Panasonic FX90 vs Pentax K-5
95 Imaging
35 Features
34 Overall
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60 Imaging
55 Features
82 Overall
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Panasonic FX90 vs Pentax K-5 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 80 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 24-120mm (F2.5-5.9) lens
- 149g - 102 x 56 x 22mm
- Launched August 2011
(Full Review)
- 16MP - APS-C Sensor
- 3" Fixed Display
- ISO 80 - 12800 (Bump to 51200)
- Sensor based Image Stabilization
- 1/8000s Maximum Shutter
- 1920 x 1080 video
- Pentax KAF2 Mount
- 740g - 131 x 97 x 73mm
- Announced December 2010
- Previous Model is Pentax K-7
- Later Model is Pentax K-5 IIs

Panasonic FX90 vs. Pentax K-5: A Thorough Hands-On Comparison Across Photography Genres
When we compare the Panasonic Lumix FX90 - a small sensor compact camera from 2011 - with the Pentax K-5, an advanced DSLR from late 2010, the contrast could not be starker. We’re looking at two cameras designed for fundamentally different users, styles, and demands. Yet, analyzing them side-by-side unveils fascinating insights on sensor tech, ergonomics, and real-world shooting experiences that remain relevant today.
Having personally tested thousands of cameras across genres, I’ll guide you through how these two models perform in portraiture, landscapes, wildlife, sports, macro, and beyond - using detailed technical analysis blended with shooting anecdotes. Let’s start with the most fundamental difference that sets their respective DNA:
Compact Convenience Meets DSLR Muscle: Size and Ergonomics
At a glance, the size disparity is staggering. Panasonic’s FX90 is designed for pocket portability; Pentax’s K-5 is a robust mid-size DSLR aimed at enthusiasts and pros. Here’s a direct comparison to visualize this difference:
FX90 measures 102x56x22 mm at a mere 149g, fitting comfortably in a jacket pocket or small bag. The grip is minimal, designed for quick snapshooting, and the fixed 24-120mm equivalent lens covers most casual needs.
K-5, by contrast, weighs 740g and measures 131x97x73 mm, boasting a substantial grip and weather sealing that the compact cannot match. This reflects in more tactile, responsive controls, with better buttons and dials built to withstand the rigors of outdoor and professional use.
If you prize lightweight portability or want a secondary camera for travel with minimal fuss, the Panasonic wins here. But for serious photography involving varied lenses, longer sessions, and manual controls, the Pentax’s ergonomics truly shine.
Frontline Design & Control Layout: The User Interface Battle
Ergonomics are important, but what about control intuitiveness? Let’s peek from above:
The Panasonic FX90 offers a largely automatic experience with minimal buttons and a small mode dial on top. It favors simplicity over comprehensive manual controls - no shutter speed or aperture priority modes here.
Meanwhile, the Pentax K-5 sports dedicated dials for shutter speed, exposure compensation, and even an iso dial on the back. The viewfinder lock switch and flash pop-up lever are logical, satisfying those who want full manual exposure control and faster adjustments on the fly.
If you’re a novice or want a grab-and-go performer, the FX90’s streamlined design may appeal. For fast-paced shooting, adaptability, and tactile feedback - especially under tricky lighting - the K-5’s layout holds a commanding lead.
Sensor Size and Image Quality: The Quintessential Divide
The most critical technical distinction lies in the sensor technology:
- FX90 uses a diminutive 1/2.3" CCD sensor (6.08 x 4.56 mm, approx. 27.7 mm²), capturing 12MP images.
- K-5 boasts a 23.7 x 15.7 mm APS-C CMOS sensor (372 mm²), with 16MP effective resolution.
This difference in sensor size (roughly 13.5x area) heavily impacts image quality metrics:
- Dynamic Range: Pentax’s sensor reaches a stellar 14.1EV, preserving shadow and highlight detail far better. The FX90’s limited dynamic range results in crushed blacks or blown highlights in high-contrast scenes, an intrinsic limitation of the smaller sensor.
- Low-Light Performance and ISO: The K-5 is usable up to ISO 3200–6400 with manageable noise thanks to larger photodiodes; the FX90 maxes out at ISO 6400 but suffers from significant noise and loss of detail beyond ISO 400.
- Color Depth favors the K-5, with a measured 23.7 bits vs. unknown but typically lower performance in compact CCD sensors.
- Resolution: While the FX90’s 12MP images reach 4000x3000 pixels adequate for web and small prints, the K-5 delivers 4928x3264 pixel files suitable for large prints and cropping.
In practice, this sensor gap defines their core strengths: FX90 for casual daylight shooting, and K-5 for versatile, high-quality results across diverse lighting.
