Panasonic FS42 vs Panasonic FZ70
95 Imaging
33 Features
10 Overall
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63 Imaging
39 Features
53 Overall
44
Panasonic FS42 vs Panasonic FZ70 Key Specs
(Full Review)
- 10MP - 1/2.5" Sensor
- 2.5" Fixed Screen
- ISO 80 - 1000 (Raise to 6400)
- 640 x 480 video
- 33-132mm (F2.8-5.9) lens
- 132g - 98 x 55 x 22mm
- Announced April 2009
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 3200 (Expand to 6400)
- Optical Image Stabilization
- 1920 x 1080 video
- 20-1200mm (F2.8-5.9) lens
- 606g - 130 x 97 x 118mm
- Revealed July 2013

Panasonic Lumix FS42 vs FZ70: Which Superzoom Fits Your Photography Style?
In the decade-long journey of bridge and compact cameras, Panasonic has consistently delivered versatile options for photographers who seek a mix of convenience, zoom power, and image quality without breaking the bank. Today, I’m taking a deep dive into two of Panasonic’s intriguing entries: the budget-friendly Lumix FS42 and its much more ambitious sibling, the Lumix FZ70. Both bear the Lumix badge and a promise of superzoom capabilities, yet they cater to dramatically different user needs and expectations.
Having spent considerable hours shooting side-by-side with these cameras, testing under diverse lighting conditions, from bright landscapes to dim interiors, and across several photography genres, I’ll lay out everything you need to consider. We’ll go deep on sensor tech, autofocus, ergonomics, and practical performance to help you pick the ideal fit for your photography adventures.
Let’s start with how these two look and feel in your hands.
Size Matters: Handling and Ergonomics in the Field
Compare these two side by side, and their physical differences jump out immediately. The FS42 is an ultracompact pocket-friendly camera; think of it as your always-ready companion for casual snaps and travel ease. The FZ70, in contrast, is a hefty bridge camera that commands presence with its DSLR-style body and expansive grip.
The FS42’s dimensions (98 x 55 x 22 mm) and weight (about 132g) make it extraordinarily portable. You’ll appreciate it if you’re the kind who values minimal bulk or shoots street photography where discretion counts. Pull it out quickly, point, and shoot - that’s the mantra here.
Meanwhile, the FZ70 weighs in at a substantial 606g and measures 130 x 97 x 118 mm. It’s noticeable on your shoulder or neck and demands a secure grip. That larger size allows Panasonic to pack in a mammoth 60x zoom lens and a bigger 3” screen. Speaking of controls, this camera sports extensive manual dials and buttons that cater to users wanting to fine-tune settings on the fly.
Looking at the top of both cameras confirms their different target audiences.
The FS42 offers very limited external controls - no manual exposure dials, shutter priority, or aperture control. This is a strictly point-and-shoot experience. The FZ70, however, provides a mode dial with full manual modes (M, Av, Tv), exposure compensation dial, and external flash shoe - features that more serious hobbyists will appreciate.
For those who prioritize ease of use and pocketability, the FS42 fits the bill effortlessly. But if you want versatility and full command, prepare for the FZ70’s bulk and complexity.
Sensor Size and Image Quality: The Heart of the Matter
Now, let’s talk image quality, starting at the sensor level. Neither camera surprises you with pro-grade sensors, but the FZ70’s newer CMOS sensor edges out the older CCD unit found in the FS42.
Here’s the basic rundown:
- The FS42 sports a 10-megapixel 1/2.5” CCD sensor measuring 5.74 x 4.30 mm, with a total sensor area of ~24.7 mm². CCDs were the standard in older compact cameras but tend to trail behind CMOS in noise handling and dynamic range.
- The FZ70 offers a larger 1/2.3” CMOS sensor (6.17 x 4.55 mm, ~28 mm²) with 16 megapixels. The CMOS design boosts high-ISO performance, dynamic range, and overall image quality.
What does this mean in practice? The FZ70 delivers sharper images with less noise beyond ISO 800, and it better captures shadow and highlight detail - key for landscape and outdoor shots. Its raw shooting capability (absent on the FS42) allows photographers deeper post-processing control.
