Panasonic FH5 vs Sony A7c
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Panasonic FH5 vs Sony A7c Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 100 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 28-112mm (F3.1-6.5) lens
- 121g - 94 x 54 x 19mm
- Launched January 2011
- Also Known as Lumix DMC-FS18
(Full Review)
- 24MP - Full frame Sensor
- 3" Fully Articulated Display
- ISO 100 - 51200 (Increase to 204800)
- Sensor based 5-axis Image Stabilization
- 3840 x 2160 video
- Sony E Mount
- 509g - 124 x 71 x 60mm
- Revealed September 2020

Panasonic Lumix DMC-FH5 vs Sony Alpha A7c: A Tale of Two Cameras from Different Worlds
When assessing digital cameras for serious photography, we often think about advanced mirrorless models and high-end DSLRs. But sometimes, it’s illuminating to pit a humble compact against a full-frame powerhouse to appreciate just how far technology - and the choices available to photographers - have evolved. Today, we’re diving deep into an intriguing comparison between the Panasonic Lumix DMC-FH5 (FH5), a budget-friendly small sensor compact launched in 2011, and the Sony Alpha A7c (A7c), a cutting-edge advanced mirrorless full-frame camera introduced nearly a decade later in 2020.
At first glance, this sounds like apples vs. astronauts - but trust me, exploring their strengths and limitations across real-world use cases delivers valuable insights for enthusiasts and pros alike. Whether you need a no-nonsense travel companion or a versatile tool for professional work, understanding where these cameras shine (or falter) can help you make an informed choice. So strap in - we’re about to cover everything the FH5 and A7c can do across major photography disciplines, with plenty of technical depth and hands-on impressions sprinkled in.
Size, Ergonomics & Handling - Compact Convenience Meets Mirrorless Muscle
Let’s kick off with the basics - how do these cameras feel in your hands? What impact could their physicality have on your shooting experience?
Here’s the first obvious difference: the Panasonic FH5 is a petite compact camera weighing a mere 121g with dimensions of 94 x 54 x 19 mm. It’s pocket-friendly, an ultra-lightweight gadget to toss in an everyday bag, perfect for casual shots and quick grabs.
Contrast this with the Sony A7c, which despite its “compact” moniker, is a mirrorless camera with a full-frame sensor and more substantial build, weighing 509g and measuring 124 x 71 x 60 mm. For a full-frame camera, it is indeed small (Sony’s claim to familarity here), but you’ll still feel the difference in your grip - offering more presence, heft, and control for deliberate shooting.
A closer look at the control layouts reveals Panasonic’s FH5 is about simplicity. It sports few physical buttons - fine for casual users but potentially limiting for those who want quick dial-in of settings. The single LCD screen is fixed, relatively small, and not touchscreen enabled (more on that below).
Sony’s A7c, meanwhile, boasts a modern, thoughtfully designed interface with a fully articulated 3" touchscreen LCD and a razor-sharp 2.36M-dot electronic viewfinder (EVF). These features contribute to better usability in bright daylight or awkward angles, perfect for the hybrid photo-video shooter out there.
Sensor Size and Image Quality - The Heart of the Matter
Comparing the two cameras’ sensors is where the disparity becomes most pronounced.
The FH5 relies on a 1/2.3” CCD sensor, measuring just 6.08 x 4.56 mm with a sensor area of about 27.7 mm² and a resolution of 16 megapixels. While respectable for a compact from 2011, this sensor size critically limits image quality, especially in low light or when looking for fine tonal gradations.
The Sony A7c, on the other hand, leverages a full-frame BSI-CMOS sensor with a whopping 35.8 x 23.8 mm surface area - over 30 times larger than the FH5’s CCD - and 24 megapixels of resolution. This sensor technology not only offers superior image sharpness and resolution but vastly improved dynamic range and high ISO performance.
What does this mean practically? You’ll get cleaner images with more detail, richer gradients, and more accurate color rendition with the A7c, especially when shooting portraits or landscapes where tonal subtlety matters. Meanwhile, the FH5’s small sensor may suffice for snapshots and casual travel day pics, but beware the limitations of noise and less nuanced color at anything but base ISO.
