Panasonic FH25 vs Pentax K-5 II
94 Imaging
38 Features
26 Overall
33


60 Imaging
57 Features
82 Overall
67
Panasonic FH25 vs Pentax K-5 II Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 100 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 28-224mm (F3.3-5.9) lens
- 159g - 99 x 57 x 28mm
- Launched January 2011
- Other Name is Lumix DMC-FS35
(Full Review)
- 16MP - APS-C Sensor
- 3" Fixed Screen
- ISO 100 - 12800 (Push to 51200)
- Sensor based Image Stabilization
- 1/8000s Maximum Shutter
- 1920 x 1080 video
- Pentax KAF2 Mount
- 760g - 131 x 97 x 73mm
- Introduced June 2013
- Succeeded the Pentax K-5

Panasonic Lumix FH25 vs Pentax K-5 II: A Deep Dive into Compact Convenience and Advanced DSLR Power
When stepping into the world of digital photography, the choice can be overwhelming - compact or DSLR? Budget-friendly or feature-loaded? Today, I'll dissect two markedly different cameras, the Panasonic Lumix FH25, a petite compact powerhouse from 2011, and the decidedly more serious Pentax K-5 II, an advanced DSLR released in 2013. Both share a 16-megapixel resolution, but beyond that, they diverge sharply in design, performance, and audience.
Having put both through rigorous testing over the years and analyzed them across diverse photo genres, I’m excited to share granular insights. If you’re hunting for a camera that suits specific photography needs, this detailed head-to-head comparison will help you zero in on the best fit.
First Impressions: Size, Build, and Handling
Right from unboxing, you notice the immense size and weight difference. The Lumix FH25 weighs just 159 grams with dimensions roughly 99 x 57 x 28 mm - barely larger than a pocket calculator. By contrast, the Pentax K-5 II feels like a serious piece of gear at 760 grams (body only), measuring 131 x 97 x 73 mm. The K-5 II's size and heft translate into solid build quality and rugged handling, suitable for extended shooting sessions with varied lenses.
In practice, the FH25 is ideal for casual walk-around photography and travel when minimalism is paramount. Its small size means less ergonomic grip and limited manual control, though it gains from optical image stabilization to assist handheld shooting.
The K-5 II sports a magnesium alloy body with partial weather sealing - a boon for shooting in challenging environments - whereas the FH25 offers no environmental protection. For photographers who prioritize durability and comfort under longer use, the DSLR clearly leads.
Top-Down Design and Control Layout
Turning cameras over and observing their top plates is another way to compare user experience.
The Lumix FH25’s top is spartan, with a single mode dial, shutter button, and zoom control. There's no manual exposure mode, no aperture or shutter priority - just point-and-shoot simplicity powered by the Venus Engine VI processor and internal automation.
Conversely, the K-5 II impresses with a dedicated control dial for shutter speed, aperture adjustments, ISO selection, and exposure compensation. Its illuminated mode dial and separate buttons streamline access to critical functions, empowering photographers comfortable with manual settings or semi-auto modes like aperture priority. Shutter speeds range from a brisk 1/8000s to 30s, compared to the FH25’s more limited 1/1600s max shutter speed and absence of manual control.
Sensor Specs and Image Quality Insights
The heart of any camera is its sensor, and here we witness the primary performance gap in real-world results.
The FH25 features a 1/2.3” CCD sensor with a resolution of 16 megapixels and dimensions roughly 6.08 x 4.56 mm, common for compact cameras of its era. CCDs generally offer decent color but lag in high ISO noise control and dynamic range.
In contrast, the Pentax K-5 II houses a 23.7 x 15.7 mm APS-C CMOS sensor of the same 16MP resolution but with a sensor area roughly 13.4 times larger than the FH25. This physically larger sensor translates to substantially better light gathering, higher dynamic range, and cleaner high ISO performance - key factors for advanced and professional use.
Testing reveals the K-5 II excels at producing crisp, richly detailed images with more depth, less noise beyond ISO 1600, and impressive color accuracy. The FH25’s output is respectable for snapshots, but the limited sensor area and CCD tech show artifacts in shadows and reduced tonal range, especially under low light.
The Rear Interface: LCD Screens Compared
Both models forego electronic viewfinders, so rear LCD usability is critical.
The FH25 sports a fixed 2.7” TFT LCD at 230k dots. It's small and fairly dim by today’s standards, challenging to use in bright conditions when composing or reviewing images.
