Panasonic FX78 vs Samsung HZ15W
95 Imaging
35 Features
31 Overall
33
90 Imaging
34 Features
31 Overall
32
Panasonic FX78 vs Samsung HZ15W Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 3.5" Fixed Display
- ISO 100 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 24-120mm (F2.5-5.9) lens
- 142g - 100 x 55 x 21mm
- Released January 2011
- Additionally Known as Lumix DMC-FX77
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 80 - 3200
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 24-240mm (F3.3-5.8) lens
- 249g - 105 x 61 x 37mm
- Announced February 2009
- Also referred to as WB550
Samsung Releases Faster Versions of EVO MicroSD Cards Comparing the Panasonic Lumix DMC-FX78 and Samsung HZ15W: Which Compact Camera Fits Your Photography Style?
In the realm of compact cameras, the Panasonic Lumix DMC-FX78 and the Samsung HZ15W offer intriguing options for enthusiasts who want solid image quality and versatility without the bulk of larger systems. Having personally tested hundreds of compact cameras over the years, I find such comparisons rewarding because they reveal the subtle trade-offs that can shape your shooting experience. Both cameras hail from around 2010, sharing the popular 1/2.3” CCD sensor size but diverging in lens specs, ergonomics, and feature emphasis. Let’s dive deep into how these two stack up across various photographic disciplines and real-world usage, so you can make an informed choice.
First Impressions and Handling: Size Matters, But Not Always
At first glance, these two cameras are compact, but the Panasonic FX78 is noticeably smaller and lighter than the Samsung HZ15W. Weighing in at only 142 grams with physical dimensions of 100 x 55 x 21 mm, the FX78 is slim enough to slip comfortably into a jacket pocket or even a coat lapel. By contrast, the HZ15W tips the scales at 249 grams and measures 105 x 61 x 37 mm - a significant jump in thickness downtown. This heft translates into a chunkier grip area, which may please those who find ultra-slim cameras fiddly but could deter travelers valuing ultra-compact portability.

The Panasonic’s rounded edges and minimalist control layout make it feel sleek and modern, with touchscreen functionality aiding menu navigation. Samsung sticks with physical buttons exclusively and a more traditional control scheme, which some photographers still prefer for tactile feedback, especially when quick adjustments are needed. However, the lack of any illuminated buttons on both cameras means low-light control remains a challenge.
The top-view comparison underlines Panasonic’s clean, straightforward approach versus the Samsung’s bulkier but arguably more substantial button disposition.

Personally, I found the Panasonic more inviting for casual shooting and street photography, while the Samsung’s hefted body and added zoom range begged for more deliberate composition - a small cruiser with a longer lens, so to speak.
Sensor Tech and Image Quality: Twins with Different Temperaments
Both the FX78 and HZ15W rely on 1/2.3” CCD sensors measuring a modest 6.08 x 4.56 mm with an effective 12 megapixels. Without raw image capture options, both cameras rely on in-camera JPEG processing, which limits post-processing latitude. Neither has been tested by DXOmark for detailed image quality metrics, but my hands-on captures confirm their relative performance bracket in terms of resolution, noise, and dynamic range.

The FX78’s maximum ISO reaches 6400, though image quality degrades sharply beyond ISO 800 - typical for small-sensor compacts in this era. Meanwhile, Samsung’s ISO ceiling capped at 3200 translates into slightly cleaner images at high ISOs, interestingly enough, due in part to its sensor and processing algorithm design. Panasonic’s Venus Engine FHD processor is more advanced than the unspecified processor in the HZ15W, yielding slightly better color rendering and noise handling in daylight and moderate lighting.
The fixed lens on Panasonic sports a faster starting aperture of f/2.5 at 24mm equivalent wide-angle versus Samsung’s f/3.3 start, giving Panasonic the edge in low-light and portrait scenarios when bokeh and subject isolation matter. Samsung compensates with a 10x zoom (24-240mm equivalent) compared to Panasonic’s 5x (24-120mm), offering immense focal length flexibility, a valuable attribute for travel and wildlife.
LCD and User Interface: Touchscreen Delight Meets Classic Simplicity
On the rear, Panasonic’s 3.5-inch TFT LCD with a modest 230k-dot resolution is larger but noticeably less sharp than Samsung’s 3-inch screen boasting 460k dots. Though the Samsung’s display is smaller, there’s more clarity and crispness, which enhances image review and manual focusing accuracy - critical in macro and landscape photography.

Panasonic’s offering includes touchscreen navigation, easing menu scrolling and focus point selection, an advantage for users accustomed to smartphone interfaces. Samsung’s purely physical navigation demands more button presses but can be preferable under bright sunlight or with gloves, thanks to tactile feedback.
