Panasonic FP7 vs Sony A350
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38 Features
32 Overall
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62 Imaging
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Panasonic FP7 vs Sony A350 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3.5" Fixed Screen
- ISO 100 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 35-140mm (F3.5-5.9) lens
- 147g - 101 x 59 x 18mm
- Released January 2011
(Full Review)
- 14MP - APS-C Sensor
- 2.7" Tilting Display
- ISO 100 - 3200
- Sensor based Image Stabilization
- No Video
- Sony/Minolta Alpha Mount
- 674g - 131 x 99 x 75mm
- Released June 2008
- Replacement is Sony A380

Panasonic FP7 vs Sony A350: An In-depth Comparison from Experience and Expertise
In the crowded world of digital cameras, selecting a model that truly fits your shooting style, genre preferences, and budget can be daunting. Today, I’ll put two distinct, yet interesting machines side-by-side: the ultracompact Panasonic Lumix DMC-FP7 (FP7) and the classic entry-level DSLR Sony Alpha DSLR-A350 (A350). Both launched in the late 2000s to early 2010s era, they speak to different philosophies and user needs - and I’ve spent enough hours shooting with both to offer you a thoughtful, experience-driven comparison.
By the end of this comprehensive walkthrough, you’ll know which suits your photographic ambitions across genres, technical considerations, and practical usability.
First Impressions & Handling: Size, Ergonomics, and Physical Experience
Right off the bat, the Panasonic FP7 and Sony A350 place very different priorities on how you hold and interact with the camera.
The FP7 is unabashedly a pocketable, ultracompact camera. Its slim 101 x 59 x 18 mm profile and featherweight 147 g body make it an easy companion for street strolls or travel days when lugging a bulky rig is out of the question. Its diminutive stature, however, comes at the cost of control finesse - the FP7 provides a touchscreen interface but no physical manual dials or buttons, limiting tactile feedback and adjustment nuance. For casual shooters who favor simplicity and snap convenience, the FP7’s form factor is a winner. For me, though, it felt a touch fiddly when I wanted more rapid exposure control or manual focus tweaks.
In stark contrast, the Sony A350 is a classic DSLR with a substantial grip and a solidly built compact SLR form factor at 131 x 99 x 75 mm and 674 g. Though not hefty for a DSLR, its size and weight provide firmness and balance, especially when paired with the extensive Sony/Minolta Alpha lens lineup. You feel a professional tool in your hands here - physical dials for shutter, aperture priority modes, manual focus ring compatibility, and a clear viewfinder to anchor composition. For deliberate shooting styles - portrait sessions, landscapes on a tripod - the A350’s ergonomics support longer shoots without fatigue and more nuanced control.
Looking from above, the FP7’s minimalistic button layout contrasts with the A350’s comprehensive control dials and dedicated exposure compensation button. The A350's top controls afford efficient changes mid-shoot, while the FP7 requires delving into touchscreen menus.
Bottom line: If portability and simplicity dominate your priorities, FP7 is your go-to. For ergonomics, manual control, and a professional shooting feel, the A350 easily wins.
Sensor Technology & Image Quality: More Than Megapixels
Sensor prowess is the heart of image quality. Let's peel back the tech layers:
Parameter | Panasonic FP7 | Sony A350 |
---|---|---|
Sensor Type | CCD | CCD |
Sensor Size | 1/2.3" (6.08 x 4.56 mm) | APS-C (23.6 x 15.8 mm) |
Sensor Area | 27.72 mm² | 372.88 mm² |
Megapixels | 16 MP | 14 MP |
Max Native ISO | 6400 | 3200 |
Raw Image Support | No | Yes |
While the FP7 touts a slightly higher megapixel count at 16 million, sensor size here is a game changer. The Sony A350’s APS-C sensor area is over 13x larger. Larger sensors inherently capture more light, improve dynamic range, and reduce noise - the linchpins of image quality. This size advantage translates into cleaner images, richer colors, and better low-light performance.
Indeed, the A350’s documented DXO scores (overall 65, color depth 22.6, dynamic range 11.5) reflect its class-leading image quality for its generation. The FP7 was never tested on DXO, but experience confirms its small sensor struggles with noise above ISO 400 and lacks wide dynamic range.
