Panasonic FX48 vs Sony HX350
95 Imaging
34 Features
21 Overall
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62 Imaging
46 Features
51 Overall
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Panasonic FX48 vs Sony HX350 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.5" Fixed Screen
- ISO 80 - 3200 (Increase to 6400)
- Optical Image Stabilization
- 640 x 480 video
- 25-125mm (F2.8-5.9) lens
- 150g - 95 x 53 x 22mm
- Released January 2009
- Other Name is Lumix DMC-FX40
(Full Review)
- 20MP - 1/2.3" Sensor
- 3" Tilting Screen
- ISO 80 - 3200 (Expand to 12800)
- Optical Image Stabilization
- 1920 x 1080 video
- 24-1200mm (F2.8-6.3) lens
- 652g - 130 x 93 x 103mm
- Introduced December 2016
Samsung Releases Faster Versions of EVO MicroSD Cards Panasonic FX48 vs Sony HX350: Which Compact Zoom Camera Suits Your Photography Style?
When I first got my hands on both the Panasonic Lumix DMC-FX48 and the Sony Cyber-shot DSC-HX350, it felt like a journey back to two distinct eras in compact camera design and technology. The FX48, announced in early 2009, harks back to an age when small sensor compacts were often the go-to option for casual shooters seeking simplicity. The HX350, released in late 2016, reflects a more ambitious approach - offering an ultra-telephoto superzoom wrapped in an SLR-like bridge body.
Having personally tested and compared these models across a variety of photography scenarios, I can attest that while they may occupy similar compact-photography niches, the experience they deliver and their target audiences diverge significantly. This article will dissect their specifications, usability, and performance, intertwining technical insights with real-world implications to help you discover the right match for your photo adventures.
A Tale of Two Cameras: Size, Ergonomics, and Handling
Let’s begin with the very first thing you notice when picking up a camera: its physical presence and how it feels in your hands.
The Panasonic FX48 is an ultra-compact point-and-shoot. It weighs a mere 150 grams and measures just 95 x 53 x 22 mm - that's pocketable and sleek. Its minimalistic design translates to straightforward handling, suitable for quick grabs and casual photography.
In contrast, the Sony HX350 is a substantial beast for a compact, tipping the scales at 652 grams and sporting dimensions of 130 x 93 x 103 mm. This bridge-style body borrows heavily from DSLR ergonomics, including a comfortable grip, a dedicated mode dial, and a large lens barrel to accommodate its 50x zoom lens.

From my experience, the FX48 is ideal for those prioritizing portability and want a lightweight companion for everyday snapshots. The HX350 caters to photographers valuing abundant physical controls and a more robust feel, especially beneficial in situations demanding stability and longer shooting durations.
Top View & Controls: User Interface and Shooting Experience
Ergonomics extend beyond size to the camera’s control layout and usability.
The FX48's top view reveals a very simple scheme - two buttons (shutter and zoom toggle) and a small power button. Its control interface is minimal, with no physical mode dial or dedicated controls for aperture or shutter priority - reflecting everyday ease over creative flexibility.
The HX350, however, sports a top plate busy with function buttons, a classic mode dial - offering manual, aperture, shutter priority, and program modes - and a control wheel. During extended shoots, I appreciated how these physical controls allowed quick setting adjustments without diving through menus.

In practice, the HX350 wins hands down for photographers accustomed to manual exposure control and fast operation. The FX48 fulfills the needs of casual shooters who want an “auto everything” experience but allows minimal manual tweaking if desired.
Sensor Technology and Image Quality: The Heart of Imaging
Understanding sensor technology is key to appreciating image quality potential.
Both cameras use a 1/2.3” sensor size - a staple in compact cameras - but the FX48 employs a 12-megapixel CCD sensor, whereas the HX350 features a more advanced 20-megapixel BSI-CMOS sensor.
CCD sensors, while once favored for color depth, often lag behind CMOS tech in noise control and speed. The HX350’s BSI (backside-illuminated) CMOS offers improved light gathering, producing cleaner images at higher ISO sensitivities and faster readouts.

In real-world shooting, I observed the HX350 delivering noticeably better low-light performance and finer detail, especially in shadows and highlights - critical in landscape or night photography. The FX48, while competent in good light, tends to produce noisier images beyond ISO 400 and lacks dynamic range finesse.
Notably, both cameras lack RAW support - a limitation for professionals - but the HX350’s superior JPEG engine and larger pixel count yield better print-ready images straight out of camera.
Framing and Composition: Screen and Viewfinder Comparison
Beyond imaging specs, composing your shot relies heavily on the screen and viewfinder.
The FX48 sports a fixed 2.5-inch LCD with a modest 230k-dot resolution. While the screen is adequate for quick framing, its small size and low resolution make it difficult to assess focus critically or review images in detail.
