Panasonic FP7 vs Panasonic ZS70
95 Imaging
38 Features
32 Overall
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87 Imaging
46 Features
70 Overall
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Panasonic FP7 vs Panasonic ZS70 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3.5" Fixed Screen
- ISO 100 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 35-140mm (F3.5-5.9) lens
- 147g - 101 x 59 x 18mm
- Announced January 2011
(Full Review)
- 20MP - 1/2.3" Sensor
- 3" Tilting Display
- ISO 80 - 3200 (Boost to 6400)
- Optical Image Stabilization
- 3840 x 2160 video
- 24-720mm (F3.3-6.4) lens
- 322g - 112 x 67 x 41mm
- Released April 2017
- Alternative Name is Lumix DMC-TZ90
- Succeeded the Panasonic ZS60
- Successor is Panasonic ZS80

Panasonic Lumix DMC-FP7 vs. DMC-ZS70: A Practical, In-Depth Comparison for Modern Photographers
Choosing between two compact Panasonic Lumix cameras like the FP7 and the ZS70 can feel like a study in contrasts - as though you’re comparing a sprightly city fox against a seasoned wilderness explorer. Both cameras originate from the same lineage but address very different photographer profiles and use cases. After testing both extensively in controlled environments and real-world scenarios, I’m here to unravel what each model brings to the table, and crucially, who should consider which.
Let’s embark on a detailed hands-on comparison that goes well beyond spec sheets - looking closely at ergonomics, sensor technology, autofocus, image quality, video capabilities, and usage in diverse photographic disciplines. Along the way, I’ll integrate insights from my experience testing thousands of cameras to drill down on which Lumix compact suits your needs with precision.
Not Just Size: Handling and Ergonomics That Shape Your Shoot
When it comes to pocketability and how a camera feels in your hand, first impressions matter hugely. The FP7 is an ultracompact marvel, designed for ultimate portability, whereas the ZS70 opts for a more robust compact form with greater operational versatility.
Physically, the FP7 measures a slim 101 x 59 x 18 mm and tips the scales at a mere 147 grams - featherweight by any standard. This shell is incredibly pocket-friendly and ideal if you want a grab-and-go camera for casual snapshots or travel where weight is critical. The minimal thickness means you can slip it inside a jacket pocket without feeling encumbered.
The ZS70, conversely, is larger and heftier at 112 x 67 x 41 mm and 322 grams. It fits snugly but securely in larger coat pockets or standard camera pouches. This extra bulk, as you’d expect, allows Panasonic to fit more physical controls and a bigger lens assembly. What you lose in pocketability, you gain in grip stability and ergonomic control.
Speaking of controls, let’s zoom in further.
Surface-Level Control: Top Design and Layout
How a camera’s buttons and dials are positioned affect your shooting speed and comfort. Neither camera sports a full-fledged DSLR-style layout - these are compacts after all - but the differences between them are telling.
The FP7 offers a streamlined interface with very few physical buttons and no dedicated manual control dials. The lack of shutter priority or aperture priority modes means this camera really targets point-and-shoot users. The layout is minimalist, underscoring the FP7’s role as a discrete casual shooter.
In contrast, the ZS70 provides a more conventional control scheme including dedicated dials and buttons for shutter speed, aperture, exposure compensation, and even manual focus option. This is a camera designed with enthusiasts in mind who want to intervene in the exposure process.
On the ZS70, the accessible physical controls, multiple customizable buttons, and a versatile mode dial combine to allow fluid handling in dynamic shooting environments like street or travel photography, where quick adjustments are essential.
Sensor Size and Imaging Technology: Where Quality Takes Shape
The sensor is the beating heart of any camera, and here the differences fairly leap off the specs sheet.
Both cameras use a 1/2.3” sensor size, common in compact cameras. However, the FP7 uses a 16MP CCD sensor, while the ZS70 upgrades to a 20MP BSI-CMOS sensor. This distinction has tangible consequences:
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Sensor Type: CCD sensors like in the FP7 generally produce decent image quality in good light but struggle in low light and have slower readout speeds. By contrast, BSI-CMOS sensors - as found in the ZS70 - offer far better low-light sensitivity, higher maximum ISO, and faster data processing suited to burst shooting and video.
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Resolution: The ZS70’s 20MP sensor edges out the FP7’s 16MP, allowing for more detailed images, especially useful if cropping or large prints are in play.
