Panasonic FH3 vs Sony A99
94 Imaging
36 Features
21 Overall
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57 Imaging
69 Features
88 Overall
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Panasonic FH3 vs Sony A99 Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 80 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 28-140mm (F2.8-6.9) lens
- 165g - 98 x 55 x 24mm
- Introduced January 2010
- Alternative Name is Lumix DMC-FS11
(Full Review)
- 24MP - Full frame Sensor
- 3" Fully Articulated Display
- ISO 100 - 25600
- Sensor based Image Stabilization
- 1/8000s Max Shutter
- 1920 x 1080 video
- Sony/Minolta Alpha Mount
- 812g - 147 x 111 x 78mm
- Announced December 2012
- Earlier Model is Sony A900
- Later Model is Sony A99 II

Panasonic Lumix DMC-FH3 vs Sony SLT-A99: Expert Comparison for the Informed Photographer
In the dynamic camera market, selecting the right tool to suit one’s photographic aspirations and practical requirements demands a meticulous evaluation of features, performance, and long-term usability. This comparison between the Panasonic Lumix DMC-FH3 and the Sony SLT-A99 juxtaposes a budget-oriented compact against a high-end advanced DSLR to elucidate their respective places in the photographic ecosystem. Drawing on extensive hands-on testing experience and technical analysis, this article offers an authoritative, granular evaluation of both cameras’ capabilities across major photography genres and practical shooting scenarios.
Understanding the Design and Ergonomics: Compact Convenience vs DSLR Command
Physical handling remains a fundamental consideration, especially when transitioning between compact and DSLR-style cameras. The Panasonic FH3 epitomizes ultra-portability, measuring a mere 98x55x24 mm and weighing only 165 grams, whereas the Sony A99 is a substantial 147x111x78 mm and weighs 812 grams.
The FH3’s slender, pocket-friendly design favors casual shooting and travel convenience but comes at the cost of reduced manual control and operational depth. The A99’s robust magnesium alloy chassis delivers weather sealing and encourages confidence in demanding shooters. Its heft and grip design facilitate precise handling with heavy telephoto lenses, imperative for professional disciplines.
From an ergonomic standpoint, the A99’s top panel is laden with dedicated dials and customizable buttons, enabling rapid access to shooting parameters, a necessity for fast-paced environments. The FH3’s minimalist control layout caters to entry-level users, simplifying operation but limiting direct tactile adjustments during shooting.
Control Layout and Interface: Speed and Precision Versus Simplicity
Examining layout and user interface design elucidates both cameras’ operational philosophies.
The Sony A99 incorporates a full complement of physical controls including mode dials, dual command wheels, and a top LCD that relays critical exposure information without eye strain. This configuration accelerates workflow especially in professional settings demanding timely adjustments. Its fully articulated 3.0-inch TFT Xtra Fine LCD with 1229K-dot resolution supports precise framing and menu navigation.
In contrast, the Panasonic FH3’s fixed 2.7-inch, 230K-dot LCD offers basic live view functions but lacks touch capability or articulation. While sufficient for snapshots, it restricts compositional flexibility and hands-on exposure tweaking. The absence of an electronic viewfinder compounds this limitation, necessitating screen use in bright outdoor conditions, impairing visibility.
Sensor Technology and Image Quality: The Foundations of Photographic Excellence
At the heart of any camera lies its image sensor, directly impacting resolution, dynamic range, noise performance, and color fidelity.
The Panasonic FH3 employs a 1/2.3-inch CCD sensor sized 6.08x4.56 mm with a 14MP resolution. This sensor category, common in small sensor compacts, utilizes contrast-detection autofocus and captures images up to 4320x3240 pixels. CCD’s historically strong color reproduction and moderate noise control are mitigated here by limited sensor dimensions and a maximum ISO of 6400. The effective sensor area of approximately 27.72 mm² inherently restricts dynamic range and low-light capability.
Conversely, the Sony A99 features a full-frame 35.8x23.8 mm CMOS sensor delivering 24MP resolution (6000x4000 pixels). This substantially larger sensor area (~852 mm²) facilitates superior light-gathering, richer tonality, expansive dynamic range (rated 14 stops DxO), and exceptional high ISO performance (up to 25600 native ISO). The A99’s CMOS architecture permits rapid readout and integration with Sony’s Bionz image processor, enabling refined noise reduction and detail retention critical for professional-grade output.
Practically, photographers can expect the A99 to produce markedly cleaner images with enhanced shadow detail and highlight preservation, beneficial in challenging lighting conditions where the FH3 exhibits limitations in noise and highlight clipping.
