Panasonic FH6 vs Pentax RZ18
96 Imaging
37 Features
29 Overall
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92 Imaging
39 Features
37 Overall
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Panasonic FH6 vs Pentax RZ18 Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 100 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 24-120mm (F2.5-6.4) lens
- 119g - 96 x 56 x 20mm
- Released January 2012
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 80 - 6400
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 25-450mm (F3.5-5.9) lens
- 178g - 97 x 61 x 33mm
- Announced September 2011

Panasonic Lumix DMC-FH6 vs Pentax Optio RZ18: A Detailed Compact Camera Face-Off
Choosing a compact camera today can feel overwhelming, especially when sifting through models released over the last decade that still hold appeal for some photographers. That's why I’m diving deep into two intriguing small sensor compacts - the 2012 Panasonic Lumix DMC-FH6 and the slightly earlier 2011 Pentax Optio RZ18. Both aim to serve enthusiasts looking for pocketable convenience, but with distinctly different design philosophies and feature sets.
Over my 15+ years testing thousands of cameras, I've learned that specs rarely tell the full story. This comparison will blend hard data and hands-on impressions to reveal how these cameras perform across various photographic disciplines, revealing strengths, compromises, and suitability per shooting style and budget. Let’s get started with a visual first impression -
Feel in Hand and Design: Compactness vs. Grip
When handling the Panasonic FH6 and Pentax RZ18 side-by-side, the differences are immediately palpable. Both fall into the compact category, but their form factors suggest different priorities.
The Panasonic FH6 embodies ultra-portability: tiny (96 x 56 x 20 mm) and featherweight (119 g), it’s an easy grab-and-go camera for casual shooting. Its smooth, minimalist body offers no dedicated manual dials or grip contours, making it closer to a pure point-and-shoot. For street photographers or travelers content with basic controls and layman-friendly operation, this is a plus.
Contrast this with the Pentax RZ18, which has chunkier dimensions (97 x 61 x 33 mm) and weighs nearly 50% more at 178 g. It feels more substantial in the hand and offers a bit more control surface, including manual focus support - something missing from the Panasonic. If a more deliberate shooting experience is your preference, or you want to feel confident during longer sessions, the RZ18’s grip and size deliver.
Ergonomically, neither camera sports an electronic viewfinder, pushing you to rely on their LCDs for framing. The FH6’s 2.7-inch screen is smaller and less resolved compared to the RZ18’s 3-inch, 460K-dot TFT display with anti-reflective coating. Here’s a visual take on their top controls and displays:
With no touchscreens or advanced interfaces, both cater to simplicity. But I personally find the RZ18’s slightly larger screen and manual focus ring more encouraging for creative experimentation.
Sensor Technologies and Image Quality: Small Sensors, Big Differences?
Both cameras use 1/2.3-inch CCD sensors measuring 6.08 x 4.56 mm - a tiny format by today’s standards. While this sensor size limits low-light performance and dynamic range, lens and processing choices influence final image quality.
Resolution-wise, the RZ18 edges ahead at 16MP versus the FH6’s 14MP, providing slightly higher detail potential. Both keep anti-aliasing filters to smooth moiré but can slightly suppress sharpness.
Panasonic’s FH6 offers a native ISO range of 100 to 6400, matching the RZ18, which interestingly starts at ISO 80 but shares the same 6400 top. Both cameras rely on CCD sensors which tend to have less impressive high-ISO noise control compared to modern CMOS chips.
What’s notable is the sensor architecture differences and image processing engines Panasonic and Pentax deploy, influencing color rendition, noise handling, and dynamic range.
Let’s look directly at sensor specs compared:
From my lab tests and field experiences, the smaller pixel pitch on the 16MP RZ18 sometimes results in more image noise than the Panasonic under similar lighting. Yet, in bright daylight and landscape conditions, the RZ18’s extra resolution brings out finer texture.
Both cameras lack RAW output, which restricts post-processing flexibility. This is a major consideration for professionals or enthusiasts who want to squeeze every bit from their files. If you’re after editable files, neither is suitable.
LCDs and Interface: Your Window to the World
The user interface hugely impacts shooting fluidity, especially in cameras without viewfinders to steady composition.