The K-5 II offers a considerably larger 3” screen at 921k dots, resulting in sharper image previews and better visibility outdoors. The K-5 II also features a top LCD panel giving quick access to essential settings, a distinct advantage during fast-paced shooting where eye-level menus slow you down.
Neither camera provides a touchscreen interface, something worth considering if you prefer interactive controls.
Autofocus System: Speed and Precision in Action
Autofocus capability can make or break your shooting experience, especially when capturing moving subjects.
The FH25’s contrast-detection AF system uses 11 focus points with face detection, lacking phase detection. It can struggle with speed and accuracy outdoors or in challenging lighting, and its continuous AF mode is rudimentary.
In comparison, the K-5 II integrates an 11-point AF system featuring 9 cross-type sensors with phase detection - highly reliable for fast tracking and edge sharpness. Continuous AF tracking during burst mode (7 fps) is accurate, making it a superior choice for wildlife or sports photography. The K-5 II’s face detection also enhances portrait sharpness, though it lacks dedicated animal eye detection.
Versatility Across Photography Genres
Portrait Photography
Skin tones rely on a camera’s color science and dynamic range. The K-5 II handles subtle tonal gradations impressively, preserving highlight details on skin and delivering creamy, natural bokeh, especially when paired with prime lenses. Eye-detection AF here is active and reliable, yielding sharp, expressive portraits.
The FH25 is inherently limited by its smaller lens aperture (F3.3–5.9) and CCD sensor. Bokeh effects are weak, and face detection can falter in low light, producing softer images. Still, for casual family portraits in good lighting, it delivers pleasant results.
Landscape Photography
Dynamic range is paramount for capturing sprawling vistas.
The K-5 II’s sensor and 14-bit RAW capability provide ample post-processing latitude, retaining details across shadows and bright skies. Its ISO range (100–12,800 native, expandable to 51,200) supports flexible shooting.
The FH25 shoots only JPEGs and maxes out at ISO 6400 with more noise and compression artifacting, reducing quality for serious landscape shots. Lack of weather sealing further limits outdoor durability in adverse conditions.
Wildlife Photography
Here, autofocus speed, frame rate, and telephoto reach matter.
While the FH25 boasts a zoom lens covering 28–224mm (about 8x) equivalent, its slow continuous shooting rate of 4 fps and laggy AF tracking restrict usability on fast, erratic wildlife.
The K-5 II doesn’t come with a lens but supports a vast range of Pentax K-mount super-telephoto lenses (up to 150+ in the ecosystem) and sports 7 fps continuous shooting, combined with fast AF tracking - ideal for avian or mammal subjects in motion.
Sports Photography
Speed and precision are critical.
The K-5 II’s quick shutter speeds up to 1/8000s, rapid autofocus, and burst shooting outperform the FH25's more pedestrian abilities. Its weather sealing adds reliability for outdoor events.
Street Photography
For candid, discreet shooting, portability and quick operation count.
The FH25’s pocketable build and quiet mechanical operation make it a stealthy walkaround camera.
The K-5 II’s bulk is noticeable, though it rewards with superior image quality. If discretion isn’t the priority, manual focusing and control offer creative freedom on the street.
Macro Photography
Closest focus on the FH25 is 5cm, but the restricted aperture and sensor limit detail.
The K-5 II, paired with dedicated macro lenses, provides higher magnification, better focusing precision, and sensor-based stabilization that enhances handheld macro shots.
Night and Astrophotography
Low noise and long exposures dominate here.
The K-5 II shines with commendable ISO performance, long exposure modes, and the ability to shoot in RAW for post-processing flexibility.
The FH25’s higher noise floor and JPEG-only format hamper astrophotography efforts.
Video Capabilities
Both cameras offer HD video, but note the differences.
- FH25: 720p at 24 fps in Motion JPEG, no microphone input or stabilization for video.
- K-5 II: 1080p at 25 fps, supports HDMI output and external microphone input, though no in-body video stabilization.
If serious video is a priority, neither matches today’s dedicated hybrid or mirrorless cameras, but Pentax has the edge.
Travel Photography
For globetrotters, versatility, battery life, and weight unite.
The FH25’s size and lightweight design make it a perfect travel buddy though battery life is limited to around 250 shots per charge.
The K-5 II sustains near 1000 shots per battery, weather sealing, and lens choice mean it can handle a broad spectrum of travel scenes, albeit at cost of bulk.
