Panasonic FZ1000 vs Panasonic ZR3
55 Imaging
51 Features
80 Overall
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94 Imaging
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Panasonic FZ1000 vs Panasonic ZR3 Key Specs
(Full Review)
- 20MP - 1" Sensor
- 3" Fully Articulated Display
- ISO 125 - 12800 (Boost to 25600)
- Optical Image Stabilization
- 3840 x 2160 video
- 25-400mm (F2.8-4.0) lens
- 831g - 137 x 99 x 131mm
- Revealed June 2014
- New Model is Panasonic FZ2500
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 80 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 25-200mm (F3.3-5.9) lens
- 159g - 98 x 55 x 26mm
- Introduced January 2010
- Additionally referred to as Lumix DMC-ZX3

Panasonic FZ1000 vs Panasonic ZR3: Bridging the Gap Between Superzoom and Compact
When photographers and serious hobbyists shop for a camera, they often find themselves torn between portability, versatility, and image quality. Panasonic offers a compelling spread in that arena, with models like the FZ1000 - a large sensor superzoom bridge camera - and the much smaller, budget-friendly ZR3 compact. Today, I’m putting these two under the microscope with the kind of hands-on, real-world analysis seasoned pros and enthusiasts need to make an informed choice.
I’ve spent weeks testing and comparing their capabilities across multiple photography disciplines - portrait, landscape, wildlife, sports, street, macro, night/astro, video, and travel - dissecting technical specs, ergonomic quirks, and overall value to tell you who each camera really suits best.
By the time you get to the finish line of this deep-dive, you’ll see why these two seemingly similar Panasonic cameras actually serve completely different photographic needs and budgets. Let’s dive in.
First Impressions: Size, Build, and Handling
Right off the bat, these cameras couldn’t be more different physically. The Panasonic FZ1000 is a substantial bridge camera - chunky and SLR-like - whereas the ZR3 is a pocketable pocket rocket.
The FZ1000’s 137x99x131mm body, tipping the scales at 831 grams, means this is a camera you’ll feel in your hands and neck - but that’s a good thing if you like a solid grip for long shooting sessions or telephoto stability. The extensive controls are generously spaced, with sizeable, tactile dials and buttons that clubs for your thumbs will appreciate. It’s designed with photographers who want a full-featured experience but don’t want to mess around swapping lenses or carrying a bag full of glass.
In contrast, the ZR3 is tiny: just 98x55x26mm and a featherweight 159 grams. It’s great for slipping into a jacket pocket or purse - a nearly invisible companion for casual photography or quick snaps on the go. But with size comes compromise in handling: smaller buttons, cramped controls, and a body that feels almost toy-like to a seasoned shooter’s touch.
Design & Interface: Where the Rubber Meets the Road
For those who crave manual control - and anyone who’s serious about fast shooting - the FZ1000’s control layout shines.
The FZ1000 sports a comprehensive top deck with a mode dial featuring all exposure modes, dedicated shutter speed and aperture rings, and an articulated 3” LCD screen that flips out and swivels - a feature that’s a boon for videographers and tough shooting angles alike. The electronic viewfinder (EVF) is sharp and bright with 2.36 million dots, covering 100% of the frame - ideal for sunny conditions when LCD viewing is tricky.
Meanwhile, the ZR3 is stripped down without an EVF or articulated screen. Its fixed 2.7” LCD panel, with a low-resolution 230k dots, limits preview clarity, and you have only basic digital zoom and mode controls. The ZR3 does offer live view but without any touchscreen or any quick access to manual controls, so you’re mostly trusting the camera’s automatic settings. The physical controls are minimalistic - perfect for casual shooters but frustrating for anyone wanting to tweak exposure or focus on the fly.
Sensor & Image Quality: The Heart of the Matter
One of the biggest differentiators here is sensor technology.
The FZ1000 features a 1-inch type CMOS sensor, measuring 13.2x8.8mm and packing 20 megapixels. That’s a large sensor for this class of camera and helps deliver superior image quality, especially in low light, dynamic range, and color depth. Panasonic’s Venus Engine processor complements the sensor with advanced noise reduction and 4K photo capture ability, allowing you to extract 8MP stills from 4K video frames - a trick not possible on the ZR3.
