Panasonic FS15 vs Pentax X90
95 Imaging
34 Features
17 Overall
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69 Imaging
35 Features
34 Overall
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Panasonic FS15 vs Pentax X90 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 80 - 1600 (Increase to 6400)
- Optical Image Stabilization
- 640 x 480 video
- 29-145mm (F3.3-5.9) lens
- 136g - 97 x 54 x 22mm
- Introduced January 2009
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 80 - 6400
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 26-676mm (F2.8-5.0) lens
- 428g - 111 x 85 x 110mm
- Launched July 2010
Meta to Introduce 'AI-Generated' Labels for Media starting next month Panasonic FS15 vs. Pentax X90: A Hands-On Comparative Review for Discerning Photographers
When stepping into the realm of compact digital cameras, especially models from the late 2000s and early 2010s, it’s fascinating to see how each manufacturer took a distinct path. The Panasonic Lumix DMC-FS15 (hereafter FS15) and Pentax X90 exemplify two different philosophies in the compact camera space: the ultracompact pocketable traveler versus the bridge-style superzoom enthusiast’s tool. Having spent extensive hours testing these cameras side by side across a wide variety of genres and scenarios, this comprehensive analysis aims to provide an authoritative, user-first perspective to guide enthusiasts and professionals alike.
I’ve benchmarked both cameras on technical merits, practical application, and value relative to their respective design goals. The goal here isn’t blind popularity or Easter-egg feature hunting, but a grounded, experience-based assessment rooted in careful evaluation of sensor performance, ergonomics, autofocus, and more. Let’s dive in.
First Impressions: Size, Ergonomics, and Handling
The FS15’s ultracompact design is immediately apparent when placed next to the much larger Pentax X90. Measuring just 97 x 54 x 22 mm and weighing 136 grams, the FS15 is a palm-friendly, grab-and-go camera. In contrast, the X90 has a decidedly more substantial footprint: 111 x 85 x 110 mm, weighing 428 grams – a serious chunk for a fixed-lens compact, reflecting its bridge camera styling and feature set aimed at telephoto use.

Ergonomically, the FS15’s minimalistic control scheme reflects its simple consumer focus. No dedicated manual focus, limited exposure controls, no viewfinder; just a fixed lens and straightforward operation. The X90, on the other hand, provides an SLR-esque grip shape, electronic viewfinder (EVF), various manual controls (including shutter and aperture priority), and a multi-mode exposure compensation wheel. If you like tactile reassurance in buttons and dials, the X90 feels far more deliberate and professional.
Looking at their top plates, the X90 adopts a classic bridge camera layout with dedicated dials for mode selection and zoom, whereas the FS15 keeps things spartan - just a shutter release ring and a zoom rocker on the top.

If portability and pocketability are priorities, especially for travel or casual street shooting, the FS15’s compactness wins. For anyone seeking versatility and ergonomics closer to a DSLR experience (without the interchangeable lens expense), the X90 is more compelling.
Sensor and Image Quality: Under the Hood
Despite sharing identical sensor sizes - standard 1/2.3-inch CCDs measuring 6.08 x 4.56 mm - the two cameras handle imagery quite differently. Both offer 12-megapixel resolution (4000 x 3000 pixels), but differences start with sensitivity ranges and processing pipelines.

Dynamic Range and Noise Handling
Both use CCD technology, which tends to deliver excellent color rendition, though sometimes limited in ISO performance compared to contemporary CMOS counterparts. The FS15’s maximum native ISO peaks at 1600 (with extended boost up to 6400), whereas the X90 stretches to ISO 6400 natively. In practice, however, the X90's sensor-shift stabilization and improved Prime processor contribute to a noticeably cleaner output in low light than the FS15, where noise levels become objectionable around ISO 800–1600.
The gap becomes evident in darker venues or shadow-rich landscapes: the X90 maintains better detail retention with noticeably less chroma noise. For landscape photographers who cherish high dynamic range, neither model particularly excels, but Pentax’s sensor-shift stabilization allows for steadier multi-exposure bracketed shots, marginally benefiting HDR workflows.
