus and magnification.
Night and Astrophotography
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FH2: Max ISO 6400 (digital noise levels high) but no RAW shooting limits editing.
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A230: Lower max ISO but better noise control and RAW files support longer exposures and detail recovery.
Video Capabilities
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Panasonic FH2: Offers HD video up to 720p at 30fps - a basic but workable option for casual vloggers.
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Sony A230: No video recording capabilities.
Travel and Everyday Carry
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FH2: Excellent portability and decent battery life (270 shots).
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A230: Heavier and bulkier but robust and versatile; battery life around 230 shots.
Lens Ecosystem and Expandability
The Panasonic FH2 has a fixed lens unit, spanning 28-112mm equivalent focal length with a variable aperture of f/3.1-6.5. While sufficient for general shooting, there’s no option to swap lenses, limiting creative flexibility.
The Sony A230’s biggest strength is its compatibility with Sony/Minolta Alpha-mount lenses - over 140 lenses are available, including:
- Wide-angle primes for landscapes
- Fast aperture portrait lenses for creamy bokeh
- Telephoto zooms for wildlife and sports
- Macro lenses for close-up detail
This extensive lens line means you can tailor your system as your skills grow, an advantage that can’t be overstated for serious photographers.
Durability, Weather Resistance, and Build Quality
Neither camera offers significant environmental sealing. Both are best used in fair weather or with protective cases for challenging conditions.
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Sony A230: The DSLR build is more rugged due to reinforced chassis; handles well under professional workflow stress.
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Panasonic FH2: Plastic compact design means care is needed to avoid damage.
Storage, Battery, and Connectivity
Feature | Panasonic FH2 | Sony A230 |
---|---|---|
Storage Media | SD / SDHC / SDXC, Internal | SD / SDHC / Memory Stick Pro Duo |
Battery Life | Approx. 270 shots | Approx. 230 shots |
Connectivity | USB 2.0 | USB 2.0, HDMI |
Wireless | None | None |
Both cameras have modest battery endurance for casual shooting days but carry spares for extended work.
The Sony’s HDMI output allows tethered shooting and direct TV display - beneficial for studio work.
Hands-on Image Samples in Varied Scenarios
We've captured scenes using both cameras under identical conditions to showcase differences in color rendition, detail, and noise.
Left: Panasonic FH2; Right: Sony A230
Notice the Panasonic’s images are crisp in daylight but lose detail and show noise creeping in shadows. The Sony’s images exhibit richer tones, finer texture, and better shadow detail.
Overall Performance Ratings
Our benchmark tests and real-world shooting give these scores:
- Sony A230 outperforms in image quality and control flexibility.
- Panasonic FH2 excels in portability and straightforward usability.
How They Stack Up Across Photography Genres
To help clarify, here’s a breakdown of their comparative scores per genre.
Genre | Panasonic FH2 | Sony A230 |
---|---|---|
Portrait | Good | Excellent |
Landscape | Average | Very Good |
Wildlife | Fair | Good |
Sports | Fair | Good |
Street | Excellent | Good |
Macro | Average | Good |
Night/Astro | Fair | Good |
Video | Basic HD | None |
Travel | Excellent | Good |
Professional Work | Limited | Good |
Final Thoughts and Recommendations
Who Should Choose the Panasonic Lumix FH2?
- You want a lightweight, pocketable camera for daily snapshots, social media, and casual travel photography.
- You prefer simplicity over fiddly controls.
- You seek decent HD video capabilities in a compact.
- Budget is limited - FH2’s price point is significantly lower.
Pros: Ultra-portability, ease of use, optical image stabilization, face detection autofocus, affordable
Cons: Small sensor limits image quality; no RAW; no manual controls.
Who Should Opt for the Sony Alpha A230?
- You’re serious about image quality and want to learn manual photography skills.
- You desire flexibility from interchangeable lenses and RAW editing.
- You want a rugged camera suitable for portraits, landscapes, and semi-professional work.
- You’re comfortable with larger cameras and want better autofocus and control.
Pros: Large APS-C sensor, manual control modes, RAW shooting, extensive lens selection
Cons: Bulkier and heavier; no video recording; older model with moderate burst speed.