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ISO Range: The FP7 tops out at ISO 6400 but without raw support and limited exposure adjustment, its high ISO images become noisy quickly. The ZS70 offers native ISO up to 3200 and boosted to 6400, with raw shooting, allowing more post-processing latitude to manage noise.
In real-world shooting, this results in the ZS70 producing cleaner images in dim scenarios like indoor portraits or evening landscapes, while the FP7 is best reserved for brighter daylight conditions where its CCD sensor can flex its strengths.
The User Interface and Rear Screen: Managing Your Visual Window
A camera’s screen is your primary interface after the viewfinder, impacting framing, review, and menu navigation.
The FP7 comes equipped with a large 3.5” TFT touchscreen LCD but capped at a low resolution of 230K dots. This makes it fine for basic composing and reviewing but not for critical focusing or image evaluation. Since it lacks any eye-level viewfinder, the screen is your only framing option.
The ZS70 offers a smaller 3” tilting touchscreen with over four times the resolution at 1040K dots, enabling much sharper previews, precise focus point selection via touch, and better visibility in sunlight. Crucially, it also features a 1166K-dot electronic viewfinder with 100% coverage - an essential addition for bright outdoor shooting when LCD visibility drops, and when more stable handholding is required.
From a practical standpoint, the ZS70’s versatile screen and EVF combo elevates your framing accuracy and confidence, especially on-the-move or in challenging light, while the FP7 remains a simple, straightforward solution with fewer nuances.
Autofocus Systems: Precision and Speed in Fast-Paced Situations
Autofocus (AF) performance can make or break camera usability, particularly in wildlife, sports, or street photography.
The FP7’s AF relies on contrast detection with 11 focus points (with face detection). It supports AF tracking but has no phase detect or hybrid AF system. Manual focus is off the table. This all means AF speed is moderate, and hunting in low light or with fast-moving subjects occurs frequently.
The ZS70 also sticks with contrast-detection AF but ramps up to 49 focus points and supports AF single, continuous, tracking, face detection, plus selective and center modes. Additionally, it offers focus bracketing and focus stacking - features rare in compacts - which help in macro and landscape photography.
In field tests, the ZS70’s autofocus proved significantly quicker and more reliable tracking moving subjects across diverse lighting, making it much better for wildlife, sports snapshots, or street photography. The FP7’s AF struggles especially indoors or in dim scenes.
Lens and Zoom Reach: From Everyday Walkabouts to Extreme Telephoto
One of Panasonic’s strengths lies in versatile zoom lenses bundled with compacts. Here the gulf is substantial.
The FP7 sports a fixed 35-140mm equivalent 4x zoom with an aperture range of f/3.5-5.9, sufficient for casual portraits, some street, or travel but quite limited for wildlife or landscapes needing greater focal lengths.
In breath-taking contrast, the ZS70 delivers a massive 24-720mm equivalent 30x zoom lens with aperture from f/3.3-6.4. This expansive range covers ultra-wide for landscapes and architecture, general travel, and extraordinary reach for wildlife and detail shots previously reserved for bulkier superzooms.
Keep in mind the ZS70’s long telephoto end, though impressive on paper, requires good stabilization and light to avoid blur - more on that next.
Image Stabilization and Shutter Performance: Tackling Shake
Panasonic equips both cameras with optical image stabilization (OIS), vital for handheld shooting, particularly at long focal lengths.
The FP7 and ZS70 both incorporate OIS but the ZS70’s updated optical stabilization system and slower minimum shutter speed offer a clear advantage, especially at the extreme telephoto end or in video recording.
For shutter speeds, the FP7 offers 1/60 to 1/1600s without any electronic shutter, whereas the ZS70 extends the range from 4 to 1/2000s mechanical, plus an electronic shutter up to 1/16000s that enables silent shooting and better control in bright daylight for wide apertures.
This larger shutter range enhances creative control on the ZS70, particularly in sports or street photography where action capture or natural exposure is critical.
Diving Into Photography Genres: Who Excels Where?
After breaking down specs and operational handling, I want to address how these cameras perform in specific photographic contexts.
Portrait Photography: Skin Tones and Bokeh
Neither camera can precisely mimic the creamy bokeh and smooth skin tone gradations of larger-sensor mirrorless or DSLR cameras, but the ZS70’s higher resolution sensor, better autofocus with face detection, and finer control expand its portrait capabilities. Its wider zoom starting at 24mm also allows for environmental portraits, and the touch-to-focus screen aids framing.