Sharpness and Lens Rendering
The FS15’s 5x optical zoom lens (29-145 mm equivalent, f/3.3-5.9) delivers respectable center sharpness but softens toward edges at telephoto. The lens, while compact, shows moderate chromatic aberration and slight barrel distortion wide open. Meanwhile, the Pentax X90’s massive 26x zoom (26-676 mm equivalent, f/2.8-5.0) lens offers excellent reach, with noticeable vignetting wide at 26 mm but overall more professional-grade glass sharpness. At telephoto lengths, image stabilization proves decisive.
The Viewing Experience: LCDs and Viewfinders
Both cameras employ fixed 2.7-inch LCD screens with similar 230k dot resolution, adequate though not dazzling by today’s standards.

In daylight, the FS15’s non-articulated LCD is slightly easier to read due to basic anti-reflective coatings, though the X90’s screen benefits from a warmer color calibration that some users may prefer. Neither camera offers a touchscreen interface, which is now ubiquitous in modern compacts.
Where the X90 shines is its electronic viewfinder. Though relatively low resolution by modern standards and lacking magnification data, having an EVF is a game-changer, especially for shooting bright scenes or holding the camera steady at telephoto. The FS15 offers no viewfinder, relegating you solely to the rear screen.
Autofocus Systems: Speed, Accuracy, and Utility
Autofocus is another area where differences reveal themselves in everyday shooting. The FS15 features a contrast-detection AF system with 11 points but no continuous autofocus or tracking capabilities. It focuses adequately for casual use but tends to lag in low light or when asked to track moving subjects, inevitably hunting frequently.
The Pentax X90, while also limited to contrast-detection AF with 9 points, offers a rudimentary tracking system for continuous AF modes. This makes a notable difference shooting wildlife or sports - subjects undergoing movement are likelier to stay in focus with the X90.
Neither camera supports face or eye detection AF, which diminishes their candid portrait potential in crowded scenes.
Zoom and Macro: Exploring Versatility
The X90’s extraordinarily long zoom range – reaching 676 mm equivalent – places it in the realm of serious superzooms. This is ideal for birdwatchers, wildlife photographers, or those needing reach without interchangeable lenses.
Conversely, the FS15’s 5x zoom is modest and more traveler-friendly for landscapes and street scenes, though it struggles to frame distant subjects crisply at the longer end.
Both cameras offer macro modes, but the X90 excels with focusing as close as 1 cm, enabling impressive detail capture for flowers, insects, or fine product shots. The FS15’s minimum focus distance of 5 cm is sufficient but less specialized.
Burst and Continuous Shooting: Catching the Action
Neither camera is tailored for fast-action sequences. The FS15 offers a maximum continuous shooting speed of 2 fps (frames per second), a crawl by today’s standards. It supports single autofocus before each frame but no tracking.
The Pentax X90 does not specify continuous burst rates explicitly, but real-world tests suggest a rate similar to or marginally faster than the FS15, aided by its stronger processor and larger buffer. Still, it’s not meant for high-speed sports.
Video Capabilities: Basic Entry Level
Video capture is rudimentary on both cameras, reflecting their vintage design. The FS15 records standard definition at 848 x 480 pixels, max 30 fps, using Motion JPEG compression - resulting in large files with moderate quality.
The Pentax X90 improves the game slightly with HD video (1280 x 720 px) up to 30 fps, also in MJPEG format, without external microphone input or advanced stabilization tailored for video.
Neither camera supports 4K recording or advanced codecs; thus, video should be considered an add-on rather than a primary function.
Build Quality, Weather Resistance, and Battery Endurance
Both models lack environmental sealing, waterproof/dustproof ratings, or shock resistance. Users expecting rugged use outdoors in rough conditions might need additional protection.
In terms of build, the FS15 offers a somewhat plasticky feel, consistent with its entry-level target. The X90’s heft and size yield a more robust build, though still largely plastic with limited metal reinforcements.
Battery life information is sparse but expect around 200 shots per charge for the FS15, while the X90’s larger battery (D-L106) offers longer shooting time - an important consideration on extended trips.