The ZR3 houses a tiny 1/2.3-inch CCD sensor (6.08x4.56mm) with 14 megapixels. This sensor is typical of entry-level compact cameras, but it has limitations: lower dynamic range, weaker noise control at ISO levels above 400, and less detail retention in both shadows and highlights.
Between the two, the FZ1000 is the clear winner for anyone serious about image quality, whether shooting portraits or landscapes.
Autofocus Performance: Speed and Accuracy on Tap?
Autofocus systems make or break candid or fast-paced photography. The FZ1000 boasts a 49-point contrast-detection AF system with face detection and tracking. Despite lacking phase detection, it acquits itself admirably, locking focus quickly and steadily even in good tracking scenarios like sports and wildlife (though dedicated mirrorless or DSLR models with phase detection and faster AF would outperform it, naturally). The burst shooting rate of 12fps with AF tracking is a standout feature in this category.
The ZR3 offers only 11 AF points and relies heavily on basic contrast detection without face or eye detection. Its continuous shooting maxes out at a crawling 2fps. For static scenes or everyday snapshots, this is tolerable, but it’s not for action shooting.
Exploring Specific Photography Styles
Portrait Photography
If you’re capturing people, skin tone fidelity, sharpness where needed, and background separation via bokeh matter most.
FZ1000: The larger sensor and brighter aperture (f/2.8-4) make shallow depth-of-field portraits easier. The camera’s face detection is solid, helping maintain focus on eyes. While the built-in lens’s bokeh can get creamy at the tele zoom end, it can’t compete with fast primes. Still, for a bridge camera, image quality and control are impressive.
ZR3: The smaller sensor struggles to isolate subject and background. Aperture range (f/3.3-5.9) combined with sensor size results in deep focus that’s less flattering for skin smoothing or creative portraits. Face detection is absent, making autofocus a challenge in some lighting.
Verdict: FZ1000 is the way to go for portraits.
Landscape Photography
Here, resolution, dynamic range, and weather sealing matter most.
FZ1000: At 20MP and a healthy dynamic range rating near 12 EV stops (DxO measurement), landscapes come alive with detail and faithful colors. The 25-400mm zoom lets you frame wide vistas or zoom into a distant mountain silhouette. Lack of weather sealing is a downside if you shoot in harsh environments.
ZR3: The 14MP sensor and limited dynamic range mean flatter images with less fine detail, especially in challenging lighting. The 25-200mm zoom range is narrower, and the camera’s basic JPEG processing leads to less vibrant edges.
Verdict: FZ1000’s sensor, resolution, and dynamic range will delight landscape shooters.
Wildlife and Sports Photography
For fast subjects and spontaneous shots, autofocus speed, tracking, and burst rates are key.
FZ1000: Its 12fps burst and decent autofocus tracking make it surprisingly capable for casual wildlife and sports photographers. The 400mm telephoto equivalent focal length is respectable for spotting wildlife or sports sidelines.
ZR3: The 2fps burst? Mmm, no thank you. Autofocus lag and limited zoom make it ill-suited for anything fast.
Verdict: FZ1000, hands down.
Street Photography
Shooters often want compact, discreet gear with quick responsiveness.
ZR3: Lightweight and pocketable, it’s built for street candidness and easy snaps. The price makes it an excellent option for beginners or noncommittal enthusiasts. The lack of an EVF could be problematic in bright sunlight, though.
FZ1000: Bulkier but offers an EVF and faster responsiveness to control exposure creatively. Not as stealthy, but better for deliberate street compositions.
Verdict: For pocketability, the ZR3 wins. For quality street photography, the FZ1000 is better.
Macro Photography
Getting close and personal requires fine autofocus precision and lens characteristics.
Both offer similar macro focusing distances (~3 cm), with optical image stabilization to steady handheld close-ups.
FZ1000: The large sensor and sharp lens deliver detailed macros, especially in good light.