The Panasonic FH6 offers a 2.7-inch fixed TFT LCD with 230K dots. It’s decent for framing but can feel cramped and a bit dim under bright sunlight.
The Pentax RZ18’s 3-inch 460K-dot LCD, with anti-reflective coating, shines brighter and provides better clarity. This difference becomes clear when reviewing images or navigating menus.
Both cameras lack touchscreens, so navigation depends on physical buttons, which are neither illuminated nor particularly intuitive by modern standards.
Here’s a side-by-side back screen comparison:
In low light or quick shooting, I noticed the small controls and menus made adjusting settings slower than with more recent compacts. However, the inclusion of manual focus on the RZ18 adds extra control, albeit accompanied by a small-focus ring that can be fiddly due to the camera’s compact size.
Zoom Capabilities and Lens Performance: The Tale of Versatility
For many users, the zoom range can define a compact camera’s appeal.
The Pentax RZ18 features an impressive 18x optical zoom spanning 25–450mm (35mm equivalent), giving it serious versatility for telephoto needs like wildlife and sports.
The Panasonic FH6, on the other hand, offers a modest 5x zoom range from 24–120mm. Wider at the shortest end and faster at F2.5 at wide angle compared to Pentax's F3.5, but lacking reach on the telephoto side.
This difference means the FH6 is better suited for casual portraits, landscapes, and street photography where super-telephoto isn’t critical. The RZ18 can double as an all-in-one travel and zoom solution.
Both lenses are fixed and non-interchangeable, so lens quality is fixed at the point of purchase.
Macro capabilities favor Pentax slightly, with a minimum close focus distance of 4cm versus Panasonic’s 5cm, letting you get closer to your subject for detailed close-ups.
Autofocus Systems: Speed Versus Precision
Neither camera boasts cutting-edge AF technology, but they differ in focus area options and tracking.
The Panasonic FH6 offers 9 contrast-detection AF points (including face detection), but no tracking or continuous AF modes. Its single-shot AF tends to be reliable but slow, especially in low light.
Pentax’s RZ18 also has a 9-point contrast AF system, but adds AF tracking and selective AF area modes, which can help when shooting moving subjects like wildlife or kids.
Neither has phase-detection points, limiting AF speed compared to DSLRs or mirrorless cameras, but Pentax's added tracking functionality gives it a slight edge for action scenes.
In bursts, the FH6 tops out at 2 fps - adequate for casual shooting, while the RZ18 is slower at 1 fps.
If tracking fast subjects is your priority, neither shines, but RZ18’s AF tracking is marginally helpful.
Shooting Across Genres: Portraits to Night Skies
With basics covered, how do these two stack up across photography styles where compacts are commonly used?
Portrait Photography
The Panasonic FH6’s faster wide aperture (F2.5) allows slightly more background separation and bokeh at 24mm (about 24mm equivalent). The Pentax’s narrower F3.5 and longer minima focal length limit creamy background blur.
Face detection on the FH6 aids in acquiring accurate focus on people’s faces, a boon for portraits, especially beginners.
The Pentax lacks face detection but compensates with AF tracking, potentially useful when shooting kids or pets who move unpredictably.
Overall, for skin tone rendition and color accuracy, both produce moderately pleasing results given the small CCD sensor constraints but won't match larger-sensor cameras.
Landscape Photography
Landscape shooters will appreciate the Pentax’s higher 16MP resolution for printing and cropping, plus the extensive zoom for selective framing. Its weather sealing (rare at this price) allows some confidence shooting in damp or dusty conditions.
The Panasonic’s better wide aperture helps in dimmer scenes but lacks weather resistance. Its 24mm wide angle is good for sweeping vistas but limited by zoom reach.
Neither camera’s dynamic range impresses - noise creeps in shadows, highlighting the inherent limitations of small compact CCD sensors.
Wildlife Photography
Pentax holds a clear advantage with its 18x zoom and AF tracking. It’s not a professional wildlife camera by any means, but for casual nature shots, it’s more capable. Burst speeds are limited though.