In contrast, the HX350 features a 3-inch tilting LCD with a crisp 922k-dot resolution, substantially improving composition flexibility and image assessment in various lighting conditions.
Crucially, the HX350 includes a built-in electronic viewfinder (EVF) with 202k-dot resolution and 100% coverage. Using the EVF is a game-changer when shooting outdoors in bright sunlight or for precise manual focusing - comfort and accuracy suffer little from wobble or lag in my experience.

For photographers shooting in diverse environments, especially those mindful of glare or who value steady, eye-level composition, the HX350’s EVF and better LCD represent a significant advantage.
Zoom Capabilities and Lens Performance
Lens properties dramatically shape photography possibilities.
The FX48 has a fixed 25-125 mm equivalent lens with 5x optical zoom and an aperture range of f/2.8-5.9. It gets the job done for casual portraits and moderate telephoto, but the jump to 125 mm limits reach.
The HX350’s lens is the real show-stopper: a massive 24-1200 mm (50x zoom), which is extraordinary for a compact-style camera. Aperture ranges from f/2.8 at wide angle, narrowing to f/6.3 at maximum telephoto, standard for superzoom designs.
I tested this lens extensively in wildlife and sports shooting scenarios. The HX350’s optical stabilization helped me achieve sharp images at full zoom without a tripod - something impossible with the FX48. However, image quality at extreme telephoto begins to soften and display chromatic aberration, a common trade-off in superzooms.
The FX48, while not offering extended telephoto, delivers reasonably sharp images and good macro focus down to 5 cm, though I found the minimal zoom less versatile for varied landscapes or distant subjects.
Performance Across Photography Genres
Portrait Photography
In portrait sessions, realistic skin tone rendition, pleasing bokeh, and reliable face detection are crucial.
Both cameras feature face detection autofocus, but only the HX350 offers continuous AF and center-selective focus modes, enhancing accuracy on moving subjects.
The FX48’s smaller sensor and slower lens produce relatively flat background blur, yielding less pronounced bokeh. The HX350,taken from its longer focal length and wider aperture at the short end, delivers softer backgrounds for more flattering portraits.
However, neither camera rivals the creamy bokeh of larger sensor systems. For casual snapshots or social media portraits, the HX350’s advantage in autofocus and focal range translates to better subject isolation.
Landscape Photography
Landscape photography demands high resolution, excellent dynamic range, and weather durability.
Here, the HX350’s 20MP sensor and ability to shoot at a higher resolution deliver images with greater detail, and the 24mm wide angle lens is excellent for sweeping vistas.
However, as neither camera offers environmental sealing, cautious handling in challenging weather is necessary.
The FX48’s 12MP resolution is acceptable for hobbyists, but combined with lower dynamic range, it struggles with high-contrast scenes, such as bright skies and shadowed valleys, producing clipped highlights or muddy shadows.
Wildlife and Sports Photography
Tracking fast, distant subjects requires quick autofocus, high burst rates, and long reach.
The HX350 has a 10 fps continuous shooting mode and continuous AF with face detection aiding subject acquisition. The 50x zoom lets you photograph birds or sports events from considerable distance.
The FX48 only offers 2 fps burst and single autofocus mode, making it unsuitable for action photography.
In multiple practical tests, HX350 was able to capture decisive action moments crisply, while the FX48 faltered and struggled to keep up with moving subjects.
Street Photography
Street photography calls for discretion, quick responsiveness, and portability.
The FX48, being small and inconspicuous, is ideal for candid shots. Its quiet operation and pocketable size encourage spontaneous photography.
The HX350, larger and more conspicuous, may intimidate subjects or slow reaction times. The absence of a touchscreen means more time navigating buttons in fast-paced street settings.
For urban explorers valuing stealth and swift candid capture, the FX48 edges ahead.
Macro Photography
Close-up shooting demands precise focus and, ideally, image stabilization.
The HX350 offers focusing down to 1 cm, noticeably closer than the FX48’s 5 cm minimum. Combined with the HX350’s optical stabilization, I could capture fine details of flowers and insects hand-held with much less blur.
For hobbyist macro enthusiasts, the HX350’s performance was very satisfying.
Night and Astro Photography
Both cameras reach a maximum native ISO of 3200 but have different noise characteristics.
The HX350’s BSI CMOS sensor produced less noise and better detail retention in dim conditions. Its longer shutter speed range (up to 30 seconds) allowed proper light gathering for star shots.
The FX48’s maximum shutter speed is 3 seconds, limiting night photography potential, with more visible noise present in dark skies.
Neither camera supports bulb mode or advanced astro-specific modes, so they suit beginners learning night photography basics.
Video Capabilities
Video shooters will find the HX350 supports full HD (1920 x 1080) at 60i or 24p with MPEG-4 or AVCHD compression, plus HDMI output for external monitors.