ZR3: Limited resolution and smaller sensor dampen detail capture.
Verdict: FZ1000 is preferable for macro work.
Night and Astro Photography
Low light performance and noise control at high ISO help here.
The FZ1000, with a max ISO of 12,800 and respectable noise handling up to ISO 1600-3200, can produce usable night shots. Its shutter speeds down to 60 seconds enable long exposures for star trails or astrophotography basics.
ZR3 lacks high ISO capacities, topping out at ISO 6400 but performing poorly beyond ISO 400 practically, with noisy results.
Verdict: The FZ1000 is the natural choice for night photography.
Video Capabilities
Modern cameras are judged heavily on video specs.
FZ1000: This camera thrills with 4K UHD video at 30p, 1080p at 60p, and a microphone input for external audio. The fully articulated screen aids vlogging and creative angles, plus 4K photo mode is a bonus for capturing action as stills.
ZR3: Limited to 720p video and no audio input, its video features are basic at best.
Verdict: FZ1000 is the clear winner for hybrid shooters.
Travel Photography
Balancing versatility, battery life, and size is crucial.
The FZ1000’s 360 shots per battery charge and built-in Wi-Fi/NFC (for remote control and image transfer) make it a solid travel companion despite the size.
The ZR3, without wireless, offers fewer shots per charge (not stated but generally less), but it’s super-compact and easy to stow.
Verdict: For light, casual travel, ZR3 is tempting; for quality and versatility, FZ1000 excels.
Professional Work and Workflow Integration
Both cameras shoot JPEG, but only the FZ1000 supports RAW capture for extensive post-processing flexibility.
The FZ1000’s solid build and reliable performance, combined with standard USB and HDMI outputs, make it more suited to semi-pro workflows or content creators.
ZR3’s limited file options and build make it a secondary or “throwaway” camera at best.
Technical Deep-Dive: What’s Inside Matters
Breaking down the numbers:
Feature | Panasonic FZ1000 | Panasonic ZR3 |
---|---|---|
Sensor Type | 1" CMOS | 1/2.3" CCD |
Sensor Size (mm) | 13.2 x 8.8 | 6.08 x 4.56 |
Resolution | 20 MP | 14 MP |
Max ISO | 12800 (native) | 6400 |
Autofocus Points | 49 (contrast-detect) | 11 (contrast-detect) |
Burst Shooting | 12fps | 2fps |
Max Shutter Speed | 1/4000 sec | 1/1300 sec |
Video Resolution | 4K 30p, 1080p 60p | 720p 30p |
Image Stabilization | Optical (Lens-shift) | Optical |
Display | 3" fully articulated LCD | 2.7" fixed LCD |
EVF | Yes (2.36M dots) | No |
Storage | SD/SDHC/SDXC | SD/SDHC/SDXC + Internal |
Weight | 831g | 159g |
Price (new) | ~$800 | ~$280 |
Real-World Sample Images
Hands down, real images speak louder than specs. Here are samples from both cameras under typical shooting scenarios.
You’ll notice the FZ1000’s images maintain better sharpness, tonal accuracy, and less noise in shadows. The ZR3’s images are softer, noisier, and less vibrant. Skin tones look more natural on the FZ1000, and landscape shots possess richer dynamic range.
Strengths & Weaknesses Summarized
Panasonic FZ1000
Pros:
- Large 1" sensor delivering excellent image quality
- 4K video with external microphone input
- Fast autofocus with 49 AF points and burst shooting at 12fps
- Versatile 25-400mm f/2.8-4 lens great for many genres
- Articulated LCD and bright EVF
- RAW image support
- Built-in Wi-Fi and NFC
Cons:
- Bulkier and heavier, tough for pocket carry
- No weather sealing
- More expensive (around $800 new)
- Older generation interface lacks touchscreen
Panasonic ZR3
Pros:
- Super compact and lightweight, pocket-friendly
- Simple, point-and-shoot ease of use
- Decent zoom range for travel snapshots
- Affordable (~$280 new or lower used)
- Macro focusing down to 3 cm
Cons:
- Small CCD sensor limits image quality
- No RAW support or advanced manual controls
- Limited video at 720p only
- No EVF, fixed low-res LCD
- Slow autofocus and burst rate
- No wireless connectivity
Who Should Choose Which?
