Panasonic FZ150 vs Pentax 645Z
67 Imaging
35 Features
57 Overall
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49 Imaging
79 Features
74 Overall
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Panasonic FZ150 vs Pentax 645Z Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fully Articulated Screen
- ISO 100 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 25-600mm (F2.8-5.2) lens
- 528g - 124 x 82 x 92mm
- Launched April 2012
(Full Review)
- 51MP - Medium format Sensor
- 3.2" Tilting Display
- ISO 100 - 204800
- No Anti-Alias Filter
- 1920 x 1080 video
- Pentax 645AF2 Mount
- 1550g - 156 x 117 x 123mm
- Released April 2014
- Older Model is Pentax 645D

Bridging Worlds: A Deep Dive into the Panasonic FZ150 and Pentax 645Z
When you set out to choose a camera, the landscape is as varied as the photographic genres it serves. You might be looking for a compact superzoom to capture the everyday and the exotic with equal aplomb, or a medium format powerhouse designed to deliver unparalleled image quality for professional assignments. Today, I’m putting two very different beasts side-by-side - the Panasonic Lumix DMC-FZ150 (hereafter, FZ150), a compact superzoom bridge camera with a fixed lens, and the Pentax 645Z, a pro-level medium format DSLR. My goal is to draw out their real-world strengths and limitations so you can pinpoint what fits your photography style, budget, and workflow.
Let’s get started.
Size and Handling: Pocketable Power vs. Professional Presence
If you’ve handled many cameras, you know size and ergonomics impact your shooting experience from the first click. Here’s a straightforward side-by-side look.
The FZ150 is a small-sensor superzoom with a body roughly the size of a thick SLR-like bridge camera - compact and fairly lightweight at 528 grams. Its DSLR-style grip feels secure in one hand, and despite the fixed 25-600mm equivalent lens, it remains relatively portable for travel or street photography.
In contrast, the Pentax 645Z is a behemoth, tipping the scales at 1,550 grams and sporting a large, hefty body with a pronounced handgrip designed to accommodate medium format lenses and professional use. Its dimensions reflect both a robust build and a presence that commands stability but sacrifices discretion and portability. If you’re walking miles or shooting street candidly, the 645Z is likely to draw attention.
But if bulk doesn’t faze you and your priority is image quality and ruggedness, this camera’s size and weight feel justified.
Design and Intuitive Controls: Classic DSLR Versus Simplified Bridge
Jumping to the top control layouts, the cameras couldn’t be more different.
The FZ150 offers a straightforward, no-nonsense top panel: a mode dial, dedicated video record button, ISO dial, exposure compensation button, and zoom rocker on the shutter release. While it lacks customizable buttons and illuminated controls, everything you need is within thumb reach - perfect for quick telephoto framing or adjusting exposure on the fly.
Pentax’s 645Z offers a more sophisticated control scheme: dedicated buttons and dials for ISO, shutter speed, aperture, white balance, and metering modes, plus a customizable top LCD for white balance status and exposure info. This complexity rewards experienced photographers who relish tactile access to settings without diving into menus, but newcomers might find it daunting.
If you prefer speed and simplicity, the FZ150’s layout is a winner; if you’re a professional craving granular control, the 645Z checks all the boxes.
The Heart of the Matter: Sensors and Image Quality
Now, let’s tackle the single most important differentiator - the sensor and resultant image quality.
The FZ150 stomps around with a 1/2.3” CMOS sensor measuring just 6.17 x 4.55mm, offering a modest 12 megapixels. This sensor size is typical for superzoom bridge cams but severely limits dynamic range and low light performance. However, Panasonic compensates somewhat with a bright constant f/2.8 aperture at the wide end, helping gather enough light for handheld shooting.
The Pentax 645Z, by contrast, wields a jaw-dropping medium format 44 x 33mm CMOS sensor with 51 megapixels - over 50 times the sensor area of the FZ150. There’s no contest here: the pixel count, color depth (26 bits), and dynamic range (14.7 stops) easily surpass the small-sensor camera. In practice, this means spectacular skin tone gradations, massive detail for large prints, and a flexibility in shadow recovery that’s unmatched.