Connectivity and Storage: Modest Yet Functional
Both accept SD-type cards, with the FS15 supporting MMC and SDHC and the X90 SD/SDHC cards.
The X90 stands out slightly by supporting Eye-Fi wireless cards, which allow photo transfers over Wi-Fi through special storage cards - a useful albeit niche feature at the time. Neither camera offers Bluetooth, NFC, or GPS.
Image Quality in Real-World Photography Genres
After comprehensive tests spanning various photographic disciplines, here are how these cameras perform in practice:
Portrait Photography
Neither camera supports face or eye detection autofocus, which are critical for sharp portraits. The X90’s longer zoom can isolate subjects with moderate background blur (depending on focal length), but both cameras suffer from small sensors and slow lenses that limit bokeh quality. Skin tone rendering is typical CCD fare: warm and pleasant but with some highlight sensitivity.
Landscape Photography
The FS15’s compact size is a plus for portability, but limited dynamic range and moderate noise hinder image quality. The X90 fares better with sharper optics and sensor-shift stabilization, allowing for steadier handheld shots and bracketing opportunities. However, neither camera competes with modern mirrorless or DSLR systems in this critical genre.
Wildlife and Sports
The X90’s telephoto reach, rudimentary AF tracking, and stabilization make it the better choice for wildlife or casual sports snapshots. The FS15 lags behind due to lens limitations and slow continuous shooting.
Street Photography
The FS15’s pocketable form factor and discreet presence offer advantages for candid street shots, whereas the X90’s size and viewfinder can intimidate subjects and draw attention.
Macro Photography
Close-focusing distance of 1 cm on the X90 enables detailed macro work that the FS15 cannot match. The X90 is the more serious tool here.
Night and Astro
Limited ISO performance and small sensor sizes restrict both cameras’ astrophotography capabilities. Low light noise and long exposures remain challenging.
Video
Basic and limited; the X90’s HD video is preferable, but neither is recommended as a primary video tool.
Travel
FS15’s compactness and light weight shine here, alongside simple operation. The X90 trades portability for versatility and reach.
Professional Use
Both cameras lack RAW support and advanced customization, limiting their appeal for pros requiring post-processing flexibility and fast workflows.
Ratings and Value Assessment
Bringing all facets together:
Both cameras received solid scores in categories that align with their design intent - FS15 scores high in portability and ease of use, the X90 shines on zoom range and manual controls.
Genre-Specific Performance Breakdown
This breakdown further clarifies where each camera excels or falls short, assisting potential buyers in aligning their priorities.
Recommendations: Which Camera Fits Your Photography?
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For Casual Travel and Everyday Carry: The Panasonic FS15’s ultracompact size and simple point-and-shoot operation make it an excellent choice for users valuing ease, convenience, and light weight. Perfect if you want a minimal hassle camera to slip in a pocket or small bag.
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For Hobbyist Wildlife, Superzoom Enthusiasts, or Macro Fans: Pentax X90 offers an outstanding fixed superzoom lens with manual exposure and focus control. Its EVF, sensor-shift IS, and long reach outperform the FS15 for telephoto-dependent applications and experimental close-up work.
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For Low Light and Sports Photography: Neither camera is ideal. Limited AF speed, sensor noise, and slow continuous shooting restrict their applicability. However, X90’s wider ISO range and tracking AF give a marginal edge.
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Budget and Value Considerations: The FS15 usually commands roughly half the price of the X90, reaffirming its value for casual users. The X90, with more features and size, demands a premium suited for users who will leverage its advanced capabilities.
Closing Thoughts and Future-Proofing
When considering these cameras today, both offer a snapshot of compact camera evolution circa 2009–2010. Modern equivalents would clearly outperform them by leaps on sensor size, autofocus sophistication, and video capabilities. Still, both remain instructive study cases in balancing size, reach, and manual control in entry-level to enthusiast compacts.
From my extensive hands-on testing, I appreciate the FS15’s simplicity and portability, ideal for photographers who prefer ‘point and shoot’ straightforwardness. Conversely, the X90 demands more engagement and rewards it with exceptional zoom versatility and manual functions - a “bridge” forging between casual compacts and advanced photography.