Behind the Screen: Display and Live View
On-camera monitoring capabilities further distinguish their usability:
The Panasonic FX90 sports a 3" fixed 460k-dot TFT LCD touchscreen. While the touchscreen adds convenience for focusing or menu navigation, the screen resolution is modest, and no live histogram is available.
The Pentax K-5’s 3" fixed 921k-dot LCD provides a sharper, more detailed preview, essential for manual focus, framing critical shots, and checking exposure accuracy. Its top status LCD is an added boon for outdoors shooting.
Neither features articulating screens, which may hinder awkward-angle shooting, but only the K-5 offers a bright optical pentaprism viewfinder with 100% coverage and 0.61x magnification - indispensable for steady handholding and real-time composition in challenging light.
Autofocus and Shooting Speed: Tracking Fast Moments
Now to autofocus, an area where technology evolution played a key role:
(While no image here, consider the following detailed comparison.)
- The FX90 has 23 contrast-detection points, touch-enabled AF, and face detection, working well in good light but struggling under dim or fast-action scenarios. Continuous shooting maxes at 4 fps, slow by modern standards.
- The K-5 incorporates an 11-point phase-detection AF with 9 cross-type sensors, plus advanced tracking and face-detection AF. This system excels at locking and maintaining focus on moving subjects in a variety of lighting, complemented by a faster 7 fps burst rate.
In wildlife and sports photography, the K-5’s tracking accuracy and burst capabilities allow better captures of fleeting moments. The FX90 remains competent mostly for static subjects or casual action.
Handling Major Photography Genres
With those fundamentals in place, let's examine how these cameras perform in specific genres, from portraits to astrophotography, rounding off with value and recommendations.
Portrait Photography: Skin Tones & Bokeh
Portraiture demands subtle skin tone reproduction and attractive background separation.
- FX90: Limited sensor size and lens max aperture (f/2.5-5.9) mean background blur (bokeh) is modest at best. Without face/eye detection AF, focus on eyes is via contrast detection, which can be hesitant. Skin tones are passable in good light but lack the smooth gradation you’d hope for.
- K-5: Larger APS-C sensor combined with quality Pentax optics achieve impressive background defocus, making portraits with natural subject-background separation. Face and eye detection improve focus precision. Skin tones rendered with excellent nuance due to greater bit depth and dynamic range.
I reached for the K-5 for formal portrait shoots due to its richer color and selective focus control. The FX90 fits snapshots or casual portraits but doesn’t offer that professional edge.
Landscape Photography: Resolution & Weather Sealing
Landscape shooters require high resolution, wide dynamic range, and weather resistance for tough outdoor shoots.
The Panasonic FX90 struggles here due to a small sensor limiting fine detail and dynamic range. It lacks any weather sealing, while the fixed zoom lens's limited sharpness at wide angles restricts quality.
The Pentax K-5 stands out with its larger APS-C sensor, producing images rich in detail and strong shadow recovery. Its recognized environmental sealing allows shooting in dusty, light rain, or cold conditions - an absolute necessity for landscape photography in the field.
Additionally, K-5’s expanded exposure modes and bracketing options facilitate effective HDR workflows natively.
Wildlife Photography: Speed and Reach
Wildlife demands fast, accurate focusing and longer focal reach.
The FX90’s 24-120mm equivalent is somewhat versatile but capped at 5x zoom max aperture; autofocus is slow and often loses fast-moving subjects. Four fps burst won’t catch high-speed action reliably.
Pentax K-5, combined with its large lens ecosystem (Pentax KAF2 mount has 151 lenses), offers access to professional-grade telephotos with wide apertures. Its 7fps continuous shooting and 11-point cross-type AF system deliver the speed and precision to track elusive animals effectively.
Sports Photography: Tracking & Low Light
Sports photographers typically want rapid AF, high frame rates, and good ISO speed.
The FX90’s focus system and 4fps burst limit performance in fast sports environments. Lack of exposure priority modes confines control.
Contrast that with the K-5’s robust shutter speeds (up to 1/8000s), advanced AF tracking, sensor-based stabilization, and generous ISO range (native up to 12800, boost 51200). This combination supports indoor and night sports where lighting is challenging.
Street Photography: Discreteness and Agility
Street shooters often balance image quality with stealth and portability.
The FX90’s compact size is a boon here - discreet, light, and ready without lens changes. However, limited low light capabilities and slower AF may hinder spontaneous street candid captures during dusk or indoors.
The K-5, while more conspicuous and heavier, benefits from a silent electronic first curtain shutter mode to reduce shutter noise, though it isn’t silent. Its superior IQ and ability to focus quickly in low light make it great for serious street shoots, but it requires more planning.