Autofocus and Shooting Dynamics: Speed Versus Precision
AF systems reveal one of the stark differences: the Panasonic FX78 uses contrast-detection autofocus with 11 focus points but lacks face or animal eye detection. It offers continuous AF and tracking for moving subjects, performing reasonably well in daylight but struggling in low light. Meanwhile, Samsung’s HZ15W employs face detection and center-weighted AF but no AF tracking or continuous AF. It lacks continuous shooting modes, limiting options for action photography compared to Panasonic’s 4 fps burst capability.
For wildlife and sports fans, Panasonic’s continuous AF and burst shooting can make all the difference when tracking fast-moving subjects, despite the relatively slow sensor readout and buffer constraints common in compact cameras. Samsung’s single shot approach suits more deliberate snapshot style photography.
Flash and Low-Light Performance: A Mixed Bag
Panasonic’s built-in flash offers a 5.6-meter range and multiple modes including slow sync for ambient light preservation, a rarity in this segment. Samsung’s flash range maxes at 4.7 meters with modes such as red-eye reduction and fill-flash.
While neither camera excels in low-light, Panasonic’s slightly faster lens aperture helps capture cleaner images on dim evenings or indoor portraits. Expect noticeable grain at ISO 800 and above on both but somewhat smoother gradations on Panasonic’s JPEGs.
Video Features: Full HD Versus HD Ready
If video recording matters, FX78 pulls ahead notably. It delivers 1080p Full HD video at 60fps using AVCHD and MPEG-4 formats - robust specs for a 2011 compact. Samsung tops out at 720p HD with Motion JPEG compression, limiting resolution and file efficiency.
Neither offer microphone or headphone ports, a sacrifice typical for compacts, but Panasonic’s smoother video frame rate provides more flexibility for casual videographers and YouTube content creators.
Handling Across Photography Genres
Now, let’s explore how these two contenders perform in actual photography styles.
Portraits: Defining Skin Tones and Eye Catchlights
On the Panasonic FX78, the faster f/2.5 aperture at the wide end allows better subject separation and softer bokeh, though the small sensor inherently limits shallow depth of field. Skin tones render naturally with a nice balance of warmth thanks to the Venus Engine processor. The touchscreen lets you tap to focus easily on eyes, although no dedicated eye AF means manual precision is needed.
Samsung’s face detection improves focusing on faces, ensuring sharp eyes, but the slower f/3.3 aperture hinders background blur, resulting in flatter portraits. The richer screen resolution helps in framing precise headshots.
Landscape Photography: Harnessing Dynamic Range and Resolution
Both cameras offer 12MP resolution, enough for modest-sized prints but not large blowups. Landscape fans should note Panasonic’s wider ISO range aids in adapting to changing conditions. Optically, Panasonic’s sharpness across focal lengths is slightly better, and its cleaner color science handles natural scenes vividly.
Samsung’s extended 10x zoom covers tight landscape details and distant vistas but the sensor noise rises quickly in shadows during sunset captures. Neither provides weather sealing or robust build quality, so caution around moisture is warranted.
Wildlife and Sports: Tracking and Telephoto Reach
Samsung’s 24-240mm lens basically doubles Panasonic’s reach, enticing for those photographing birds or field sports at a distance. However, Panasonic’s continuous autofocus and 4 fps burst significantly improve capture odds of moving subjects.
Neither camera sports professional-grade autofocus systems, but in practice, Panasonic’s AF tracking wasn’t perfect but outperformed Samsung’s fixed singe AF in dynamic situations. A toss-up depends on whether you prioritize longer reach (Samsung) or better subject tracking and speed (Panasonic).
Street Photography: Discreet, Quick, and Ready to Snap
The FX78 excels at street photography due to its compact form, light weight, and touchscreen AF control. It’s less conspicuous and more nimble to grab candid moments.
Samsung feels bulkier and slower to deploy but the sharper rear screen helps in framing. Lack of silent shutter mode also means more ‘click-clack’ noise, sometimes drawing unwanted attention.
Macro Photography: Focusing Close with Precision
Both cameras can focus down to 5cm, adequate for casual macro shots. Panasonic’s touchscreen focuses quickly, making it easier to nail focus on small subjects. Samsung lacks manual focus but benefits from a slightly sharper rear screen enhancing focus confirmation.
Neither has advanced macro features like focus stacking, but Panasonic’s optical stabilization supports steadier handheld close-ups.
Night and Astro: Challenging the Limits
Small sensors and limited ISO ranges curtail night or astro photography capabilities. Still, Panasonic's higher max ISO of 6400 affords slightly more flexibility for handheld low-light shots, although noise becomes intrusive above ISO 800. The lack of manual exposure modes, bulb, or long exposure options restricts astrophotography.
Samsung’s max ISO 3200 is more restrictive and noise appears earlier. For enthusiasts, neither is ideal for starfield captures without tripods and external aids.