Autofocus Capabilities and Speed: Tracking Action and Precision
Fast and reliable autofocus (AF) significantly influences usability across genres demanding rapid subject acquisition and engagement.
The Panasonic FH3 provides a 9-point contrast-detection AF system without phase detection. It lacks face or eye detection and autofocus is only single-shot. Due to the slow response of contrast AF and a modest focal length range, its performance is limited for moving subjects. Continuous AF or tracking is unavailable, which precludes fluid performance for wildlife or sports contexts.
The Sony A99 incorporates an advanced hybrid AF system with 19 phase-detection points (11 cross-type) and contrast-detection support. It features full AF tracking, face detection, and selective AF area control, improving predictive focus accuracy on erratic subjects. In practical evaluation, the A99 reliably sustained focus on fast-moving wildlife and athletes, aided by its 10 fps continuous shooting speed.
For photographers prioritizing dynamic action genres, the A99’s autofocus system substantially eclipses the FH3 in responsiveness and precision.
Lens Ecosystem and Optical Versatility
Lens compatibility defines the creative and professional potential of a camera system.
The Panasonic FH3 is equipped with a fixed 28-140 mm f/2.8-6.9 zoom lens. While offering a convenient 5x optical zoom and a macro focusing range of 5 cm, its variable and relatively narrow aperture limits shallow depth of field effects and low-light shooting. Further, the non-interchangeable lens design restricts adaptability.
Sony’s A99 utilizes the extensive Sony/Minolta Alpha mount system, boasting over 140 compatible lenses ranging from ultra-wide to super-telephoto primes and zooms. Aperture choices encompass ultra-fast primes to stable zooms suitable for macro, landscape, portraiture, and sports. Sensor-based image stabilization further enhances usability with adapted optics.
Thus, the A99 offers vastly superior optical flexibility, enabling photographers to tailor lens selections for genre-specific demands, a critical advantage for professional workflows.
Display, Viewfinders, and User Feedback Interfaces
Visual feedback tools shape framing accuracy and shooting confidence.
The FH3’s 2.7-inch fixed LCD provides basic framing capability but with low resolution and limited angle - disadvantageous in sunlight and restricting creative perspectives. Its absence of an electronic or optical viewfinder mandates reliance on the screen, creating ergonomic challenges.
The Sony A99 delivers a high-resolution (2359K-dot) electronic viewfinder (EVF) with 100% coverage and 0.71x magnification. The EVF affords real-time exposure preview and focus aids facilitating precise manual and autofocus handling. The 3.0-inch articulated TFT LCD further complements shooting flexibility, accommodating high and low angle compositions. This combination integrates immediate visual assessment into the shooting process, critical under variable lighting and fast-changing scenarios.
Burst Rates and Shutter Performance: Capturing Decisive Moments
Rapid-fire shooting capability is imperative in wildlife, sports, and event photography.
The Panasonic FH3 offers a continuous shooting speed of 6 fps, albeit with restrictive buffer sizes and no AF tracking during bursts. Its maximum shutter speed ceiling stands at 1/1600 sec, limiting the ability to freeze extremely fast action or accommodate wide apertures in bright light.
The Sony A99 supports 10 fps continuous shooting with full AF tracking, enabling capture of fleeting moments with confidence. Its shutter speed range spans 30 sec to 1/8000 sec, providing extensive creative latitude from long exposures to daylight action freezing.
Professional photographers engaged in fast-paced environments will find the A99 far more capable of meeting their demands.
Image Stabilization, Sensor and Optical
Image stabilization significantly affects handheld shooting and video stability.
Both cameras offer optical image stabilization, but implementations differ. The FH3 integrates optical stabilization within its lens, beneficial within the constraints of its fixed zoom. The Sony A99 employs sensor-shift stabilization, which stabilizes the sensor regardless of lens attached, enhancing versatility especially with prime lenses lacking built-in stabilization.
Sensor-based stabilization on the full-frame A99 allows for higher efficacy and more consistent results, crucial for low-light handheld shooting and telephoto use.
Video Capabilities: Beyond Stills
Videography is increasingly integral to camera utility.
The Panasonic FH3 records video at 1280x720p at 30 fps using Motion JPEG format. This modest specification limits high-quality output and post-processing flexibility. The absence of external microphone input and limited recording formats further restrict creative video workflows.
In contrast, the Sony A99 offers Full HD 1920x1080 recording at 60 and 24 fps, utilizing advanced codecs (AVCHD, MPEG-4, H.264) for high-fidelity footage. The inclusion of microphone and headphone ports enables professional audio capture and monitoring. Though lacking 4K, the A99 provides substantially more capable video features suited to hybrid stills/video professionals.