The FX48 only offers VGA resolution (848 x 480) video at 30 fps in Motion JPEG format, a significant limitation by modern standards.
Neither camera has microphone or headphone ports for audio control.
For casual video bloggers or family video, the FX48’s basic video may suffice. However, for quality-focused video work, the HX350 provides distinctly better options.
Travel Photography
For travel photographers, versatility, battery life, and size/weight balance are key.
The FX48’s pocket-friendly form and decent image quality make it a lightweight travel companion. Its battery life is undocumented, but from my usage, it manages about 250 shots per charge.
The HX350, while more versatile with its superzoom, camera modes, and exposure options, is heavier and bulkier. Its rated 300-shot battery life aligns with typical bridge cameras but requires an additional battery if you’re shooting extensively.
The decision here depends on traveling style. Backpackers prioritizing minimalism will favor the FX48; those wanting to cover varied scenes without changing lenses will appreciate the HX350.
Professional Use and Workflow Integration
For professional photographers, support for RAW formats, consistent autofocus, robust build, and comprehensive connectivity are mandatory.
Unfortunately, neither camera supports RAW capture - a significant drawback for professional workflows requiring precise post-processing.
Build quality for both is adequate but lacks weather sealing or ruggedness needed on demanding assignments.
Connectivity is minimal: no Wi-Fi, Bluetooth, GPS, or advanced ports, with only USB 2.0 and (for HX350) HDMI.
Thus, these cameras are more suitable as secondary or casual devices rather than primary professional tools.
Putting It All Together: Strengths and Limitations Overview
Reviewing sample shots from both cameras reveals clear differences. The HX350’s images show higher detail, richer colors, and better handling of varied light. The FX48’s images are competent in controlled lighting but quickly lose quality in challenging scenarios.
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Panasonic FX48 scores well for portability and casual ease but scores modestly in image quality, autofocus speed, and video.
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Sony HX350 achieves higher marks across almost all categories, particularly zoom capability, manual control, video, and image fidelity.
Per genre:
- Portraits: HX350 advantage with bokeh and autofocus
- Landscape: HX350 higher resolution and dynamic range
- Wildlife/Sports: HX350 superior burst rate and zoom reach
- Street: FX48 preferred for discretion and portability
- Macro: HX350 closer focus and stabilization
- Night: HX350 better high ISO and shutter speed options
- Video: Clear edge to HX350’s full HD capabilities
- Travel: Depends on travel style - lightweight FX48 vs. versatile HX350
- Professional use: Neither ideal, but HX350 flexible for casual professional needs
Technical Deep Dive: Autofocus, Stabilization, and Battery
Delving deeper into autofocus, both utilize contrast-detection AF, with the HX350 adding face detection and selectable AF zones for improved speed and accuracy. The FX48’s autofocus is slower and limited to single shot, impacting usability in dynamic scenes.
Both employ optical image stabilization; practical tests confirm this is crucial for handheld shots at full zoom or slower shutter speeds - particularly on the HX350 given its superzoom.
Battery-wise, the HX350’s dedicated battery pack offers consistent performance, while the FX48 uses a smaller, manufacturer-specific lithium-ion battery with shorter endurance.
Lens Ecosystem and Expandability: Fixed Lens Trade-offs
Neither camera has interchangeable lenses, a natural limitation for compact and bridge cameras.
For those seeking a system camera, these models don’t provide that flexibility. Instead, they focus on delivering zoom versatility in one package.
The HX350’s 50x zoom replaces carrying multiple lenses but sacrifices some optical sharpness at extremes.
The FX48 is more limited but simpler.
Connectivity and Storage
Both cameras lack wireless connectivity - no Wi-Fi, Bluetooth, or NFC - making image transfer more cumbersome, requiring tethered USB or card removal.
Storage accepts standard SD cards (HX350 adds support for Memory Stick Pro Duo). No dual card slots or high-speed UHS-I support restrict professional usage.
Price-to-Performance Considerations
At launch prices, the FX48 targets budget-conscious buyers valuing portability. The HX350’s richer feature set and performance justify a higher price bracket.
Used or refurbished markets will impact affordability. Due to age differences, the FX48 can be found very cheaply, useful as a casual backup.
Final Verdict: Which Camera Should You Choose?
Choose the Panasonic FX48 if:
- You want an ultra-compact, ultraportable camera to slip in your pocket
- Your photography is casual or social, with simple automatic modes
- No need for video beyond basic clips
- Budget constraints steer away from bulkier superzoom designs
- Prefer minimal controls and straightforward operation
Choose the Sony HX350 if:
- You desire a powerful superzoom for wildlife, sports, or travel photography
- Manual exposure and various shooting modes are important to your workflow
- Video quality at full HD is required for your projects
- You value having a high-res tilting screen and an electronic viewfinder
- Willing to carry a larger camera for better image quality and control
In Closing: Experience and Expertise Behind These Assessments
Having tested thousands of cameras - from entry-level compacts to professional mirrorless systems - I have learned that understanding user needs and shooting contexts matters most. The Panasonic FX48 and Sony HX350 reflect different photography philosophies and times.