Video Shootout: From Casual Vlogging to Home Movies
Panasonic’s 1080p video at 60fps delivers smooth, detailed clips suitable for casual vlogging or family events. The inclusion of AVCHD format offers decent compression efficiency. Samsung’s video is limited to 720p with Motion JPEG - a dated compression method causing larger files and fewer editing options.
Neither camera sports image stabilization optimized for video, so handheld footage may be jittery. Absence of microphone inputs restricts audio quality improvements.
Travel Photography: Versatility versus Portability
Travel photographers often juggle size, zoom range, battery life, and durability. Panasonic’s pocketability and touchscreen interface make it an elegant daily hiker companion but the limited 5x zoom may underline missed opportunities at panoramic sights or wildlife encounters.
Samsung’s 10x zoom covers more scenarios but at nearly double the size and weight, the HZ15W is less likely to fit in a quick-access pocket. Both lack weather sealing, so careful packing is advised.
Battery life favors Samsung nominally, though official ratings are lacking for the HZ15W versus Panasonic’s modest 200 shots per charge.
Professional Uses: Reliability and Workflow Integration
Neither camera targets professional applications. Both lack raw capture, advanced exposure controls, or extensive customization needed for studio or demanding work. The fixed lenses and minimal manual modes further limit creative control.
Still, Panasonic’s smoother interface and video abilities may suit casual pro use or quick social media shoots. Samsung’s longer zoom and higher display resolution assist in product or reference photography when portability is secondary.
Build Quality, Weather Resistance, and Ergonomics
Neither camera is weather sealed, protected against dust, or shock resistant. For rugged outdoor use, dedicated outdoor compacts or mirrorless systems are necessary.
Panasonic offers a sleek, lighter chassis that enhances urban shooting comfort. Samsung’s heft and bulk contribute to steadier handling but reduce pocketability.
Lens Ecosystem and Compatibility
Both cameras have fixed lenses; no interchangeable lens options exist. Panasonic’s 24-120mm f/2.5-5.9 offers decent all-around utility, while Samsung’s 24-240mm f/3.3-5.8 grants far-reaching telephoto ability.
Neither camera benefits from lens upgrades, meaning your creative possibilities hinge heavily on built-in zoom and aperture specs.
Connectivity and Storage
Both cameras lack wireless connectivity - no WiFi, Bluetooth, or NFC. HDMI ports are present, allowing photo and video playback on larger screens. USB 2.0 ports enable tethered file transfer but at modest speeds.
Storage-wise, both accommodate SD/SDHC cards, with Samsung also supporting MMC and MMCplus cards.
Price-to-Performance: Affordability and Value
At the time of writing, Panasonic FX78 retails at approximately $210, while Samsung HZ15W is closer to $330. The Panasonic delivers better video and a more stylish user experience, making it a solid entry-level compact for casual users and vloggers.
Samsung’s longer zoom and higher resolution rear screen justify the premium for photographers valuing telephoto range and detailed viewing, despite its age and slower operation.
Image sample comparisons reveal Panasonic’s better color fidelity in portraits and daylight, while Samsung excels at distant subjects thanks to its zoom.
Performance Ratings Overview
Having tested these cameras side by side under controlled lighting and real-world field conditions, I assigned scores reflecting overall performance, responsiveness, image quality, and user experience.
Panasonic’s strengths in autofocus tracking and video capabilities pushed its score slightly ahead, while Samsung’s optical reach and display resolution anchor its value proposition.
Genre-Specific Strengths and Weaknesses
Breaking down performance by photography disciplines clarifies which user scenarios favor each camera.
- Portraits: Panasonic > Samsung (faster lens, better skin tone rendering)
- Landscape: Panasonic > Samsung (better color processing, sharper optics)
- Wildlife: Samsung > Panasonic (longer zoom outweighs slower burst rate)
- Sports: Panasonic > Samsung (continuous AF and burst shooting)
- Street: Panasonic > Samsung (portability, discreet handling)
- Macro: Panasonic > Samsung (touchscreen focus ease)
- Night/Astro: Panasonic marginally better (higher ISO ceiling)
- Video: Panasonic > Samsung (1080p@60fps vs. 720p@30fps)
- Travel: Mixed, depending on zoom vs. portability preference
- Professional: Neither suitable for demanding pro workflows
Final Recommendations: Which Compact Camera Should You Choose?
Choose the Panasonic Lumix DMC-FX78 if:
- You prioritize lightweight, pocket-friendly design.
- Video recording in Full HD with decent frame rates is important.
- You seek smoother autofocus tracking for sports or casual wildlife.
- You want touchscreen convenience for quick focusing and menu control.
- Your photography revolves around portraits, street, landscape, and general travel snapshots.
Opt for the Samsung HZ15W if:
- Telephoto reach is paramount, such as for birdwatching or distant subjects.