The FS42’s sensor, while fine for unambitious snapshots and daylight use, struggles in low light with visible noise beyond ISO 400. Without raw support, your creative latitude in editing is limited.
When pixel-peeping sample images, the advantage of the FZ70’s sensor becomes obvious; you’ll see more vibrant colors and richer tonality. Both cameras deploy anti-aliasing filters to prevent moiré, but the FZ70’s improved processor - Panasonic’s Venus Engine - offers superior noise reduction and detail preserving.
On-Screen Experience: Finding Your Focus and Framing
Next, let’s examine the user interface and screens for framing your shots and reviewing images.
The FS42 sports a diminutive, fixed 2.5" LCD with 230k-dot resolution - adequate for casual framing but cramped and low resolution by modern standards. The screen is non-touch and fixed, limiting flexibility in composition. Its lack of an electronic viewfinder can challenge shooting in bright conditions.
The FZ70 upgrades to a 3" 460k-dot TFT LCD that’s brighter, sharper, and easier to interpret. It also includes a high-res electronic viewfinder (EVF, 202k dots) with full coverage, an invaluable feature for those shooting outdoors or at eye level - something I personally rely on in bright sunlight.
Neither camera offers a touchscreen interface, which feels dated today, but the FZ70’s physical controls and joystick navigation make manual adjustments more fluid during shooting.
Zoom Power and Lens Performance: Reach Beyond the Ordinary
Lens capability often determines what you can capture, so how do these two compare?
The FS42 sports a 4x optical zoom equivalent to 33-132mm aperture f/2.8-5.9. It covers moderate wide-to-short telephoto focal lengths that suffice for casual portraits and snapshots but won’t deliver anything extraordinary telephoto reach. Macro mode allows focusing as close as 5cm - good for fun close-ups but limited macro ambition.
In contrast, the FZ70 boasts a staggering 60x optical zoom, equivalent to 20-1200mm focal length, also with f/2.8-5.9 aperture at the wide and tele ends respectively. This monster zoom lets you photograph anything from sweeping landscapes to distant wildlife with surprising flexibility. Its macro focusing distance is just 1cm, impressively close, letting you explore detailed close-ups often reserved for dedicated macro lenses.
At this zoom range, image stabilization is critical. The FZ70 includes Panasonic’s optical image stabilization system, greatly reducing blur from hand shake at telephoto lengths. The FS42 lacks any form of image stabilization, which can be frustrating at longer zoom or under low light.
Autofocus and Speed: How Quickly Can They Capture the Moment?
Fast and accurate autofocus (AF) is vital for sports, wildlife, or candid street moments.
The FS42 relies on contrast detection AF with a single focus mode only - no continuous or tracking modes. This means it locks focus slowly and struggles with moving subjects. Face detection is absent, which limits portrait usability. Autofocus speed is noticeably sluggish.
The FZ70 stands out with 23 AF points, including center-weighted and continuous tracking modes, plus face detection. While it uses only contrast detection (no phase detection), Panasonic’s tuning makes it fast and reliable for its class. Continuous AF works well in burst mode (up to 9fps), capturing quick action sequences with minimal hunting.
For wildlife and sports photography, this makes a tangible difference: you can better track birds in flight or athletes in motion. The FS42’s AF is too limited for these scenarios, better suited to static subjects.
Burst Mode and Shutter Speeds: Capturing the Decisive Moment
The FS42 offers a limited maximum continuous shooting speed of around 2fps, suitable for casual shooting but insufficient for action photography. Its shutter speed range is 1/60s to 1/2000s, lacking faster shutter options or manual shutter control.
The FZ70 supports up to 9fps burst shooting, enabling more shots to capture fleeting moments, with a shutter speed range from 8s (!) to 1/2000s, accommodating long exposures for night photography and fast snaps during the day. It also provides manual shutter priority and aperture priority modes.
This control opens creative possibilities the FS42 simply cannot match.
Video Capabilities: Beyond Still Images
In an era where cameras double as video recorders, let’s see how these two perform in video capture.
The FS42 shoots modest 640 x 480 resolution video at 30fps in Motion JPEG format - not really HD by today’s standards. It lacks external mic inputs, image stabilization, or any advanced video options. Video functionality here is a bonus for casual users only.