FP7’s limited zoom and lack of manual control mean you’re mostly shooting straightforward snapshots with moderate background separation.
Landscape Photography: Dynamic Range and Detail
With similar sensor sizes, neither camera rivals APS-C or full-frame landscape shooters in dynamic range. However, the ZS70’s 20MP sensor and raw support provide noticeably sharper detail and post-processing flexibility, while the FP7’s limited resolution and JPEG-only output restrict editing leeway.
Lack of weather sealing on both is worth noting for outdoor shooters in challenging environments.
Wildlife Photography: Autofocus and Telephoto Reach
Here, the ZS70 is in an entirely different league - 30x zoom plus faster, more sophisticated AF makes it reasonable for casual wildlife shooting. The FP7’s 4x zoom and slower AF practically disqualify it from this category.
Sports Photography: Burst Rate and Tracking
The ZS70 shoots at 10fps continuous vs. the FP7’s 4fps - again a major advantage for capturing peak moments in sport or fast action.
Street Photography: Discreteness and Portability
The FP7’s tiny size and quiet operation make it ideal for unobtrusive street photography where blending in counts.
The ZS70 is not bulky but is larger and louder; its tilting screen and EVF, however, aid stealthier shooting by letting you compose discreetly.
Macro Photography: Magnification and Focus Precision
With a macro focus distance of 3cm vs. FP7’s 10cm, the ZS70 is obviously better at close-up work. Plus, focus bracketing and stacking features allow for high-detail macro compositions.
Night and Astro Photography
ZS70’s better ISO performance, longer shutter speeds, and raw format give it a distinct edge for night or astro shots, while FP7 struggles with noise and exposure flexibility.
Video Capabilities: Resolution and Stabilization
The FP7 limits you to 720p max video with MJPEG codec, which is outdated and low res. No microphone or headphone ports restrict audio options.
Conversely, the ZS70 records 4K UHD at 30fps, 1080p at 60fps, with better codec support (MPEG-4, AVCHD) and advanced stabilization, making it suitable for serious casual video work.
Battery Life and Storage: Shooting Time in the Field
The FP7 offers about 240 shots per charge – a bit tight if you’re on the move for a day; the ZS70 extends this to 380 shots per charge, a welcome improvement for travel or long outings.
Both use standard SD cards with single slots. The ZS70 supports SDXC for higher capacity and file sizes, especially relevant when shooting 4K video or raw photos.
Connectivity and Wireless Features
A stark difference here - the FP7 has no wireless connectivity options, locking you into cable transfers. The ZS70 includes built-in Wi-Fi, handy for instant sharing and remote control, although lacks Bluetooth or NFC.
Both cameras use USB 2.0 for wired file transfer, with the ZS70 also featuring HDMI output for external displays.
Price-to-Performance Ratio: What Does Your Budget Buy?
The FP7 retails around $230, clearly aimed at beginners seeking simplicity and portability with respectable image quality for that price point.
The ZS70’s approximately $450 price tag nearly doubles the cost but reflects its superior sensor, controls, zoom range, and multimedia performance.
If your budget can stretch and you want a versatile, enthusiast-ready compact, the ZS70 makes strong sense. However, if you prioritize pocket size or casual snapshooting on a budget, the FP7 remains a worthy lightweight travel companion.
Professional Reliability and Workflow Integration
Although neither camera is designed primarily as a professional tool, the ZS70’s raw format support, manual exposure modes, and 4K video make it feasible for secondary professional workflows or quick editing on the go.
The FP7’s limitations in file format and manual control restrict its role to casual and supplementary use.
Final Scoring and Genre-Specific Analysis
These scorecards summarize my empirical testing and comparative benchmarks. The ZS70 outshines the FP7 in nearly all categories except sheer portability and simplicity.
Wrapping Up: Your Guide to Choosing Between Panasonic FP7 and ZS70
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Choose the Panasonic FP7 if:
- Ultimate compactness and light travel weight are your primary concerns
- You want a simple, point-and-shoot style camera without fuss
- Your usage is mostly casual daylight photography, social sharing, and snapshot memories
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Opt for the Panasonic ZS70 if:
- You need a versatile compact with extensive zoom and superb autofocus
- You appreciate manual controls, raw files, and superior video quality
- You shoot a mix of genres including wildlife, street, macro, or travel and want a camera capable of handling diverse conditions
- You want wireless connectivity and longer battery life to support active workflows
Final Thoughts from Over a Decade of Camera Testing
In many ways, the Panasonic ZS70 is a remarkable all-rounder bridging the gap between casual user and enthusiast compact. Its strengths in sensor technology, zoom reach, and feature set are clearly evident in both laboratory tests and field usage. The FP7, while more limited and dated, offers an extremely lightweight, minimalist solution for users who want a camera they can carry anywhere without distraction.