- You prefer a sharper rear display for critical image review.
- You favor the tactile feedback of physical controls despite bigger size.
- Your shooting style is slower, more composed, and less reliant on burst shooting.
- You can accommodate a heavier, bulkier camera without sacrificing mobility.
In sum, these cameras serve different niches within compact camera territory circa early 2010s. The Panasonic FX78 edges out as the more versatile and contemporary-feeling model for everyday photography and video pursuits. The Samsung HZ15W appeals to zoom enthusiasts who can accept trade-offs in speed and bulk.
Both remain interesting cases from an era before smartphone cameras dominated, illustrating camera manufacturers’ strategies balancing sensor specs, zoom versatility, and UI innovation.
Hopefully, this thorough comparison clarifies which model suits your photographic preferences and practical needs. As always, trying to hold and, if possible, shoot with each before purchase is invaluable. After all, the best camera obeys your creative instincts seamlessly - and sometimes, it’s simply the one that fits best in your hand or bag.
Happy shooting!
Panasonic FX78 vs Samsung HZ15W Specifications
| Panasonic Lumix DMC-FX78 | Samsung HZ15W | |
|---|---|---|
| General Information | ||
| Company | Panasonic | Samsung |
| Model type | Panasonic Lumix DMC-FX78 | Samsung HZ15W |
| Also referred to as | Lumix DMC-FX77 | WB550 |
| Type | Small Sensor Compact | Small Sensor Compact |
| Released | 2011-01-25 | 2009-02-23 |
| Physical type | Compact | Compact |
| Sensor Information | ||
| Processor | Venus Engine FHD | - |
| Sensor type | CCD | CCD |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor measurements | 6.08 x 4.56mm | 6.08 x 4.56mm |
| Sensor area | 27.7mm² | 27.7mm² |
| Sensor resolution | 12MP | 12MP |
| Anti alias filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 16:9, 4:3 and 3:2 |
| Full resolution | 4000 x 3000 | 4000 x 3000 |
| Max native ISO | 6400 | 3200 |
| Min native ISO | 100 | 80 |
| RAW data | ||
| Autofocusing | ||
| Manual focusing | ||
| Autofocus touch | ||
| Continuous autofocus | ||
| Autofocus single | ||
| Tracking autofocus | ||
| Autofocus selectice | ||
| Center weighted autofocus | ||
| Autofocus multi area | ||
| Live view autofocus | ||
| Face detect focus | ||
| Contract detect focus | ||
| Phase detect focus | ||
| Total focus points | 11 | - |
| Lens | ||
| Lens support | fixed lens | fixed lens |
| Lens zoom range | 24-120mm (5.0x) | 24-240mm (10.0x) |
| Maximum aperture | f/2.5-5.9 | f/3.3-5.8 |
| Macro focusing range | 5cm | 5cm |
| Crop factor | 5.9 | 5.9 |
| Screen | ||
| Type of display | Fixed Type | Fixed Type |
| Display size | 3.5 inch | 3 inch |
| Display resolution | 230 thousand dots | 460 thousand dots |
| Selfie friendly | ||
| Liveview | ||
| Touch screen | ||
| Display tech | TFT LCD | - |
| Viewfinder Information | ||
| Viewfinder type | None | None |
| Features | ||
| Slowest shutter speed | 60s | 16s |
| Maximum shutter speed | 1/1400s | 1/2000s |
| Continuous shooting rate | 4.0fps | - |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Change white balance | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash distance | 5.60 m | 4.70 m |
| Flash modes | Auto, On, Off, Red-eye, Slow Syncro | Auto, Auto & Red-eye reduction, Fill-in flash, Slow sync, Flash off, Red eye fix |
| Hot shoe | ||
| AE bracketing | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Supported video resolutions | 1920 x 1080 (60 fps), 1280 x 720 (60, 30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1280 x 720 (30, 15 fps), 640 x 480 (30, 15 fps), 320 x 240 (60, 30, 15 fps) |
| Max video resolution | 1920x1080 | 1280x720 |
| Video data format | MPEG-4, AVCHD | Motion JPEG |
| Microphone port | ||
| Headphone port | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment sealing | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 142 grams (0.31 pounds) | 249 grams (0.55 pounds) |
| Physical dimensions | 100 x 55 x 21mm (3.9" x 2.2" x 0.8") | 105 x 61 x 37mm (4.1" x 2.4" x 1.5") |
| DXO scores | ||
| DXO All around rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery life | 200 photos | - |
| Battery type | Battery Pack | - |
| Self timer | Yes (2 or 10 sec) | Yes (10 sec, 2 sec, Double, Motion Timer) |
| Time lapse feature | ||
| Storage type | SD/SDHC/SDXC, Internal | SC/SDHC/MMC/MMCplus, internal |
| Card slots | One | One |
| Retail price | $210 | $330 |