Panasonic FS15 vs Panasonic FZ200
95 Imaging
34 Features
17 Overall
27


65 Imaging
35 Features
64 Overall
46
Panasonic FS15 vs Panasonic FZ200 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 80 - 1600 (Bump to 6400)
- Optical Image Stabilization
- 640 x 480 video
- 29-145mm (F3.3-5.9) lens
- 136g - 97 x 54 x 22mm
- Revealed January 2009
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fully Articulated Display
- ISO 100 - 3200 (Expand to 6400)
- Optical Image Stabilization
- 1920 x 1080 video
- 25-600mm (F2.8) lens
- 588g - 125 x 87 x 110mm
- Launched July 2012
- Earlier Model is Panasonic FZ100
- Successor is Panasonic FZ300

Panasonic Lumix FS15 vs. Lumix FZ200: An In-Depth Comparison for the Discerning Photographer
Choosing the right camera often feels like balancing a complex web of priorities - from sensor technology and ergonomics to autofocus precision and video capabilities. Panasonic’s Lumix line has long catered to a wide spectrum of users, and today we examine two distinct entries: the diminutive Panasonic FS15, an ultracompact point-and-shoot introduced in 2009, versus the more ambitious, SLR-esque FZ200 bridge camera released in 2012. Both share the Lumix branding but are designed for very different photographers and shooting scenarios.
Having spent thousands of hours testing cameras across disciplines - from landscape vistas to sports arenas - this detailed, side-by-side analysis leverages rigorous hands-on evaluation to help you identify which model aligns with your creative aspirations and practical needs. We dive into core tech, real-world performance, and cost-to-value considerations, framed within key photographic genres and typical use cases.
First Impressions and Handling: Tiny Ultraportable vs. Substantial Bridge
Navigating the ergonomic gulf between the Panasonic FS15 and the FZ200 reveals the divergent design philosophies underlying their creation. The FS15 is an ultracompact marvel, pocketable at just 97 x 54 x 22 mm and weighing a featherlight 136 grams. Its minimalist, fixed-lens approach and limited manual controls underscore a point-and-shoot intent, perfect for casual grab-and-go shooting or beginners prioritizing ease over direct control.
By contrast, the FZ200 occupies an imposing presence at 125 x 87 x 110 mm and 588 grams, offering a substantial grip and an SLR-like body that instinctively appeals to photographers accustomed to DSLR ergonomics. Its thoughtfully laid out buttons and dials (visible in the top view) provide immediate access to shutter priority, aperture priority, and manual exposure - absent from the FS15. The articulating 3-inch screen and a high-resolution electronic viewfinder round out the handling experience for the FZ200.
The FS15’s fixed, non-touchscreen 2.7-inch display (with a low 230k-dot resolution) offers basic framing and review functions, which feel dated in comparison, and arguably limit precision during composition. The FZ200's fully articulated 3-inch 460k-dot TFT screen improves flexibility and usability, particularly in awkward angles or video shooting.
Sensor and Image Quality: CCD vs. CMOS and What It Means in Your Shots
Both cameras employ 1/2.3" sensors of comparable physical size (approximately 28 mm²), but the FS15 features a CCD sensor while the FZ200 leverages a more modern CMOS backbone.
The FS15’s 12-megapixel CCD sensor, common for compact cameras in late 2000s, delivers serviceable image quality under bright light but struggles in low-light scenarios, largely due to its limited ISO range (80-1600 native, 6400 boosted) and lower dynamic range (not formally tested by DxO, but evident in shadow noise and highlight roll-off). CCD sensors typically exhibit slower readout speeds and more noise at high ISOs.
In contrast, the FZ200’s CMOS sensor - though same resolution - benefits from improved low-light performance, a wider native ISO range (100-3200 with 6400 expanded), and significantly enhanced dynamic range (10.8 EV by DxOMark), attributable to its more efficient sensor design and the Venus Engine VII processor. The FZ200 also supports RAW capture, affording much greater latitude in post-processing, an advantage completely absent in the FS15’s JPEG-only output.
For landscape photographers seeking rich tonal gradation and the ability to pull detail from shadows, this translates into more satisfying results from the FZ200. The FS15 can deliver decent snapshots but lacks the depth for more serious compositional refinement.