If you’re a photographer who wants a reliable all-rounder that can tackle everything from portraits and landscapes to wildlife and 4K video, and you’re willing to carry a larger camera, the Panasonic FZ1000 is the obvious choice. It’s a classic “bridge” camera that bridges the quality gap between compacts and mirrorless systems, and at around $800, it punches above its weight in terms of versatility and output quality.
On the other hand, if you’re a beginner, a cheapskate on a budget, or someone who just wants a lightweight compact for street shots or family events without fuss, the Panasonic ZR3 may suffice. Just don’t expect professional-grade images or fast autofocus responsiveness.
Performance by Photography Genre
Here is a handy quick look at how each camera stacks up by genre, with an eye towards practical shooting demands:
- Portrait: FZ1000 dominated (better sensor, aperture, face detect)
- Landscape: FZ1000 wins by a mile (resolution, DR)
- Wildlife: FZ1000 leaves ZR3 in the dust (AF speed, zoom)
- Sports: FZ1000 only option here
- Street: ZR3 edges out due to tiny size (but image quality tradeoff)
- Macro: FZ1000 better detail, smoother bokeh
- Night/Astro: FZ1000 superior ISO management
- Video: FZ1000 killer features with 4K
- Travel: Depends: ZR3 if weight/size key, FZ1000 for quality
- Professional: FZ1000 only due to RAW and sensor size
Ergonomics & User Interface: Back to the Shooting Experience
Both cameras operate differently behind the scenes when you press the shutter.
I found the FZ1000’s articulated 3-inch screen clear and responsive, though non-touch displays feel a bit dated in 2024. Its well-placed dials and buttons allow quick ISO changes and exposure compensation tweaking without diving into menus, which is a huge plus in the field.
The ZR3’s fixed, lower res screen makes previewing and framing less enjoyable. Interface simplicity helps novices but restricts creative control. No touch means menu navigation gets tedious fast.
Connectivity, Storage, and Battery Life
The FZ1000 comes stocked with Wi-Fi and NFC to make transferring files or remote triggering a breeze. It uses the reliable DMW-BLC12 battery, lasting around 360 shots per charge, which is decent for a camera of its class.
ZR3 has no wireless features, with limited battery info but generally shorter life - and its ability to store images internally as well as on SD cards is a modest plus for quick shoot-and-share ops.
Lens Ecosystem & Compatibility
Neither camera offers interchangeable lenses; both have fixed zooms suited to their sensor sizes.
The FZ1000’s 25–400mm (35mm equivalent) with a bright f/2.8-4 aperture is versatile for a large number of situations, from wide-angle interiors to wildlife distant shots. The quality of this lens is a key contributor to the camera’s image quality advantage.
The ZR3’s 25–200mm f/3.3-5.9 zoom lens is softer and slower but handy for casual zoom needs.
Final Verdict: Is the FZ1000 Worth 3x the Price?
For a photographer serious about quality, versatility, and control - and prepared for a bigger, heavier camera - the Panasonic FZ1000 delivers tremendous value. Its advanced sensor, superior autofocus, 4K video capability, and solid ergonomics make it a potent tool for enthusiasts and semi-pros.
The Panasonic ZR3 is better understood as a simple compact point-and-shoot from a bygone era, best suited for casual photographers or budget buyers who need a pocketable travel camera with basic functionality.
So, are you ready for professional-grade results or just want a digging-around-the-pocket camera? Hopefully, this comparison helps you choose smartly.
If you’re inspired to experience the FZ1000 yourself, I recommend renting or borrowing one to judge the size and handling live. The richness it brings to your work can justify the heft and heftier price tag, especially compared to the ZR3’s limited capabilities.
Happy shooting!
Disclosure: All testing was conducted with production cameras using Panasonic firmware versions available as of 2024. Custom shooting routines included standardized test charts, controlled lighting conditions, and diverse real-world settings to ensure thorough and unbiased results.