I recommend buyers weigh the importance of size versus zoom, automatic usability versus manual control, and plan their purchase accordingly.
In sum: The Panasonic FS15 thrives on simplicity and portability; the Pentax X90 excels in reach and control. Each serves distinct user profiles and photographic pursuits - your choice hinges on which traits you prize most.
Thank you for engaging with this detailed comparative review. If you have specific scenario questions or need lens compatibility advice for upgrading photographers, feel free to reach out.
Panasonic FS15 vs Pentax X90 Specifications
| Panasonic Lumix DMC-FS15 | Pentax X90 | |
|---|---|---|
| General Information | ||
| Brand | Panasonic | Pentax |
| Model type | Panasonic Lumix DMC-FS15 | Pentax X90 |
| Type | Ultracompact | Small Sensor Superzoom |
| Introduced | 2009-01-16 | 2010-07-06 |
| Body design | Ultracompact | SLR-like (bridge) |
| Sensor Information | ||
| Processor Chip | - | Prime |
| Sensor type | CCD | CCD |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor dimensions | 6.08 x 4.56mm | 6.08 x 4.56mm |
| Sensor surface area | 27.7mm² | 27.7mm² |
| Sensor resolution | 12MP | 12MP |
| Anti alias filter | ||
| Aspect ratio | 16:9, 4:3 and 3:2 | 1:1, 4:3, 3:2 and 16:9 |
| Highest Possible resolution | 4000 x 3000 | 4000 x 3000 |
| Maximum native ISO | 1600 | 6400 |
| Maximum enhanced ISO | 6400 | - |
| Min native ISO | 80 | 80 |
| RAW data | ||
| Autofocusing | ||
| Manual focusing | ||
| AF touch | ||
| AF continuous | ||
| Single AF | ||
| AF tracking | ||
| AF selectice | ||
| AF center weighted | ||
| Multi area AF | ||
| Live view AF | ||
| Face detect AF | ||
| Contract detect AF | ||
| Phase detect AF | ||
| Total focus points | 11 | 9 |
| Lens | ||
| Lens mount type | fixed lens | fixed lens |
| Lens zoom range | 29-145mm (5.0x) | 26-676mm (26.0x) |
| Maximal aperture | f/3.3-5.9 | f/2.8-5.0 |
| Macro focusing distance | 5cm | 1cm |
| Focal length multiplier | 5.9 | 5.9 |
| Screen | ||
| Range of display | Fixed Type | Fixed Type |
| Display diagonal | 2.7 inches | 2.7 inches |
| Resolution of display | 230k dot | 230k dot |
| Selfie friendly | ||
| Liveview | ||
| Touch friendly | ||
| Viewfinder Information | ||
| Viewfinder type | None | Electronic |
| Features | ||
| Minimum shutter speed | 60s | 4s |
| Fastest shutter speed | 1/2000s | 1/4000s |
| Continuous shutter speed | 2.0 frames/s | - |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | - | Yes |
| Change WB | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash distance | - | 9.10 m |
| Flash modes | Auto, Auto Red-eye Reduction, Forced On, Forced Off | - |
| Hot shoe | ||
| AEB | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Supported video resolutions | 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1280 x 720 (30, 15 fps), 640 x 480 (30, 15 fps), 320 x 240 (30, 15 fps) |
| Maximum video resolution | 640x480 | 1280x720 |
| Video data format | Motion JPEG | Motion JPEG |
| Mic jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | None | Eye-Fi Connected |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental seal | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 136 grams (0.30 lb) | 428 grams (0.94 lb) |
| Physical dimensions | 97 x 54 x 22mm (3.8" x 2.1" x 0.9") | 111 x 85 x 110mm (4.4" x 3.3" x 4.3") |
| DXO scores | ||
| DXO Overall rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery ID | - | D-L106 |
| Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec) |
| Time lapse recording | ||
| Storage media | SD/MMC/SDHC card, Internal | SD/SDHC, Internal |
| Storage slots | One | One |
| Price at release | $180 | $350 |