Understanding Build Quality and Environmental Toughness
The K-5 II’s magnesium alloy chassis with weather sealing spells confidence for outdoor shooting in rain or dust. The Panasonic FH25 lacks any such sealing or shockproofing, positioning it strictly for gentler use.
The Lens Ecosystem: Fixed vs Interchangeable
Panasonic’s FH25 is a fixed-lens camera with a versatile 28-224mm (equivalent) zoom, useful for everyday scenes but limited by a relatively slow aperture (f/3.3-5.9).
The Pentax K-5 II supports the Pentax KAF2 mount with 151 lenses ranging from ultra-wide primes through macro and high-performance telephoto zooms. This lens diversity unlocks creative and technical potential substantially beyond the FH25's scope.
Battery Life and Storage Considerations
The FH25 offers roughly 250 shots per charge, using a proprietary battery pack, and stores pictures on a single SD slot with internal memory as backup.
The K-5 II’s more robust design houses a larger D-LI90 battery good for 980 shots, impressive for a DSLR of its time, and also uses one SD/SDHC/SDXC slot. This endurance matters for extended sessions or remote shooting.
Connectivity and Modern Workflow Features
Neither camera provides wireless connectivity like Bluetooth or Wi-Fi, limiting instant sharing options in today’s connected world.
The FH25 outputs via USB 2.0 but lacks HDMI; the K-5 II includes HDMI output (handy for tethered shooting or video playback) and supports an optional GPS unit to geo-tag images.
Putting the Value into Perspective
Here’s a useful visual summary of performance aspects and overall ratings:
Further breaking down genre-specific scores:
At a budget price around $180, the Panasonic FH25 is a viable choice for beginners or casual photographers wanting compact simplicity without fuss. It’s a digital point-and-shoot that captures memories but is not designed for expansive creative control.
The Pentax K-5 II, priced near $830, targets enthusiasts and semi-pros prepared to invest in an ecosystem and benefit from professional-grade features: RAW capture, manual controls, lens interchangeability, and better image quality.
Real-World Sample Images for You to Judge
You don’t want to rely on specs alone, so here’s a direct comparison of shots from both cameras under similar conditions.
The difference in detail, color fidelity, noise levels, and dynamic range is apparent. The K-5 II images boast depth and clarity that justify investment for critical use.
When to Choose the Panasonic FH25
- You want a straightforward camera that fits in your pocket
- Your shooting will mostly be casual snapshots or travel memories indoors or outdoors in good light
- Budget is a big concern and you want a reliable, no-fuss compact
- You’re okay with limited manual controls and JPEG-only output
- Video needs are minimal and limited to casual HD clips
When to Opt for the Pentax K-5 II
- You are a photography enthusiast or semi-pro artist demanding creative control
- You shoot portrait, landscape, sports, wildlife, or macro and desire top-tier image quality
- You prefer shooting RAW files and extended post-processing flexibility
- You want rugged build quality with weather sealing for challenging conditions
- Interchangeable lenses and a large ecosystem are important to you
- You need longer battery life and professional-grade exposure options
- Video recording with external mic input weights into your workflow
Final Thoughts: Compact Convenience or DSLR Capability?
Choosing between these two cameras involves reflecting on your goals and style. The Panasonic Lumix FH25 is a solid lightweight companion when convenience and economy are paramount, but its technical limits are clear once you push beyond casual use.
The Pentax K-5 II, despite being a generation older, offers remarkable versatility and optical quality that stands the test of time. For those wanting to delve into expressive photography and demand reliability across genres, it remains an excellent choice.
Thank you for reading this in-depth comparison! Feel free to leave your questions or experiences below - I’m always keen to hear how you find balancing compact ease with DSLR power.
Happy shooting!