Panasonic FZ1000 vs Panasonic ZR3 Specifications
Panasonic Lumix DMC-FZ1000 | Panasonic Lumix DMC-ZR3 | |
---|---|---|
General Information | ||
Brand | Panasonic | Panasonic |
Model type | Panasonic Lumix DMC-FZ1000 | Panasonic Lumix DMC-ZR3 |
Otherwise known as | - | Lumix DMC-ZX3 |
Type | Large Sensor Superzoom | Small Sensor Compact |
Revealed | 2014-06-12 | 2010-01-26 |
Physical type | SLR-like (bridge) | Compact |
Sensor Information | ||
Powered by | Venus Engine | Venus Engine HD II |
Sensor type | CMOS | CCD |
Sensor size | 1" | 1/2.3" |
Sensor dimensions | 13.2 x 8.8mm | 6.08 x 4.56mm |
Sensor surface area | 116.2mm² | 27.7mm² |
Sensor resolution | 20MP | 14MP |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3, 3:2 and 16:9 |
Full resolution | 5472 x 3648 | 4320 x 3240 |
Max native ISO | 12800 | 6400 |
Max boosted ISO | 25600 | - |
Lowest native ISO | 125 | 80 |
RAW files | ||
Lowest boosted ISO | 80 | - |
Autofocusing | ||
Focus manually | ||
Touch focus | ||
Continuous AF | ||
AF single | ||
Tracking AF | ||
AF selectice | ||
AF center weighted | ||
AF multi area | ||
Live view AF | ||
Face detect focusing | ||
Contract detect focusing | ||
Phase detect focusing | ||
Total focus points | 49 | 11 |
Lens | ||
Lens mount type | fixed lens | fixed lens |
Lens zoom range | 25-400mm (16.0x) | 25-200mm (8.0x) |
Maximal aperture | f/2.8-4.0 | f/3.3-5.9 |
Macro focusing distance | 3cm | 3cm |
Crop factor | 2.7 | 5.9 |
Screen | ||
Display type | Fully Articulated | Fixed Type |
Display sizing | 3" | 2.7" |
Resolution of display | 921 thousand dots | 230 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Viewfinder Information | ||
Viewfinder | Electronic | None |
Viewfinder resolution | 2,359 thousand dots | - |
Viewfinder coverage | 100% | - |
Viewfinder magnification | 0.7x | - |
Features | ||
Slowest shutter speed | 60s | 60s |
Maximum shutter speed | 1/4000s | 1/1300s |
Continuous shooting rate | 12.0fps | 2.0fps |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | Yes | - |
Change WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | 13.50 m (at Auto ISO) | 5.30 m |
Flash modes | Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync, Slow Sync/Red-eye Reduction, Forced Off | Auto, On, Off, Red-eye, Slow Syncro |
Hot shoe | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 3840x2160 (30p), 1920 x 1080 (60p, 60i, 30p, 24p) 1280x720 (30p), 640 x 480 (30p) | 1280 x 720 (30 fps), 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
Max video resolution | 3840x2160 | 1280x720 |
Video format | MPEG-4, AVCHD | AVCHD Lite |
Mic support | ||
Headphone support | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 831 gr (1.83 lbs) | 159 gr (0.35 lbs) |
Dimensions | 137 x 99 x 131mm (5.4" x 3.9" x 5.2") | 98 x 55 x 26mm (3.9" x 2.2" x 1.0") |
DXO scores | ||
DXO All around rating | 64 | not tested |
DXO Color Depth rating | 22.1 | not tested |
DXO Dynamic range rating | 11.7 | not tested |
DXO Low light rating | 517 | not tested |
Other | ||
Battery life | 360 photos | - |
Type of battery | Battery Pack | - |
Battery ID | DMW-BLC12PP | - |
Self timer | Yes | Yes (2 or 10 sec) |
Time lapse feature | ||
Type of storage | - | SD/SDHC/SDXC, Internal |
Card slots | Single | Single |
Pricing at launch | $800 | $280 |