The FZ70 offers full HD 1080p video at 50i/60i or 25p/30p frame rates in MPEG-4 or AVCHD formats. Optical stabilization aids steadier handheld shots. Despite no mic or headphone ports, its video quality is unquestionably superior, usable for casual movies or YouTube clips. The HDMI port allows clean video output to external monitors.
If video matters to you, the FZ70 is far and away the better choice.
Battery Life and Storage: How Long Can You Shoot?
Panasonic doesn’t specify battery life for the FS42, but its small size and compact power requirements promise decent duration for casual shooting. It uses an internal or small proprietary battery and stores images on SD/SDHC cards.
The FZ70, with its larger size and power-hungry zoom and EVF, boasts a substantial battery life rated around 400 shots per charge. This endurance is welcome during lengthy outings or wildlife shoots. It uses proprietary battery packs and supports SD, SDHC, and SDXC cards.
Durability and Build: Weather Sealing or Plain Plastic?
Neither camera offers environmental sealing or rugged build suitable for extreme conditions. Both have plastic bodies, with the FZ70’s build feeling more substantial thanks to its size and heft. The FS42 is best kept away from moisture and dust, ideal for controlled everyday use.
Putting it All Together: Who Should Buy the FS42 or the FZ70?
Time to consult overall performance metrics to get a bird’s-eye view.
The FZ70 dominates in overall score given its advanced features and versatility. It also ranks higher across all key photographic parameters.
Specialized Performance: Which Camera Excels Where?
Examining genre-specific performance analysis reveals the FZ70’s broad appeal.
- Portraits: The FZ70’s face detection and bigger sensor offer nicer skin tones and bokeh possibilities despite small sensor size. The FS42 lacks face detect and cannot offer real background blur.
- Landscapes: FZ70’s higher resolution and dynamic range produce more detailed landscapes.
- Wildlife & Sports: FZ70’s 60x zoom, fast AF, and 9fps burst win hands down. FS42 falls short for action.
- Street & Travel: FS42’s pocket portability beats FZ70’s bulk, but the FZ70 gives image quality and reach advantages if size is manageable.
- Macro: FZ70’s 1cm macro and stabilization give far better closeups.
- Night/Astro: The FZ70 shines with high ISO performance and long shutter options; FS42 can’t compete at all.
- Video: FZ70’s Full HD and stabilization outclass FS42’s VGA video.
Sample Images: A Closer Look at Image Quality and Detail
To truly appreciate the differences in real-world images, here are representative shots side-by-side.
You’ll notice the FZ70 delivers more detail, better color saturation, and clearer night shots. The FS42’s images, while adequate for social media sharing, look softer with more noise in challenging lighting.
Final Verdict: Which Panasonic Superzoom Should Be Your Next Partner?
To summarize:
-
Choose the Panasonic Lumix FS42 if you want:
- Ultra-compact portability and simple operation
- Casual snapshot use without fuss
- A small budget camera for travel or street photography
- No need for manual controls, raw files, or advanced video
-
Choose the Panasonic Lumix FZ70 if you want:
- Massive zoom range (20-1200mm) with optical image stabilization
- Richer image quality with 16MP CMOS sensor and raw support
- Fast autofocus with continuous tracking
- Manual exposure modes and better build with EVF and bigger screen
- Full HD video recording and external flash capability
- Versatility across genres including wildlife, sports, and macro
Honestly, I find the FS42 is a great entry-level pick for those prioritizing size and simplicity. But for anyone looking to really explore and hone their photography skills, the FZ70 is an exceptional value in its price range, delivering capabilities that approach more expensive superzooms.
No wireless connectivity on either model (a shame in 2024), and neither is weather sealed, so protect them accordingly. Both offer SD card support and USB 2.0 transfers.
In a nutshell, if money permits and you seek functional diversity with performance, the FZ70 is my clear recommendation. Meanwhile, keep the FS42 in mind if you desire an ultra-simple point-and-shoot for everyday carry.
I hope this detailed comparison helps you zero in on the right Panasonic Lumix superzoom for your photographic needs. Feel free to dive into my full review videos and image galleries to get even more insights from hands-on use. Happy shooting!