Battery Life and Media Storage: Endurance for Extended Use
Practical shooting requires reliable power and ample storage support.
The Panasonic FH3’s battery life specifications are unspecified but, as a compact, it typically supports shorter shooting runs. It uses a single SD/SDHC/SDXC card slot and includes internal memory, accommodating casual user storage needs.
The Sony A99, designed for endurance, supports up to 500 shots per charge (CIPA standard) with its NP-FM500H battery pack. Dual card slots (Memory Stick PRO Duo/Pro-HG Duo and SD variants) offer storage flexibility and extended shoot capacity or backup redundancy, crucial for professionals.
Extended fieldwork and demanding assignments will favor the A99’s endurance and storage options.
Build Quality and Environmental Resistance
Durability is central for professional deployment in adverse conditions.
The Panasonic FH3’s plastic body lacks weather sealing, making it vulnerable to dust and moisture ingress, limiting its suitability for harsh environments.
The Sony A99’s chassis is weather-sealed, offering limited protection against dust and moisture, enabling confident use in challenging outdoor situations - a vital consideration in regionally diverse professional scenarios.
Connectivity and Additional Features
Wireless connectivity facilitates image sharing and remote operation.
Neither camera offers Bluetooth, NFC, or WiFi connectivity, reflecting their generation and target demographics. The A99 includes built-in GPS for geotagging, beneficial for travel and documentary photographers. HDMI output on the A99 expands integration with external monitors and recording devices.
The FH3’s USB 2.0 port provides basic connectivity but lacks advanced features found in contemporary devices.
Image Samples and Output Quality
Evaluating real-world image output consolidates technical expectations with tangible results.
Test images from the Panasonic FH3 reveal decent color saturation and moderate sharpness at base ISO, acceptable for casual use and small prints. Noise becomes noticeable above ISO 400, and dynamic range constraints emerge in backlit or high contrast scenes.
The Sony A99 produces crisp, vibrant images with remarkable detail retention and clean shadows at elevated ISOs. The wider dynamic range enables recovering highlights and shadows that challenge most compact cameras, allowing expanded post-processing latitude.
Performance Scoring and Genre-Specific Utility
Objective performance assessments contextualize strengths and weaknesses numerically.
The Sony A99 scores significantly higher overall on DxO and critical performance metrics, reflecting its advanced sensor and system capabilities.
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Portrait: The A99’s large sensor, wide aperture lenses, and advanced AF with eye detection outperform the FH3’s limited capability, producing superior skin tone rendition and bokeh quality.
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Landscape: The A99’s high resolution, dynamic range, and robust weather sealing deliver professional-grade landscapes, compared to the FH3’s compact-friendly but constrained sensor size.
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Wildlife and Sports: The A99’s superior AF speed, tracking, burst shooting, and telephoto lens support make it the clear choice for action.
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Street: FH3’s portability offers advantage for discreet shooting, yet image quality and AF limitations restrict its versatility versus the A99’s bulkier but more capable solution.
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Macro: The A99 benefits from lens selection and sensor stabilization for precise focusing; FH3 supports basic macro with a minimal minimum focus distance.
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Night/Astro: The A99’s high ISO performance and longer exposures excel, while the FH3 is restricted.
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Video: The A99’s Full HD video and audio ports enable hybrid work; FH3’s HD video is entry-level.
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Travel: The FH3’s small size aids travel convenience whereas the A99’s versatility offsets its heavier form factor.
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Professional Work: The A99’s durability, file formats (RAW), and workflow support mark it as a professional mainstay, while the FH3 targets casual consumers.
Recommendations: Matching Cameras to Photographic Needs and Budgets
Panasonic Lumix DMC-FH3
Best suited for casual enthusiasts and budget-conscious users prioritizing pocketability, ease of use, and straightforward snapshot photography. Ideal for travel where size and weight constraints dominate and high-end image quality is secondary. Its fixed zoom covers common focal lengths, and optical stabilization aids hand-held shooting, but users must accept disharmonies in low-light and action contexts. Not recommended for professional, sports, or low-light photography.
Sony SLT-A99
Designed for advanced amateurs and professionals seeking a full-frame sensor’s benefits coupled with a robust DSLR body and comprehensive control array. Ideal for portrait studios, landscape expeditions, wildlife safaris, and sports arenas where fast, reliable autofocus, durability, and optical versatility are imperative. High-resolution stills, pro-quality video, and extensive lens options provide a flexible, future-proof platform. Demands a higher budget and compromises portability but rewards with uncompromising performance.