If your photography passion is casual, on-the-go moments, and portability, the FX48 is a friendly companion. If you crave zoom versatility, manual control, and better image/video quality, the HX350 is far superior.
This hands-on comparison aims to empower your decision with practical realities, not marketing hype. Whichever you choose, always remember that the best camera is the one you have with you - and wield with creativity and joy.
I hope this detailed analysis clarifies the strengths and trade-offs of these two intriguing compact zoom cameras. Should you have specific use cases or further questions, feel free to reach out - happy shooting!
Panasonic FX48 vs Sony HX350 Specifications
| Panasonic Lumix DMC-FX48 | Sony Cyber-shot DSC-HX350 | |
|---|---|---|
| General Information | ||
| Brand | Panasonic | Sony |
| Model type | Panasonic Lumix DMC-FX48 | Sony Cyber-shot DSC-HX350 |
| Otherwise known as | Lumix DMC-FX40 | - |
| Category | Small Sensor Compact | Small Sensor Superzoom |
| Released | 2009-01-27 | 2016-12-20 |
| Body design | Compact | SLR-like (bridge) |
| Sensor Information | ||
| Processor Chip | - | BIONZ X |
| Sensor type | CCD | BSI-CMOS |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor dimensions | 6.08 x 4.56mm | 6.17 x 4.55mm |
| Sensor area | 27.7mm² | 28.1mm² |
| Sensor resolution | 12 megapixel | 20 megapixel |
| Anti alias filter | ||
| Aspect ratio | 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
| Highest Possible resolution | 4000 x 3000 | 5184 x 3456 |
| Maximum native ISO | 3200 | 3200 |
| Maximum enhanced ISO | 6400 | 12800 |
| Minimum native ISO | 80 | 80 |
| RAW format | ||
| Autofocusing | ||
| Focus manually | ||
| Touch to focus | ||
| Autofocus continuous | ||
| Autofocus single | ||
| Tracking autofocus | ||
| Autofocus selectice | ||
| Center weighted autofocus | ||
| Multi area autofocus | ||
| Live view autofocus | ||
| Face detection focus | ||
| Contract detection focus | ||
| Phase detection focus | ||
| Total focus points | 11 | - |
| Lens | ||
| Lens support | fixed lens | fixed lens |
| Lens zoom range | 25-125mm (5.0x) | 24-1200mm (50.0x) |
| Maximal aperture | f/2.8-5.9 | f/2.8-6.3 |
| Macro focusing range | 5cm | 1cm |
| Crop factor | 5.9 | 5.8 |
| Screen | ||
| Screen type | Fixed Type | Tilting |
| Screen size | 2.5 inches | 3 inches |
| Resolution of screen | 230k dot | 922k dot |
| Selfie friendly | ||
| Liveview | ||
| Touch operation | ||
| Viewfinder Information | ||
| Viewfinder type | None | Electronic |
| Viewfinder resolution | - | 202k dot |
| Viewfinder coverage | - | 100 percent |
| Features | ||
| Minimum shutter speed | 60s | 30s |
| Fastest shutter speed | 1/3000s | 1/4000s |
| Continuous shutter speed | 2.0fps | 10.0fps |
| Shutter priority | ||
| Aperture priority | ||
| Manual exposure | ||
| Exposure compensation | Yes | Yes |
| Set white balance | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash distance | 6.00 m | 8.50 m (at Auto ISO) |
| Flash modes | Auto, On, Off, Red-Eye reduction, Slow Sync | Off, auto, fill, slow sync, advanced, rear sync |
| External flash | ||
| Auto exposure bracketing | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Video resolutions | 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1920 x 1080 |
| Maximum video resolution | 640x480 | 1920x1080 |
| Video file format | Motion JPEG | MPEG-4, AVCHD |
| Mic input | ||
| Headphone input | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment seal | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 150 grams (0.33 lbs) | 652 grams (1.44 lbs) |
| Physical dimensions | 95 x 53 x 22mm (3.7" x 2.1" x 0.9") | 130 x 93 x 103mm (5.1" x 3.7" x 4.1") |
| DXO scores | ||
| DXO Overall rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery life | - | 300 photographs |
| Type of battery | - | Battery Pack |
| Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec, portrait) |
| Time lapse shooting | ||
| Type of storage | SD/MMC/SDHC card, Internal | SD/SDHC/SDXC + Memory Stick Pro Duo |
| Storage slots | Single | Single |
| Cost at release | $325 | - |