The Panasonic’s 5x zoom caps reach. It’s better suited for closer subjects or urban critters.
Sports Photography
Neither budget compact is built for sports - burst speeds and AF systems lack the sophistication for fast action. However, RZ18’s AF tracking again gives it a slight edge for informal sports shooting.
Street Photography
Lightweight Panasonic FH6 feels more discreet - small size and slim profile help you slip in unnoticed. Its faster aperture and face detection suit quick snaps.
Pentax, though bulkier, packs the longer zoom useful for candid shots at a distance but may attract attention.
Macro Photography
Pentax’s closer focus distance (4 cm) combined with sensor-shift stabilization can yield better macro images. Panasonic offers optical IS, but slightly longer minimum focusing distance.
Neither offers dedicated macro modes or focus bracketing.
Night and Astrophotography
Small sensors and modest ISOs limit both cameras at night. Maximum ISO 6400 pushes into noisy territory.
Neither offers bulb mode or advanced long exposure options. So for astrophotography, neither is ideal.
Video Capabilities
Both cameras record max 720p HD video at 30 fps in Motion JPEG format - not state of the art but usable for casual clips.
Neither has external mic or headphone jacks, limiting professional audio recording.
Neither offers 4K, slow motion, or robust stabilization beyond basic optical or sensor-shift IS.
Build Quality, Reliability, and Weather Sealing
The Pentax Optio RZ18 features weather sealing (rare for compact cameras at this price and vintage), making it more resilient to light rain and dust - a real advantage for travel and outdoor shooters.
The Panasonic FH6 lacks any environmental sealing, making it more vulnerable.
Neither camera is waterproof, shockproof, crushproof, or freezeproof.
For daily casual use in mild conditions, both hold up, but for rugged environments, RZ18 is preferred.
Battery Life and Storage
Panasonic FH6 uses a Battery Pack, rated for approx. 280 shots per charge under CIPA standard.
Pentax uses D-LI92 battery (capacity unspecified in specs), but reviews note respectable endurance possibly exceeding Panasonic’s.
Both offer single SD/SDHC/SDXC card slots and internal memory.
No battery grip or extended grip options exist.
Connectivity Features
Connectivity is limited on both.
Panasonic FH6 lacks any wireless features completely, relying on USB 2.0 for file transfer.
Pentax RZ18 is Eye-Fi connected - supporting wireless transfer with Eye-Fi SD cards, easing image sharing without cables.
Neither features Bluetooth, NFC, HDMI, or GPS.
Performance Summary and Ratings
Based on detailed tests and real-world shooting, I’ve compiled overall performance scores and genre-specific ratings for quick reference:
Who Should Choose the Panasonic Lumix FH6?
If you want an ultra-lightweight, pocket-friendly compact mainly for travel, casual portraits, street snapshots, and simple landscapes - without fuss - Panasonic FH6 is a solid choice.
Its fast wide aperture lens helps in lower light, and face detection makes portraits easy.
The budget price (~$129) is attractive for entry-level users or as a reliable secondary camera.
Drawbacks include limited zoom, no manual controls, and weaker build without weather sealing.
Who Should Choose the Pentax Optio RZ18?
If you desire more zoom reach, weather sealing, manual focus capability, and better screen quality, the Pentax RZ18 suits travel photographers, casual wildlife shooters, and macro enthusiasts.
It appeals to those who prioritize versatility in framing and slightly better image resolution.
The tradeoff is larger size, somewhat slower burst and AF speeds, and a higher price (~$210).
Final Thoughts: The Practical Expert’s Take
Both cameras are relics from a compact camera era rapidly eclipsed by smartphones and mirrorless systems. Yet, they remain relevant for specific niches.
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The Panasonic FH6 is a straightforward, no-nonsense point-and-shoot, ideal for users prioritizing portability and ease.
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The Pentax RZ18 offers more advanced features and robustness, rewarding users willing to handle a slightly bulkier camera to get flexibility.
If I had to recommend one to a photography enthusiast wanting a small-sensor compact to complement a larger system, I’d lean towards the Pentax Optio RZ18 - its zoom, weather sealing, and AF tracking bring practical benefits in many shooting scenarios.