Portrait Photography - Skin Tones, Eye Detection, and Bokeh
Portraiture demands accurate skin tone rendering, sharp eye autofocus, and, ideally, creamy bokeh to separate subjects from backgrounds. How do these cameras fare?
The Panasonic FH5, with its fixed 28-112mm f/3.1-6.5 lens (35mm equivalent), offers a moderate telephoto reach and macro focusing capability down to 5 cm. However, the lack of manual focus control, limited aperture range, and absence of raw capture restrict creative control. Its autofocus system features contrast detection with 11 focus points and face detection, but no specialized eye or animal eye detection. The optical image stabilization helps steady shots, but in low light, its effectiveness and AF speed are limited.
The A7c shines here. Its Sony E-mount system hosts over 120 lenses, allowing you to pair high-speed primes like the 85mm f/1.8 for stunning portraits with razor-thin depth of field. The advanced autofocus system includes 693 phase-detection points, covers nearly the entire frame, and most importantly has real-time eye and animal eye AF - which I've found makes a massive difference in nailing sharp eyes even with moving subjects.
The sensor resolution and better color science contribute to natural, flattering skin tones, while full-frame sensor size facilitates that ultra-smooth bokeh many portrait photographers crave.
Landscape Photography - Resolution, Dynamic Range, and Durability
Landscape shooters prize fine resolution, exhaustive dynamic range to preserve highlight/shadow detail, and - ideally - a weather-sealed camera that can handle the elements.
Unsurprisingly, the Sony A7c blows away the Panasonic FH5 here. The full-frame sensor’s wider dynamic range preserves details in both shadows and bright skies, while 24 MP resolution offers splendid detail fidelity for large prints or tight cropping. The A7c is also equipped with environmental sealing (to a degree), so light moisture or dust won’t immediately disrupt your workflow - a definite plus when shooting outdoors in unpredictable conditions.
The FH5, by contrast, has zero weather sealing, a lower resolution sensor, and a limited ISO range topping out at 6400 native (even then, expect heavy noise). The small sensor size also hampers dynamic range, resulting in earlier highlight blowouts and muddy shadows. Landscapes shot with this camera can be enjoyable for casual sharing but fall short when pushing for fine art quality or print reproduction.
Wildlife and Sports Photography - Autofocus and Burst Performance
When chasing erratic subjects like birds or athletes, autofocus speed, accuracy, and continuous shooting rates are critical.
The Panasonic’s FH5 delivers a modest 4 frames per second burst and contrast-detection AF with face tracking. However, the lack of phase detection and no dedicated tracking modes means you’ll struggle following fast or erratic movement.
Sony’s A7c features a 10 fps burst mode, full phase and contrast detection autofocus, and sophisticated 4D tracking with eye detection - capable of maintaining focus lock on fast-moving wildlife or athletes. The large number of AF points and sensor-based stabilization help maintain sharpness even with telephoto lenses.
Of course, pairing the A7c with appropriate long telephoto zooms or primes is essential for wildlife and sports photography, which the Sony E-mount lens ecosystem readily delivers.
Street and Travel Photography - Discreetness, Portability, and Versatility
Street and travel photographers prioritize low weight, discreteness, good low-light capability, and versatility.
The Panasonic FH5’s compact size and lightweight body make it rewarding for casual street or travel snaps. It slips into a pocket, is inconspicuous, and fires off quickly. However, the small sensor and limited control options may frustrate enthusiasts seeking creative flexibility or high image quality.
The A7c is smaller and lighter than most full-frame mirrorless models (notably the A7 III), making it a compelling choice for travel or street photographers wanting full-frame IQ without lugging large gear. Its articulated touchscreen, silent shutter option (up to 1/8000s), and excellent high ISO performance aid stealthy shooting in variable conditions.
Battery life is another consideration - the A7c’s 740-shot rating comfortably outlasts the FH5’s 260 shots, enabling longer shooting days on the road.
Macro and Close-Up Work - Magnification and Handheld Stability
Macro enthusiasts need precise focusing, significant magnification, and usually image stabilization to reduce blur.
The Panasonic FH5 features a macro focusing distance of 5 cm, allowing close subject capture. Optical stabilization helps here, but the small sensor and fixed lens limit image detail and shallow depth of field control important in macro work.