Autofocus and Speed: Contrast Detection vs. Intelligent Tracking
When it comes to autofocus (AF), the FS15’s system is rudimentary - a contrast-detection setup with eleven focus points, no continuous AF, no tracking, and no face or eye detection. This makes it most suitable for static subjects and controlled lighting but ill-suited for fast-moving motifs such as wildlife or sports.
The FZ200, conversely, features a substantially more advanced AF array with 23 focus points, continuous AF, AF tracking, and face detection, delivering reliable performance on moving subjects and in variable conditions. The presence of center-weighted metering and spot exposure capability further refines exposure accuracy, essential in scenarios such as portrait or sports photography.
Continuous shooting rates present a stark contrast: the FS15 manages a meager 2fps burst, while the FZ200 offers a blistering 12fps - an invaluable asset for wildlife and action photographers who prize capturing decisive moments.
Lens Versatility: Zoom Reach and Aperture Strength
Lens specifications reveal another fundamental differentiation. The FS15’s fixed lens spans a modest 29-145mm equivalent (5× zoom) with a variable aperture from f/3.3-5.9. This narrow aperture range and relatively weak zoom limit creative control and framing flexibility, especially under challenging light or when compressing background elements.
In contrast, the FZ200’s hallmark lens is a fixed 25-600mm equivalent (24× zoom) that uniquely maintains a bright constant f/2.8 aperture throughout the zoom range - a rare feat in bridge cameras that dramatically enhances sharpness and autofocus performance under dim conditions, while enabling superior background separation for portraits.
The ability to focus as close as 1 cm for macro shots gives the FZ200 an edge in close-up photography, compared to the FS15’s 5 cm minimum focus distance.
User Interface and Screen: Navigating Menus and Composition
Interface design significantly influences shooting efficiency. The FS15, with its simple, fixed 2.7-inch, low-resolution LCD and no touchscreen capabilities, constrains operational fluidity, reducing responsiveness and making detailed menu navigation more cumbersome.
The FZ200 improves dramatically with its free-angle, articulated 3-inch TFT display - a boon for experimental compositions, videographers, and low-angle or overhead shots. While it also lacks a touchscreen, the detailed menu system, physical dial controls, and customizable buttons facilitate intuitive camera operation, appealing to enthusiasts who demand precision without sacrificing speed.
The integrated 1312-pixel electronic viewfinder (EVF) on the FZ200 replicates an SLR experience, delivering 100% coverage and high magnification, a feature missing entirely on the FS15. This EVF is invaluable in bright outdoor environments where LCD viewing may suffer from glare.
Specialized Shooting Scenarios: Performance by Photography Type
Portrait Photography
Eye and face detection autofocus, combined with a fast lens, is paramount for accurate skin tone reproduction and pleasing bokeh. The FS15’s lack of face detection and small aperture lens results in generally flat portraits with limited subject-background separation. The FZ200’s face detection and f/2.8 constant aperture provide creamy bokeh and reliable focusing, essential for striking portraits.
Landscape Photography
High dynamic range and resolution optimize landscapes. While both cameras share 12-megapixel sensors, the FZ200’s superior sensor and raw processing capabilities offer finer tonal gradations and shadow detail. However, neither camera features weather sealing, which could pose challenges outside fair weather.
Wildlife Photography
The FS15’s sluggish AF and limited zoom immobilize its wildlife utility. The FZ200’s 600mm reach, rapid 12fps continuous shooting, and AF tracking make it far more capable in capturing distant or fast-moving animals.
Sports Photography
Speed is king here: the FS15’s 2fps and limited AF modes are insufficient for sports. The FZ200’s robust burst rate and continuous AF deliver distinctly better chances of nailing sharp action shots.
Street Photography
Portability and discretion are key. The tiny FS15 excels with its unimposing form, silent operation, and lightweight design. The FZ200’s bulk and weight detract from candid street photography comfort, although its fast lens does well in low light.
Macro Photography
With macro focus as close as 1cm, the FZ200 offers more creative opportunities to capture fine detail. The FS15’s 5cm minimum focus and slower lens limit macro effectiveness.
Night and Astro Photography
Low-light noise performance, sensor efficiency, and long exposures are critical. The FZ200’s CMOS sensor and higher native ISO work better for night scenes; additionally, longer shutter speeds and manual controls provide better astro photography tools. The FS15 lacks manual exposure modes and noise control.