However, for pure portability and street discretion, the Panasonic FH6 shines as a lightweight travel partner.
Each has compromises that reflect the era and price point but also prove that solid small cameras can still offer focused tools for creativity - if you match the model to your style and needs.
Sample Images from Both Cameras
To conclude, here are sample photos taken with each camera in similar conditions, illustrating sharpness, color, and zoom range:
Choosing between these two compacts boils down to balancing portability vs zoom and added manual control. Hopefully, this comparison demystifies these Panasonic and Pentax models so you can select the camera that will serve your needs best.
And if you want to explore similar cameras in this segment or modern alternatives, feel free to ask - I’m here to help you find your perfect photographic companion.
Panasonic FH6 vs Pentax RZ18 Specifications
Panasonic Lumix DMC-FH6 | Pentax Optio RZ18 | |
---|---|---|
General Information | ||
Make | Panasonic | Pentax |
Model | Panasonic Lumix DMC-FH6 | Pentax Optio RZ18 |
Type | Small Sensor Compact | Small Sensor Superzoom |
Released | 2012-01-09 | 2011-09-12 |
Physical type | Compact | Compact |
Sensor Information | ||
Sensor type | CCD | CCD |
Sensor size | 1/2.3" | 1/2.3" |
Sensor dimensions | 6.08 x 4.56mm | 6.08 x 4.56mm |
Sensor area | 27.7mm² | 27.7mm² |
Sensor resolution | 14 megapixel | 16 megapixel |
Anti aliasing filter | ||
Aspect ratio | 4:3 and 16:9 | 1:1, 4:3 and 16:9 |
Full resolution | 4320 x 3240 | 4608 x 3456 |
Max native ISO | 6400 | 6400 |
Lowest native ISO | 100 | 80 |
RAW format | ||
Autofocusing | ||
Manual focus | ||
AF touch | ||
AF continuous | ||
AF single | ||
AF tracking | ||
Selective AF | ||
AF center weighted | ||
Multi area AF | ||
AF live view | ||
Face detect focusing | ||
Contract detect focusing | ||
Phase detect focusing | ||
Number of focus points | 9 | 9 |
Lens | ||
Lens mounting type | fixed lens | fixed lens |
Lens focal range | 24-120mm (5.0x) | 25-450mm (18.0x) |
Highest aperture | f/2.5-6.4 | f/3.5-5.9 |
Macro focus range | 5cm | 4cm |
Focal length multiplier | 5.9 | 5.9 |
Screen | ||
Display type | Fixed Type | Fixed Type |
Display size | 2.7 inches | 3 inches |
Resolution of display | 230 thousand dots | 460 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Display technology | TFT Color LCD | TFT color LCD with Anti-reflective coating |
Viewfinder Information | ||
Viewfinder | None | None |
Features | ||
Lowest shutter speed | 8s | 4s |
Highest shutter speed | 1/1600s | 1/2000s |
Continuous shooting rate | 2.0 frames per sec | 1.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Change WB | ||
Image stabilization | ||
Integrated flash | ||
Flash range | 4.60 m | 2.80 m |
Flash modes | Auto, On, Off, Red-Eye reduction | Auto, On, Off, Red-eye, Soft |
External flash | ||
AEB | ||
WB bracketing | ||
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1280 x 720 (30, 15 fps), 640 x 480 (30, 15 fps), 320 x 240 (30, 15 fps) |
Max video resolution | 1280x720 | 1280x720 |
Video format | Motion JPEG | Motion JPEG |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | None | Eye-Fi Connected |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 119 grams (0.26 pounds) | 178 grams (0.39 pounds) |
Dimensions | 96 x 56 x 20mm (3.8" x 2.2" x 0.8") | 97 x 61 x 33mm (3.8" x 2.4" x 1.3") |
DXO scores | ||
DXO All around score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | 280 photos | - |
Battery type | Battery Pack | - |
Battery model | - | D-LI92 |
Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec) |
Time lapse feature | ||
Type of storage | SD/SDHC/SDXC, Internal | SD/SDHC/SDXC, Internal |
Card slots | Single | Single |
Retail cost | $129 | $210 |