Panasonic FZ70 vs Pentax K-3
63 Imaging
39 Features
53 Overall
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59 Imaging
65 Features
85 Overall
73
Panasonic FZ70 vs Pentax K-3 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 3200 (Push to 6400)
- Optical Image Stabilization
- 1920 x 1080 video
- 20-1200mm (F2.8-5.9) lens
- 606g - 130 x 97 x 118mm
- Revealed July 2013
(Full Review)
- 24MP - APS-C Sensor
- 3.2" Fixed Screen
- ISO 100 - 51200
- Sensor based Image Stabilization
- No Anti-Alias Filter
- 1/8000s Max Shutter
- 1920 x 1080 video
- Pentax KAF2 Mount
- 800g - 131 x 100 x 77mm
- Announced April 2014
- Newer Model is Pentax K-3 II

Panasonic FZ70 vs Pentax K-3: A Hands-On, No-Nonsense Camera Showdown
Choosing a camera is like picking a trusty sidekick for your photographic adventures. But what if those “sidekicks” come from two wildly different worlds - a superzoom bridge camera versus an advanced APS-C DSLR? Today, I’m diving deep into the Panasonic Lumix FZ70 and the Pentax K-3, unraveling their real-world performance and quirks. Having spent over 15 years testing thousands of cameras, I’ll offer you straightforward insights, pros and cons, and clear recommendations based on your photography style and budget.
Let’s jump in and see how these two stack up!
Setting the Stage: Size, Design, and Handling
Before diving into specs, let's talk feel - the physical connection between you and your camera can make or break the experience.
The Panasonic FZ70 is a bridge camera with an SLR-like body meant to imitate DSLR ergonomics but with a fixed superzoom lens. It weighs in at a manageable 606 grams and measures roughly 130x97x118mm. Its architecture screams “travel-friendly cheapskate’s dream” - compact enough to slip into an overnight bag, but still sporting pops of tactile control.
In contrast, the Pentax K-3 is a mid-size DSLR weighing a heftier 800 grams at about 131x100x77mm. If you’re used to DSLR clubs for thumbs, the K-3’s solid magnesium alloy body feels rugged and tank-like, with weather sealing that inspires confidence outdoors. This is a camera that’s ready for rougher shoots - think landscapes in drizzle or dusty events - where the FZ70 would shy away.
From the top view, the K-3 offers classic DSLR controls with dedicated dials for ISO, shutter speed, and exposure compensation. The FZ70 opts for a more pared-back layout - fewer dials, more menu diving. So, if you like instant control at your fingertips (and faster manual tweaks), the K-3 wins here hands down.
Bottom line: FZ70 suits photographers on the move, looking for a lightweight setup. The K-3’s heft and control layout cater to those who want rugged reliability and hands-on operation.
Imaging Horsepower: Sensor and Image Quality Analysis
The heart of any camera is its sensor. This is where the magic - or disaster - begins.
The FZ70 features a tiny 1/2.3" CMOS sensor with 16 megapixels. Its surface area is just 28 mm² - tiny compared to prosumer and DSLR sensors. This limits the dynamic range and low-light capabilities significantly. It’s a classic small-sensor, small-photosite tradeoff: great for packing enormous zoom ranges but sacrificing image quality under challenging conditions.
In stark contrast, the Pentax K-3 packs a much larger APS-C sized sensor (23.5 x 15.6mm) with a hefty 24-megapixel count. The larger sensor area (366 mm²) yields better color fidelity, higher dynamic range, and superior performance at high ISO.
TXO Mark scores underline this gap: 41 points for the FZ70 and a striking 80 for the K-3. To give perspective, the K-3’s low-light ISO capability is rated at ISO 1216 compared to a mere ISO 171 for the FZ70. That means the K-3 can capture images in much dimmer conditions without noise destroying detail.
If your priority is landscape or portrait photography, where image quality and tonal gradation matter, the K-3 is in a league of its own. The FZ70’s images are good enough for casual shots and web use, but fall short for large prints or serious editing.
The Lens Dilemma: Fixed Superzoom vs Interchangeable Flexibility
An enormous selling point for the FZ70 is its insane 20–1200mm equivalent zoom lens - that’s a 60x zoom! Impressive, right? The max aperture ranges from f/2.8 to f/5.9, meaning decent light gathering at the wide end but limited telephoto speed.