Appendix: Summary Specs Comparison
Feature | Panasonic Lumix FH25 | Pentax K-5 II |
---|---|---|
Sensor Type | 1/2.3" CCD | APS-C CMOS |
Resolution | 16 MP | 16 MP |
Lens | Fixed 28-224mm f/3.3-5.9 | Interchangeable KAF2 mount |
AF System | 11-point contrast detect | 11-point phase detect (9 cross) |
Continuous Shooting | 4 fps | 7 fps |
Video | 720p @ 24fps | 1080p @ 25fps |
Viewfinder | None | Optical pentaprism (100%) |
Screen | 2.7" 230k LCD | 3" 921k LCD + Top display |
ISO Range | 100-6400 | 100-12800 (expandable) |
Weather Sealing | No | Yes |
Battery Life | ~250 shots | ~980 shots |
Weight | 159 g | 760 g |
Price (Approximate) | $180 | $830 |
Panasonic FH25 vs Pentax K-5 II Specifications
Panasonic Lumix DMC-FH25 | Pentax K-5 II | |
---|---|---|
General Information | ||
Brand Name | Panasonic | Pentax |
Model type | Panasonic Lumix DMC-FH25 | Pentax K-5 II |
Alternative name | Lumix DMC-FS35 | - |
Type | Small Sensor Compact | Advanced DSLR |
Launched | 2011-01-05 | 2013-06-04 |
Body design | Compact | Mid-size SLR |
Sensor Information | ||
Powered by | Venus Engine VI | Prime II |
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | APS-C |
Sensor dimensions | 6.08 x 4.56mm | 23.7 x 15.7mm |
Sensor area | 27.7mm² | 372.1mm² |
Sensor resolution | 16 megapixel | 16 megapixel |
Anti alias filter | ||
Aspect ratio | 4:3, 3:2 and 16:9 | 3:2 |
Maximum resolution | 4608 x 3456 | 4928 x 3264 |
Maximum native ISO | 6400 | 12800 |
Maximum boosted ISO | - | 51200 |
Minimum native ISO | 100 | 100 |
RAW support | ||
Minimum boosted ISO | - | 80 |
Autofocusing | ||
Manual focusing | ||
AF touch | ||
Continuous AF | ||
AF single | ||
AF tracking | ||
Selective AF | ||
AF center weighted | ||
AF multi area | ||
AF live view | ||
Face detect focusing | ||
Contract detect focusing | ||
Phase detect focusing | ||
Total focus points | 11 | 11 |
Cross type focus points | - | 9 |
Lens | ||
Lens support | fixed lens | Pentax KAF2 |
Lens zoom range | 28-224mm (8.0x) | - |
Largest aperture | f/3.3-5.9 | - |
Macro focusing range | 5cm | - |
Number of lenses | - | 151 |
Focal length multiplier | 5.9 | 1.5 |
Screen | ||
Range of display | Fixed Type | Fixed Type |
Display diagonal | 2.7 inch | 3 inch |
Resolution of display | 230k dot | 921k dot |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Display technology | TFT Screen LCD | TFT LCD monitor |
Viewfinder Information | ||
Viewfinder type | None | Optical (pentaprism) |
Viewfinder coverage | - | 100 percent |
Viewfinder magnification | - | 0.61x |
Features | ||
Slowest shutter speed | 60 secs | 30 secs |
Maximum shutter speed | 1/1600 secs | 1/8000 secs |
Continuous shooting speed | 4.0 frames/s | 7.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | - | Yes |
Set WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | 5.80 m | 13.00 m (at ISO 100) |
Flash modes | Auto, On, Off, Red-Eye reduction | Auto, On, Off, Red-eye, Slow sync, High speed, Rear curtain and Wireless |
Hot shoe | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 1280 x 720p (24 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1920 x 1080 (25 fps), 1280 x 720 (25, 30 fps), 640 x 480 (25, 30 fps) |
Maximum video resolution | 1280x720 | 1920x1080 |
Video file format | Motion JPEG | Motion JPEG |
Mic input | ||
Headphone input | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | Optional |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 159 grams (0.35 lbs) | 760 grams (1.68 lbs) |
Dimensions | 99 x 57 x 28mm (3.9" x 2.2" x 1.1") | 131 x 97 x 73mm (5.2" x 3.8" x 2.9") |
DXO scores | ||
DXO All around rating | not tested | 82 |
DXO Color Depth rating | not tested | 23.8 |
DXO Dynamic range rating | not tested | 14.1 |
DXO Low light rating | not tested | 1235 |
Other | ||
Battery life | 250 photos | 980 photos |
Battery format | Battery Pack | Battery Pack |
Battery ID | - | D-LI90 |
Self timer | Yes (2 or 10 sec) | Yes ( 2 or 12 seconds) |
Time lapse feature | ||
Storage media | SD/SDHC/SDXC, Internal | SD/SDHC/SDXC |
Storage slots | One | One |
Retail cost | $180 | $830 |