Panasonic FH6 vs Sony A330
96 Imaging
37 Features
29 Overall
33


67 Imaging
49 Features
50 Overall
49
Panasonic FH6 vs Sony A330 Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 100 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 24-120mm (F2.5-6.4) lens
- 119g - 96 x 56 x 20mm
- Released January 2012
(Full Review)
- 10MP - APS-C Sensor
- 2.7" Tilting Screen
- ISO 100 - 3200
- Sensor based Image Stabilization
- No Video
- Sony/Minolta Alpha Mount
- 529g - 128 x 97 x 71mm
- Announced May 2009
- Superseded the Sony A300

Panasonic Lumix FH6 vs Sony Alpha DSLR-A330: An In-Depth Comparison for Discerning Photographers
Selecting the right camera often boils down to a nuanced balance between optics, sensor technology, ergonomics, and the specific photographic applications you pursue. Today, we dissect two very different offerings aimed at entry-level users and enthusiasts: the Panasonic Lumix DMC-FH6, a compact fixed-lens point-and-shoot introduced in early 2012, and the Sony Alpha DSLR-A330, an entry-level DSLR launched in 2009 with an interchangeable lens system. Both serve as gateways into digital photography but represent divergent philosophies of design, functionality, and user control.
Drawing on my extensive experience evaluating hundreds of cameras under meticulously controlled conditions as well as real-world scenarios, this comparison dives deep into their specifications, feature sets, and practical performance across multiple photography disciplines and workflows. The goal is to deliver comprehensive, expert guidance rooted in hands-on testing to equip you with meaningful insights tailored to your photographic ambitions and budget considerations.
First Impressions: Size, Build, and Ergonomics
Before we examine image quality and tech specs, physical handling is paramount - after all, camera ergonomics influence your shooting experience profoundly.
At a glance, the Panasonic Lumix FH6 presents a miniaturized, pocket-friendly footprint at 96 x 56 x 20 mm and an ultra-lightweight 119 grams, reflecting its DNA as a compact travel and casual shooter’s tool. The plastic construction is typical for compacts, with a focus on portability over durability. For casual street photography or quick snapshots, this size advantage is undeniable.
Conversely, the Sony Alpha A330 is a heftier 128 x 97 x 71 mm and weighs 529 grams, a substantial increase due mainly to its DSLR form factor and metal-plastic hybrid construction enhancing rigidity and weather resistance marginally, though it lacks formal environmental sealing. The more substantial grip and physical buttons afford a tactile shooting experience preferred in more deliberate photographic contexts.
When choosing, consider whether you prioritize effortless pocketability and spontaneous shooting over physical control and comfort during extended sessions - a critical tradeoff here that separates compact cameras from DSLRs.
Sensor and Image Quality: The Heart of the Matter
Sensor performance remains the fundamental determinant of image fidelity. Let's examine how the 1/2.3-inch CCD sensor in the Panasonic FH6 stacks against the significantly larger APS-C CCD sensor in the Sony A330.
Panasonic Lumix FH6 Sensor Analysis
The FH6 features a 14-megapixel, 1/2.3-inch CCD sensor measuring roughly 6.08 x 4.56 mm, with a total sensor area just under 28 mm². Clocking in at this smaller dimension, the sensor imposes inherent physical limitations on dynamic range, noise handling, and bokeh quality. Small pixels collect less light, which naturally constrains low-light performance and ISO flexibility. It supports ISO sensitivity from 100 to a maximum of 6400, but practically, usable ISOs remain under 800 due to noise.
Despite these limitations, the FH6’s sensor is paired with a fixed 24–120mm equivalent lens with a maximum aperture range from f/2.5 to f/6.4, making it decent for daylight shooting and casual portraits. The presence of an optical image stabilizer helps mitigate camera shake, enhancing sharpness at moderate shutter speeds but cannot replace the advantage of physically larger pixels in low light.
Sony Alpha A330 Sensor Analysis
By contrast, the A330’s APS-C sized CCD sensor spans 23.5 x 15.7 mm, an area approximately 369 mm² - over 13 times larger than the Panasonic’s sensor. Although resolution clocks in at a moderate 10 megapixels, the advantage of larger individual photosites includes superior signal-to-noise ratio, increased dynamic range, and richer colors. It supports ISO settings from 100 up to 3200 natively, and high ISO performance, while still limited compared to newer CMOS sensors, is notably superior to the FH6.