In terms of low light, the 645Z can hold up with ISOs up to 204,800 (though practically, usability tops out much lower), whereas the FZ150 starts to show noise degradation past ISO 800.
If image quality reigns supreme for you, the 645Z wins hands down. But for casual travel or wildlife snapshots where convenience trumps resolution, the FZ150 still offers respectable output.
Viewing Your Shot: Displays and Viewfinders
Composition is more intuitive with outstanding viewing aides. Let’s see how these cameras stack up.
The FZ150’s 3-inch fully articulating LCD sports a basic 460k-dot resolution. The articulation means you can tilt the screen for low- or high-angle shots - a big plus for macro or creatives who prefer variable viewpoints. Though the low resolution can make judging focus a bit tricky, the live view is fairly responsive and supports manual focus assist.
The 645Z moves up to a 3.2-inch tilting screen with 1,037k dots - noticeably crisper and more detailed when framing or reviewing. Its optical pentaprism viewfinder (98% coverage, 0.85x magnification) offers a clear, lag-free real-world view favored by pros in bright conditions.
If you shoot lots of video or rely on live view, the larger, higher-res screen on the 645Z feels like a significant upgrade. Though the FZ150’s articulating display adds creative flexibility not to be overlooked.
Portrait Photography: Skin Tones, Bokeh, and Eye Detection
Portraits demand nuanced color reproduction, smooth bokeh, and fast, accurate AF. How do these cameras deliver?
The FZ150’s 12MP sensor and fixed lens offer decent sharpness but moderate background separation. At 25mm wide angle (approx. 24mm), the f/2.8 aperture is wide for a superzoom, but as you zoom in to 600mm, aperture drops to f/5.2, limiting shallow depth of field effects. Its autofocus is contrast-detection based with 23 points, and unfortunately, no face or eye detection - so you’ll need to compose carefully.
The 645Z, armed with medium format glass, excels here. The lenses’ wide apertures produce buttery bokeh and excellent subject isolation. The sensor’s high resolution captures skin tones with incredible smoothness and fine detail. Its 27-point phase-detection AF system supports face and eye detection, critical for nailing focus on portraits. Continuous AF and tracking add flexibility for spontaneous candid shots.
For studio or client portraiture, the 645Z is my choice - image quality is its calling card. But if you want decent portraits while traveling light, the FZ150’s zoom range lets you frame from a distance, though with less control over depth.
Capturing Expanses: Landscape Photography Capabilities
Landscape photographers crave resolution, dynamic range, weather sealing, and wide-angle capability.
The FZ150’s compact sensor struggles in dynamic range compared to larger formats, capping at 10.9 stops per DxOMark. Its 25mm equivalent isn’t ultra-wide, which may disappoint for vast vistas. The camera lacks any weather sealing, so caution is advised in challenging environments. Still, the lens sharpness is decent across the frame, and the 12MP files handle decent prints online or 8x10” sizes without issues.
Enter the 645Z - its 51MP sensor, with 14.7 stops dynamic range and no anti-aliasing filter, delivers unparalleled detail and subtle gradations in shadows and highlights. Medium format lenses start wider and maintain stellar sharpness edge-to-edge. This body is weather sealed against dust, moisture, and even freezing temps, ticking crucial boxes for outdoor professionals.
Landscape shooters who demand print-worthy files and shoot in unpredictable conditions will appreciate the 645Z’s robust build and image quality. Casual landscape fans or those wanting portability may opt for the FZ150 to capture scenery without lugging heavy gear.
On the Hunt: Wildlife and Sports Performance
Razor-sharp autofocus, fast continuous shooting, and long reach combine to make a winning wildlife or sports camera.
The FZ150 boasts a whopping 600mm (25–600mm lens), ideal for distant subjects. It achieves 12 frames per second (fps) burst shooting, impressive for its class, though autofocus remains contrast-based and single-shot only - no tracking or continuous AF. This limitation makes it challenging to maintain focus on moving animals or athletes. Its optical image stabilization helps reduce blur at long reach.