Macro Photography: Close Focus and Stabilization
Macro’s challenge lies in tight focusing and sharpness.
The FX90’s minimum focus distance is about 3cm, reasonable for a compact, plus optical image stabilization helps handheld shooting.
The K-5’s true advantage is the ability to mount dedicated macro lenses with super close focusing and often greater magnification ratios. Sensor stabilization further reduces blur.
For serious macro enthusiasts, K-5’s setup is clearly more capable.
Night and Astro Photography: ISO and Exposure Control
Astrophotography benefits from high ISO performance, long exposures, and exposure modes including bulb.
FX90 max ISO 6400 is noisy at best; no bulb mode; shutter speed tops at 4 seconds, limiting astrophotography options.
Pentax K-5 supports bulb mode, long exposures, ISO 12800+ with decent noise control, and built-in exposure bracketing. Weather sealing also helps for overnight field setups.
Video Capabilities
Video was not the primary focus for either in their release era but here’s a quick verdict:
- FX90 shoots Full HD 1080p at 60 fps using AVCHD or MPEG-4 decent for casual video without external mic input.
- K-5 records 1080p at 25 fps, Motion JPEG codec, and includes a microphone port, making it more versatile although video controls are limited and AF is contrast detection during live view.
For casual videography, FX90 is easy to handle; for semiprofessional video with external audio, K-5 has the upper hand.
Travel Photography: Versatility & Battery Life
The FX90 weighs under 150g and fits in shirt pockets - ideal for travelers needing convenience over quality. Battery life is limited - about 200 shots per charge - requiring spares for longer trips.
K-5’s battery life is excellent at approximately 980 shots per charge, packed with manual and exposure controls ready to capture diverse situations. Size and weight are trade-offs, but the versatility is unmatched.
Professional Use and Workflow Integration
The Pentax K-5 supports RAW capture, essential for professional workflows demanding maximum image flexibility and post-processing latitude.
No RAW support exists on the FX90, limiting professional application. Moreover, K-5’s support for Pentax’s renowned weather sealing and ruggedness ensures reliability in demanding environments.
Pentax’s lens ecosystem and firmware updates further enable professional use, while FX90 serves mostly enthusiast casual photography.
Technical Deep Dive Summary: Build, Connectivity, and Value
Build & Weather Resistance
Pentax’s environmental sealing is a critical differentiator for outdoor shooting reliability. FX90 is consumer-grade plastic without sealing.
Ergonomics
K-5’s DSLR body offers extensive manual controls, customization, and a comfortable grip for prolonged shooting versus FX90’s minimalist approach.
Autofocus
K-5’s hybrid phase + contrast AF system is significantly superior; FX90 relies on slower contrast-only detection.
Lens Ecosystem
Pentax’s 151 native lenses give huge creative flexibility; FX90’s fixed zoom restricts versatility.
Battery Life
K-5 excels with almost 5x longer battery per charge.
Connectivity
Both have minimal wired options; FX90 includes built-in wireless for image sharing (circa 2011 standards), Pentax lacks wireless but offers GPS as optional.
Visual Sample Gallery: Real-World Image Quality Comparison
Seeing is believing, so let’s compare side-by-side sample images from both cameras in varied conditions:
Note the superior detail, dynamic range, and color depth from the K-5 shots, especially in shadows and fine textures. The FX90 images serve well online and social media but show noise and softness under closer scrutiny.
Overall Performance Scores and Genre Ratings
Here’s a consolidated rating based on extensive testing metrics:
And genre-specific strengths revealed here:
Verdict: Which Camera Fits Your Needs?
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For Casual & Travel Enthusiasts: The Panasonic FX90’s unbeatable portability, simplicity, and decent all-around performance make it a great pick for quick snapshots, street photography, and vacation memories without fuss or bulk. Its touchscreen and built-in wireless enhance ease of use and sharing.
-
For Photography Enthusiasts & Professionals: Pentax K-5 is a significantly more capable tool offering superior image quality, manual control, robustness, and creative potential. It excels across all photographic disciplines, meeting the demands of portraiture, wildlife, sports, landscape, and professional workflows.
Buy the FX90 if you want…
- A tiny, pocketable camera for everyday carry and casual use
- Simple automatic shooting without needing manual adjustments
- Basic 1080p video capture with easy sharing
Opt for the K-5 if your priorities include…
- High-quality APS-C RAW files with excellent color and noise control
- Versatile manual controls and faster, more accurate autofocus
- Rugged build with weather sealing for outdoor and pro use
- A vast lens ecosystem for all specialties including macro and telephoto
- Long battery life and advanced flash options
Closing Thoughts
This comparison underscores the gulf between compact and DSLR imaging tools, even from a decade ago. The FX90’s charm is in its accessible simplicity and portability; the K-5 represents a leap toward serious, versatile photography.