The DSLR's sensor facilitates interchangeable lenses, allowing the use of fast primes and telephotos that push photographic creativity and technical excellence further than any fixed-lens compact.
Practical Implications
In real-world shooting, expect the Sony A330 to produce images with significantly better tonal gradation, cleaner shadows, and highlight retention. The Panasonic performs well in good lighting but quickly shows noise and detail loss as ISO rises or shadows deepen. The impact on disciplines like landscape and portrait photography is pronounced and will be detailed further below.
Control Layout and User Interface: Shooting Experience
The physical interface profoundly affects usability, especially for users transitioning from smartphones to dedicated cameras.
The Panasonic FH6 employs a minimalist control scheme geared towards point-and-shoot simplicity: a small mode dial lacks advanced shooting modes such as aperture or shutter priority; no manual exposure controls are available. The 2.7" fixed TFT LCD (230k dots) provides basic live view functionality without touch interaction, which limits navigation fluidity.
The Sony A330, however, offers a plethora of direct controls: dedicated dials for mode selection including shutter priority, aperture priority, and manual exposure, exposure compensation control, and customizable buttons found on the top plate. Its tilting 2.7" LCD screen (230k dots) enhances compositional flexibility, in tandem with a traditional pentamirror optical viewfinder covering 95% of the frame - vital for robust outdoor use and battery conservation.
While the A330’s controls are more complex initially, they empower photographers to learn manual settings intuitively and react swiftly in varying shooting scenarios, a crucial requirement for learning and professional development.
Autofocus and Performance: Price for Precision
Autofocus effectiveness can make or break action photography or critical focus portraiture.
The Panasonic FH6 features a contrast-detection AF system with 9 focus points but lacks continuous autofocus or tracking capabilities. It supports face detection but no eye or animal eye detection. The limited AF system results in relatively slow focus acquisition and cannot reliably track moving subjects, constraining its utility for dynamic scenes such as wildlife or sports.
Sony’s A330 sports a hybrid autofocus system combining phase-detection and contrast-detection with 9 AF points that can be selectively engaged. Although not as fast as modern DSLRs, its 3 fps continuous shooting speed combined with continuous autofocus makes it well-suited to moderate-speed action like street scenes or casual sports.
Neither camera excels in high-speed tracking by today's standards, but the A330 offers more control and speed, critical for wildlife or sports photography where focus precision and subject tracking underpin success.
Lens Ecosystem and Optics
One of the A330’s most significant advantages is access to Sony Minolta Alpha mount lenses - over 143 lenses available, including fast primes, wide-angles, macros, and telephotos.
The Panasonic FH6’s fixed 24–120 mm equivalent zoom (5× optical) lens covers typical travel and general photo needs but cannot be interchanged. Additionally, the relatively slow aperture at telephoto focal lengths limits depth of field control and low-light capability.
This fundamental difference affects versatility across disciplines: want exquisite portrait bokeh? The Sony system facilitates bright primes (e.g., f/1.8 50mm), while the FH6’s small sensor and slower lens limit creamy background separation.
Display and Viewfinder: Composing the Frame
Both cameras feature 2.7-inch LCDs at 230k resolution, but the Sony A330’s tilting articulation offers compositional freedom for macro or low/high angle shots, while the Panasonic FH6's remains fixed.
More importantly, the Sony’s optical viewfinder – although modest in coverage and magnification (95%, 0.49x) – enables shooting under bright light without glare, conserves battery life, and provides a lag-free framing experience. The FH6 foregoes a viewfinder, relying solely on its LCD, which can be challenging in bright sunlight.
Burst Rate and Storage
For action photography, continuous shooting speed and buffer depth are vital.
The Panasonic FH6 manages 2 fps burst rate with limited buffer, suited only for slow-moving subjects, whereas the Sony A330 achieves 3 fps, better but still modest by contemporary standards. The DSLR’s advantage enables moderate sports or wildlife shooting, particularly with appropriate lenses.
Both cameras support SD/SDHC storage; the A330 also accepts Memory Stick Pro Duo cards, offering flexible media options.
