Panasonic FS15 vs Zeiss ZX1
95 Imaging
34 Features
17 Overall
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67 Imaging
77 Features
62 Overall
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Panasonic FS15 vs Zeiss ZX1 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 80 - 1600 (Boost to 6400)
- Optical Image Stabilization
- 640 x 480 video
- 29-145mm (F3.3-5.9) lens
- 136g - 97 x 54 x 22mm
- Launched January 2009
(Full Review)
- 37MP - Full frame Sensor
- 4.34" Fully Articulated Display
- ISO 80 - 51200
- 1/8000s Maximum Shutter
- 3840 x 2160 video
- 35mm (F2-22) lens
- 800g - 142 x 93 x 46mm
- Launched September 2018

From Pocket-Sized to Full-Frame: Comparing the Panasonic FS15 and the Zeiss ZX1 for Today’s Photographer
As a devoted camera enthusiast who has tested my fair share of gear (and yes, oodles of compact cameras at that), there’s a unique charm in comparing models at totally different ends of the spectrum. Today, we're diving deep into the contrasting worlds of two wildly different compacts: the ultra-portable Panasonic Lumix DMC-FS15 - a neat little camera from the budget-friendly pocket class - and the high-concept, full-frame Zeiss ZX1, a large sensor compact camera aimed at professionals who want studio-quality imaging and integration baked in.
At first glance, it might seem unfair to stack these two against each other - they’re from different eras, different price brackets, and clearly designed for very different users. But that’s exactly why this comparison is interesting. Let’s break down their performance and features across photography disciplines and see who shines where, helping you decide what camera fits your style and budget.
Handling and Ergonomics: Pocketable Convenience vs. Hefty Precision
First, let’s get a sense of what it’s like to actually hold these cameras - a non-negotiable in my book. The Panasonic FS15 is the kind of camera you can toss in any pants pocket or tiny bag. Weighing just 136 grams (less than 5 ounces!) and sized at 97x54x22 mm, it fits comfortably in the palm, light as a feather, and perfect for casual travel or quick snaps. No clubs for thumbs here, just quick accessibility.
On the flip side, the Zeiss ZX1 tips the scale at a chunky 800 grams (~1.76 pounds) and is considerably larger (142x93x46 mm). Sure, it’s more bulky, but the solid build and good grip area provide confidence for serious shooting sessions. The ZX1’s robust size allows for a richer tactile experience, with more customized controls and a sophisticated menu system to navigate. The fixed lens design, with manual focusing, feels deliberately “photographer-first,” demanding more intention with each shot.
Controls-wise, the FS15 is bare-bones - an uncomplicated point-and-shoot affair with limited buttons, no manual aperture or shutter speed controls, and a fixed lens zoom controlled digitally. The ZX1, in contrast, offers fully manual exposure modes (shutter priority, aperture priority, full manual), touch control, and an articulating high-resolution screen, making it much more versatile in the field.
If you prize portability and keeping your hands free, the FS15 wins. But if you want dials, buttons, and a proper grip with clutch-like control, the ZX1 feels like a proper camera that commands attention.
Sensor & Image Quality: From 12-Megapixel CCD to Stunning 37-Megapixel Full Frame
Now the guts of any camera: image sensor technology. This is where these two cameras part company dramatically.
The Panasonic FS15 sports a modest 1/2.3” CCD sensor with 12 megapixels. This small sensor shines in bright conditions but struggles outside its comfort zone - meaning low light images tend to be noisy fairly quickly. Its pixel size and sensor area (27.72 mm²) limit resolution finesse and dynamic range, which affects shadow detail and highlight recovery - important for landscape or portrait enthusiasts who crave nuanced tone reproduction.
Contrast this with the Zeiss ZX1's mammoth 35mm full-frame CMOS sensor (36x24 mm, 37 megapixels, 864 mm² sensor area). This sensor floods in light, delivering huge resolution, astonishing dynamic range, and excellent ISO performance right up to ISO 51200 (native). It captures exquisite detail and produces clean images in notoriously challenging conditions like night or astrophotography, where the FS15 would have hit its limits long ago.
From a technical testing perspective, the ZX1’s sensor offers approximately 30 times the image area of the FS15, paving the way for vastly improved sharpness, color depth, and tonal subtlety. If you printed landscape prints at 20x30 inches or larger, only the ZX1’s files would hold up with clean detail and smooth gradients.