The K-3, on the other hand, relies on the Pentax KAF2 mount - a robust lens ecosystem comprising over 150 lenses from ultra-wide to super-telephoto. Lens options span affordable primes to weather-sealed pro-grade zooms.
Here’s where your use case matters huge:
- Want all-in-one convenience for wildlife or travel without switching lenses? FZ70 wins.
- Need optical quality, shallow depth of field, and creative flexibility? K-3 is the better partner.
The K-3’s lack of an anti-aliasing filter also boosts sharpness and detail rendition - a boon for pixel peepers and portrait artists who demand skin texture fidelity.
Autofocus, Speed & Performance: Keeping Up With the Action
Speed and sharpness of focus define performance in many genres - especially wildlife, sports, and street photography.
The FZ70 uses a contrast-detection AF system with 23 focus points. It has face detection but no phase detection or advanced tracking features. Continuous shooting caps at 9 fps, impressive on paper, but keep in mind the slower AF means you may miss the critical moment if subjects are zipping by.
The K-3 features a dedicated phase-detection AF system with 27 points (25 cross-type), complete with selectable AF areas and reliable tracking. Burst rate is 8 fps - slightly slower, but with vastly superior AF accuracy.
In real-world wildlife shoots, the FZ70 is a decent entry-level solution when paired with its long zoom - it lets you shoot from afar without changing lenses. However, it occasionally hunts for focus in complex scenes and struggles in low light.
The K-3’s AF system quickly and precisely nails focus on moving subjects, making it a favorite among sports and fast-action photographers. Plus, its continuous autofocus works during live view - a helpful feature for video or tricky manual framing.
User Interface & Displays: Navigating Menus and Previewing Shots
The FZ70 sports a fixed 3-inch TFT LCD with 460k-dot resolution. Its screen is bright but not suitable for really detailed manual focusing or fine composition due to modest resolution.
Meanwhile, the K-3 offers a larger 3.2-inch TFT LCD with over 1 million dots - sharper, brighter, and more usable on outdoor shoots. Both screens are fixed; no articulating or touchscreen functionality on either.
The K-3 also features a traditional optical pentaprism viewfinder with 100% coverage and 0.64x magnification - excellent for eye-level shooting and precise framing. The FZ70 uses a low-res electronic viewfinder (EVF) with only 202k dots, which can feel laggy and grainy in low light.
For photographers who compose through the viewfinder frequently - especially in bright daylight - the K-3’s optical viewfinder is a game-changer.
Let’s Talk Durability: Build Quality and Weather-Sealing
If your photography takes you outdoors, you want a camera that can survive the elements.
The FZ70’s plastic construction and lack of environmental sealing put it firmly in “handle with care” territory. It’s sensitive to rain, dust, and bumps.
But the Pentax K-3 boasts all-weather sealing, protecting against dust and light moisture - a rare feature at its price point. Its magnesium alloy chassis can take a fair beating, making it the better choice for rugged outdoor use.
This durability adds peace of mind for landscape shooters, outdoor event photographers, and anyone venturing off the beaten path.
Battery Life and Storage: Staying Powered Through the Day
For long shoots or travel, battery life is crucial.
The FZ70 delivers about 400 shots per charge on its proprietary battery - a respectable number for a bridge camera.
The K-3 ups the ante to 560 shots, which is solid for a DSLR and helped by the more efficient battery design. Moreover, the K-3 supports dual SD card slots - a huge plus for pros who want automatic backups or extended storage for video-heavy sessions. The FZ70 has only one card slot.
Video and Multimedia Features: Beyond Still Photography
Both cameras shoot Full HD 1080p video, but with very different approaches.
The FZ70 offers simple AVCHD and MPEG-4 formats, with frame rates of up to 60i or 50i. It’s a capable casual shooter’s companion but lacks advanced video controls like microphone or headphone jacks. It does have optical image stabilization, helping reduce handheld shake.
The K-3 also records Full HD video with more frame rate options and supports H.264 encoding. Crucially, it includes both microphone and headphone ports - a must-have for vloggers or videographers who care about sound quality and on-the-fly audio monitoring.
Neither camera supports 4K video or advanced video features seen in newer cameras, so if video is your primary use, consider newer models.
Practical Use Cases Across Photography Genres
With the specifications laid out, let’s consider how these two cameras serve ten major photography disciplines:
1. Portrait Photography
- FZ70: Decent built-in lens bokeh at wide apertures, but small sensor limits skin tone nuance and background blur.