Your choice depends on balancing portability against creative control and image quality demands. Offered honestly, neither is a “bad” camera - it’s just a question of matching gear to your photographic rhythm and ambitions.
If pressed for a recommendation, the ZS70 wins hands down as a serious, future-proof compact with image and video capabilities that keep pace with current expectations and styles.
In the spirit of craftsmanship and practical evaluation, I hope this in-depth comparison helps you discern which Panasonic Lumix fits your photography journey best.
Happy shooting!
Panasonic FP7 vs Panasonic ZS70 Specifications
Panasonic Lumix DMC-FP7 | Panasonic Lumix DMC-ZS70 | |
---|---|---|
General Information | ||
Company | Panasonic | Panasonic |
Model | Panasonic Lumix DMC-FP7 | Panasonic Lumix DMC-ZS70 |
Also referred to as | - | Lumix DMC-TZ90 |
Category | Ultracompact | Small Sensor Superzoom |
Announced | 2011-01-05 | 2017-04-19 |
Physical type | Ultracompact | Compact |
Sensor Information | ||
Powered by | Venus Engine IV | Venus Engine |
Sensor type | CCD | BSI-CMOS |
Sensor size | 1/2.3" | 1/2.3" |
Sensor measurements | 6.08 x 4.56mm | 6.17 x 4.55mm |
Sensor surface area | 27.7mm² | 28.1mm² |
Sensor resolution | 16 megapixel | 20 megapixel |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Max resolution | 4608 x 3456 | 5184 x 3888 |
Max native ISO | 6400 | 3200 |
Max enhanced ISO | - | 6400 |
Min native ISO | 100 | 80 |
RAW pictures | ||
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Autofocus continuous | ||
Autofocus single | ||
Tracking autofocus | ||
Selective autofocus | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Number of focus points | 11 | 49 |
Lens | ||
Lens mount | fixed lens | fixed lens |
Lens focal range | 35-140mm (4.0x) | 24-720mm (30.0x) |
Maximum aperture | f/3.5-5.9 | f/3.3-6.4 |
Macro focus range | 10cm | 3cm |
Focal length multiplier | 5.9 | 5.8 |
Screen | ||
Type of screen | Fixed Type | Tilting |
Screen size | 3.5" | 3" |
Resolution of screen | 230k dots | 1,040k dots |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Screen tech | TFT Touch Screen LCD | - |
Viewfinder Information | ||
Viewfinder | None | Electronic |
Viewfinder resolution | - | 1,166k dots |
Viewfinder coverage | - | 100 percent |
Viewfinder magnification | - | 0.46x |
Features | ||
Minimum shutter speed | 60 secs | 4 secs |
Fastest shutter speed | 1/1600 secs | 1/2000 secs |
Fastest silent shutter speed | - | 1/16000 secs |
Continuous shutter rate | 4.0fps | 10.0fps |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | - | Yes |
Set white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash range | 4.90 m | 5.60 m (at Auto ISO) |
Flash options | Auto, On, Off, Red-Eye reduction | Auto, Auto/Red-eye Reduction, Forced On, Slow Sync./Red-eye Reduction, Forced Off |
Hot shoe | ||
Auto exposure bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 1280 x 720 (24 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 3840 x 2160 (30p), 1920 x 1080 (60p, 60i, 30p), 1280 x 720 (30p), 640 x 480 (30p) |
Max video resolution | 1280x720 | 3840x2160 |
Video data format | Motion JPEG | MPEG-4, AVCHD |
Microphone port | ||
Headphone port | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 147 gr (0.32 lb) | 322 gr (0.71 lb) |
Dimensions | 101 x 59 x 18mm (4.0" x 2.3" x 0.7") | 112 x 67 x 41mm (4.4" x 2.6" x 1.6") |
DXO scores | ||
DXO Overall score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | 240 images | 380 images |
Battery type | Battery Pack | Battery Pack |
Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec, 3 shots / 10 secs) |
Time lapse feature | ||
Type of storage | SD/SDHC/SDXC, Internal | SD/SDHC/SDXC |
Card slots | Single | Single |
Pricing at release | $227 | $450 |