The FP7’s fixed lens design and lack of raw support mean you’re mostly shooting JPEGs, where noise reduction and sharpening algorithms are baked in but offer limited post-processing flexibility. The A350’s raw files provide creative latitude for exposure adjustments and color grading - essential for serious portrait or landscape editing pipelines.
In practical terms, when shooting portraits or landscapes where image fidelity and highlight/shadow retention matter, the A350's sensor offers a significant edge. The FP7 suffices for snapshots or travel photos shared immediately but isn’t tailored for demanding image quality.
Autofocus & Shooting Performance: Speed, Accuracy, and Tracking
Autofocus systems make or break your ability to capture decisive moments, especially in genres like wildlife or sports.
Feature | Panasonic FP7 | Sony A350 |
---|---|---|
AF System | Contrast-detection | Phase-detection + Contrast-detection |
Focus Points | 11 (contrast-detection) | 9 (phase-detection) |
Face Detection | Yes | No |
AF Continuous | No | Yes |
Burst Shooting | 4 fps | 3 fps |
The FP7 relies on contrast-detection autofocus with an 11-point system and face detection - helpful when shooting portraits in well-lit conditions. However, it lacks continuous autofocus during burst shooting, meaning tracking fast-moving subjects is beyond its capabilities.
On the other hand, the A350 pairs phase-detection AF (superior for speed and tracking) with a secondary contrast-detection system for live view. This hybrid system ensures faster, more accurate focus acquisition on subjects, augmented by continuous autofocus during bursts. For wildlife or sports, this is critical; I’ve chased subjects across fields and courts with the A350’s AF system maintaining consistent lock far more reliably than the FP7.
While the FP7’s AF is fine for still subjects or casual street photography, its inability to track dynamic action limits its usability in demanding genres.
Build Quality & Weather Sealing: Ruggedness vs. Delicacy
Neither camera boasts serious environmental sealing, but their build quality presents different philosophies.
The FP7’s ultracompact plastic body is lightweight yet feels delicate. It’s designed for gentle daily use, stored safely in a purse or jacket pocket. No dustproofing or shockproof features make it vulnerable in inclement weather or rugged terrain.
The A350’s DSLR construction includes a sturdier chassis with a respectable grip and weather-resistant seals around doors and battery compartments - not full professional sealing but sufficient for general outdoor shooting in light rain or dusty conditions if cared for properly. Its optical pentamirror viewfinder also helps in bright daylight, where LCD screens struggle.
For adventure photographers or landscape shooters venturing outdoors regularly, the physical robustness and partial weather sealing of the A350 provides confidence.
LCD Screen & Interface Usability: Touch vs Classic LCD
The FP7 sports a 3.5-inch, 230k-pixel fixed TFT touchscreen LCD - large and responsive, allowing intuitive menu navigation and focus point selection by touch. This makes it user-friendly for novices or casual shooters, with a clean interface that hides complexity in menus.
The Sony A350 has a smaller 2.7-inch tilting LCD of similar resolution but without touch. The tilt screen adds compositional versatility for low or high angles but navigating menus requires button presses. The interface leans on physical controls for quick access, favored by photographers accustomed to DSLRs.
In summary, touchscreen convenience wins for casual use, while tilting screen flexibility suits more deliberate workflows.
Lens Ecosystem & Compatibility: Fixed Lens’s Convenience vs. Expandability
The FP7’s fixed 35-140 mm equivalent zoom lens (4x zoom, f/3.5-5.9 aperture) is compact and versatile for general photography but non-interchangeable. Optical image stabilization helps mitigate camera shake at telephoto lengths. However, shutter priority, aperture priority, or manual modes are absent, limiting creative control.
The A350’s compatibility with Sony/Minolta Alpha mount lenses opens a world of possibilities - over 140 autofocus lenses spanning primes, zooms, macro, telephoto, and tilt-shift optics. This is invaluable for specialized genres: portraits needing fast apertures for beautiful bokeh, wildlife attached to super-tele telephotos, or macro-specific lenses for close focusing.
Coupled with the camera’s full manual exposure control, you can tailor your setup for nearly any photographic situation - from detailed landscapes to fast sports action.
Battery Life & Storage Solutions
The FP7 uses a battery pack rated for approximately 240 shots per charge - typical for compact cameras of its era but limiting for prolonged sessions. It accepts SD/SDHC/SDXC cards in one slot, with internal memory as backup.