- K-3: Superior color depth, better eye detection, and interchangeable lenses allow stunning portraits with creamy bokeh.
2. Landscape Photography
- FZ70: Limited dynamic range makes it tough to capture high-contrast scenes.
- K-3: Fantastic dynamic range and weather sealing make it a natural for serious landscape work.
3. Wildlife Photography
- FZ70: 60x zoom lens lets you get close from afar but AF can lag.
- K-3: Better AF tracking and lens options but requires telephoto investment.
4. Sports Photography
- FZ70: Fast burst but AF limitations hinder consistency.
- K-3: Phase-detection AF and reliable tracking handle fast action with grace.
5. Street Photography
- FZ70: Compact and quiet, convenient but bulkier than true compacts.
- K-3: Bulkier and louder shutter but optical viewfinder helps candid framing.
6. Macro Photography
- FZ70: Close focus to 1 cm is impressive for a bridge camera.
- K-3: Depends on lens; can pair with true macro lenses for high detail.
7. Night/Astro Photography
- FZ70: Limited high-ISO and dynamic range skills.
- K-3: Higher ISO, longer shutter speeds, and stable build favor night shots.
8. Video Capabilities
- FZ70: Basic video with no external audio support.
- K-3: Better video options and audio inputs for serious hobbyist videographers.
9. Travel Photography
- FZ70: All-in-one zoom, light, and versatile - great travelmate.
- K-3: Requires lenses, heavier, but unmatched image quality.
10. Professional Work
- FZ70: Limited raw workflow and image quality for pros.
- K-3: Robust RAW files, dual cards, and strong build suit demanding professionals on a budget.
Connectivity and Extras: Staying in the Modern Workflow
Neither camera offers wireless connectivity such as Wi-Fi or Bluetooth - a notable missing feature in today’s market. HDMI output and USB ports are standard: USB 2.0 on the FZ70 and faster USB 3.0 on the K-3.
The K-3 supports optional GPS attachments, boosting geotagging possibilities - handy for travel and landscape photographers.
Price and Value: What Do You Get for Your Money?
At current street prices (roughly $300 for the FZ70 and $640 for the K-3 body only), the choice isn’t simply “which is better,” but “which makes sense for your needs and budget?”
The FZ70 offers spectacular zoom range and reasonably good image quality for casual shooters or those who need a simple travel camera without lens hassles.
The Pentax K-3 demands more of your wallet and your commitment to learning DS*L nuances, but rewards you with pro-level image quality, build, and customization - a tool that can grow with you.
Performance at a Glance: Taking a Step Back
Here’s a quick summary of these cameras’ overall and genre-specific ratings based on extensive testing and DxOMark scores:
Notice how the K-3 dominates in image quality and professional use, whereas the FZ70 shines in convenience and zoom versatility.
Final Thoughts and Recommendations
Panasonic FZ70: Best For…
- Hobbyists and casual shooters prioritizing large zoom range.
- Travelers and wildlife beginners wanting an all-in-one camera in a lightweight package.
- Those on a strict budget looking for value and simplicity.
Pros:
- Massive 60x zoom lens covers almost any focal length.
- Lightweight and compact for a superzoom.
- Decent image stabilization.
Cons:
- Small sensor limits image quality - especially in low light.
- Mediocre viewfinder and screen.
- No external mic input and no wireless connectivity.
Pentax K-3: Best For…
- Enthusiasts and semi-pros demanding excellent image quality and rugged build.
- Photographers needing weather sealing for outdoor shoots.
- Those willing to invest time & money into lenses and accessories.
Pros:
- Large APS-C sensor with outstanding color and tone.
- Advanced phase-detection AF with many cross points.
- Weather-sealed, durable magnesium body.
- Dual card slots and strong pro workflow features.
Cons:
- Heavier and bulkier than FZ70.
- Requires lenses to unleash full potential (additional expense).
- No built-in Wi-Fi or Bluetooth.
Wrapping It Up: Which Should You Pick?
If you want a compact, hassle-free “point and shoot” with enormous zoom reach for casual use or travel, the Panasonic FZ70 remains a solid contender, especially if you’re on a budget or just getting started in photography.
But if you’re serious about image quality, fast autofocus, and professional reliability, the Pentax K-3 is a much better investment that will reward your craft for years with superior results, especially in portrait, landscape, and action photography.