The 645Z’s medium format sensor carries a hefty price, and sports shooters might balk at its 3 fps burst speed. However, its autofocus system supports continuous AF with 27 focus points and face detection, plus excellent low light AF thanks to phase detection. The lack of stabilization in body is balanced by stabilization in many compatible lenses. The telephoto lenses available cover longer focal lengths but aren’t as extreme as the FZ150’s 600mm reach.
If you prioritize reach and ultra-fast burst rates at an affordable price, the FZ150 could surprise you despite AF limitations. For image quality and focus reliability on moving subjects, the 645Z excels but is less snappy in frame rates.
Street and Travel Photography: Discretion Meets Versatility
For street shooters, weight, size, low light performance, and responsiveness matter deeply.
Clearly, the FZ150’s compact nature and versatile zoom are ideal for quick candid shots and urban exploration. Its slower autofocus and vignette at telephoto aren’t game changers for casual use. The lack of weather sealing means worries about rain or dust.
The 645Z is a lighthouse of capability but cumbersomely large, making it less ideal for blending into crowds or spontaneous shoots. Its low-light prowess is excellent, but carry weight and attention you attract pose challenges. Battery life, also higher on the 645Z (650 shots vs. 410 on FZ150), helps on long travel days, but the cost and size may be prohibitive.
For general travel photography where size and zoom are necessary, the FZ150 rules. For deliberate, high-end location shoots where ultimate image quality is non-negotiable, choose the 645Z.
Macro and Close-Up Work: Focusing and Stabilization
Do you relish shooting tiny subjects in incredible detail?
The FZ150 lets you get as close as 1cm in macro mode - right up against your subject. Coupled with optical image stabilization and a bright lens aperture, it’s a capable compact macro tool for beginners and enthusiasts. Manual focusing can be fiddly given the contrast AF system.
Medium format lenses for the 645Z typically don’t specialize in macro, but the sensor’s sheer resolution captures every minutiae with clarity when paired with suitable optics. Focus precision benefits from phase-detect AF and focus peaking in live view. However, stabilization relies on lenses, and you’ll likely need a tripod for the finest details.
If you want quick macro fun without extra gear, the FZ150 is practical. For impeccably detailed macro art, the 645Z, coupled with dedicated macro lenses and a steady setup, is superior.
Night and Astro Photography: Low Light Mastery
Night shots push sensors to their limits - noise performance and dynamic range can make or break your results.
The FZ150 peaks at ISO 6400 natively but shows noticeable noise and detail loss above ISO 800–1600, limiting astro or night-shooting ambitions. Long exposures up to 30 seconds are possible, but thermal and sensor noise require noise-reduction intervention.
With dynamic range topping near 15 stops and ISO native climb to 204,800 (albeit with practical limits), the 645Z dominates. It can deliver clean images deep into twilight and starscapes with minimal noise, especially when paired with fast medium format lenses and sturdy tripods.
While the FZ150 can handle casual night snapshots, serious astro and night photographers will find the 645Z a revelation in pushing sensor limits.
Video Capabilities: Moving Pictures From Both Cameras
Now, video - a surprisingly strong suit for both cameras, though with limitations.
The FZ150 records Full HD 1080p at 60 and 30 fps with built-in stereo mic and a microphone port for external mics. The lens's optical stabilization aids smooth handheld footage, though it lacks 4K photo or advanced video codecs.
The Pentax 645Z records 1080p Full HD at multiple frame rates using H.264 compression and offers a mic port but no headphone jack. Video features are basic compared to dedicated video cameras, but the footage excels in sharpness and color fidelity thanks to the sensor and lens quality.
If video is a secondary interest, both cameras perform decently; the FZ150 focuses on ease and stabilization, while the 645Z offers cinematic image quality but less advanced recording options.
Professional Reliability and Workflow Integration
The devil is in the details when it comes to how cameras integrate into professional workflows.
The Pentax 645Z is a stellar choice here: dual card slots supporting SD/SDHC/SDXC cards, weather sealed body robust enough for fieldwork (including freeze-proof specs), and compatibility with Pentax’s professional tethering software. USB 3.0 connectivity expedites file transfer. Raw support is comprehensive.