Video Capabilities
While neither camera offers 4K video, the FZ200 records full HD (1920x1080) up to 60fps in multiple formats (MPEG-4, AVCHD), complete with built-in microphone and external mic support. The FS15's video maxes out at 848x480, 30fps, and records in Motion JPEG, which yields bulky files and lower quality. Thus, the FZ200 substantially outperforms FS15 as a hybrid photo-video device.
Durability, Battery Life, and Connectivity: Shoot Longer and Smarter
Neither camera has weather sealing, dustproofing, or shock resistance, limiting use under harsh conditions. However, the FZ200's larger body can accommodate a more substantial battery (rated for 540 shots), vastly outlasting the FS15’s smaller, unspecified battery - commonly under 200 shots in practical use.
Connectivity options are sparse for both; neither supports Bluetooth, Wi-Fi, or GPS, but both offer USB 2.0 and HDMI outputs. The FZ200 adds provisions for external flash units, further boosting creative lighting control beyond the FS15’s built-in, no-external-flash limitation.
Price-to-Performance Analysis: Investing Wisely in Your Vision
At their respective launch prices - approximately $180 for the FS15 and $500 for the FZ200 - the value proposition is nuanced.
The FS15, as a simple ultracompact, is appropriate for casual shooters primarily interested in snapshots without fuss or manual control. Its affordability and pocketability are the main appeals.
The FZ200 demands a more substantial investment but rewards with professional-grade features: constant bright aperture, sophisticated autofocus, raw support, extensive zoom, impressive video specs, and vastly superior ergonomics and battery life. For hobbyists and enthusiasts aiming to consolidate travel, wildlife, and video needs into one camera, the FZ200 offers significant bang for the buck.
Summary: Which Panasonic Fits Your Photography Style?
Aspect | Panasonic FS15 | Panasonic FZ200 |
---|---|---|
Body type | Ultracompact point-and-shoot | SLR-like bridge camera |
Sensor | 1/2.3” CCD, 12MP | 1/2.3” CMOS, 12MP |
Lens | 29-145mm f/3.3-5.9 | 25-600mm f/2.8 constant |
Autofocus | Contrast detection, fixed 11 pts | 23 pts, continuous, face detect |
Burst rate | 2 fps | 12 fps |
Video | 848x480 @ 30fps MJPEG | 1920x1080 @ 60fps AVCHD/MPEG-4 |
Screen | Fixed 2.7” 230k dots | 3” articulated 460k dots |
Viewfinder | None | Electronic 1312 px |
Battery life | Approx. 200 shots (est.) | 540 shots |
Weight | 136g | 588g |
Price (new) | ~$180 | ~$500 |
Final Recommendations by User Profile
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Casual vacation shooters and everyday carry enthusiasts: The Panasonic FS15’s ultra-compact size, lightweight design, and affordable price make it ideal for casual snapshots and pocketable convenience. However, accept its limitations on manual control, zoom breadth, and low-light performance.
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Enthusiasts and hybrid photographers: If you desire a versatile all-rounder without investing in interchangeable lenses, the FZ200’s remarkably fast lens, extensive zoom, and robust performance across stills and video justify the investment, especially for nature, sports, and travel photography.
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Aspiring photographers learning exposure and manual control: The FZ200 stands out with manual exposure modes and customizable controls, enabling skill development unavailable on the FS15.
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Video content creators and vloggers: The FZ200’s full HD capabilities, external microphone support, and articulating screen make it a compelling choice, whereas the FS15’s video limitations confine it to casual use.
An Experienced Eye on Selecting Your Next Panasonic
Selecting between the Panasonic FS15 and FZ200 hinges on the trade-offs that resonate with your photographic ambitions. The FS15 embodies the simplicity and portability of a late-2000s compact, best suited to moments when convenience prevails over creative control. The FZ200, however, exemplifies Panasonic’s commitment to bridging the gap between entry-level users and advanced enthusiasts, packing powerhouse features in a single, bridge-style body that caters equally well to stills and video exigencies.
In evaluating image samples, autofocus responsiveness, physical handling, and battery endurance across multiple real-world shooting scenarios, the FZ200 consistently outperforms the FS15 by significant margins, a reflection seen in its higher DxOmark scores and superior feature set.
While the FS15 is not obsolete - its ease of use and portability continue to provide value - photographers seeking longevity, creative versatility, and image quality will find the FZ200 to be a more future-proof investment.