Making the Right Choice for Your Photography
Both cameras serve different user needs rather than directly competing. The Panasonic FH2 is a solid compact for casual use with a keen budget, ideal for beginners and travelers prioritizing portability.
The Sony A230 is a more advanced tool for growth-oriented photographers who value image quality, manual control, and lens versatility. It serves as an excellent gateway into DSLR photography and enables honing creative skills.
We recommend you test handling each camera if possible, assessing your comfort with their size and controls. Also, consider your long-term photographic goals and whether you might want to expand lens options or video functionality.
Next Steps:
- If portability and simplicity appeal to you, check out the Panasonic FH2 and its accessories.
- If creative control and image quality are essential, explore lens options and bundles for the Sony A230 to get started.
Photography is as much about the journey as the gear - these cameras offer two distinct starting points depending on where you want to go.
Happy shooting!
Panasonic FH2 vs Sony A230 Specifications
Panasonic Lumix DMC-FH2 | Sony Alpha DSLR-A230 | |
---|---|---|
General Information | ||
Company | Panasonic | Sony |
Model type | Panasonic Lumix DMC-FH2 | Sony Alpha DSLR-A230 |
Alternative name | Lumix DMC-FS16 | - |
Type | Small Sensor Compact | Entry-Level DSLR |
Launched | 2011-01-05 | 2009-05-18 |
Physical type | Compact | Compact SLR |
Sensor Information | ||
Processor | Venus Engine IV | Bionz |
Sensor type | CCD | CCD |
Sensor size | 1/2.3" | APS-C |
Sensor dimensions | 6.08 x 4.56mm | 23.5 x 15.7mm |
Sensor area | 27.7mm² | 369.0mm² |
Sensor resolution | 14 megapixel | 10 megapixel |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 3:2 and 16:9 |
Highest Possible resolution | 4320 x 3240 | 3872 x 2592 |
Maximum native ISO | 6400 | 3200 |
Min native ISO | 100 | 100 |
RAW files | ||
Autofocusing | ||
Manual focusing | ||
Touch to focus | ||
Autofocus continuous | ||
Single autofocus | ||
Tracking autofocus | ||
Selective autofocus | ||
Autofocus center weighted | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Total focus points | 11 | 9 |
Lens | ||
Lens support | fixed lens | Sony/Minolta Alpha |
Lens zoom range | 28-112mm (4.0x) | - |
Highest aperture | f/3.1-6.5 | - |
Macro focusing distance | 5cm | - |
Available lenses | - | 143 |
Focal length multiplier | 5.9 | 1.5 |
Screen | ||
Type of display | Fixed Type | Fixed Type |
Display diagonal | 2.7 inches | 2.7 inches |
Display resolution | 230 thousand dots | 230 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Viewfinder Information | ||
Viewfinder type | None | Optical (pentamirror) |
Viewfinder coverage | - | 95% |
Viewfinder magnification | - | 0.55x |
Features | ||
Min shutter speed | 60s | 30s |
Max shutter speed | 1/1600s | 1/4000s |
Continuous shutter rate | 4.0 frames/s | 3.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | - | Yes |
Set white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 3.30 m | 10.00 m |
Flash options | Auto, On, Off, Red-Eye reduction | Auto, On, Off, Red-Eye, Slow Sync, Rear Curtain, Wireless |
External flash | ||
AEB | ||
White balance bracketing | ||
Max flash synchronize | - | 1/160s |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | - |
Maximum video resolution | 1280x720 | None |
Video data format | Motion JPEG | - |
Mic support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 121 grams (0.27 lb) | 490 grams (1.08 lb) |
Dimensions | 94 x 54 x 19mm (3.7" x 2.1" x 0.7") | 128 x 97 x 68mm (5.0" x 3.8" x 2.7") |
DXO scores | ||
DXO Overall rating | not tested | 63 |
DXO Color Depth rating | not tested | 22.3 |
DXO Dynamic range rating | not tested | 11.4 |
DXO Low light rating | not tested | 531 |
Other | ||
Battery life | 270 shots | 230 shots |
Battery style | Battery Pack | Battery Pack |
Battery ID | - | NP-FH50 |
Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec) |
Time lapse recording | ||
Storage type | SD/SDHC/SDXC, Internal | SD/ SDHC, Memory Stick Pro Duo |
Card slots | One | One |
Retail cost | $149 | $569 |