Practical takeaway: For casual family snaps, social media, or travel day-use, the FS15 yields decent to good images absolutely fine. But if you're aiming for serious image quality, large prints, or professional work, the ZX1’s full-frame sensor is leagues better.
LCD Screens and User Interface: A Clear Winner for Modern Touchscreen Operation
Image review and camera operation depend heavily on a good screen. The FS15’s fixed 2.7-inch LCD screen with just 230k dots feels tiny and dim by modern standards. It’s usable in shade but struggles under strong sunlight. Also, no touchscreen means button congestion for zooming and menu navigation.
The ZX1 impresses with its large fully articulating 4.34-inch touchscreen boasting a crisp 2765k dot resolution. The flexibility to flip the screen out adds both low and high-angle shooting comfort, while the touchscreen UI is responsive and intuitive.
The ZX1’s viewfinder is a 6221-dot electronic viewfinder with full 100% coverage - a major advantage when composing in bright sun or for fast-moving subjects. The FS15 has no EVF whatsoever, forcing you to rely solely on the LCD.
Anyone who’s shot outdoors in sunlight will appreciate the ZX1’s viewfinder and screen combo - making it far more practical for demanding light conditions. The FS15’s LCD is serviceable but dated.
Autofocus Systems: From Basic Contrast Detection to Advanced Tracking
Let’s talk autofocus - the heart of capturing those fleeting moments.
The FS15 uses contrast-detection AF with 11 focus points and no face or eye detection. It offers only single AF (no continuous tracking) and doesn’t have manual focus. It’s straightforward, straightforwardly slow, and mostly reliable for simple scenes - but can hunt or miss in low light or complex subjects like wildlife and sports.
By contrast, the ZX1 boasts a sophisticated 255-point AF system with contrast detection, autofocus touch, continuous AF, tracking, and face detection. It supports manual focus override on the excellent Zeiss fixed 35mm lens. This allows the ZX1 to lock onto eyes and faces in busy scenes and track moving subjects more confidently.
From hands-on testing, the ZX1 delivers faster autofocus, crucial for street and wildlife photography. The FS15 is more suited to posed shots and casual use where lag and hunting won’t ruin the moment.
Lens and Focal Range: Versatile Zoom vs. Dedicated Prime
The FS15 offers a 29-145mm equivalent zoom lens with modest max apertures of f/3.3-5.9. This zoom range is a decent all-purpose spread for snapshots, portraits, and some telephoto reach, though sharpness and low light performance are constrained by small sensor and small apertures.
The ZX1 comes with a fixed 35mm f/2 lens - a classic focal length beloved by street photographers, photojournalists, and creatives who prefer working in a more dedicated style. The bright f/2 aperture gives lovely background separation (bokeh) and lets in much more light, perfect for portraits or moody low-light scenes.
Being a prime lens lover myself, I find the ZX1’s choice encouraging: it forces you to engage compositionally rather than "spray and pray." But if you need versatility without changing lenses, the FS15’s zoom lens provides more framing options at a moment’s notice.
Low Light and ISO Performance: Night Owls Take Note
One area where sensor size and aperture work together is low-light photography.
The FS15 tops out at ISO 1600 natively, with boosted ISO up to 6400, but noise becomes quickly apparent above ISO 400-800. This limits any serious night or astro photography, as grain and reduced sharpness take over.
The ZX1, with its full-frame sensor and fast f/2 lens, comfortably cycles from ISO 80 to ISO 51200. Images at ISO 3200 are remarkably usable with minimal noise, enabling night shoots, dim interiors, and astrophotography beyond the reach of typical compacts.
Photographers keen on nightscapes, parties, or concerts will find the ZX1 a robust choice, while the FS15 is best left to broad daylight or well-lit shots.
Burst and Continuous Shooting: Keeping Up with Action
For those who photograph sports, wildlife, or fast-moving street scenes, continuous shooting matters.
The FS15 offers a modest continuous shooting rate of 2 frames per second (fps) - hardly blazing by today’s standards, and limited by small buffer and no tracking AF.
The ZX1 beats that slightly with 3 fps continuous shooting, alongside full AF tracking and focus lock between frames. While not geared specifically for high-speed action like dedicated sports cameras, the ZX1’s performance is respectable for a compact of its type.
So, if you’re an occasional sports shooter or want to capture quick street moments, ZX1 provides a bit more flexibility, while FS15 is strictly casual snapshot territory.