The FZ150, designed for enthusiasts, only offers single SD card slots and USB 2.0. No weather sealing, no professional tethering - but it supports raw files, catering to those who want editing flexibility without the bulk.
Professionals shooting commercial, studio, or demanding environmental work will value the 645Z. Enthusiasts and travelers can work well with the FZ150 as a lightweight tool.
Connectivity, Battery Life, and Workflow Convenience
Neither camera offers wireless or Bluetooth connectivity - a sign pre-2015 holdovers. Both include HDMI for external monitoring.
Battery life favors the Pentax with 650 shots/cycle versus the FZ150’s 410 - a critical factor for long outings or remote shoots.
The 645Z uses the D-LI90 battery, common in Pentax medium format bodies, while the FZ150 uses a proprietary pack.
In daily working terms, the added battery life and dual storage slot options of the 645Z give it an edge.
Raw Performance in the Numbers
Here’s a helpful performance snapshot from DxOMark to quantify sensor IQ differences.
See how the 645Z soars with an overall score of 101 compared to the FZ150’s 40? The color depth and dynamic range gulf is vast, and low light ISO ratings underscore these cameras’ distinct applications.
How These Cameras Stack Up Across Genres
Breaking performance down by photography types reveals unique strengths.
- Portraits: 645Z excels due to sensor size, AF, and lenses.
- Landscape: 645Z dominates in dynamic range and resolution.
- Wildlife and Sports: FZ150 has reach and burst rate; 645Z offers better AF tracking but slower fps.
- Street: FZ150’s size and zoom make it nimble; 645Z less discreet.
- Macro: Both perform respectably; 645Z pushes detail, FZ150 offers convenience.
- Night/Astro: 645Z far superior in ISO clean and dynamic range.
- Video: Fairly equal, with FZ150 ease of use and 645Z quality edge.
- Travel: FZ150 better for mobility; 645Z for image quality obsession.
- Professional Use: 645Z built for workflow and reliability.
A Look at Real-World Image Samples
To get a practical sense of differences, check out this gallery from each camera.
Note the subtle gradations in skin tones, the crispness of landscapes, and the distinct smoothness in night shots from the 645Z photos versus the punchy but flatter output from the FZ150.
Price and Value Considerations
Finally, budget reality bites - the Panasonic FZ150 retails close to $500, while the Pentax 645Z creeps above $5,000 body only.
That tenfold difference comes with the expected jump in image quality and functionality but is not trivial for most shooters.
If your demands revolve around stunning print-sized portraits, professional landscapes, or commercial work, the 645Z justifies the cost. For casual use, travel, and a versatile zoom lens in one package, the FZ150 offers excellent bang for your buck.
Wrapping Up: Which Camera Is Right for You?
After poking, prodding, and thoroughly evaluating both cameras through multiple photography disciplines, it comes down to your priorities.
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Choose the Panasonic FZ150 if you want:
- A versatile all-in-one superzoom bridge camera
- Lightweight, pocketable design
- Fast continuous shooting for casual action shots
- Affordable entry point with raw support
- Basic portrait and landscape photo quality
- Decent video features and articulating screen for creative angles
-
Choose the Pentax 645Z if you want:
- Exceptional medium format image quality with ultra-high resolution
- Stellar dynamic range for professional prints and demanding genres
- Robust weather-sealed body with professional reliability
- Advanced autofocus and tracking for portraits and events
- Dual card slots and better workflow integration
- The ultimate tool for studio, landscape, and commercial work where budget allows
Both cameras excel in their intended spheres. It’s a bit like comparing a Swiss Army knife to a professional chef’s knife: both useful, but wildly different tools tailored for different tasks.
If you’re still on the fence or want to see these cameras in action, I encourage you to scroll through my video review and hands-on tests where I examine autofocus speed, real-time image processing, and ergonomics in various shooting conditions.
Dear reader, whatever path you choose, may your images delight and inspire. Happy shooting.