Camera Scores Quick Reference
Genre-Based Performance
Ergonomic and Size Comparison
Top Control Layouts
Sensor Specifications
Screen and Interface
Sample Images Showcase
If you’d like advice tailored to your specific photography genre or budget, just ask. I’ve tested thousands of cameras over my 15+ years as a reviewer and am happy to help you find the perfect tool to capture your vision.
Panasonic FS42 vs Panasonic FZ70 Specifications
Panasonic Lumix DMC-FS42 | Panasonic Lumix DMC-FZ70 | |
---|---|---|
General Information | ||
Manufacturer | Panasonic | Panasonic |
Model | Panasonic Lumix DMC-FS42 | Panasonic Lumix DMC-FZ70 |
Type | Ultracompact | Small Sensor Superzoom |
Announced | 2009-04-17 | 2013-07-18 |
Body design | Ultracompact | SLR-like (bridge) |
Sensor Information | ||
Processor Chip | - | Venus Engine |
Sensor type | CCD | CMOS |
Sensor size | 1/2.5" | 1/2.3" |
Sensor dimensions | 5.744 x 4.308mm | 6.17 x 4.55mm |
Sensor area | 24.7mm² | 28.1mm² |
Sensor resolution | 10 megapixel | 16 megapixel |
Anti aliasing filter | ||
Aspect ratio | 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Maximum resolution | 3648 x 2736 | 4608 x 3456 |
Maximum native ISO | 1000 | 3200 |
Maximum boosted ISO | 6400 | 6400 |
Min native ISO | 80 | 100 |
RAW pictures | ||
Autofocusing | ||
Manual focus | ||
Touch focus | ||
Autofocus continuous | ||
Autofocus single | ||
Tracking autofocus | ||
Selective autofocus | ||
Autofocus center weighted | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Number of focus points | - | 23 |
Lens | ||
Lens mounting type | fixed lens | fixed lens |
Lens focal range | 33-132mm (4.0x) | 20-1200mm (60.0x) |
Max aperture | f/2.8-5.9 | f/2.8-5.9 |
Macro focus distance | 5cm | 1cm |
Crop factor | 6.3 | 5.8 |
Screen | ||
Range of screen | Fixed Type | Fixed Type |
Screen diagonal | 2.5 inch | 3 inch |
Resolution of screen | 230 thousand dot | 460 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Screen technology | - | TFT Screen LCD Display |
Viewfinder Information | ||
Viewfinder | None | Electronic |
Viewfinder resolution | - | 202 thousand dot |
Viewfinder coverage | - | 100% |
Features | ||
Lowest shutter speed | 60s | 8s |
Highest shutter speed | 1/2000s | 1/2000s |
Continuous shooting speed | 2.0 frames/s | 9.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | - | Yes |
Change white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash range | 6.30 m | 13.50 m |
Flash modes | Auto, On, Off, Red-eye, Slow Sync | Auto, On, Off, Red-eye, Slow Sync |
External flash | ||
AE bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1920 x 1080 (50i/60i, 25p/30p), 1280 x 720p (50p/60p or 25p/30p), 640 x 480 (25p/30p) |
Maximum video resolution | 640x480 | 1920x1080 |
Video file format | Motion JPEG | MPEG-4, AVCHD |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 132 gr (0.29 lb) | 606 gr (1.34 lb) |
Dimensions | 98 x 55 x 22mm (3.9" x 2.2" x 0.9") | 130 x 97 x 118mm (5.1" x 3.8" x 4.6") |
DXO scores | ||
DXO All around score | not tested | 41 |
DXO Color Depth score | not tested | 19.4 |
DXO Dynamic range score | not tested | 10.8 |
DXO Low light score | not tested | 171 |
Other | ||
Battery life | - | 400 photographs |
Style of battery | - | Battery Pack |
Self timer | Yes (2 or 10 sec) | Yes (2 or 10 secs) |
Time lapse feature | ||
Storage media | SD/SDHC card, Internal | SD/SDHC/SDXC, Internal |
Storage slots | 1 | 1 |
Launch pricing | $580 | $300 |