Ultimately, wielding this knowledge and hands-on insight empowers informed choices, ensuring your next Panasonic Lumix complements your unique photographic journey.
If you want a quick recap or side-by-side visual to aid your decision, refer back to the integrated images throughout this article, which showcase size comparisons, sensor technology, control layouts, sample images, and performance metrics to guide your next purchase with confidence.
Panasonic FS15 vs Panasonic FZ200 Specifications
Panasonic Lumix DMC-FS15 | Panasonic Lumix DMC-FZ200 | |
---|---|---|
General Information | ||
Brand | Panasonic | Panasonic |
Model | Panasonic Lumix DMC-FS15 | Panasonic Lumix DMC-FZ200 |
Category | Ultracompact | Small Sensor Superzoom |
Revealed | 2009-01-16 | 2012-07-18 |
Body design | Ultracompact | SLR-like (bridge) |
Sensor Information | ||
Processor | - | Venus Engine VII FHD |
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | 1/2.3" |
Sensor dimensions | 6.08 x 4.56mm | 6.17 x 4.55mm |
Sensor area | 27.7mm² | 28.1mm² |
Sensor resolution | 12MP | 12MP |
Anti aliasing filter | ||
Aspect ratio | 16:9, 4:3 and 3:2 | 1:1, 4:3, 3:2 and 16:9 |
Maximum resolution | 4000 x 3000 | 4000 x 3000 |
Maximum native ISO | 1600 | 3200 |
Maximum boosted ISO | 6400 | 6400 |
Lowest native ISO | 80 | 100 |
RAW images | ||
Autofocusing | ||
Manual focus | ||
Touch to focus | ||
AF continuous | ||
Single AF | ||
Tracking AF | ||
Selective AF | ||
AF center weighted | ||
Multi area AF | ||
AF live view | ||
Face detection AF | ||
Contract detection AF | ||
Phase detection AF | ||
Number of focus points | 11 | 23 |
Lens | ||
Lens mounting type | fixed lens | fixed lens |
Lens focal range | 29-145mm (5.0x) | 25-600mm (24.0x) |
Maximal aperture | f/3.3-5.9 | f/2.8 |
Macro focus distance | 5cm | 1cm |
Crop factor | 5.9 | 5.8 |
Screen | ||
Range of screen | Fixed Type | Fully Articulated |
Screen size | 2.7 inches | 3 inches |
Screen resolution | 230 thousand dot | 460 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Screen technology | - | Free-Angle TFT Screen LCD Display |
Viewfinder Information | ||
Viewfinder type | None | Electronic |
Viewfinder resolution | - | 1,312 thousand dot |
Viewfinder coverage | - | 100% |
Features | ||
Slowest shutter speed | 60 seconds | 60 seconds |
Maximum shutter speed | 1/2000 seconds | 1/4000 seconds |
Continuous shooting speed | 2.0 frames/s | 12.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | - | Yes |
Custom WB | ||
Image stabilization | ||
Built-in flash | ||
Flash range | - | 13.50 m |
Flash options | Auto, Auto Red-eye Reduction, Forced On, Forced Off | Auto, On, Off, Red-eye, Slow Sync |
External flash | ||
AE bracketing | ||
WB bracketing | ||
Maximum flash sync | - | 1/4000 seconds |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1920 x 1080 (60, 50, 30, 25 fps), 1280 x 720p (60, 50, 30, 25 fps), 640 x 480 (240, 120, 30, 25 fps) |
Maximum video resolution | 640x480 | 1920x1080 |
Video format | Motion JPEG | MPEG-4, AVCHD |
Mic input | ||
Headphone input | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 136 gr (0.30 lb) | 588 gr (1.30 lb) |
Dimensions | 97 x 54 x 22mm (3.8" x 2.1" x 0.9") | 125 x 87 x 110mm (4.9" x 3.4" x 4.3") |
DXO scores | ||
DXO All around score | not tested | 37 |
DXO Color Depth score | not tested | 19.1 |
DXO Dynamic range score | not tested | 10.8 |
DXO Low light score | not tested | 114 |
Other | ||
Battery life | - | 540 images |
Battery format | - | Battery Pack |
Self timer | Yes (2 or 10 sec) | Yes (2 or 10 secs) |
Time lapse recording | ||
Storage media | SD/MMC/SDHC card, Internal | SD/SDHC/SDXC, Internal |
Storage slots | One | One |
Launch pricing | $180 | $499 |