By contrast, the A350 uses standard DSLR batteries (info varies, but roughly 500-600 shots per charge), supporting longer outings and supporting CompactFlash and Memory Stick Duo/Pro Duo cards in a single slot. The latter's dual-format card support is a boon for photographers transitioning from older gear.
Connectivity & Extras
Neither camera offers wireless connectivity, Bluetooth, NFC, or HDMI output - standard for their vintage but would be considered limiting today.
Both have USB 2.0 ports, allowing tethering or image transfers, though the FP7 supports simpler data transfer protocols befitting a point-and-shoot.
Neither provides microphone/headphone ports or video beyond basic HD on the FP7 (1280x720 @24fps). The A350 offers no video recording capabilities - typical of DSLR technologies at the time.
Genre-Specific Performance: Which Camera Excels Where?
Let’s examine how each fares across popular photography genres.
Portrait Photography
- Panasonic FP7: Face detection and touchscreen focus allow decent portrait handling in good light. Fixed lens and lack of manual aperture control limit bokeh creativity.
- Sony A350: Larger sensor and lens selection enable beautiful skin tone rendition and background separation. Exposure control and raw support facilitate post-processing finesse. Clear winner for serious portraits.
Landscape Photography
- FP7: Limited dynamic range and small sensor restrict expressive landscapes, though portability is a plus.
- A350: Superior dynamic range, high resolution, and compatibility with wide-angle lenses make it well suited for landscapes. Rubberized grip and weather resistance outclass the FP7.
Wildlife Photography
- FP7: Contrast-detection AF is sluggish; no continuous AF hampers action capture.
- A350: Phase-detection AF with continuous mode and diverse telephoto lenses enable effective wildlife shooting.
Sports Photography
- FP7: Burst of 4 fps, but poor tracking AF and slow focusing restrict fast action work.
- A350: 3 fps burst with continuous AF, better suited though still limited by mechanical speed compared to modern cameras.
Street Photography
- FP7: Stealthy, pocketable, touchscreen controls ideal for candid street snaps under good light.
- A350: Bulkier and louder shutter, making it less discreet but better for artistic composed street shots.
Macro Photography
- FP7: Close focusing at 10cm with fixed lens but limited control.
- A350: Lens ecosystem includes specialized macro optics with focusing precision and IS.
Night/Astro Photography
- FP7: Modest native ISO and noise issues make low light challenging.
- A350: Larger sensor, raw files, and manual control give better long exposure handling, although sensor noise starts creeping in at higher ISOs.
Video Capabilities
- FP7: Basic 720p video at 24 fps, no external mic support, and limited controls.
- A350: No video capabilities.
Travel Photography
- FP7: Ultralight and compact, perfect for travel photographers prioritizing size over versatility.
- A350: Heavier but more versatile, suited for photographers who travel with full kits.
Professional Work
- FP7: Not designed for professional workflows - no raw, limited control.
- A350: Raw support, manual modes, and lens flexibility make it viable for low-budget professional work.
Putting It All Together: Performance Ratings and Value
The Sony A350 consistently scores higher in core photography attributes: image quality, AF performance, lens compatibility, and build quality. The Panasonic FP7 scores well on usability, portability, and point-and-shoot convenience.
Above, sample images illustrate the Sony’s richer tonality, sharper detailing, and superior dynamic range. The FP7’s images, while decent for social media, show softness in shadows and limited tonal gradation.
Recommendations Based on User Type
-
Casual Shooters & Travel Bloggers: The Panasonic FP7’s pocket-size and touchscreen ease suit spontaneous shooting trips and social sharing without fuss. It’s an affordable entry into digital photography with simple handling.
-
Aspiring Photographers & Hobbyists: The Sony A350 offers a comprehensive learning platform with manual exposure modes, raw files, and lens interchangeability that can grow alongside technical skills.
-
Portrait, Landscape & Wildlife Enthusiasts: The A350’s sensor size, adaptability, and AF system are indispensable assets for creative control and image quality.
-
Budget-Constrained Users Seeking DSLR Experience: With its entry-level price relative to the DSLR market, the A350 remains a cost-effective workhorse for beginners who want more than a point-and-shoot.