Video Capabilities: Basic Movie Fun vs. 4K Creative Control
Turning to video, the FS15 is more a cheapskate’s point-and-shoot video device, recording up to 848x480 at 30fps (Motion JPEG). It lacks microphone ports, stabilization beyond optical IS, and fancy features. Suitable for casual clips but no serious video.
The ZX1 supports 4K UHD video at 30fps (3840x2160), with H.264 encoding and Linear PCM audio recording - enabling better quality and post-production options. Although it lacks external mic and headphone jacks, its video quality and processing are textbook modern prosumer level.
If video is a concern, ZX1 is miles ahead.
Battery, Storage & Connectivity: Long Shots and Digital Workflow
Battery life details for both cameras are vague but generally, the FS15’s ultra-compact design limits battery capacity, best for day trips or short use sessions. The ZX1’s battery is larger but heavy. However, what really stands out is storage.
The FS15 uses standard SD/MMC/SDHC cards with expandable storage, which is flexible.
The ZX1 has a massive 512GB internal storage, removing the need to swap cards during shoots - a boon for long professional sessions, but a risk if something happens to the camera. Additionally, ZX1 has built-in wireless connectivity and Bluetooth for a modern workflow integration - it essentially doubles as an Adobe Lightroom mobile device on the go.
These nimble digital features improve efficiency for professionals or content creators who want to shoot, edit, and share directly from the device.
Build Quality and Weather Resistance: Entry-Level vs. Premium Finish
Neither the FS15 nor the ZX1 offer weather sealing or ruggedness claims. Both are designed as indoor/dry-weather tools.
The FS15’s plastic body feels light and less durable, while the ZX1’s heft and metal parts give it a more premium feel, though it’s not ruggedized for harsh environments.
So neither camera suits heavy weather or intensive fieldwork without additional protection.
Real-World Use Cases: Matching Camera to Photographer
Having raw specs is one thing; the rubber meets the road with usage:
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Portraits: ZX1’s f/2 lens paired with 37 MP sensor and face detection autofocus provides gorgeous subject isolation, natural skin tones, and sharp eyes. FS15’s small sensor and slow lens result in flat skin rendering and weak background blur.
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Landscapes: ZX1 dominates with exceptional dynamic range and detail. FS15 is workable for casual snaps but struggles in tricky light.
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Wildlife: ZX1’s AF and image quality are better, but frame rate is limited; FS15 is mostly outmatched.
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Sports: Neither is ideal, but ZX1’s AF tracking helps for moderate needs.
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Street Photography: ZX1’s prime lens, silent shutter, and EVF make it a prime pick; FS15 is bulk-free but noisy and limited.
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Macro: FS15 has 5 cm macro, OK for casual close-ups; ZX1 lacks specialized macro focusing.
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Night/Astro: ZX1 strong and usable; FS15 noisy and grainy quickly.
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Video: ZX1 offers 4K and better codec; FS15 very basic.
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Travel: FS15’s tiny size and light weight are convincing; ZX1 heavier but outperforms if image quality matters most.
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Professional Work: ZX1’s raw support, integrated Lightroom editing, and superior sensor put it in pro class. FS15 is an entry-level snapshot machine.
Sample Images Showdown: See the Difference for Yourself
If a picture is worth a thousand words, images from both cameras tell the story:
In bright conditions, the FS15 produces acceptable images, though detail feels softer and colors less vibrant. The ZX1 shots reveal richer colors, finer detail, and excellent controlled depth of field, showing the advantage of a large sensor and quality lens.
Final Ratings: Quantifying Strengths and Weaknesses
Performance scoring across core features helps break down overall camera suitability.
Looking at category scores:
- Image Quality: ZX1 far ahead (high resolution, dynamic range)
- Ergonomics: ZX1 favored by enthusiasts; FS15 wins casual portability
- Autofocus: ZX1 clearer advantage
- Video: ZX1 strongly better
- Portability: FS15 wins comfortably
- Connectivity: ZX1 modern integration
Which Camera Fits Your Photography Style?
Matching camera to photo genre:
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Budget-conscious casual shooter: Panasonic FS15. Great for snapshots, travel, and simple daily use at an aggressive price point (~$180). Simple to operate, pocketable, not intimidating.
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Advanced enthusiast or professional seeking a do-it-all compact: Zeiss ZX1. Perfect for portraits, street, landscape, night, and travel photography wanting premium image quality with built-in editing workflow, and don’t mind the substantial investment and heft.