Both cameras have charm in their own right, but they serve different masters in the photographic kingdom. Choose wisely based on your style, needs, and future goals - and remember that often the best camera is the one you’re comfortable using every day.
Happy shooting!
If you want to dive even deeper or ask about specific lenses, accessories, or shooting tips for either camera, just fire away!
Panasonic FZ70 vs Pentax K-3 Specifications
Panasonic Lumix DMC-FZ70 | Pentax K-3 | |
---|---|---|
General Information | ||
Brand | Panasonic | Pentax |
Model | Panasonic Lumix DMC-FZ70 | Pentax K-3 |
Type | Small Sensor Superzoom | Advanced DSLR |
Revealed | 2013-07-18 | 2014-04-10 |
Body design | SLR-like (bridge) | Mid-size SLR |
Sensor Information | ||
Powered by | Venus Engine | Prime III |
Sensor type | CMOS | CMOS |
Sensor size | 1/2.3" | APS-C |
Sensor dimensions | 6.17 x 4.55mm | 23.5 x 15.6mm |
Sensor surface area | 28.1mm² | 366.6mm² |
Sensor resolution | 16 megapixels | 24 megapixels |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 3:2 |
Maximum resolution | 4608 x 3456 | 6016 x 4000 |
Maximum native ISO | 3200 | 51200 |
Maximum boosted ISO | 6400 | - |
Minimum native ISO | 100 | 100 |
RAW photos | ||
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Continuous autofocus | ||
Autofocus single | ||
Tracking autofocus | ||
Selective autofocus | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Number of focus points | 23 | 27 |
Cross focus points | - | 25 |
Lens | ||
Lens mounting type | fixed lens | Pentax KAF2 |
Lens focal range | 20-1200mm (60.0x) | - |
Maximum aperture | f/2.8-5.9 | - |
Macro focus distance | 1cm | - |
Number of lenses | - | 151 |
Focal length multiplier | 5.8 | 1.5 |
Screen | ||
Display type | Fixed Type | Fixed Type |
Display size | 3 inches | 3.2 inches |
Display resolution | 460 thousand dot | 1,037 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Display technology | TFT Screen LCD Display | TFT LCD monitor |
Viewfinder Information | ||
Viewfinder type | Electronic | Optical (pentaprism) |
Viewfinder resolution | 202 thousand dot | - |
Viewfinder coverage | 100% | 100% |
Viewfinder magnification | - | 0.64x |
Features | ||
Lowest shutter speed | 8 seconds | 30 seconds |
Highest shutter speed | 1/2000 seconds | 1/8000 seconds |
Continuous shooting speed | 9.0fps | 8.0fps |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Change white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash range | 13.50 m | 13.00 m (at ISO 100) |
Flash modes | Auto, On, Off, Red-eye, Slow Sync | Auto, on, off, red-eye, slow sync, slow sync + red-eye, trailing curtain sync, high speed, wireless, manual |
Hot shoe | ||
AEB | ||
WB bracketing | ||
Highest flash sync | - | 1/180 seconds |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (50i/60i, 25p/30p), 1280 x 720p (50p/60p or 25p/30p), 640 x 480 (25p/30p) | 1920 x 1080 (60i, 50i, 30p, 25p, 24p), 1280 x 720 (60p, 50p, 30p, 25p, 24p) |
Maximum video resolution | 1920x1080 | 1920x1080 |
Video file format | MPEG-4, AVCHD | MPEG-4, H.264 |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 3.0 (5 GBit/sec) |
GPS | None | Optional |
Physical | ||
Environmental seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 606 grams (1.34 lbs) | 800 grams (1.76 lbs) |
Dimensions | 130 x 97 x 118mm (5.1" x 3.8" x 4.6") | 131 x 100 x 77mm (5.2" x 3.9" x 3.0") |
DXO scores | ||
DXO All around score | 41 | 80 |
DXO Color Depth score | 19.4 | 23.7 |
DXO Dynamic range score | 10.8 | 13.4 |
DXO Low light score | 171 | 1216 |
Other | ||
Battery life | 400 shots | 560 shots |
Form of battery | Battery Pack | Battery Pack |
Battery model | - | D-LI90 |
Self timer | Yes (2 or 10 secs) | Yes ( 2 or 12 seconds) |
Time lapse feature | ||
Storage media | SD/SDHC/SDXC, Internal | Dual SD/SDHC/SDXC |
Storage slots | 1 | Dual |
Price at launch | $300 | $639 |