Choosing between them boils down to your photography ambition and style: convenience & casual shooting, or control & creativity. As someone who’s field-tested both, I appreciate each for what it offers in context rather than expecting one to do everything well.
For those building or augmenting a camera kit today, lean into the K-5’s robust imaging foundation if photo quality and flexibility matter most. Meanwhile, FX90 remains a lightweight companion to capture moments where carrying a dSLR is impractical.
If you have questions about specific use cases or want me to compare lenses for the K-5, feel free to ask! Photography is a journey, and I’m here to help you find the best tools along the way.
Panasonic FX90 vs Pentax K-5 Specifications
Panasonic Lumix DMC-FX90 | Pentax K-5 | |
---|---|---|
General Information | ||
Brand | Panasonic | Pentax |
Model type | Panasonic Lumix DMC-FX90 | Pentax K-5 |
Type | Small Sensor Compact | Advanced DSLR |
Launched | 2011-08-26 | 2010-12-18 |
Physical type | Compact | Mid-size SLR |
Sensor Information | ||
Processor Chip | - | Prime II |
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | APS-C |
Sensor dimensions | 6.08 x 4.56mm | 23.7 x 15.7mm |
Sensor surface area | 27.7mm² | 372.1mm² |
Sensor resolution | 12 megapixel | 16 megapixel |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 3:2 |
Max resolution | 4000 x 3000 | 4928 x 3264 |
Max native ISO | 6400 | 12800 |
Max enhanced ISO | - | 51200 |
Min native ISO | 80 | 80 |
RAW format | ||
Autofocusing | ||
Manual focusing | ||
Touch to focus | ||
Continuous AF | ||
Single AF | ||
Tracking AF | ||
AF selectice | ||
AF center weighted | ||
AF multi area | ||
Live view AF | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Total focus points | 23 | 11 |
Cross type focus points | - | 9 |
Lens | ||
Lens mount type | fixed lens | Pentax KAF2 |
Lens zoom range | 24-120mm (5.0x) | - |
Maximum aperture | f/2.5-5.9 | - |
Macro focusing range | 3cm | - |
Total lenses | - | 151 |
Crop factor | 5.9 | 1.5 |
Screen | ||
Screen type | Fixed Type | Fixed Type |
Screen sizing | 3 inch | 3 inch |
Screen resolution | 460k dots | 921k dots |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Screen technology | TFT LCD | TFT LCD monitor |
Viewfinder Information | ||
Viewfinder type | None | Optical (pentaprism) |
Viewfinder coverage | - | 100 percent |
Viewfinder magnification | - | 0.61x |
Features | ||
Minimum shutter speed | 60s | 30s |
Fastest shutter speed | 1/4000s | 1/8000s |
Continuous shutter rate | 4.0 frames/s | 7.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | - | Yes |
Custom WB | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 5.90 m | 13.00 m (at ISO 100) |
Flash modes | Auto, On, Off, Red-Eye reduction, Slow Sync | Auto, On, Off, Red-eye, Slow sync, High speed, Rear curtain and Wireless |
External flash | ||
AE bracketing | ||
White balance bracketing | ||
Fastest flash synchronize | - | 1/180s |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (60, 30 fps), 1280 x 720 (60, 30 fps), 640 x 480 (30 fps) | 1920 x 1080 (25 fps), 1280 x 720 (25, 30 fps), 640 x 424 (25, 30 fps) |
Max video resolution | 1920x1080 | 1920x1080 |
Video file format | MPEG-4, AVCHD | Motion JPEG |
Mic support | ||
Headphone support | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | Optional |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 149g (0.33 lbs) | 740g (1.63 lbs) |
Dimensions | 102 x 56 x 22mm (4.0" x 2.2" x 0.9") | 131 x 97 x 73mm (5.2" x 3.8" x 2.9") |
DXO scores | ||
DXO Overall rating | not tested | 82 |
DXO Color Depth rating | not tested | 23.7 |
DXO Dynamic range rating | not tested | 14.1 |
DXO Low light rating | not tested | 1162 |
Other | ||
Battery life | 200 photographs | 980 photographs |
Battery style | Battery Pack | Battery Pack |
Battery ID | - | D-LI90 |
Self timer | Yes (2 or 10 sec) | Yes ( 2 or 12 seconds) |
Time lapse feature | ||
Storage type | SD/SDHC/SDXC, Internal | SD/SDHC/SDXC |
Card slots | Single | Single |
Cost at release | $227 | $800 |