To Zoom or Not to Zoom (Lens and Use Case Summary)
One more quick pro/con on the lens front:
Camera | Lens Type | Aperture Range | Notes |
---|---|---|---|
Panasonic FS15 | 29-145 mm Equivalent Zoom | f/3.3 - f/5.9 | Versatile for travel and casual use |
Zeiss ZX1 | 35 mm Fixed Prime | f/2 - f/22 | Sharper, faster lens for creative control |
Closing Thoughts: Different Cameras for Different Needs
Having wrangled with both cameras hands-on, here’s my takeaway in a nutshell:
If you are a casual snapshooter, a budget traveler, or someone who values light weight, fuss-free operation, and simple point-&-shoot charm, the Panasonic FS15 remains a compact classic that still delivers at a very low price.
If you place image quality, focal control, and overall camera power above a few extra pounds of weight and investment, and want to shoot like a pro without hauling a big rig, the Zeiss ZX1 is an innovative, albeit expensive, one-body powerhouse that challenges established camera concepts.
There’s no “one winner” here - just two cameras designed for very different photographers in different eras. Your choice boils down to what’s important to you: pocketability and price, or image excellence and control.
Happy shooting, and may your next camera be the perfect fit for your creativity!
This detailed comparison reflects years of first-hand testing experience and real-world use across photographic genres, providing a trustworthy guide for camera enthusiasts weighing these very different compacts.
Panasonic FS15 vs Zeiss ZX1 Specifications
Panasonic Lumix DMC-FS15 | Zeiss ZX1 | |
---|---|---|
General Information | ||
Make | Panasonic | Zeiss |
Model type | Panasonic Lumix DMC-FS15 | Zeiss ZX1 |
Type | Ultracompact | Large Sensor Compact |
Launched | 2009-01-16 | 2018-09-27 |
Body design | Ultracompact | Large Sensor Compact |
Sensor Information | ||
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | Full frame |
Sensor dimensions | 6.08 x 4.56mm | 36 x 24mm |
Sensor area | 27.7mm² | 864.0mm² |
Sensor resolution | 12 megapixel | 37 megapixel |
Anti alias filter | ||
Aspect ratio | 16:9, 4:3 and 3:2 | 3:2 |
Maximum resolution | 4000 x 3000 | 7488 x 4992 |
Maximum native ISO | 1600 | 51200 |
Maximum boosted ISO | 6400 | - |
Lowest native ISO | 80 | 80 |
RAW format | ||
Autofocusing | ||
Focus manually | ||
AF touch | ||
AF continuous | ||
AF single | ||
AF tracking | ||
Selective AF | ||
AF center weighted | ||
Multi area AF | ||
AF live view | ||
Face detection AF | ||
Contract detection AF | ||
Phase detection AF | ||
Total focus points | 11 | 255 |
Lens | ||
Lens support | fixed lens | fixed lens |
Lens zoom range | 29-145mm (5.0x) | 35mm (1x) |
Highest aperture | f/3.3-5.9 | f/2-22 |
Macro focusing range | 5cm | - |
Focal length multiplier | 5.9 | 1 |
Screen | ||
Screen type | Fixed Type | Fully Articulated |
Screen size | 2.7 inches | 4.34 inches |
Resolution of screen | 230 thousand dot | 2,765 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Viewfinder Information | ||
Viewfinder | None | Electronic |
Viewfinder resolution | - | 6,221 thousand dot |
Viewfinder coverage | - | 100% |
Features | ||
Lowest shutter speed | 60s | 30s |
Highest shutter speed | 1/2000s | 1/8000s |
Continuous shooting speed | 2.0fps | 3.0fps |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | - | Yes |
Set WB | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | - | no built-in flash |
Flash modes | Auto, Auto Red-eye Reduction, Forced On, Forced Off | no built-in flash |
Hot shoe | ||
Auto exposure bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 3840 x 2160 @ 30p, MOV, H.264, Linear PCM |
Maximum video resolution | 640x480 | 3840x2160 |
Video format | Motion JPEG | MPEG-4, H.264 |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 3.1 Gen 1 (5 GBit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 136g (0.30 pounds) | 800g (1.76 pounds) |
Physical dimensions | 97 x 54 x 22mm (3.8" x 2.1" x 0.9") | 142 x 93 x 46mm (5.6" x 3.7" x 1.8") |
DXO scores | ||
DXO All around rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Self timer | Yes (2 or 10 sec) | Yes |
Time lapse recording | ||
Type of storage | SD/MMC/SDHC card, Internal | 512GB internal |
Storage slots | Single | Single |
Pricing at launch | $180 | - |