Battery Life and Portability: Preparing for Extended Shoots
Here, an interesting inversion surfaces: the compact FH6 claims approximately 280 shots per battery charge, slightly outperforming the heavier A330’s 230 shots (using NP-FH50 packs). However, in practice, the DSLR’s optical viewfinder reduces LCD demand, and spare batteries can be cheaply carried, offsetting runtime concerns.
If ultimate portability and grab-and-go shooting define your priorities, the FH6’s featherweight, slim design will be a decisive factor.
Video Recording Capabilities
The Panasonic FH6 can record video at 720p HD (1280 x 720) at 30 fps, encoded in Motion JPEG - a dated codec that consumes large file sizes and limits editing flexibility. There is no microphone port, so audio capture is limited to built-in mics, and there is no 4K or advanced video functionality.
The Sony A330 lacks native video recording entirely; it is designed exclusively for still image capture.
Thus, if casual HD video recording is of interest, the FH6 offers that bonus feature, although professionals and enthusiasts will find it inadequate for serious video work.
Real-World Applications and Photography Disciplines
Let’s examine how these cameras fare in specialized photographic areas, integrating technical features with my hands-on test sessions.
Portrait Photography
Portraiture demands natural skin tones, accurate color reproduction, and pleasing background separation (bokeh), alongside dependable autofocus focusing on eyes or faces.
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Panasonic FH6: Face detection autofocus is available but limited to center or multiple AF points without eye detection refinement, occasionally missing fine focus on the iris. The small sensor and limited maximum aperture, especially toward telephoto ends, yield less pronounced background blur. Portrait bokeh is average - adequate for snapshots, less so for professional results.
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Sony A330: The DSLR’s larger sensor, coupled with ability to use fast prime lenses, delivers superior subject isolation and smoother bokeh. Its autofocus can detect faces and allow selective point focusing, improving eye-level sharpness. Color rendition is richer, and manual exposure controls allow precise skin tone adjustments in mixed lighting.
Verdict: For serious portraiture, the Sony A330’s capabilities distinctly outclass the Panasonic FH6.
Landscape Photography
Landscape shots require wide dynamic range, high resolution, weather sealing (ideally), and high image fidelity in raw processing.
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The Panasonic FH6’s small sensor and limited dynamic range (not quantified with DxO but typical of small sensor CCDs in this class) restrict highlight and shadow retention. The fixed lens maxes out at 24mm equivalent, sufficient but less than wide-angle specialty lenses on DSLRs.
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The Sony A330 shines with an APS-C sensor boasting 22.4-bit color depth and 11.5 stops DR per DxOMark scores, offering better tonality and detail capture. Interchangeable lenses allow ultra-wide options for expansive vistas. Despite lacking formal weather sealing, its build is more robust.
Recommendation: For landscape enthusiasts seeking image quality and lens flexibility, the A330 is the better choice. Casual sharers might find the Panasonic sufficient for travel landscapes.
Wildlife and Sports Photography
These genres demand fast autofocus, high speed continuous shooting, and telephoto reach.
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The FH6’s autofocus struggles with moving subjects, and its 2 fps burst won’t capture fast action unreliably. Its lens topping out at 120mm equivalent limits reach. Thus, wildlife and sports are the least suitable use cases.
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The Sony A330 offers better AF coverage with phase detection, faster 3 fps burst, and lens interchangeability allowing telephoto superzoom or prime lenses tailored to action. It remains limiting for professional sports due to modest frame rate, but superior to FH6 for hobbyists.
Street Photography
Compactness and discretion favor street shooters; quick autofocus and low-light performance matter.
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Panasonic’s compact size and silent operation render it excellent for candid street photography. However, its autofocus speed and lack of manual controls limit responsiveness in dynamic scenes.
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Sony’s bulkier DSLR is less discreet but offers better low-light performance and manual control. The optical viewfinder aids framing without glare in bright conditions.
Macro Photography
Macro requires close-focusing capability, stabilization, and precise AF.
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Panasonic FH6’s 5cm macro focus is reasonable for casual close-ups, combined with optical stabilization aiding handheld shots.
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Sony’s interchangeable lenses include dedicated macro optics providing higher magnifications and superior working distances. Its tilting LCD aids difficult macro compositions.
Night and Astrophotography
Low noise, long exposure, and live view capabilities are crucial.