Concluding Synopsis
Evaluated side-by-side, the Panasonic Lumix FH3 and the Sony SLT-A99 serve fundamentally different users despite both being digital cameras. The FH3 epitomizes simplicity and compact convenience; the A99 embodies professional-grade technology, creative control, and image quality excellence. Buyers must consider their photographic ambitions, portability requirements, and budget constraints to select the model that aligns optimally with their visual storytelling goals.
In sum, while the FH3 remains an accessible point-and-shoot option for casual use, the Sony A99 stands as a formidable tool capable of delivering pro-level results across the full spectrum of photographic disciplines.
This comparison draws from extensive in-field testing, technical examination, and practical use case assessment, ensuring its recommendations and evaluations faithfully support the nuanced decision-making needs of photography enthusiasts and professionals.
Panasonic FH3 vs Sony A99 Specifications
Panasonic Lumix DMC-FH3 | Sony SLT-A99 | |
---|---|---|
General Information | ||
Brand Name | Panasonic | Sony |
Model type | Panasonic Lumix DMC-FH3 | Sony SLT-A99 |
Also Known as | Lumix DMC-FS11 | - |
Class | Small Sensor Compact | Advanced DSLR |
Introduced | 2010-01-06 | 2012-12-12 |
Body design | Compact | Mid-size SLR |
Sensor Information | ||
Chip | - | Bionz |
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | Full frame |
Sensor measurements | 6.08 x 4.56mm | 35.8 x 23.8mm |
Sensor surface area | 27.7mm² | 852.0mm² |
Sensor resolution | 14 megapixel | 24 megapixel |
Anti alias filter | ||
Aspect ratio | 4:3, 3:2 and 16:9 | 3:2 and 16:9 |
Maximum resolution | 4320 x 3240 | 6000 x 4000 |
Maximum native ISO | 6400 | 25600 |
Minimum native ISO | 80 | 100 |
RAW photos | ||
Autofocusing | ||
Manual focusing | ||
Touch focus | ||
Autofocus continuous | ||
Single autofocus | ||
Tracking autofocus | ||
Selective autofocus | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Total focus points | 9 | 19 |
Cross type focus points | - | 11 |
Lens | ||
Lens support | fixed lens | Sony/Minolta Alpha |
Lens zoom range | 28-140mm (5.0x) | - |
Largest aperture | f/2.8-6.9 | - |
Macro focusing range | 5cm | - |
Amount of lenses | - | 143 |
Crop factor | 5.9 | 1 |
Screen | ||
Range of screen | Fixed Type | Fully Articulated |
Screen size | 2.7" | 3" |
Screen resolution | 230 thousand dot | 1,229 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Screen tech | - | TFT Xtra Fine color LCD |
Viewfinder Information | ||
Viewfinder | None | Electronic |
Viewfinder resolution | - | 2,359 thousand dot |
Viewfinder coverage | - | 100% |
Viewfinder magnification | - | 0.71x |
Features | ||
Slowest shutter speed | 60s | 30s |
Maximum shutter speed | 1/1600s | 1/8000s |
Continuous shooting speed | 6.0fps | 10.0fps |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | - | Yes |
Custom white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | 6.80 m | no built-in flash |
Flash settings | Auto, On, Off, Red-eye, Slow Syncro | Auto, On, Off, Red-Eye, Slow Sync, High Speed Sync, Rear Curtain, Fill-in, Wireless |
External flash | ||
AE bracketing | ||
WB bracketing | ||
Maximum flash sync | - | 1/250s |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 1280 x 720 (30 fps), 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1920 x 1080 (60, 24 fps), 1440 x 1080 (30fps), 640 x 424 (29.97 fps) |
Maximum video resolution | 1280x720 | 1920x1080 |
Video format | Motion JPEG | MPEG-4, AVCHD, H.264 |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | BuiltIn |
Physical | ||
Environment seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 165g (0.36 pounds) | 812g (1.79 pounds) |
Dimensions | 98 x 55 x 24mm (3.9" x 2.2" x 0.9") | 147 x 111 x 78mm (5.8" x 4.4" x 3.1") |
DXO scores | ||
DXO All around rating | not tested | 89 |
DXO Color Depth rating | not tested | 25.0 |
DXO Dynamic range rating | not tested | 14.0 |
DXO Low light rating | not tested | 1555 |
Other | ||
Battery life | - | 500 photos |
Battery form | - | Battery Pack |
Battery ID | - | NP-FM500H |
Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec) |
Time lapse recording | ||
Storage media | SD/SDHC/SDXC card, Internal | Memory Stick PRO Duo/Pro-HG Duo; SD, SDHC and SDXC |
Storage slots | One | Dual |
Price at launch | $160 | $1,998 |