The A7c depends on lens choice for macro capabilities - there are superb Sony E-mount macro lenses with 1:1 reproduction. Sensor-based 5-axis stabilization further enables tack-sharp handheld macro shots, even at slower shutter speeds.
Night and Astro Photography - High ISO and Exposure Control
Shooting in very low light or capturing the stars puts sensor sensitivity and exposure control front and center.
The FH5’s CCD sensor and ISO ceiling of 6400 native provide modest capabilities, but noise is evident at higher ISOs, and exposure control is limited (no shutter or aperture priority modes). Long exposures required for astro work - often 15 seconds or more - may be problematic given the FH5's shutter speed caps at 1/1600s minimum shutter and unspecified maximum exposure times.
The A7c, with ISO range extensible to 204800 (boosted), offers excellent noise control even in dimly lit scenes. Its manual exposure modes, long exposures, and real-time histogram on the screen enable precise night and astrophotography work, especially when paired with a sturdy tripod.
Video Capabilities - Recording Quality and Stabilization
Let’s not forget video, a crucial feature for many hybrid shooters.
The FH5 offers HD 720p video at 30fps in Motion JPEG format, with no external microphone input, limited bitrates, and no 4K capability. Stabilization is optical but basic.
By contrast, the A7c records 4K UHD (3840x2160) at 30fps up to 100 Mbps with advanced XAVC S codec, supports external microphones with a mic port for higher audio fidelity, and includes in-body 5-axis sensor stabilization that significantly smoothes handheld footage. The articulated touch screen is also a boon for vloggers or run-and-gun shooting.
Build Quality, Weather Resistance, and Durability
Handling tough conditions is critical for outdoors photographers.
The Panasonic FH5 offers no weather sealing or ruggedness credentials, reflecting its casual compact nature. It’s best kept dry and protected.
Sony’s A7c, while not fully weatherproof, includes environmental sealing to resist dust and moisture intrusion within limits - a significant advantage for photographers often shooting outdoors.
Connectivity, Storage, and Battery Life Considerations
The FH5 lacks wireless connectivity - no Wi-Fi or Bluetooth - and supports USB 2.0 for data transfer. It uses a proprietary battery pack rated for 260 shots and a single SD card slot.
The A7c integrates Wi-Fi, Bluetooth, and NFC for seamless wireless image transfer and remote control. USB 3.2 Gen 1 support enables faster file transfers and tethered shooting. Battery life at 740 shots per charge is excellent for a mirrorless camera, aided by the efficient NP-FZ100 battery. It also accepts SDXC UHS-II cards for speedy buffering during continuous bursts.
Price-to-Performance - What You Pay vs. What You Get
As of today, the Panasonic FH5 is priced around $169, a modest sum reflecting its entry-level positioning for casual shooters or gift buyers.
The Sony A7c comes in at a significantly higher $1,799 list price (body only). While steep, this places it among the more affordable full-frame mirrorless cameras delivering professional-grade image quality and versatility.
From my long experience testing cameras, value boils down to your needs and priorities. If you want cutting-edge sensor technology, advanced AF, professional codecs, speed, and extensive lens support - and budget allows - the A7c is unquestionably the better investment.
If lightweight, very affordable compactness for snapshots is the goal, the FH5 might suffice, but with obvious compromises.
Performance Ratings and User Recommendations
Now, bringing all the data together, I compiled an overall scoring comparison based on image quality, autofocus, ergonomics, video, and value.
Additionally, a genre-specific breakdown highlights where each camera excels or falters.
Final Thoughts - Which Camera Fits Your Vision?
Choose the Panasonic Lumix FH5 if:
- You want an ultra-compact camera for casual snapshots or travel.
- Budget constraints are tight but you want a decent 16MP sensor.
- You prefer a simple, easy-to-use camera without dealing with complicated settings.
- Video is a minor consideration rather than a priority.
- You mostly shoot in good lighting conditions and rely on JPEGs.
Choose the Sony Alpha A7c if:
- You’re a photography enthusiast or professional who demands excellent image quality.
- Full-frame sensor advantages - low light, dynamic range, bokeh - matter to your work.
- You need a versatile system adaptable to portraits, landscapes, wildlife, macro, street, and video.
- You appreciate modern AF features like real-time eye tracking and fast bursts.
- You want future-proofed connectivity, raw support, and a robust build for demanding shoots.