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The FH6 supports a minimum shutter speed of 8 seconds but lacks manual exposure. Noise quickly degrades image quality at higher ISOs.
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The Sony A330 offers shutter speeds up to 30 seconds, manual mode, and better noise performance with sensor-based stabilization and live view aiding composition.
Video Capabilities
As noted, the FH6 offers basic 720p video recording; the A330 lacks video entirely.
If modest HD video capture is a must-have, Panasonic has an advantage, albeit limited for content creators seeking higher quality workflows.
Travel and Everyday Use
Travel photographers balance versatility, size, and battery life.
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The FH6’s compact form, reasonable zoom range, and optical stabilization are ideal for minimalist travel. Its limited manual control may frustrate advanced users.
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The Sony A330, though heavier, provides robust stills image quality and the ability to adapt lenses for various scenes. Its battery life is lower, but spares and chargers mitigate this.
Professional Work and Workflow Integration
Workflow demands including RAW support, color consistency, and reliability often differentiate professional cameras.
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The Panasonic FH6 does not support RAW, limiting post-processing flexibility - an important drawback for professional or serious amateur photographers.
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The Sony A330 supports RAW output via .ARW files, allowing deep editing freedom in Adobe Lightroom or Capture One, vital for studio or client work.
Connectivity and Wireless
Neither camera features Wi-Fi, Bluetooth, NFC, or GPS, common in modern cameras; both offer USB 2.0 ports.
This lack limits instant sharing or advanced tethered shooting workflows but is expected given their production dates.
Environmental Resilience
Both cameras lack official weather sealing or rugged build certifications (dustproof, shockproof, freezeproof), necessitating careful handling in harsh environments.
Summary Ratings and Recommendations
Feature | Panasonic FH6 | Sony A330 |
---|---|---|
Sensor | 1/2.3" CCD, 14MP | APS-C CCD, 10MP |
Autofocus | Contrast-detection, 9 points | Hybrid Phase+Contrast, 9 pts |
Video | 720p HD (MJPEG) | None |
RAW Support | No | Yes |
Burst Rate | 2 fps | 3 fps |
Weight | 119 g | 529 g |
Battery Life | ~280 shots | ~230 shots |
Genre-Specific Fit: Where Each Camera Shines (Photography Type Analysis)
Photography Discipline | Panasonic FH6 | Sony A330 |
---|---|---|
Portrait | Moderate | Superior |
Landscape | Average | Superior |
Wildlife | Poor | Moderate |
Sports | Poor | Moderate |
Street | Good (due to size) | Good (due to control) |
Macro | Basic | Advanced (with lenses) |
Night/Astro | Limited | Good |
Video | Basic HD | None |
Travel | Excellent (compact) | Good |
Professional | Not suitable | Entry-level viable |
Sample Image Quality Comparison
Side-by-side image galleries from both cameras under identical lighting reveal the A330’s superior dynamic range, color fidelity, and noise control clearly, particularly in shadow detail and highlight preservation. The FH6’s smaller sensor yields images with earlier noise onset and reduced detail.
Final Verdict: Matching Cameras to Photographic Priorities
Choose the Panasonic Lumix FH6 if:
- You need a highly portable, affordable compact camera for casual snapshots, travel, or street photography.
- Basic HD video capability and optical stabilization are desired.
- You prefer a straightforward point-and-shoot experience without complex manual controls.
- Price sensitivity is critical; the FH6’s sub-$150 price makes it an appealing budget option.
- RAW processing and professional-grade image quality are not priorities.
Choose the Sony Alpha DSLR-A330 if:
- You seek a versatile entry-level DSLR with manual controls, interchangeable lenses, and RAW shooting.
- Prioritize image quality, dynamic range, and flexibility in focal lengths for portraits, landscapes, or macro.
- Are ready to invest more for a camera that grows with your developing photographic skills.
- Need an optical viewfinder and better autofocus performance.
- Video recording is not a requirement, but still shooting takes precedence.
In summation, while the Panasonic FH6 fulfills the dual role of ultra-compact simplicity with modest capabilities, the Sony Alpha A330 marks a leap toward serious photographic artistry with larger sensor benefits, lens adaptability, and manual controls, albeit at the expense of bulk and price.
For the enthusiast striving for better image quality and creative control, the Sony A330 stands out as the more enduring investment despite its age. However, for travelers and casual shooters wanting convenience and a simple solution, the FH6 remains a valid contender.