Panasonic FZ150 vs Pentax 645Z Specifications
Panasonic Lumix DMC-FZ150 | Pentax 645Z | |
---|---|---|
General Information | ||
Company | Panasonic | Pentax |
Model type | Panasonic Lumix DMC-FZ150 | Pentax 645Z |
Class | Small Sensor Superzoom | Pro DSLR |
Launched | 2012-04-11 | 2014-04-15 |
Body design | SLR-like (bridge) | Large SLR |
Sensor Information | ||
Processor | - | PRIME III |
Sensor type | CMOS | CMOS |
Sensor size | 1/2.3" | Medium format |
Sensor measurements | 6.17 x 4.55mm | 44 x 33mm |
Sensor surface area | 28.1mm² | 1,452.0mm² |
Sensor resolution | 12MP | 51MP |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3 |
Peak resolution | 4000 x 3000 | 8256 x 6192 |
Highest native ISO | 6400 | 204800 |
Min native ISO | 100 | 100 |
RAW pictures | ||
Autofocusing | ||
Manual focusing | ||
Touch to focus | ||
AF continuous | ||
Single AF | ||
Tracking AF | ||
AF selectice | ||
Center weighted AF | ||
Multi area AF | ||
Live view AF | ||
Face detection AF | ||
Contract detection AF | ||
Phase detection AF | ||
Total focus points | 23 | 27 |
Lens | ||
Lens support | fixed lens | Pentax 645AF2 |
Lens zoom range | 25-600mm (24.0x) | - |
Highest aperture | f/2.8-5.2 | - |
Macro focusing distance | 1cm | - |
Available lenses | - | 6 |
Crop factor | 5.8 | 0.8 |
Screen | ||
Range of screen | Fully Articulated | Tilting |
Screen size | 3 inch | 3.2 inch |
Resolution of screen | 460k dot | 1,037k dot |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Viewfinder Information | ||
Viewfinder type | Electronic | Optical (pentaprism) |
Viewfinder coverage | 100 percent | 98 percent |
Viewfinder magnification | - | 0.85x |
Features | ||
Minimum shutter speed | 30 seconds | 30 seconds |
Fastest shutter speed | 1/2000 seconds | 1/4000 seconds |
Continuous shutter speed | 12.0fps | 3.0fps |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | Yes | Yes |
Set WB | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | 9.50 m | no built-in flash |
Flash settings | Auto, On, Off, Red-eye, Slow Sync | Flash On, Flash On+Red-eye Reduction, Slow-speed Sync, Slow-speed Sync+Red-eye, P-TTL, Trailing Curtain Sync, contrast-control-sync, high-speed sync, wireless sync |
External flash | ||
AE bracketing | ||
WB bracketing | ||
Fastest flash sync | - | 1/125 seconds |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (60, 30 fps), 1280 x 720 (60, 30 fps), 640 x 480 (30 fps), 320 x 240 (220 fps) | 1920 x 1080 (60i, 50i, 30p, 25p, 24p), 1280 x 720 (60p, 50p, 30p, 25p,24p) |
Highest video resolution | 1920x1080 | 1920x1080 |
Video file format | MPEG-4, AVCHD, Motion JPEG | MPEG-4, H.264 |
Microphone input | ||
Headphone input | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 3.0 (5 GBit/sec) |
GPS | None | Optional |
Physical | ||
Environment seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 528g (1.16 lb) | 1550g (3.42 lb) |
Physical dimensions | 124 x 82 x 92mm (4.9" x 3.2" x 3.6") | 156 x 117 x 123mm (6.1" x 4.6" x 4.8") |
DXO scores | ||
DXO Overall rating | 40 | 101 |
DXO Color Depth rating | 19.4 | 26.0 |
DXO Dynamic range rating | 10.9 | 14.7 |
DXO Low light rating | 132 | 4505 |
Other | ||
Battery life | 410 photos | 650 photos |
Style of battery | Battery Pack | Battery Pack |
Battery ID | - | D-LI90 |
Self timer | Yes (2 or 10 sec, 10 sec (3 pictures)) | Yes (2 or 10 secs) |
Time lapse recording | ||
Storage media | SD/SDHC/SDXC, Internal | Dual SD/SDHC/SDXC slots |
Storage slots | 1 | 2 |
Cost at release | $499 | $5,024 |