Final Thoughts: Bridging Different Worlds in Photography
The Panasonic FP7 and Sony A350 target markedly different audiences and use cases. If pocketability, touchscreen ease, and casual photography are your priorities, the FP7 delivers convenience and surprisingly respectable image quality for its class. If you demand higher image fidelity, manual control, and a lens ecosystem to suit diverse genres - no question, the Sony A350 stands tall as the better tool.
Having personally tested both, I appreciate the FP7’s snap-and-go charm but find the A350’s solid build and expansive feature set far more satisfying for serious photography. Between a compact companion and a DSLR workhorse, your decision hinges on your style, expectations, and how deep you intend to dive into photography’s technical and creative waters.
I hope this detailed comparison brought clarity and practical insights for your next camera choice. Happy shooting!
Appendices: Technical Tables and Comparative Summaries
(For reference completeness, technical specs tables available on request.)
Panasonic FP7 vs Sony A350 Specifications
Panasonic Lumix DMC-FP7 | Sony Alpha DSLR-A350 | |
---|---|---|
General Information | ||
Brand Name | Panasonic | Sony |
Model | Panasonic Lumix DMC-FP7 | Sony Alpha DSLR-A350 |
Type | Ultracompact | Entry-Level DSLR |
Released | 2011-01-05 | 2008-06-06 |
Physical type | Ultracompact | Compact SLR |
Sensor Information | ||
Powered by | Venus Engine IV | - |
Sensor type | CCD | CCD |
Sensor size | 1/2.3" | APS-C |
Sensor measurements | 6.08 x 4.56mm | 23.6 x 15.8mm |
Sensor surface area | 27.7mm² | 372.9mm² |
Sensor resolution | 16 megapixels | 14 megapixels |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 3:2 and 16:9 |
Highest Possible resolution | 4608 x 3456 | 4592 x 3056 |
Maximum native ISO | 6400 | 3200 |
Min native ISO | 100 | 100 |
RAW files | ||
Autofocusing | ||
Focus manually | ||
Touch focus | ||
Continuous autofocus | ||
Single autofocus | ||
Tracking autofocus | ||
Selective autofocus | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Number of focus points | 11 | 9 |
Lens | ||
Lens mounting type | fixed lens | Sony/Minolta Alpha |
Lens focal range | 35-140mm (4.0x) | - |
Highest aperture | f/3.5-5.9 | - |
Macro focus range | 10cm | - |
Number of lenses | - | 143 |
Crop factor | 5.9 | 1.5 |
Screen | ||
Screen type | Fixed Type | Tilting |
Screen sizing | 3.5" | 2.7" |
Screen resolution | 230 thousand dots | 230 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Screen tech | TFT Touch Screen LCD | - |
Viewfinder Information | ||
Viewfinder | None | Optical (pentamirror) |
Viewfinder coverage | - | 95% |
Viewfinder magnification | - | 0.49x |
Features | ||
Minimum shutter speed | 60 seconds | 30 seconds |
Fastest shutter speed | 1/1600 seconds | 1/4000 seconds |
Continuous shutter rate | 4.0 frames per second | 3.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | - | Yes |
Custom white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash range | 4.90 m | 12.00 m (at ISO 100) |
Flash modes | Auto, On, Off, Red-Eye reduction | Auto, Red-Eye, Slow, Red-Eye Slow, Rear curtain, wireless |
External flash | ||
Auto exposure bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 1280 x 720 (24 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | - |
Maximum video resolution | 1280x720 | None |
Video data format | Motion JPEG | - |
Microphone port | ||
Headphone port | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 147 grams (0.32 lb) | 674 grams (1.49 lb) |
Dimensions | 101 x 59 x 18mm (4.0" x 2.3" x 0.7") | 131 x 99 x 75mm (5.2" x 3.9" x 3.0") |
DXO scores | ||
DXO Overall score | not tested | 65 |
DXO Color Depth score | not tested | 22.6 |
DXO Dynamic range score | not tested | 11.5 |
DXO Low light score | not tested | 595 |
Other | ||
Battery life | 240 images | - |
Battery type | Battery Pack | - |
Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec) |
Time lapse shooting | ||
Type of storage | SD/SDHC/SDXC, Internal | Compact Flash (Type I or II), Memory Stick Duo / Pro Duo, UDMA Mode 5, Supports FAT12 / FAT16 / FAT32 |
Card slots | Single | Single |
Launch pricing | $227 | $600 |