About the Author
With over 15 years evaluating cameras and lenses across genres - from wildlife safaris to studio portraiture - I rely on rigorous testing protocols including controlled lab measurements and extensive field trials to deliver trusted, balanced assessments. This comparison reflects such a methodology, emphasizing practical impact over marketing claims to empower your camera purchase decisions.
I trust this detailed analysis assists you in identifying which camera aligns best with your needs and passion for photography. Should you require further guidance on lenses or accessories for either system, I welcome your inquiries.
Panasonic FH6 vs Sony A330 Specifications
Panasonic Lumix DMC-FH6 | Sony Alpha DSLR-A330 | |
---|---|---|
General Information | ||
Brand Name | Panasonic | Sony |
Model | Panasonic Lumix DMC-FH6 | Sony Alpha DSLR-A330 |
Class | Small Sensor Compact | Entry-Level DSLR |
Released | 2012-01-09 | 2009-05-18 |
Body design | Compact | Compact SLR |
Sensor Information | ||
Processor Chip | - | Bionz |
Sensor type | CCD | CCD |
Sensor size | 1/2.3" | APS-C |
Sensor measurements | 6.08 x 4.56mm | 23.5 x 15.7mm |
Sensor area | 27.7mm² | 369.0mm² |
Sensor resolution | 14 megapixels | 10 megapixels |
Anti aliasing filter | ||
Aspect ratio | 4:3 and 16:9 | 3:2 and 16:9 |
Peak resolution | 4320 x 3240 | 3872 x 2592 |
Highest native ISO | 6400 | 3200 |
Minimum native ISO | 100 | 100 |
RAW photos | ||
Autofocusing | ||
Manual focus | ||
Touch to focus | ||
AF continuous | ||
Single AF | ||
Tracking AF | ||
Selective AF | ||
Center weighted AF | ||
Multi area AF | ||
AF live view | ||
Face detect AF | ||
Contract detect AF | ||
Phase detect AF | ||
Number of focus points | 9 | 9 |
Lens | ||
Lens mount | fixed lens | Sony/Minolta Alpha |
Lens focal range | 24-120mm (5.0x) | - |
Maximal aperture | f/2.5-6.4 | - |
Macro focus distance | 5cm | - |
Total lenses | - | 143 |
Crop factor | 5.9 | 1.5 |
Screen | ||
Display type | Fixed Type | Tilting |
Display sizing | 2.7 inch | 2.7 inch |
Display resolution | 230 thousand dot | 230 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Display tech | TFT Color LCD | - |
Viewfinder Information | ||
Viewfinder type | None | Optical (pentamirror) |
Viewfinder coverage | - | 95% |
Viewfinder magnification | - | 0.49x |
Features | ||
Minimum shutter speed | 8 seconds | 30 seconds |
Fastest shutter speed | 1/1600 seconds | 1/4000 seconds |
Continuous shutter speed | 2.0fps | 3.0fps |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | - | Yes |
Set WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | 4.60 m | 10.00 m |
Flash modes | Auto, On, Off, Red-Eye reduction | Auto, On, Off, Red-Eye, Slow Sync, Rear Curtain, Wireless |
External flash | ||
AEB | ||
WB bracketing | ||
Fastest flash sync | - | 1/160 seconds |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | - |
Highest video resolution | 1280x720 | None |
Video format | Motion JPEG | - |
Microphone input | ||
Headphone input | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 119g (0.26 lbs) | 529g (1.17 lbs) |
Dimensions | 96 x 56 x 20mm (3.8" x 2.2" x 0.8") | 128 x 97 x 71mm (5.0" x 3.8" x 2.8") |
DXO scores | ||
DXO Overall score | not tested | 64 |
DXO Color Depth score | not tested | 22.4 |
DXO Dynamic range score | not tested | 11.5 |
DXO Low light score | not tested | 535 |
Other | ||
Battery life | 280 images | 230 images |
Battery format | Battery Pack | Battery Pack |
Battery model | - | NP-FH50 |
Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec) |
Time lapse recording | ||
Type of storage | SD/SDHC/SDXC, Internal | SD/ SDHC, Memory Stick Pro Duo |
Storage slots | Single | Single |
Retail pricing | $129 | $545 |