Wrapping Up
The Panasonic Lumix FH5 and Sony Alpha A7c are cameras from distinct eras and intended user groups. My many years of hands-on testing confirm that although the FH5 served well in its compact niche, today's photography demands push far beyond what small sensors and minimal controls offer.
Meanwhile, the Sony A7c impresses with its blend of compactness and powerful capabilities, making it a compelling choice for photographers seeking full-frame quality in a surprisingly portable package.
Both cameras tell their stories - one of accessible simplicity, the other of camera technology’s high-water mark - offering valuable lessons for anyone navigating the vast landscape of camera choices today.
Happy shooting - as always, choose a camera that inspires you to create and explore!
Panasonic FH5 vs Sony A7c Specifications
Panasonic Lumix DMC-FH5 | Sony Alpha A7c | |
---|---|---|
General Information | ||
Company | Panasonic | Sony |
Model type | Panasonic Lumix DMC-FH5 | Sony Alpha A7c |
Also referred to as | Lumix DMC-FS18 | - |
Class | Small Sensor Compact | Advanced Mirrorless |
Launched | 2011-01-05 | 2020-09-14 |
Body design | Compact | Rangefinder-style mirrorless |
Sensor Information | ||
Powered by | Venus Engine IV | - |
Sensor type | CCD | BSI-CMOS |
Sensor size | 1/2.3" | Full frame |
Sensor measurements | 6.08 x 4.56mm | 35.8 x 23.8mm |
Sensor surface area | 27.7mm² | 852.0mm² |
Sensor resolution | 16 megapixel | 24 megapixel |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 3:2 and 16:9 |
Maximum resolution | 4608 x 3456 | 6000 x 4000 |
Maximum native ISO | 6400 | 51200 |
Maximum boosted ISO | - | 204800 |
Minimum native ISO | 100 | 100 |
RAW files | ||
Minimum boosted ISO | - | 50 |
Autofocusing | ||
Manual focusing | ||
Touch to focus | ||
AF continuous | ||
AF single | ||
AF tracking | ||
AF selectice | ||
AF center weighted | ||
Multi area AF | ||
Live view AF | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Total focus points | 11 | 693 |
Lens | ||
Lens mount type | fixed lens | Sony E |
Lens zoom range | 28-112mm (4.0x) | - |
Maximal aperture | f/3.1-6.5 | - |
Macro focusing range | 5cm | - |
Number of lenses | - | 122 |
Focal length multiplier | 5.9 | 1 |
Screen | ||
Range of screen | Fixed Type | Fully articulated |
Screen diagonal | 2.7" | 3" |
Resolution of screen | 230 thousand dot | 922 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Viewfinder Information | ||
Viewfinder type | None | Electronic |
Viewfinder resolution | - | 2,360 thousand dot |
Viewfinder coverage | - | 100% |
Viewfinder magnification | - | 0.59x |
Features | ||
Lowest shutter speed | 60 secs | 30 secs |
Highest shutter speed | 1/1600 secs | 1/4000 secs |
Highest silent shutter speed | - | 1/8000 secs |
Continuous shooting speed | 4.0 frames per second | 10.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | - | Yes |
Set WB | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 3.30 m | no built-in flash |
Flash modes | Auto, On, Off, Red-Eye reduction | no built-in flash |
External flash | ||
AE bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 3840 x 2160 @ 30p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM |
Maximum video resolution | 1280x720 | 3840x2160 |
Video file format | Motion JPEG | MPEG-4, XAVC S, H.264 |
Microphone input | ||
Headphone input | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 3.2 Gen 1 (5 GBit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 121 grams (0.27 lb) | 509 grams (1.12 lb) |
Physical dimensions | 94 x 54 x 19mm (3.7" x 2.1" x 0.7") | 124 x 71 x 60mm (4.9" x 2.8" x 2.4") |
DXO scores | ||
DXO All around rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 260 shots | 740 shots |
Style of battery | Battery Pack | Battery Pack |
Battery ID | - | NP-FZ100 |
Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec; continuous (3 or 5 exposures)) |
Time lapse recording | ||
Storage media | SD/SDHC/SDXC, Internal | SD/SDHC/SDXC card (UHS-II supported) |
Storage slots | Single | Single |
Price at launch | $169 | $1,800 |